From Science fiction grandmaster Frank Herbert, creator of the Dune universe, comes this novel of bioterrorism and gendercide.
What if women were an endangered species?
It begins in Ireland, but soon spreads throughout the entire world: a virulent new disease expressly designed to target only women. As fully half of the human race dies off at a frightening pace and life on Earth faces extinction, panicked people and governments struggle to cope with the global crisis. Infected areas are quarantined or burned to the ground. The few surviving women are locked away in hidden reserves, while frantic doctors and scientists race to find a cure. Anarchy and violence consume the planet.
The plague is the work of a solitary individual who calls himself the Madman. As government security forces feverishly hunt for the renegade scientist, he wanders incognito through a world that will never be the same. Society, religion, and morality are all irrevocably transformed by the White Plague.
|Publisher:||Tom Doherty Associates|
|Edition description:||First Edition|
|Product dimensions:||5.50(w) x 8.50(h) x 0.99(d)|
About the Author
Frank Herbert is the author of the 1965 science fiction classic, Dune. He passed away in 1986.
Read an Excerpt
May the hearthstone of hell be his bed rest forever!
—Old Irish Curse
It was an ordinary gray British Ford, the spartan economy model with right-hand drive customary in Ireland. John Roe O’Neill would remember the driver’s brown-sweatered right arm resting on the car’s windowsill in the cloud-filtered light of that Dublin afternoon. A nightmare capsule of memory, it excluded everything else in the scene; just the car and that arm.
Several other surviving witnesses commented on a crumpled break in the Ford’s left front wing. The break had begun to rust.
Speaking from her hospital bed, one witness said: “The break was a jagged thing and I was afraid someone would be cut if they brushed against it.”
Two of those who recalled seeing the car come out of Lower Leeson Street knew the driver casually, but only from his days in postal uniform. He was Francis Bley, a retired postman working part-time as a watchman at a building site in Dun Laoghaire. Bley left for work early every Wednesday, giving himself time to run a few errands and then pick up his wife, Tessie. On that one day each week, Tessie spent the morning doing “light secretarial” for a betting shop in King Street. It was Tessie’s habit to spend the rest of the day with her widowed sister who lived in a remodeled gatehouse off the Dun Laoghaire bypass “just a few minutes out of his way.”
This was a Wednesday. May 20. Bley was on his way to pick up Tessie.
The Ford’s left front door, although appearing undamaged by the accident that had crumpled the wing, still required a twist of wire around the doorpost to keep it closed. The door rattled every time the car hit a bump.
“I heard it rattling when it turned onto St. Stephen’s Green South,” one witness said. “It’s God’s own mercy I wasn’t at the Grafton corner when it happened.”
Bley turned right off St. Stephen’s Green South, which put him on St. Stephen’s Green West, hugging the left lane as he headed for Grafton Street. There were better routes for him to make his connection with Tessie, but this was “his way.”
“He liked to see all the people,” Tessie said. “God rest him, that’s what he said he missed most when he quit the postal—all the people.”
Bley, slight and wrinkled, had that skin-stretched cadaverous look that is common among certain aged Celts from the south of Ireland. He wore a soiled brown hat almost the exact shade of his patched sweater, and he drove with the patient detachment of someone who came this way often. And if the truth were known, he rather liked being slowed by the heavy traffic.
It had been cold and wet through most of spring and, while it was still cloudy, the cloud cover had thinned and there was a feeling that there might be a break in the weather. Only a few of the pedestrians carried umbrellas. The trees of St. Stephen’s Green on Bley’s right were in full leaf.
As the Ford inched along in the congested traffic, the man watching for it from a fourth-floor window of the Irish Film Society Building nodded once in satisfaction.
Right on time.
Bley’s Ford had been selected because of this Wednesday punctuality. There was also the fact that Bley did not garage his car where he and Tessie lived in Davitt Road. The Ford was parked outside beside a thick yew hedge, which could be approached from the street along a path shielded by a parked van. There had been a van parked in this covering position the previous night. Neighbors had seen it but no one had thought to comment at the time.
“There were often vehicles parked in that place,” one said. “How were we to know?”
The watcher at the Film Society Building had many names but he had been born Joseph Leo Herity. He was a small, solidly fleshy man with a long, thin face and pale, almost translucent skin. Herity wore his blond hair combed straight back and hanging almost to the collar. His light brown eyes were deeply set and he had a pugged nose with prominent nostrils from which hair protruded.
