The Real Story: The Gap into Conflict (Gap Series #1)

The Real Story: The Gap into Conflict (Gap Series #1)

by Stephen R. Donaldson

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Author of The Chronicles Of Thomas Covenant, one of the most acclaimed fantasy series of all time, master storyteller Stephen R. Donaldson retums with this exciting and long-awaited new series that takes us into a stunningly imagined future to tell a timeless story of adventure and the implacable conflict of good and evil within each of us.

Angus Thermopyle was an ore pirate and a murderer; even the most disreputable asteroid pilots of Delta Sector stayed locked out of his way.  Those who didn't ended up in the lockup--or dead.  But when Thermopyle arrived at Mallory's Bar & Sleep with a gorgeous woman by his side the regulars had to take notice.  Her name was Morn Hyland, and she had been a police officer--until she met up with Thermopyle.

But one person in Mallorys Bar wasn't intimidated.  Nick Succorso had his own reputation as a bold pirate and he had a sleek frigate fitted for deep space.  Everyone knew that Thermopyle and Succorso were on a collision course.  What nobody expected was how quickly it would be over--or how devastating victory would be.  It was common enough example of rivalry and revenge--or so everyone thought.  The REAL story was something entirely different.

In The Real Story, Stephen R. Donaldson takes us to a remarkably detailed world of faster-than-light travel, politics, betrayal, and a shadowy presence just outside our view to tell the fiercest, most profound story he has ever written.

Product Details

ISBN-13: 9780307573858
Publisher: Random House Publishing Group
Publication date: 10/21/2009
Series: Gap Series , #1
Sold by: Random House
Format: NOOK Book
Pages: 272
Sales rank: 6,083
File size: 3 MB

About the Author

Stephen R. Donaldson is the bestselling author of the series The Gap Cycle, Mordant's Need, and the Chronicles of Thomas Covenant the Unbeliever, including Lord Foul's Bane and The Second Chronicles of Thomas Covenant; and other works, such as Daughter of Regals and Other Tales and a mystery series under the pseudonym Reed Stephens. He is the recipient of the first prize of the British Science Fiction Society and the John W. Campbell Memorial Award.

