Welcome to the fractured future, at the dusk of the twenty-first century.
Earth has a population of roughly a billion hominids. For the most part, they are happy with their lot, living in a preserve at the bottom of a gravity well. Those who are unhappy have emigrated, joining one or another of the swarming densethinker clades that fog the inner solar system with a dust of molecular machinery so thick that it obscures the sun.
The splintery metaconsciousness of the solar-system has largely sworn off its pre-post-human cousins dirtside, but its minds sometimes wander…and when that happens, it casually spams Earth's networks with plans for cataclysmically disruptive technologies that emulsify whole industries, cultures, and spiritual systems. A sane species would ignore these get-evolved-quick schemes, but there's always someone who'll take a bite from the forbidden apple.
So until the overminds bore of stirring Earth's anthill, there's Tech Jury Service: random humans, selected arbitrarily, charged with assessing dozens of new inventions and ruling on whether to let them loose. Young Huw, a technophobic, misanthropic Welshman, has been selected for the latest jury, a task he does his best to perform despite an itchy technovirus, the apathy of the proletariat, and a couple of truly awful moments on bathroom floors.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
|Publisher:||Tom Doherty Associates|
|File size:||1 MB|
About the Author
CORY DOCTOROW is a coeditor of Boing Boing and a columnist for multiple publications including the Guardian, Locus, and Publishers Weekly. He was named one of the Web's twenty-five influencers by Forbes magazine and a Young Global Leader by the World Economic Forum. His award-winning novel Little Brother was a New York Times bestseller. He lives in London with his wife and daughter.
CHARLES STROSS, author of several major novels of SF and fantasy including Singularity Sky, Accelerando, Halting State, and Rule 34, is widely hailed as one of the most original voices in modern SF. His short fiction has won multiple Hugo Awards and Locus awards. He lives in Edinburgh.
Canadian-born Cory Doctorow is the author of the New York Times bestselling young adult novel Little Brother, and the co-editor of the popular blog BoingBoing. His other YA novels include Pirate Cinema and Homeland (2013), the sequel to Little Brother. His adult novels and short stories have won him three Locus Awards and the John W. Campbell Award for Best New Writer. He has been named one of the Web’s twenty-five “influencers” by Forbes Magazine and a Young Global Leader by the World Economic Forum. He lives in London with his wife and daughter.
Charles Stross is the author of the bestselling Merchant Princes series, the Laundry series, and several stand-alone novels including Glasshouse, Accelerando, and Saturn's Children. Born in Leeds, England, in 1964, Stross studied in London and Bradford, earning degrees in pharmacy and computer science. Over the next decade and a half he worked as a pharmacist, a technical writer, a software engineer, and eventually as a prolific journalist covering the IT industry. His short fiction began attracting wide attention in the late 1990s; his first novel, Singularity Sky, appeared in 2003. He has subsequently won the Hugo Award twice. He lives with his wife in Edinburgh, Scotland, in a flat that is slightly older than the state of Texas.
Read an Excerpt
The Rapture of the Nerds
By Cory Doctorow, Charles Stross
Tom Doherty AssociatesCopyright © 2012 Cory Doctorow and Charles Stross
All rights reserved.
Huw awakens, dazed and confused.
This is by no means unusual, but for once Huw's head hurts more than his bladder. He's lying head down, on his back, in a bathtub. He scrabbles for a handhold and pulls himself upright. A tub is a terrible place to spend a night. Or a morning, come to think of it — as he blinks, he sees that it's midafternoon, and the light slanting in through a high window limns the strange bathroom's treacly Victorian fixtures with a roseate glow.
That was quite a party. He vaguely remembers the gathering dawn, its red light staining the wall outside the kitchen window as he discussed environmental politics with a tall shaven-headed woman with a blue forelock and a black leather minidress straight out of the twentieth century. (He has an equally vague memory of her defending a hard-core transhumanist line: Score nil–nil to both sides.) This room wasn't a bathroom when he went to sleep in it: Bits of the bidet are still crawling into position, and there's a strong smell of VOCs in the air.
His head hurts.
Leaning over the sink, Huw twiddles the taps until they begin to dribble cold water. He splashes his face and runs his hand through his thinning hair, glances up at the mirror, and yells, "Shit!"
There's a spindly black biohazard trefoil tattooed on his forehead. It wasn't there when he went to sleep, either.
Behind him, the door opens. "Having a good morning?" asks Sandra Lal, whose mutable attic this must therefore be. She's playing with a small sledgehammer, tossing it into the air and catching it like a baton-twirler. Her grotesquely muscled forearm has veins that bulge with hyperpressured blood and hormones.