From his fourth-floor vantage, Herity commanded an overview of the entire setting for the drama he was about to ignite. Directly across from him, the tall trees of the green formed a verdant wall enclosing the flow of vehicles and pedestrians. The Robert Emmet statue stood opposite his window and, to the left of it, there was a black-on-white sign to the public toilets. Bley’s Ford had stopped with the traffic just to the left of Herity’s window. A white tour bus with blue-and-red stripes down its side loomed over the small Ford. Traffic fumes were thick even at the fourth-floor level.
Herity checked Bley’s license number to be certain. Yes—JIA-5028. Then there was the crumpled left front wing.
The traffic began to inch forward, then stopped once more.
Herity glanced left at the Grafton Street corner. He could see the signs of the Toy World shop and the Irish Permanent Society on the ground floor of the red brick building soon to be taken over by the Ulster Bank. There had been some protest about that, one ragged march with a few signs, but it had died out quickly. The Ulster Bank had powerful friends in the government.
Barney and his lot, Herity thought. They think we’re ignorant of their scheme to make a peace with the Ulster boys!
Again, Bley’s Ford inched toward the corner, but once more was stopped. There was heavy foot traffic where Grafton took off from St. Stephen’s Green.
A bald-headed man in a dark blue suit had stopped almost directly beneath Herity’s window and was examining the cinema marquee. Two young men pushing bicycles threaded their way past the bald-headed man.
The traffic remained stopped.
Herity looked down at the top of Bley’s car. So innocent-looking, that car. Herity had been one of the two-man team to emerge from the yewshrouded van near Bley’s parking spot the previous night. In Herity’s hands had been a molded plastic package, which they had attached like a deformed limpet under Bley’s car. At the core of that package lay a tiny radio receiver. The transmitter sat on the windowsill in front of Herity. A small black metal rectangle, it had a thin wire antenna and two recessed toggle switches—one painted yellow, the other red. Yellow armed it, red transmitted.
A glance at his wristwatch told Herity that they were already five minutes past Zero Time. Not Bley’s fault. It was the blasted traffic.
“You can set your bloody watch by Bley,” the leader of their selection team had said. “The old bastard should be running a tram.”
“What’re his politics?” Greaves had asked.
“Who cares about his politics?” Herity had countered. “He’s perfect and he’ll be dying for a grand cause.”
“The street’ll be full of people,” Greaves had said. “And there’ll be tourists sure as hell is full of Brits.”
“We warned’em to stop the Ulster boys,” Herity had said. Greaves could be an old woman sometimes! “They know what to expect when they don’t listen to us.”
It was settled then. And now Bley’s car was inching once more toward the Grafton Street corner, toward the mass of pedestrians, including the possible tourists.
John Roe O’Neill, his wife, Mary, and their five-year-old twins, Kevin and Mairead, could have been classified as tourists, although John expected to be six months in Ireland while completing the research called for under his grant from the Pastermorn Foundation of New Haven, Conn.
“An Overview of Irish Genetic Research.”
He thought the title pompous, but it was only a cover. The real research was into the acceptance of the new genetics by a Roman Catholic society, whether such a society had taken a position to cope with the explosive potentials in molecular biology.
The project was much on his mind that Wednesday morning but necessary preparations required his attention. High on his list was the need to transfer funds from America to the Allied Irish Bank. Mary wanted to go shopping for sweaters “to keep our darlings warm of an evening.”
“There y’ go,” John teased as they left the Sherbourne Hotel, stepping into the rush of tourists and businessmen. “Only four days in Ireland and already you sound like a local.”
“And why not?” she demanded. “And both my grandmothers from Limerick.”
They laughed, drawing a few curious stares. The children tugged at Mary, anxious to be off shopping.
Ireland suited Mary, John thought. She had pale clear skin and dark blue eyes. Jet-black hair—“Spanish Hair,” her family called it—framed her rather round face. A sweet face. Irish skin and Irish features. He bent and kissed her before leaving. It brought a blush to her face but she was pleased at his show of affection and she gave him a warm smile as they parted.
John walked away briskly, humming to himself, amused when he recognized the tune: “Oh What a Beautiful Mornin’.”
John’s Wednesday appointment for “transfer of foreign funds” was at two P.M. at the Allied Irish Bank, Grafton and Chatham streets. There was a sign just inside the bank’s entrance, white letters on black: “Non Branch Customers Upstairs.” A uniformed guard led him up the stairs to the office of the bank manager, Charles Mulrain, a small, nervous man with tow-colored hair and pale blue eyes behind gold-framed glasses. Mulrain had a habit of touching the comers of his mouth with a forefinger, first left side then right, followed by a quick downward brush of his dark tie. He made a joke about having his office on the first floor, “what you Americans call the second floor.”