Read an Excerpt

Most of the crowd at Mallorys Bar & Sleep over in Delta Sector had no idea what was really going on. As far as they were concerned, it was just another example of animal passion, men and women driven together by lust—the kind of thing everybody understood, or at least dreamed about. The only uncommon feature was that in this case the passion included some common sense. Only a few people knew there was more to it.
Curiosity wasn’t a survival trait in DelSec; it certainly wasn’t the pleasure it might have been in Alpha, Com-Mine Station’s alternative entertainment/lodging sector. Laidover miners, discredited asteroid pilots, drunks and dreamers, and a number of men who never admitted to being ore pirates—the people who either didn’t fit or weren’t welcome in Alpha—all had learned incuriosity the hard way. They considered themselves too smart to ask the wrong questions in the wrong places, to notice the wrong things at the wrong times. None of them wanted trouble.
For them, the story was basically simple.
It began when Morn Hyland came into Mallorys with Angus Thermopyle.
Those two called attention to themselves because they obviously didn’t belong together. Except for her ill-fitting and outdated shipsuit, which she must have scrounged from someone else’s locker, she was gorgeous, with a body that made drunks groan in lost yearning and a pale, delicate beauty of face that twisted dreamers’ hearts. In contrast, he was dark and disreputable, probably the most disreputable man who still had docking-rights at the Station. His swarthy features were broad and stretched, a frog-face with stiff whiskers and streaks of grease. Between his powerful arms and scrawny legs, his middle bulged like a tire, inflated with bile and malice.
In fact, no one knew how he had been able to keep his docking-rights—or his tincan freighter, for that matter—as long as he had. According to his reputation, anyone who ever became his companion, crew, or enemy ended up either dead or in lockup. Most people who knew him predicted he would end up that way himself—dead, or in lockup until he rotted.
He and Morn looked so grotesque together—she staying with him despite the clear disgust on her face, he ordering her around like a slavey while his yellowish eyes gleaming—that none of the men nearby could resist a little harmless scheming, a bit of gap-eyed speculation. If I could get her away from him—If she were mine—But the story was just beginning. No one was surprised by the nearly tangible current which sparked across the crowd when she and Nick Succorso spotted each other for the first time.
In a number of ways, Nick Succorso was the most desirable man in DelSec. He had his own ship, a sleek little frigate with a gap drive and an experienced crew. He had the kind of piratical reputation that allowed him to seem bold rather than bloodthirsty. His personal magnetism made men do what he asked and women offer what he wanted. And the only flaws in his cavalier handsomeness were the scars under his eyes, the cuts which underlined everything he saw and grew dark whenever he saw something he intended to have. Some people said he’d inflicted those cuts himself, just for effect—but that was merely envy and spite. No one could be as desirable as Nick without inspiring a few snide remarks.
The truth was that he’d received those scars years ago, the only time he’d ever been bested. They’d been put on him to mar him, a sign of contempt for his upstart arrogance: the woman who gave them to him hadn’t considered him worth killing.
But he’d learned from them. He’d learned never to be beaten again; learned to make sure that all his contests were unequal, in his favor. He’d learned to wait until he was in control of what happened. Common sense.
Members of his crew later admitted that they’d never seen his scars go as dark as when he spotted Morn Hyland. And her pale beauty ached toward him instantly—passion or desperation—bringing brightness to eyes which were dull in Angus Thermopyle’s company. The only surprise was that neither of them did anything about it. The electricity between them was so strong that the spectators wouldn’t have been taken aback if Morn and Nick had thrown off their clothes and jumped for each other right there in the bar.
Most of the crowd had no idea what restrained them. She was a mystery, of course. But he certainly didn’t have a reputation for restraint.
Nearly two weeks later, however, they did what everyone was waiting for. When Com-Mine Security broke into Mallorys and charged Angus Thermopyle with a crime serious enough to make an arrest succeed even in DelSec, Morn Hyland was suddenly at Nick’s side. And just as suddenly they were gone. Lust and common sense. Their charged flesh drew them together; and she got away from Angus at just the right moment. They left to become the kind of story drunks and dreamers told each other early in the Station’s standard morning, when Mallorys was quiet and the thin alloy walls seemed safe against the hard vacuum of space and the luring madness of the gap.
The last anyone heard, Angus was rotting as predicted under a life sentence in the Station lockup.
That, of course, was not the real story.

