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Paul Crowther seeks to establish a set of a priori conditions of pictorial art and, more generally, of visual art. He explores systematic alternatives and discusses ways of bringing recent modes of visual art (such as photomontage and digital image transformation) within their scope. Crowther's treatment of these important aesthetic questions is of interest to philosophers of art and art historians.
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|Publisher:||Cambridge University Press|
|Product dimensions:||8.80(w) x 5.90(h) x 0.80(d)|
About the Author
Paul Crowther is Professor for Art and Philosophy at the International University Bremen. His books include The Language of Twentieth-Century Art: A Conceptual History (1997) and Art and Embodiment: From Aesthetics to Self-Consciousness (1993).