*2018 "12 best books to give this holiday season" TODAY Show *Best Books of 2018 Rolling Stone "A Best Book of 2017" NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books , The Los Angeles Review, Michigan Daily *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' *Midwest Indie Bestseller
In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.
In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.
In essays that have been published by the New York Times, MTV, and Pitchfork, among othersalong with original, previously unreleased essaysAbdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.
"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." Greil Marcus, Village Voice
|Publisher:||Two Dollar Radio|
|Product dimensions:||5.50(w) x 7.40(h) x 1.00(d)|
|Age Range:||12 - 18 Years|
About the Author
Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His first full length poetry collection, The Crown Ain't Worth Much, was released in June 2016 from Button Poetry. It was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017. His first collection of essays, They Can't Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. He is a Callaloo Creative Writing Fellow, an interviewer at Union Station Magazine, and a poetry editor at Muzzle Magazine. He is a member of the poetry collective Echo Hotel with poet/essayist Eve Ewing.His next books are Go Ahead In The Rain, a biography of A Tribe Called Quest due out in 2019 by University of Texas Press, and They Don't Dance No' Mo', due out in 2020 by Random House.
What People are Saying About This
"Hanif Abdurraqib's music writing possesses a singular, impossible magiche cracks open the very personal nature of fandom with empathy and skepticism in equal measure. In his essays and criticism he lenses history through heartbreak and limns the vast connections between performer and audience. Through a Carly Rae Jepsen show he explores loneliness, Bruce Springsteen's The River takes us to Ferguson, Migos begets a meditation on the 'burbs. Like Greil Marcus before him, when Abdurraqib is writing about music, what he is really getting at is the true nature of life and death in America, in this moment. They Can't Kill Us Until They Kill Us is the book I have been waiting for; it is the book we need."
"Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy."
"Abdurraqib doesn't just understand the intent of songs on a deeper level than anyone else I've ever met or read, he understands them on levels that even the artists cannot. He understands the way art reverberates long after it's collected and compiled and released. Music belongs to those who create it right up until the moment it doesn't. When a song is released, it belongs to everyone at once and there are a lot of writers who get intent right. There are a lot of people who hear an artist screaming into the canyon and correctly diagnose what they were trying to get at, but it takes someone special to hear the echoes. It takes someone special to hear the life a song takes on beyond intent, the way that it reacts with people, not the thing it meant but the things it'll come to mean to different people from different walks of life, all who will glean something unique, something personal but always something equally valuable from it. Abdurraqib has that gift and in this collection, he shows it off in a way that shines a light on just how much music belongs to everyone."
Dan Campbell, Lead Singer of The Wonder Years and Aaron West and the Roaring Twenties