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The Real Story 3.9 out of 5 based on 0 ratings. 38 reviews.
Anonymous More than 1 year ago
I was disappointed, at first. It was so short. Then I read Donaldson's statement that it was only a novella and a start for the rest. THEN I read the rest which were based on this and which were really DONALDSON. If you loved Thomas Covenant, you do not want to miss this.
Anonymous 11 months ago
mainrun on LibraryThing More than 1 year ago
I hate tv shows that start with a scene, and once it finishes, have the text, "two weeks (or what ever) earlier." That's what this book did. The first 31 pages should have been the LAST 31 PAGES! It ruined it for me. Boooooo!!! Why do that! Ticks me off. Not going to bother with the rest of the series, or this author.
danconsiglio on LibraryThing More than 1 year ago
Stephen R. Donaldson has issues with women. If you don't believe me, just read the first chapter of those books about that chick who walks through mirrors. Bad issues. The man hates his ex-wife. He wrote this book around the time when his wife became his ex-wife (I read wikipedia as well as trashy sci/fi). I hope his ex-wife either didn't read this book or moved way the hell away from him. The universe that he creates in this "Gap" series is quite excellent. Good space opera stuff. The rape scenes that occur every other page are not as excellent. The first one is shocking, the second one makes it seem edgy, by the fifth you start to feel sick, by the ninth or tenth *you* start to feel like you need therapy. Good for die-hard fans. Good for the torture porn crowd. The series gets better, so you might want to give it a shot.
jburlinson on LibraryThing More than 1 year ago
(...) Then there's a quite ridiculous, pretentious "afterward" where the author tells of his struggle to achieve "aesthetic perfection" with this book and compares himself to Richard Wagner. All of this is made "profound" by the author telling us that the victim is really the rescuer and the rescuer is really the villain and the villain is really the victim and hip bone's connected to the thigh bone and the... A piece of depth psychology: "maybe if I rape somebody often enough, she'll fall in love with me." (I paraphrase, but only to improve the grammar.)If you like extreme sexual psychopathology -- stick with "The End of Alice." Space jockeys would do better to re-read their Heinlein.
conformer on LibraryThing More than 1 year ago
A short, disturbing read that might have been the science fiction equivalent of Joseph Conrad's Heart Of Darkness if it was a little deeper. As it is, it's little more than a whodunit turned inside-out, telling the story of an abduction and a framing in a twisted kind of detached retrospect. Donaldson's writing style makes us feel like we're watching a security video as the events unfold, with the overall impression of a small, significant event in the past that triggers a larger sequence; this book is the first of five.But the real story of The Real Story is marred by some early and persistent scenes of misogyny and rape. Whether these incidents are supposed to make the reader sympathetic towards Morn, the female protagonist, or simply used to demonize her tormentor, doesn't really matter. The majority of the characters' backstories are laid out in more or less black and white, so there's no question as to whom each person's loyalties lie; mainly with themselves.Between the three characters, (there really are only that many) two are psychotic assholes, and when Morn is "rescued" from one by the other, you're not quite sure if it's a victory or not.
TheOneTree on LibraryThing More than 1 year ago
The Gap Series, stark, confrontational, and non-stop action all the way.
clong on LibraryThing More than 1 year ago
This is, in my experience, a truly unique book . . . a really bad first book in a series that turned out to be really quite good (doesn't it usually seem to work the other way around?). The Real Story disappointed on many levels. There's not much plot: a sadistic criminal captures and then repeatedly rapes the sole surviver of a space accident. That pretty much sums up the book. With that information in hand, you might well be advised to skip this first book altogether and move directly to the second in the series. The Real Story's sole redeeming quality is that it sets up Donaldson's later transformation of the three key characters in the series (who are very one dimensional here) to pretty much the polar opposite of where they stand when first introduced (the good guys become bad guys, the jailer becomes the rescuer, the powerless become the powerful, etc.). In fact, my recollection is that (in the forward or afterward) Donaldson suggests that this book was as more of an etude in character transformation than anything else. Despite my disappointment with this one, I did go ahead and buy the second book of the series at a used book store. I found it much, much better, leading me to go ahead and ultimately read the entire series, which I recommend.
Anonymous More than 1 year ago
1 sentence paragraphs. No logic to the story. Wasted money
Anonymous More than 1 year ago
There's the dashing space hero, the beautiful damsel in distress and the Toady-looking villain. So you think you know where the story is going. But this is Stephen Donaldson, the man who brought you Thomas covenant these psychologically damaged, leper anti-hero of his fantasy series. The Real Story is the opening salvo of Donaldson's Gap series, an epic sci-fi adventure. It's an examination of character that takes you into the depths of unknown space and the politics of corporate earth. As you read the three characters each move from villain to damsel to hero in surprising ways. And like covenant, he spends pages and pages agonizingly describing the depth of the characters torment and pain. It's grand. It's satisfying. And it's as deep as it is long. It may not be for everybody but those who have found it have loved it.
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I first read this series in 2004, and I couldn't put them down. 8 years later this is still my go-to series if I want to cleanse my reading pallette of other written garbage. I love the characters, appreciate how raw and real their actions and circumstances are, and although the story is generally dark and brutal it still offers the hope of something positive ahead. This is definitely not for kids because it contains extreme violence, especially against women, and sexual passages. S.R.D. is brilliant.
Anonymous More than 1 year ago
Well done.
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Jeff Falconer More than 1 year ago
This is a fascinating story told from opposite points of view. While it is a sci-fi book, it is not good for kids due to the extreme violence. When done, you will want to read all books in the series.
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