Torquemada: A Novel

Torquemada: A Novel

by Howard Fast

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An “eerily successful” novel of the fifteenth-century Grand Inquisitor of the Spanish Inquisition from the New York Times–bestselling author of Spartacus (Kirkus Reviews).
  Bestselling author Howard Fast’s 1966 novelization of the Spanish Inquisition, Torquemada, is a terrifying drama about one of history’s most notorious individuals. Prior Thomas de Torquemada and Don Alvaro de Rafel, a Spanish knight, have been friends for many years. But when Torquemada is named Spain’s Grand Inquisitor by King Ferdinand and begins to hear whispers that Alvaro may have a secret Jewish past, he transforms from Alvaro’s old friend into a menacing new enemy.Inspired by Fast’s experiences being investigated by the House Un-American Activities Committee, and his subsequent jailing and blacklisting, Torquemada is a thrilling historical tale from a master of the genre.  This ebook features an illustrated biography of Howard Fast including rare photos from the author’s estate.

Product Details

ISBN-13: 9781453235102
Publisher: Open Road Media
Publication date: 12/27/2011
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 156
Sales rank: 534,785
File size: 3 MB

About the Author

Howard Fast (1914–2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style.

Read an Excerpt


By Howard Fast


Copyright © 1966 Howard Fast
All rights reserved.
ISBN: 978-1-4532-3510-2


IN THE YEAR 1483 A TALL, LEAN MAN IN THE BLACK habit of a Dominican friar walked along a street in Segovia. His name was Thomas de Torquemada, and there were few people in Segovia who did not know him by sight. He had the reputation of being a righteous man and his reputation as such went far beyond the limits of Segovia.

It was late afternoon, and the sunlight was still hard and bright. The shadows had hard edges and the light itself was hard and brittle. On this particular street there was an unbroken stretch of white, windowless walls, and though he had seen these walls a thousand times before, the sight of them now pricked at Torquemada's fancy and made him wonder whether a street in the Holy City might not have walls as white and gleaming.

On this street there was no one at all. But on the next street that Torquemada came to, a group of half-naked children played in the dust. When they looked up and saw Torquemada, they crossed themselves and fled. This evidence of fear on their part touched him and hurt him more than most people would imagine, and though his high-boned face did not change, he winced inwardly. There were times when Thomas de Torquemada attempted to understand or to explain to himself the manner in which he was held and regarded by the people in the town. He was never wholly successful in this and, of late, he practised it less frequently.

Torquemada came to the central square of Segovia and walked across it. It was the end of the siesta time and the only one there was a drunken, red-nosed old watchman who had taken his siesta in the dirt by the fountain and who now sat up and greeted Torquemada with an open, yawning mouth and an ugly whiskered face. In Torquemada's sight, the face of this man crawled with ugliness and with the memory of sin. Sometimes it seemed to Torquemada that he could look at a man's face and see sin as a splash of purple paint. Now, in the hot sunlight, the streets and the walls of the town rippled and moved and came alive in answer to Torquemada's sudden, fierce thought of sin. He stifled this thought, knowing that if he allowed it to enlarge itself and to dominate him, it would spoil his entire afternoon. He had no desire to have his afternoon spoiled.

He came soon to the eastern boundaries of Segovia, where the mansions of the rich and the powerful families stood. These great homes, one after another, sat within their own garden walls. There were seven of them in a row and the third from the edge of the town was the house of Alvero de Rafel.

As Torquemada came to the gate in the wall that surrounded the home of the Rafels, he paused and breathed the smell of their rose garden and let his irritation quiet itself and disappear. He was particularly sensitive this afternoon to impressions, to sounds, smells, motions and even to the waves in the air set up by the heat; and now the sight and smell of a rose garden and of a dark and beautiful girl kneeling in this rose garden blessed him, he felt, as a benediction. The sight covered him with vanity and gave him pride in the manner of his existence. He knew that this was a sinful feeling and he bore it with guilt; but nevertheless he felt renewed and he smiled at the girl as she rose and saw him and greeted him.

In the meanwhile Julio, the old footman of the Rafels, had come to open the gate. Torquemada thanked him politely for this but, like so many of the simple people in Segovia, Julio avoided his glance. Not so with Catherine de Rafel, who ran to him and embraced him, and said to him,

"I welcome you, dear Father."

Torquemada held the girl next to him in response to a need – a very great need. He felt her warm and pliable form against him, and he promised himself that he would do penance for that. He would go to confession and he would light candles, but meanwhile he felt enlarged and gratified. He looked down upon Catherine from his tall, lean height and touched her hair. That was his privilege. He had known this dark, beautiful girl since the day of her birth. She was now twenty-two years old. He was as much her father as her real father in blood, and there was no reason why he should not embrace her and touch her hair and even lay a finger upon her cheek – knowing that each action was an action of innocence. He had to articulate this and he replied.

"To me you are purity and goodness in the flesh. I don't suppose I could make you understand how often I hunger for that. Goodness is the food that my soul wants but one does not find it in large supply in Segovia, so I look at you with great joy, dear Catherine."

