“An absolutely mesmerizing read. . . . Tana French is simply this: a truly great writer.” —Gillian Flynn
Read the New York Times bestseller by Tana French, author of the forthcoming novel The Searcher and “the most important crime novelist to emerge in the past 10 years” (The Washington Post).
A year ago a boy was found murdered at a girlsʼ boarding school, and the case was never solved. Detective Stephen Moran has been waiting for his chance to join Dublin’s Murder Squad when sixteen-year-old Holly Mackey arrives in his office with a photo of the boy with the caption: “I KNOW WHO KILLED HIM.” Stephen joins with Detective Antoinette Conway to reopen the case—beneath the watchful eye of Holly’s father, fellow detective Frank Mackey. With the clues leading back to Holly’s close-knit group of friends, to their rival clique, and to the tangle of relationships that bound them all to the murdered boy, the private underworld of teenage girls turns out to be more mysterious and more dangerous than the detectives imagined.
About the Author
Tana French is also the author of In the Woods, The Likeness, Faithful Place, Broken Harbor and The Secret Place. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.
Read an Excerpt
***This excerpt is from an advance uncorrected proof***
Holly dumped her schoolbag on the floor. Hooked a thumb under her lapel, to point the crest at me. Said, ‘I go to Kilda’s now.’ And watched me.
St Kilda’s: the kind of school the likes of me aren’t supposed to have heard of. Never would have heard of, if it wasn’t for a dead young fella.
Girls’ secondary, private, leafy suburb. Nuns. A year back, two of the nuns went for an early stroll and found a boy lying in a grove of trees, in a back corner of the school grounds. At first they thought he was asleep, drunk maybe. The full-on nun-voice thunder: Young man! But he didn’t move.
Christopher Harper, sixteen, from the boys’ school one road and two extra-high walls away. Sometime during the night, someone had bashed his head in.
Enough manpower to build an office block, enough overtime to pay off mortgages, enough paper to dam a river. A dodgy janitor, handyman, something: eliminated. A classmate who’d had a punch-up with the victim: eliminated. Local scary non-nationals seen being locally scary: eliminated.
Then nothing. No more suspects, no reason why Christopher was on St Kilda’s grounds. Then less overtime, and fewer men, and more nothing. You can’t say it, not with a kid for a victim, but the case was done.
Holly pulled her lapel straight again. ‘You know about Chris Harper,’ she said. ‘Right?’
‘Right,’ I said. ‘Were you at St Kilda’s back then?’
‘Yeah. I’ve been there since first year.’
And left it at that, making me work for every step. One wrong question and she’d be gone, I’d be thrown away: got too old, another useless adult who didn’t understand. I picked carefully.
‘Are you a boarder?’
‘The last two years, yeah.’
‘Were you there the night it happened?’
‘The night Chris got killed.’
Blue flash of annoyance. No patience for pussyfooting, or anyway not from other people.
‘The night Chris got killed,’ I said. ‘Were you there?’
‘I wasn’t there there. Obviously. But I was in school, yeah.’
‘Did you see something? Hear something?’
Annoyance again, sparking hotter this time. ‘They already asked me that. The Murder detectives. They asked all of us, like, a thousand times.’
I said, ‘But you could have remembered something since. Or changed your mind about keeping something quiet.’
‘I’m not stupid. I know how this stuff works. Remember?’ She was on her toes, ready to head for the door.
Change of tack. ‘Did you know Chris?’
Holly quieted. ‘Just from around. Our schools do stuff together; you get to know people. We weren’t close, or anything, but our gangs had hung out together a bunch of times.’
‘What was he like?’
Shrug. ‘A guy.’
‘Did you like him?’
Shrug again. ‘He was there.’
I know Holly’s da, a bit. Frank Mackey, Undercover. You go at him straight, he’ll dodge and come in sideways; you go at him sideways, he’ll charge head down. I said, ‘You came here because there’s something you want me to know. I’m not going to play guessing games I can’t win. If you’re not sure you want to tell me, then go away and have a think till you are. If you’re sure now, then spit it out.’
Holly approved of that. Almost smiled again; nodded instead.