"I wish," he says. Sandra's parties tend to be wild. "Am I too late for the dead dog?"
"You're never too late." Sandra smiles. "Coffee's in the kitchen, which is on the ground floor today. Bonnie gave me a subscription to House of the Week and today's my new edition — don't worry if you can't remember where everything is, just remember the entrance is at ground level, okay?"
"Coffee," Huw says. His head is pounding, but so is his bladder. "Um. Can I have a minute?"
"Yes, but I'd like my spare restroom back afterwards. It's going to be en suite, but first I've got to knock out the wall through into the bedroom." She hefts her sledgehammer suggestively.
Huw slumps down on the toilet as Sandra shuts the door behind her and bounces off to roust out any other leftover revelers. He shivers as he relieves himself: Trapped in a mutating bathroom by a transgendered atheist Pakistani role-playing critic. Why do I keep ending up in these situations? he wonders as the toilet gives him a scented wash and blow-dry: When it offers him a pubic trim, he hastily retrieves his kilt and goes in search of coffee.
Sandra's new kitchen is frighteningly modern — a white room job that looks empty at first, sterile as an operating theater, but that oozes when you glance away, extruding worktops and food processors and fresh cutlery. If you slip, there'll be a chair waiting to catch your buttocks on the way down. There are no separate appliances here, just tons of smart matter. Last night it looked charmingly gas-fired and Victorian, but now Huw can see it as it truly is, and he doesn't like what he can see. He feels queasy, wondering if he ate anything it had manufactured. But relief is at hand. At the far end of the room there's a traditional-looking dumb worktop with a battered old-fashioned electric cafetière sitting on it. And some joe who looks strangely familiar is sitting there reading a newssheet.
Huw nods at him. "Uh, where are the mugs?" he asks.
The guy stares at Huw's forehead for an uncomfortable moment, then gestures at something foggy that's stacked behind the pot. "Over there," he says.
"Uh, right." The mugs turn out to be glassy aerogel cups with walls a centimeter thick, light as frozen cigar smoke and utterly untouched by human artistry and sweat. There's no sign of the two earthenware mugs he made Sandra for her birthday: bloody typical. He takes the jug and pours, hand shaking. He's got the sweats: What the hell did I drink? he wonders as he takes a sip.
He glances at his companion, who is evidently another survivor of the party: a medium-height joe, metabolism pegged somewhere in his mid-thirties, bald, with the unnaturally stringy build that comes from overusing a calorie-restriction implant. No piercings, no scars, tattoos, or neomorphisms — apart from his figure — which might be natural. That plus his black leather bodysuit means he could be a fellow naturalist. But this is Sandra's house, and she has distressingly techie tastes.
"Is that today's?" he asks, glancing at the paper, which is lovingly printed on wood pulp using hot lead type by the historic reenactors down the other end of the valley.
"It could be." The fellow puts it down and grins oddly. "Had a good lie-in?"
"I woke up in the bathroom," Huw says. "Where's the milk —?"
"Have some freshly squeezed cow juice." He shoves something that resembles a bowl of blue ice cubes at Huw. Huw pokes at one dubiously, then dunks it in his mug.
"This stuff is organic, isn't it?"
"Only the best polymer-stabilized emulsions for Sandra," the joe says sardonically. "Of course it's organic — nothing but carbon, hydrogen, nitrogen, oxygen, and a bit of phosphorous and sulfur." Huw can tell when he's being wound up: he takes a sip, despite the provocation. "Of course, you could say the same about your kilt," adds the stranger.
"Ah." Huw puts the mug down, unsure where the conversation's leading. There's something disturbing about the joe: A sense of déjà vu nagging at the edges of his mind, as if —
"You don't remember me, do you?"
"Alcohol has this effect on me at times," Huw says in a grateful rush. "I've got an awful memory —"
"The name's Bonnie," says the man. "You spent most of the early hours trying to cop a feel by convincing me that Nietzsche was responsible for global cooling." Huw stares at him and feels something in his head do an uneasy flip-flop: Yes, the resemblance is clear, this is the woman he was talking to last night.
"'S amazing what a good bathroom can do by way of gender reassignment surgery these days, you know?" the bald guy — Bonnie? — continues. Then he winks at Huw with what Huw realizes, to his horror, is either lascivious intent or broad and filthy-minded humor. "How's your hangover? Are you up to picking things up where we left off?"
"Aaaugh," says Huw as the full force of the post-party cultural hangover hits him between the eyes, right beneath the biohazard trefoil, and the coffee hits his stomach. "Need fresh air now ..."