“It is confusing until you catch on,” John agreed.
“Well!” A quick touching of lips and tie. “You understand that we’d normally do this at our main office, but …”
“When I called, they assured me it was …”
“As a convenience to the customer,” Mulrain said. He lifted a folder from his desk, glanced inside it, nodded. “Yes, this amount … if you’ll make yourself comfortable here, I’ll just get the proper forms and be right back.”
Mulrain left, giving John a tight smile at the door.
John went to the window and pulled back a heavy lace curtain to look down on Grafton Street. The sidewalks were thick with people all the way up to the arched gateway into St. Stephen’s Green two short blocks up Grafton. The motor traffic was two abreast filling the street and crawling along toward him. There was a workman cleaning the parapet on the roof of the shopping center diagonally across the street—a white-coated figure with a long-handled brush. He stood outlined against a row of five chimney pots.
Glancing at the closed door of the manager’s office, John wondered how long Mulrain would be. Everything was so damned formal here. John looked at his watch. Mary would arrive with the children in a few minutes. They planned to have tea, then John would walk down Grafton to Trinity College and begin work at the college library—the real start of his research project.
Much later, John would look back on those few minutes at the bank manager’s “first-floor” window and think how another sequence of events had been set in motion without his knowledge, an inescapable thing like a movie. film where one frame followed another without ever the chance to deviate. It all centered around Francis Bley’s.old car and a small VHF transmitter in the hands of a determined man watching from an open window that looked down on that corner where Grafton met St. Stephen’s Green.
Bley, patient as always, eased along at the traffic’s pace. Herity, in his window vantage point, toggled the arming switch of his transmitter, making sure the antenna wire dangled out over the sill.
As he neared the Grafton corner, the crush of pedestrians forced Bley to stop and he missed the turn of the traffic light. He heard the tour bus gain clear of traffic off to his right, trundling off in a rumble of its heavy diesel. Barricades were being erected on the building to his left and a big white-onred sign had been raised over the rough construction: “This Building to be Remodeled by G. Tottenham Sons, Ltd.” Bley looked to his right and noted the tall blue-and-white Prestige Cafeteria sign, feeling a small pang of hunger. The pedestrian isthmus beside him was jammed with people waiting to cross over to St. Stephen’s Green and others struggling to make a way through the cars stopped on Grafton and blocking Bley’s path. The crush of pedestrians was particularly heavy around Bley’s car, people passing both front and back. A woman in a brown tweed coat, a white parcel clutched under her right elbow and each hand grasping a hand off a small child, hesitated at the right front corner of Bley’s car while she sought an opening through the press of people.
John Roe O’Neill, standing at the bank manager’s window, recognized Mary. He saw her first because of her familiar tweed coat and the way she carried her head, that sleek cap of jet hair. He smiled. The twins were screened from him by the hurrying adults but he knew from Mary’s stance that she held the children’s hands. A brief break in the throng allowed John a glimpse of the top of Kevin’s head and the old Ford with the driver’s brown-sweatered elbow protruding.
Where is that damned bank manager? John wondered. She’ll be here any minute.
He dropped the heavy lace curtain and looked once more at his wristwatch.
Herity, at the open window above and behind Bley, nodded once more to himself. He stepped back away from the window and toggled the second switch on his transmitter.
Bley’s car exploded, ripped apart from the bottom. The bomb, exploding almost under Bley’s feet, drove him upward with a large piece of the car’s roof, his body crushed, dismembered and scattered. The large section of roof sailed upward in a slow arc to come crashing onto the Irish Permanent Society Building, demolishing chimney pots and slates.
It was not a large bomb as such things went, but it had been expertly placed. The old car was transformed into jagged bits of metal and glass—an orange ball of fire peppered with deadly shrapnel. A section of the car’s bonnet decapitated Mary O’Neill. The twins became part of a bloody puddle blown against the iron fencing across the street at St. Stephen’s Green. Their bodies were more easily identified later because they were the only children of that age in the throng.
Herity did not pause to glance out at his work; the sound told it all. He tucked the transmitter into a small and worn military green pack, stuffed an old yellow sweater onto it, strapped the cover and slung the pack over his shoulder. He left the building by the back way, elated and satisfied. Barney and his group would get this message!