‘There’s this board,’ she said. ‘In school. A noticeboard. It’s on the top floor, across from the art room. It’s called the Secret Place. If you’ve got a secret, like if you hate your parents or you like a guy or whatever, you can put it on a card and stick it up there.’
No point asking why anyone would want to. Teenage girls: you’ll never understand.
‘Yesterday evening, me and my friends were up in the art room – we’re working on this project. I forgot my phone up there when we left, but I didn’t notice till lights-out, so I couldn’t get it then. I went up for it first thing this morning, before breakfast.’
Coming out way too pat; not a pause or a blink, not a stumble. Another girl, I’d’ve called bullshit. But Holly had practice, and she had her da; for all I knew, he took a statement every time she was late home.
‘I had a look at the board,’ Holly said. Bent to her schoolbag, flipped it open. ‘Just on my way past.’
And there it was: the hand hesitating above the green folder. The extra second when she kept her face turned down to the bag, away from me, ponytail tumbling to hide her. Not ice-cream-cool and smooth right through, after all.
Then she straightened and met my eyes again, blank-faced. Her hand came up, held out the green folder. Let go as soon as I touched it, so quick I almost let it fall.
‘This was on the board.’
The folder said ‘Holly Mackey, 4L, Social Awareness Studies’, scribbled over. Inside: clear plastic envelope. Inside that: a thumbtack, fallen down into one corner, and a piece of card.
I recognised the face faster than I’d recognised Holly’s. He had spent weeks on every front page and every TV screen, on every department bulletin.
This was a different shot. Caught turning over his shoulder against a blur of spring-green leaves, mouth opening in a laugh. Good-looking. Glossy brown hair, brushed forward boyband-style to thick dark eyebrows that sloped down at the outsides, gave him a puppydog look. Clear skin, rosy cheeks; a few freckles along the cheekbones, not a lot. A jaw that would’ve turned out strong, if there’d been time. Wide grin that crinkled his eyes and nose. A little bit cocky, a little bit sweet. Young, everything that rises green in your mind when you hear the word young. Summer romance, baby brother’s hero, cannon-fodder.
Glued below his face, across his blue T-shirt: words cut out of a book, spaced wide like a ransom note. Neat edges, snipped close.
I know who killed him
Holly watching me, silent.
Excerpted from "The Secret Place"
Copyright © 2015 Tana French.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Reading Group Guide
1. What part of the author’s portrayal of adolescence rang the truest with your own experience? Of all the teenagers in the novel, which reminded you most of yourself at the age?
2. Who did you first suspect killed Chris Harper? Who did you think wrote the note? Why?
3. Detective Mackey’s sharp eye for human behavior is matched only by his determination to protect Holly. He warns Conway that Moran is ambitious, even to the point of disloyalty. Is this true?
4. Similarly, Mackey explains to Moran why Conway is so disliked by the Murder Squad. Do you believe his reasoning or is he trying to play on Moran’s fears? If you were Conway, how would you have reacted to the other detectives’ behavior?
5. There are episodes of the supernatural throughout the novel. Do you believe that Holly and her friends had magical powers? Did the students actually see Chris’s ghost? What was the dark shape that Moran noticed through the doorway?
6. The title refers to the St. Kilda’s board where the girls post their secrets, but in what other ways could it be interpreted?
7. The book’s chapters alternate between Moran and Conway’s experience solving the crime and the events leading up to the crime itself. How did this double narrative heighten your experience as a reader?
8. Moran admits, “I love beautiful; always have. I never saw why I should hate what I wish I had” (p. 31). What does he mean? Does this affect his work on the case?
9. French presents the relationship between Selena and Chris so that any of her friends’ differing perspectives on his feelings are plausible. What do Selena, Julia, Holly, and Becca each believe? Who do you agree with?
10. Would Chris Harper’s murder case have been handled differently if it had occurred in a poor Dublin neighborhood?
11. French writes that “when Holly thinks about it a long time afterwards, when things are starting to stay fixed and come into focus at last, she will think that probably there are ways you could say Marcus Wiley killed Chris Harper” (p. 95). What does she mean?