* * *
Huw makes sure to wake up in his own bed the next morning. It's ancient and creaky, the springs bowed to conform to his anatomy, and he wove the blankets himself on the treadle-powered loom in the back parlor that Mum and Dad left him when they ascended, several decades before. (Huw is older than he looks, thanks to an unasked-for inheritance of chromosomal hackery, and has for the most part become set in his ways: incurious and curmudgeonly. He has his reasons.) His alarm clock is a sundial sketched on the whitewashed wall opposite in bold lines of charcoal, slightly smudged; his lifestyle a work of wabi in motion.
He yawns and sits up, pauses for a moment to get his bearings, then ventures down the comfortably unchanging stairs to retrieve his post. There is no email. He doesn't even have electricity in the house — not since he ripped the wiring out and plastered over the wounds in the walls. The dusty tiles in his vintage late-nineteenth-century terraced home are cold beneath his bare feet. A draft leaks around the ill-fitting outer door, raising gooseflesh on his bare legs as he picks up the dumb paper.
Two-thirds of the mail is spam, which goes straight onto the compost-before-reading pile, but there's also a genuine letter, complete with a hand-drawn bar code — what they used to call a stamp — on the envelope. Someone took the trouble to communicate with him personally, putting dumb matter in motion to make a point. How quaint, how formal! Huw approves.
He rips the envelope open with a cracked fingernail. He reads: Your application for international triage jury service has been provisionally accepted. To activate your application, present this card in person to ...
He carries the notice through into the kitchen, puts it on the table so he can keep an eye on it as he eats. He barely notices the morning chill as he fiddles with the ancient Raeburn, loading kindling and peat and striking a fire to heat the Turkish coffeepot and warm his frying pan. Today is Huw's big day. He's been looking forward to this day for months.
Soon, he'll get to say what he thinks about some item of new technology — and they'll have to listen to him.
* * *
Welcome to the fractured future, the first century following the singularity.
Earth has a population of roughly a billion hominids. For the most part, they are happy with their lot, living in a preserve at the bottom of a gravity well. Those who are unhappy have emigrated, joining one or another of the swarming densethinker clades that fog the inner solar system with a dust of molecular machinery so thick that it obscures the sun. Except for the solitary lighthouse beam that perpetually tracks the Earth in its orbit, the system from outside resembles a spherical fogbank radiating in the infrared spectrum; a matryoshka brain, nested Dyson spheres built from the dismantled bones of moons and planets.
The splintery metaconsciousness of the solar system has largely sworn off its pre-posthuman cousins dirtside, but its minds sometimes wander nostalgiawise. When that happens, it casually spams Earth's RF spectrum with plans for cataclysmically disruptive technologies that emulsify whole industries, cultures, and spiritual systems.
A sane species would ignore these get-evolved-quick schemes, but there's always someone who'll take a bite from the forbidden fruit. There's always someone who unaccountably carries the let's-lick-the-frozen-fence-post gene. There's always a fucking geek who'll do it because it's a historical goddamned technical fucking imperative.
Whether the enlightened, occulting smartcloud sends out its missives as pranks, poison, or care packages is up for debate. Asking it to explain its motives is about as productive as negotiating with an ant colony to get it to abandon your kitchen. Whatever the motive, humanity would be much better off if the cloud would evolve into something uninterested in communicating with meatpeople — or at least smart enough to let well alone.
But until that happy day, there's the tech jury service: defending the Earth from the scum of the post-singularity patent office.
* * *
After breakfast, Huw dresses and locks the front door carefully behind himself and tells his bicycle — his one truly indispensable piece of advanced technology — to unbolt itself from the rusting red drainpipe that stains the brick side of his house with green moss. He pedals uncertainly to the end of the road, then eases out into traffic, sneering as the omnipresent web of surveillance routes the peoplemovers around him.
Safe cycling is one of the modern conveniences that irritate him most. Also: polite youngsters with plastic smiles; overemotional machines; and geeks who think they understand technology. Geeks, the old aristocracy. He'll show them, one of these days. Huw wobbles along the side of the main road and pulls in beside the door of the Second Revolutionary Libyan consulate.
"Sayyid Jones? I am pleased to meet you." The young man behind the desk has a plastic smile and is far too polite for Huw's taste: Huw grunts assent and sits down in the indicated seat. "Your application has been forwarded to us and, ah? If you would be pleased to travel to our beautiful country, I can assure you of just one week's jury service."
Huw nods again.
The polite man fidgets with the air of someone trying to come up with an inoffensive way of saying something potentially rather rude. "I'm pleased to inform you that our ancient land is quite tolerant of other cultures' customs. I can assure you that whatever ISO-standard containment suit you choose to bring with you will be respected by our people."
Huw boggles. "What huh?"