John O’Neill had looked up from his wristwatch just in time to see the orange blast envelop Mary. He was saved from the window’s shattered glass by the heavy curtains, which deflected all but one of the shards away from him. One small section of glass creased his scalp. The shock wave staggered him, driving him backward against a desk. He fell sideways, momentarily unconscious but getting quickly to his knees as the bank manager rushed into the room, shouting:
“Good God! What was that?”
John stumbled to his feet, rejecting the question and the answer that rumbled through his head like an aftershock of the blast. He brushed past the bank manager and out the door. His mind remained in shock but his body found its way down the stairs. He shouldered a woman aside at the foot of the stairs and lurched out onto the street where he allowed himself to be carried along by the crowd rushing toward the area of the blast. There was a smell of burnt iron in the air and the sound of cries and screams.
Within only a few seconds John was part of a crush being held back by police and uninjured civilians pressed into service to keep the area around the explosion clear. John elbowed and clawed his way forward.
“My wife!” he shouted. “I saw her. She was there. My wife and our children!”
A policeman pinned his arms and swung him around, blocking John’s view of the tangled fabric and bloody flesh strewn across the street.
The groans of the injured, the cries for help and the shouts of horror drove John into insensate rage. Mary needs me! He struggled against the policeman.
“Mary! She was right in front of …”
“The ambulances are coming, sir! There’s help at hand. You must be still. You cannot go through now.”
A woman off to John’s left said: “Let me through. I’m a nurse.”
This, more than anything else, stopped John’s struggles against the policeman.
People were helping. There was a nurse.
“It’ll be cleared up in a bit, sir,” the policeman said. His voice was maddeningly calm. “That’s a bad cut on your head. I’ll just help you across to where the ambulances are coming.”
John allowed himself to be led through a lane in the crowd, seeing the curious stares, hearing the voices on his right ooing and the calling upon God to “look over there”—the awed voices telling John about things he did not want to see. He knew, though. And there were glimpses past the policeman who helped him to a cleared place against a building across from the green.
“There now, sir,” the policeman said. “You’ll be taken care of here.” Then to someone else: “I think he was hit by a flying bit; the bleeding seems to’ve stopped.”
John stood with his back against a scarred brick wall from which the dust of the explosion still sifted. There was broken glass underfoot. Through an opening in the crowd to his right he could see part of the bloody mess at the corner, the people moving and bending over broken flesh. He thought he recognized Mary’s coat behind a kneeling priest. Somewhere within him there existed an understanding of that scene. His mind remained frozen, though, frigidly locked into limited thought. If he allowed himself to think freely, then events would flow—time would continue … a time without Mary and the children. It was as though a tiny jewel of awareness held itself intact within him, understanding, knowing … but nothing else could be allowed to move.
A hand touched his arm.
It was electric. A scream erupted from him—agonized, echoing down the street, bringing people whirling around to stare at him. A photographer’s flash temporarily blinded him, shutting off the scream, but he could still hear it within his head. It was more than a primal scream. This came from deeper, from some place he had not suspected and against which he had no protection. Two white-coated ambulance attendants grabbed him. He felt his coat pulled down, shirt ripped. There came the prick of a needle in his arm. They hustled him into an ambulance as an enveloping drowsiness overwhelmed his mind, sweeping away his memory.
For a long time afterward, memory would not reproduce those shocked minutes. He could recall the small car, the brown-sweatered elbow on the windowsill, but nothing afterward. He knew he had seen what he had seen: the explosion, the death. Intellectual awareness argued the facts. I was standing at that window, I must have seen the blast. But the particulars lay behind a screen that he could not penetrate. It lay frozen within him, demanding action lest the frozen thing thaw and obliterate him.
