A ride on the train is exciting. There’s always something new to see, even if you’ve been there before.
But some train rides are better than others . . .
What if a train took you somewhere else entirely? What if the doors opened in a strange, new place? This is one train stop you won’t want to miss!
|Publisher:||Houghton Mifflin Harcourt|
|Product dimensions:||11.00(w) x 7.75(h) x 0.38(d)|
|Age Range:||4 - 7 Years|
About the Author
Barbara Lehman has illustrated many books for children, including The Red Book, which was awarded the Caldecott Honor in 2005. Born in Chicago, Barbara attended Pratt Institute in Brooklyn, where she earned a BFA in communication design. A full-time illustrator, Barbara says, “Books and art have always held the strongest attraction for me. I have always felt drawn to ‘commercial art’ because of its ability to reach many people. I like the idea of being part of the media in a meaningful and thoughtful way, especially with children as the audience.” She lives in the Hudson Valley in upstate New York. Visit her website at www.barbaralehmanbooks.com.
What People are Saying About This
"Once again, Lehman's spacious, boldly outlined pictures tell a deceptively simple story that demands repeated visits." Booklist Jan 1 2008 Booklist, ALA
"Once again, Lehman... demonstrates her extraordinary knack for storytelling sans words." Horn Book March/April 2008 Horn Book
"Lehman employs the visual language of serial storytelling in masterly fashion...Comfortably mind-bending." Kirkus 3/15/08 Kirkus Reviews
"...the surprise on the final spreads brings...a playful challenge, to the way readers look at the world around them." PW starred Publishers Weekly, Starred
"Lehman's simple fantasy offers a positive lesson on helping others that will stretch readers' imaginations." July 2008 School Library Journal
Most Helpful Customer Reviews
Another wordless book by Barbara Lehman. A little girl is on a train with her family, but when no one is paying attention besides her, she discovers a colony of tiny people. This book leaves the child's mind to create whatever they may.
A young girl is going on a train ride with her parents outside the city.
On a train trip between cityscapes young girls watches as her view in a black tunnel is replaced by a vibrant countryside. When the train is flagged down mysteriously the girl notices she is the only one on the train who isn't asleep. Stepping off the train she finds a group of people gathered around a tree where a person and their plane have become lodged. What isn't apparent until she reaches the tree is that the people are all tiny, as if the remained frozen the height they were from her train window perspective. While the people are as real as the girl, the plane in the tree is one of those balsa wood planes with a rubber band powering the propeller. Once she has rescued the tiny pilot she returns to the train and resumes her ride home, out the of the fantasy and out of the tunnel, back to the city where she lives.Out in front of her townhouse, standing in her stone yard, she looks up and sees the rescued pilot and a co-pilot flying toward her. They come with a gift of thanks, a small seedling for an apple tree that is planted in the crack in her stone yard. As a parting shot the girl sits on her stoop admiring her now-grown tree while all over the city other trees have begun sprouting up, no doubt from kindred daydreaming souls looking to return nature to the cities.Lehman set herself an impossible bar with The Red Book a few years back and, unfairly perhaps, everything since has been measured against that amazing snake-eating-its-tale fantasy. If the impression -- mine at least -- was that her subsequent books (Museum Trip, Rainstorm) were increasingly weaker attempts to capture lighting in a bottle, Trainstop manages to stand apart from the others, on its own and with very sturdy legs. As with her previous books Lehman mines the theme of a child's daydream world, but here the idea of an fantasy taking place while the rest of the world sleeps, coupled with the message of bringing nature back to the cities, is perhaps the strongest, most direct message delivered yet. Where in previous books the children imagine or discover worlds for their own purposes and keeping, Trainstop gives us a child looking to share her fantasy with the world. It's almost a subtle environmental message, a quiet Lorax making a last call on those with eyes and ears enough to still listen.For those unfamiliar with Lehman's work, the book is as wordless as her previous books, filled with the same thick-outlined ligne claire illustrations that are her trademark. Probably the simplest of her picture books to date, but no less engaging. I think what I'd really like to see is what Lehman can do with the long-form: graphic novels. Her sense of pacing, her imagination, I think make her an ideal candidate for an extended fantasy romp a la Sara Varon's Robot Dreams or, on a more picture book level, Regis Faller's The Adventures of Polo.
good illustrations. there's no writing, so it allows us to tell the story in our own words. my son really likes it...