"Your, that is, your —" The smiler leans across his desk and points at Huw's trefoil-marked forehead. The finger he points with meets resistance. A plastic sheet has hermetically sealed Huw's side of the room off from the rest of the consulate. It is so fantastically transparent that Huw doesn't even notice it until the smiler's finger puckers a singularity in its vertical run, causing it to scatter light at funny angles and warp the solid and sensible wood-paneled walls behind the desk into Escheroid impossibilities.
"Ah," Huw says. "Ah. No, you see, it's a joke of some sort. Not an official warning."
"I'm very glad to hear it, Sayyid Jones! You will, of course, have documents attesting to that before you clear our immigration?"
"Right," Huw says. "Of course." Fucking Sandra. Whether or not she is directly responsible for the tat is beside the point: It happened on her premises. Damn it, he has errands to run before he catches the flight! Tracking her down and getting her to remove the thing will take too long.
"Then we will see you soon." The smiler reaches into a desk drawer and pulls out a small tarnished metal teapot, which he shoves gradually through the barrier. The membrane puckers around it and suddenly the teapot is sitting on Huw's side of the desk, wearing an iridescent soap bubble of pinched-off nanohazard containment. "Peace be with you."
"And you," says Huw, rising. The interview is obviously at an end. He picks up the teapot and follows the blinkenlights to the exit from the consulate, studiously avoiding the blurred patches of air where other visitors are screened from one another by the utility fog. "What now?" he asks the teapot.
"Blrrrt. Greetings, Tech Juror Jones. I am a guidance iffrit from the Magical Libyan Jamahiriya Renaissance. Show me to representatives of the Permanent Revolutionary Command Councils and I will be honored to intercede for you. Polish me and I will install translation leeches in your Broca's area, then assist you in memorizing the Koran and hadith. Release me and I will grant your deepest wish!"
"Um, I don't think so." Huw scratches his head. Fucking Sandra, he thinks darkly; then he packs the artifact into his pannier and pedals heavily away toward the pottery. It's going to be a long working day — almost five hours — before he can sort this mess out, but at least the wet squishy sensation of clay under his fingernails will help calm the roiling indignation he feels at his violation by a random GM party prankster.
* * *
Two days later, Huw's waiting with his bicycle and a large backpack on a soccer field in a valley outside Monmouth. It has rained overnight, and the field is muddy. A couple of large crows sit on the rusting goalpost, watching him with sidelong curiosity. There are one or two other people slouching around the departure area dispiritedly. Airports just haven't been the same since the end of the Jet Age.
Huw tries to scratch the side of his nose, irritably. Fucking Sandra, he thinks yet again as he pokes at the opaque spidergoat silk of his biohazard burka. After work yesterday he went round to remonstrate with her, but her house has turned into a size 2,000 Timberland hiking boot, and the doorknob in the heel said Sandra is wintering in Fukushima this year. He can tell a brush-off when he hears one. A net search would probably turn her up, but he isn't prepared to expose himself to any more viruses this week. One is more than enough — especially in light of the fact that the matching trefoil brand on his shoulder glows in the dark.
A low rumble rattles the goalpost and disturbs the crows as a cloud shadow slides across the pitch. Huw looks up, and up, and up — his eyes can't quite take in what he's seeing. That's got to be more than a kilometer long! he realizes. The engine note rises as the huge catamaran airship jinks and wobbles sideways toward the far end of the pitch and engages its station-keeping motors, then begins to unreel an elevator car the size of a shipping container.
"Attention, passengers now waiting for flight FL-052 to North Africa and stations in the Levant, please prepare for boarding. This means you."
Huw nearly jumps out of his skin as one of the customs crows lands heavily on his shoulder: "You listening, mate?"
"Yes, yes, I'm listening." Huw shrugs and tries to keep one eye on the big bird. "Over there, huh?"
"Boarding will commence through lift BZZT GURGLE four in five minutes. Even-numbered passengers first." The crow flaps heavily toward the huge, rusting shipping container as it lands in the muddy field with a clang. "All aboard!" it caws raucously.
Excerpted from The Rapture of the Nerds by Cory Doctorow, Charles Stross. Copyright © 2012 Cory Doctorow and Charles Stross. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Also by Cory Doctorow and Charles Stross from Tom Doherty Associates,
About the Authors,
Most Helpful Customer Reviews
If you like Stross's humor and Doctorow's information driven politics. You'll like this excursion into the world of Accelerando. It delivers some of the same kick as the inspiration, but without the feral threat of Stross's Glasshouse and far too much of Doctorow's transhumanist moralising to be truly comfortable as a novel, when it clearly wishes it were a manifesto. This is the sort of thing you'lllike if you like that sort of thing.
Im back im back babesz!! :D