"Good Father." Catherine smiled. "You know women so little. No, you mustn't take offence," she added, watching his face change. "I mean that there is one part of a woman you don't know. A woman's soul you know three hundred times better than I would ever know it. I make no sense, do I? I am glad to see you. Take the roses I cut."

She gave him her basket of fresh-cut roses and asked whether they should go inside. Torquemada studied her for a long moment and then nodded, a slight smile playing across his face and giving him an unusual charm. Catherine often noticed how pleasant it could be when hard-faced and morose people smiled. If you respected such people their smile was a gift and it had great power.

Now she took Torquemada's arm and led him into the house. They entered the gallery which was connected with the garden by a Moorish archway. All of the houses in Segovia at that time had a Moorish influence, but the Rafel house was large and old and had been built entirely by the Moors. The floors were of blue tile, and the walls of fine African plaster. The gallery was a great room some forty feet long and twenty feet wide. One whole side of this room consisted of Moorish archways and lovely sustaining columns that twisted sinuously and beautifully. Through these columns one saw the pretty prospect of the rose garden. Maria de Rafel, Catherine's mother, had drapes made for the entire length of this side of the room. When the drapes were closed, the room became a contained place in itself – but when the drapes were drawn back, as they were now, room and garden blended together, the big-leafed African ivy invading the house from the garden and twining itself around the columns. Within the long gallery, the furnishings were simple enough. There was a fireplace in the very middle of the wall and around it were six big armchairs. At the far end of the room, when one entered from the garden, there was a long refectory table and around it were eight tall, straight-backed chairs. On the floor there was a golden rug from Morocco and on the wall portraits of Alvero de Rafel, of Maria, his wife, and of Lomas, his wife's father – all of them painted by the artist Consaloes.

Maria, Catherine's mother, was alone in the room when Catherine and Torquemada entered; and she looked up with pleasure, laid aside the embroidery she was working on and rose. Maria was forty-two years old and still beautiful, shapely and desirable, and she smiled easily to make Torquemada welcome. Thus it was always at the house of Rafel. He felt welcome, he felt wanted, he felt cherished. The fact that a man is a priest does not kill his desire to be cherished, and Torquemada had that sense of his own courtliness, his own dignity – so indispensable to a Spanish gentleman – as he walked towards Maria de Rafel with his hands held out.

"My dear Señora Maria," he said.

Then he took her hands and bowed and kissed her right hand and then her left hand. There was no gentleman in Segovia who could have done it with more grace and ease, a fact that mother and daughter noticed and appreciated.

Maria, who was a rather precise person, resumed her seat, took up her embroidery again and, working with concentration and precision on the tiny stitches, said to Torquemada, "I dreamed of an avenging angel last night. Now listen, good Prior. He stood in front of me, so proud and angry that I thought my heart would break with fear. Oh, where is the shield of my Lord God and Christ, His Son? I mean this is exactly what I asked myself in the dream, and a moment later, the good Thomas stood between us. He sheltered me and here you are in the flesh. Do you know that eleven days have gone by since we saw you last? However, my dream told me that you would be here today."

Catherine sat down in the chair next to her mother but Torquemada remained standing and expressed his thanks and his appreciation. "However," he said, "I am not sure that this reliance on dreams is entirely Christian, yet today I shall not question it. I am overcome by warmth. Since I have been appointed Inquisitor I find little enough warmth from those I knew."

"Because they don't know you as we do," Catherine said.

"You are both of you comforting women and this house is a light, a warm haven. Why did I allow eleven days to go by? This is penance. If I punish others, I must punish myself even more."

"I will not listen to talk of punishment," Maria interrupted, "certainly not here. You know, Father Thomas, that if you praise our house you must bring charity to it, only charity, and charity and punishment are not exactly the same thing – won't you agree, Father Thomas?"

"I agree and I beg your forgiveness."

"And so," Maria continued, "you will stay and dine with us."

Torquemada shook his head. "Ah – I am afraid not, I must leave for Seville tonight. By the King's command. This however is not a statement of pride. I have no love for Seville."

"But you see," Maria said excitedly, "fate or coincidence is very much with us, and unlike you, good Father, I believe that a dream can be a very Christian thing indeed. Now consider. Alvero also leaves for Seville tonight. You leave by the King's command, he leaves by the Queen's command."

"Then we can travel together." Torquemada nodded. "The roads are dangerous these days, more dangerous than you would believe, madam, but with Alvero riding at my right hand what should I fear, whom should I fear?"

"Whom indeed," Catherine said, "and since Juan rides with him, there is more than safety— How do I dare to talk this way?" She blushed and bowed her head to cover her confusion, and her mother said to Torquemada.

"She is very much in love, Father Thomas."