Copyright © 1982 by Herbert Properties LLC
Most Helpful Customer Reviews
American molecular biologist Dr. John O'Neill, accompanied by his wife Mary and their five years old twins Mairead and Kevin, is in Dublin completing his project ¿An Overview of Irish Genetic Research¿ as required by the Pastermorn Foundation grant. However, they are only a few days in country when the terrorist bomb killed Mary and the kids as he watched them die and consequently killed his soul too. John vowed vengeance on humanity for murdering his loved ones as he blames all mankind for their avarice. In his New England lab, he creates THE WHITE PLAGUE that kills women only for without females there is no human race. Instead of coming together governments go it alone seeking a cure scientific teams see future history books as each wants to be the Fleming of this age so none share their information with others. Firebombing the infected zones becomes the elixir of the moment. John returns to Ireland to take a first hand euphoric tour using his biochemist credentials as his visa. Others join his pilgrimage through hell including the terrorist who killed his family. --- THE WHITE PLAGUE is an exciting reprint of an early 1980s cautionary tale that seems still relevant with the talks of weapons of mass destruction and the politicizing by the government of scientific research and data. The story line is at its best prior to John coming to Ireland as competition to be the superhero and superpower leads to further failures at a time when international cooperation and teaming are critical. Although the book turns overly philosophical when John and company begin his final victory tour, science fiction thriller readers will appreciate Frank Herbert¿s warning in 1982 that government officials will use science for their dogmatic pampering of their supporters just ask the Surgeon Generals. --- Harriet Klausner
Read it years ago. I'd buy it again if I wanted an electronic copy
The White plague is not particularly pleasant, but tells the gripping story of John O'Niell, who is a molecular biologist studying the genetic patterns of native Irish in an approximation of the modern day when it was published, that being 1982. You can tell by the level of computer technology. Anyway, he is looking out a bank window waiting to complete some business and sees a car bomb go off below him as he is watching his wife and twin children walk away on a shopping errand. They are obviously killed and he is so distraught by the incident that he fractures in to a few separate personalities. One of these goes in to hiding and ingeniously creates a plague virus that is highly contagious and targeted to specifically kill women. He sends the virus to Ireland, England and Libya in payment for the death of his family in a terrorist bombing. (The IRA received materiel and training from Libya). The plague escalates and endangers the continuity of humanity, cities and regions are isolated by burned borders or are simply nuked out of existence to stop the spread of the death. There are obvious disruptions of systems, both religious and political. Yada yada yada, the hunt for a cure leads to revolutions in genetic engineering and the reduced population of women has a huge impact on future society as well.For something so morbid and destructive, it is actually an entertaining read. Frank Herbert is a man of great ideas and intellect as well as a brilliant writer. Many of the characters are Irish and he perfectly captures the nuances of the Irish accent. Very well done story.
I've always enjoyed Frank Herbert - until now. I hadn't heard of this title so when it came across my hands at work, I was excited to try it out and the story sounds good! Women are virtually extinct, wiped out by a plague that affects only them - societies crumble and fragment into smaller ones, governments topple, whole countries get "cleansed" by fire (the only sure way to obliterate the carriers - who are males) - it sounds like an interesting apocalytpic tale. But it didn't live up to that - it's often plodding, too slow for all that happens. The creator or this plague does so out of grief and revenge and Herbert tries to make him into some villain, but I just thought he was whiny and petty, frankly. Lots of people suffer grief - they don't destroy the world! Anyway, it was ok but it took some serious work to get through. 2.5 stars
I got about half way through this senseless pile before tossing it in the trash.Basically, the story is about all the women in the world being killed by some hackneyed bioengineered plague, which is carried by men and passed around on money. The story makes little sense as it follows various irritating people, including one of the few women who ended up being quarantined by pure luck.That's about all I can remember. It was awful.
This is basically Frank Herbert's version of The Stand, without the mystical, archetypical characters. It wasn't bad, but The Stand is about 10 times better. Basically, think The Andromeda Strain, except the virus actually gets out this time.
A well crafted science fiction, revenge thriller by the author better known for the Dune books. Molecular biologist Dr. John O'Neill's wife and children are blown to bits before his eyes by a terrorist carbomb. In the madness of his grief he is determined that those responsible be made to pay.He uses his skills to create a plague of global magnitude. Invariably fatal, the plague is also selective, targeting only women. The world is left in chaos, scientists are baffled, governments refuse to work together and closet themselves, each trying to be the first to come up with a cure. Firebombing affected areas becomes the order of the day.Not satisfied with merely creating disaster, Dr. O'Neill goes on a pilgrimage to Ireland to view his handiwork firsthand. He embarks on an overland trek thru the devestation, billing himself as a biochemist "who only wants to help", joined by a pathetic, almost faithless Catholic priest, a mute boy and (unbeknown to him) the IRA terrorist directly responsible for the death of his family.The book grows slightly tedious at this point, with much philosophical musing and many lengthy arguments as Dr. O'Neill is probed by his trek mates to determine who is he really. The ending is also a bit disappointing, building and building but failing to quite hit its expected peak.Overall, though a frightening and altogether too possible scenario leaves the reader breathless and turning page after page to find out if the world is truly ended or if the scientists will pull together and save the day.
Not worth the explanation