Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site.

Learn how to enable JavaScript on your browser

The Ragpicker's Dream

CD

^$7.99 View All Available Formats & Editions

Ship This Item — Qualifies for Free Shipping
Buy Online, Pick up in Store
Check Availability at Nearby Stores

Members save with free shipping everyday!
See details

Want it Today?
Check Store Availability

Overview

Throughout his quarter century in the spotlight -- both as a solo artist and with Dire Straits -- Mark Knopfler has consistently tried to, as he puts it, "find the musical connection between the Delta and the Tyne." That blend of exploratory blues playing and British traditionalism imbues The Ragpicker's Dream, his third proper solo album, with a heady, but never overly heavy, atmosphere. Knopfler's dry humor is in full effect on songs such as "Devil Baby," which casts a jaundiced eye on the world according to Jerry Springer, and "Coyote," a little ditty that the guitarist says was inspired by watching Road Runner cartoons with his kids. While Knopfler doesn't spend much time weaving the electric guitar mesh that's snagged many a fan over the years, he does coax considerable color from his acoustic on bucolic tunes such as "Fare Thee Well Northumberland," on which he gets able support from multi-instrumentalist Richard Bennett's bouzouki. Knopfler's other bandmates make their presence known as well: Glenn Duncan daubs "Daddy's Gone to Knoxville" with high-lonesome fiddle, and Paul Franklin contributes doleful pedal steel to "Hill Farmer Blues," the song that's the most overtly redolent of the hill country that Knopfler has long used for inspiration. But in the end, The Ragpicker's Dream is clearly Mark Knopfler's reverie -- realized in vivid tones that should warm the heart of anyone looking for a bit of aural uplift.

Product Details

Release Date:	10/01/2002
Label:	Warner Records
UPC:	0093624831822
catalogNumber:	48318
Rank:	8072

Tracks

Album Credits

Performance Credits

Mark Knopfler Primary Artist,Guitar,Vocals
Jimmy Nail Background Vocals
Glen Duncan Violin
Richard Bennett Guitar
Jim Cox Piano,Hammond Organ
Chad Cromwell Drums
Guy Fletcher Keyboards,Background Vocals
Paul Franklin Pedal Steel Guitar
Glenn Worf Bass
Tim Healy Background Vocals

Technical Credits

Mark Knopfler Producer
Stephen Walker Art Direction
Chuck Ainlay Producer,Engineer
Elliot Erwitt Cover Photo
Neil Kellerhouse Art Direction
Jake Jackson Engineer
John Saylor Engineer
Jon Bailey Engineer

Editorial Reviews

With his second post-millennium album in just two years, Mark Knopfler has already equaled his meager (non-soundtrack) output for the '90s. And while he isn't reinventing himself, The Ragpicker's Dream is a pleasant, classy, often inspired effort whose unassuming charms are best appreciated after repeated listenings. The memorable riffage that fueled Dire Straits' most radio-friendly material has been discarded for a more pastoral approach, making this a perfect album for a rainy Sunday morning. Like his Notting Hillbillies side project, it isn't entirely unplugged, yet there is an emphasis on acoustic accompaniment to its predominantly ballad slant. Instead of leaving space for traditional soloing, Knopfler weaves his snake-like guitar between the words. This infuses a tense, edgy quality in even the most bucolic tracks, resulting in the crackling but still low-boil atmospherics of "Hill Farmer's Blues" and "Fare Thee Well Northumberland." "Marbletown" is an unaccompanied folk/blues that sounds as if Knopfler was born and raised in the Mississippi backwoods. He taps into the patented insistent lazy, shuffling groove on the spooky "You Don't Know You're Born." It's the most Straits-like track here featuring an extended, winding, yet subtle solo. "Coyote," a mid-tempo sizzler -- lyrically based on the Road Runner cartoons -- is propelled by a walking bass figure and Knopfler's homey, lived-in, talk-sung vocals. Again, the guitar pyrotechnics are interspersed throughout the verses with overdubbed sounds employed to provide ambiance and mood. The authentic honky tonk swing of "Daddy's Gone to Knoxville" could have come off a Wayne Hancock album, and the "King of the Road" melody from "Quality Shoe" is a tribute to Roger Miller. As an homage to the American roots music he's always admired and a desire to retreat further from the stadium rock of his Straits days, The Ragpicker's Dream is a restrained success, at least on its own terms. It may not please some of Knopfler's old "Money for Nothing" fans, but at this stage, he's obviously not trying to.

All Music Guide - Hal Horowitz