"So I felt, so I sensed. Love is a holy thing, a holy thing that fills this good house—"

His curious, almost violent declamation in praise of love was interrupted by the shouts of stable boys and the clatter of horses' hooves. Catherine rose expectantly and a moment later her father and her betrothed lover came into the room. Her father, Alvero de Rafel was a tall, good-looking man of about forty-seven – his broad face and wide-set eyes giving him an appearance of forthrightness and inspiring confidence in the beholder. His eyes were dark blue under his straight brows and, unlike so many of the Spanish dons of his time, he was beardless. A little behind him, Catherine's lover – Juan Pomas, a handsome, thin-faced, young man of twenty-three. Like Alvero, Pomas was dressed for the road, booted, spurred, cloaked and wearing sword and dagger. The two of them made a gallant and impressive sight as they strode into the room. Catherine ran to them – to be embraced by her father and to have her hand kissed by Pomas, who was immediately uneasy in the presence of Torquemada.

However, for Alvero, there were no barriers and after he had kissed his daughter he took the Prior's hand with warmth and eagerness. They were old friends and they shared the voiceless communication that old, close friends can engage in. While they exchanged their greetings Maria came to her husband and kissed him gently and evenly upon the cheek, making Torquemada wonder how much there was left between these two, who had come to this formal and precise relationship out of all the fierce fires of their youth. That youth was not so far away that Torquemada could not recall it exactly and totally. Such memories were only yesterday for him and sometimes he wondered whether perhaps he was exempt from the normal passage of time. He came to himself to hear them talking about the journey and to listen to Alvero's pleasure in the fact that he, the Prior, would be with them. Old Julio brought wine. There was a special, heavy and sweet wine that agreed with Torquemada's taste. Alvero poured it into goblets and said to him,

"God speed our journey. You will drink with us, Father Thomas?"

"I drink with you and I ride with you. If you will have me."

Alvero handed a glass of wine to his wife and said to her,

"If we will have him, now listen to that, Maria. If we will have him."

He turned back to Torquemada. "Thomas, old friend, let me tell you this, we will have you. You will deal with the Devil and we will deal with the thieves."

"Put less faith in my competence," Torquemada said. "I trust you with thieves. Don't trust me with the Devil. Have doubts about me, Alvero."

"Impossible. I have no doubts. Look at them."

He nodded to where Juan and Catherine were walking toward the farther end of the room.

"Why are they so impatient? They have time enough."

"But better use for it than we have, my husband," Maria said.

"I suppose so." Alvero nodded; and suddenly Torquemada had the feeling that the warmth in his host's mouth and in his heart had become cold and tasteless. Alvero struggled loose from this momentary depression. He raised his glass and gave them their health.

"Salut! Good family and good friends."

The others drank with him. Alvero stared at his glass, then suddenly he turned and hurled it into the hearth where it shattered. Torquemada watched him curiously.

Himself now, Alvcro said quietly,

"I ask for no greater happiness. That glass is sacred. No one else drinks from it. That's a small passage of wisdom, don't you agree with me, Thomas?"

"I agree," Torquemada replied, watching Alvero thoughtfully.


TO REACH THE HIGH ROAD THAT RAN SOUTH FROM Segovia to Seville, one went from the house of Alvero through the town and up onto what was then known as the Jews' Ridge. It was late twilight when Alvero and Juan Pomas and the peon Julio came through Segovia towards the high road. The two dons were mounted on fine Arab steeds – Alvero on a pure white thoroughbred, and Juan on a black horse, an Arab filly, slight, nervous and strong. Trailing behind them, Julio rode a clumsy cob and led a pack mule. Cobs were called British horses because, long ago, some of the original stock had come from that faraway island.

Alvero led them through the town at a walk, so that the small children already asleep would not be awakened and so that their mothers would not send the travellers on their journey with curses. At the far side of the town, a young man lounged against a gateway and serenaded a maiden who was unseen in the darkness. Alvero stopped his horse to listen and Juan and Julio closed up behind him. In a clear tenor voice the young man sang,

"And when I journey far away,
Who will care for my true love?
Night will lighten into day—
Who will care for my true love."

"A Castilian song," said Alvero. "When I was young, all the young men in Spain sang Castilian songs. What do they sing today, Juan?"

"They sing very little indeed," Juan answered dully. His spirits were low. He felt no exaltation about a trip to Seville in the company of Prior Thomas de Torquemada, and yet he lacked the courage to withdraw. He was somewhat afraid of Alvero but he was much more afraid of Torquemada, and this fear was something that Alvero could understand. It often occurred to Alvero that in the strange land that Spain had become, one of the strangest things was his own friendship for the Inquisitor, Thomas de Torquemada. But friendship transcends fear. This was axiomatic, he thought to himself. He was a Spanish knight, and he had small patience with fear. Deep inside him he suspected that Juan Pomas was a coward, but this was something which he suspected and which he had not dealt with. Even in his thoughts he refrained from dealing with it – because he sensed a complexity that went beyond the simple premises of knighthood. Alvero recognized such complexities as the increment of age. The older he became, the less simple were the answers to problems, and the problems themselves were increasingly complex.


Excerpted from Torquemada by Howard Fast. Copyright © 1966 Howard Fast. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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