The Picture of Dorian Gray / Edition 3 available in Paperback
- Pub. Date:
- Norton, W. W. & Company, Inc.
About the Author
Michael Patrick Gillespie is Professor of English at Florida International University. He is the author of Oscar Wilde and the Poetics of Ambiguity, Branding Oscar Wilde, The Aesthetics of Chaos: Nonlinear Thinking and Contemporary Literary Criticism, Inverted Volumes Improperly Arranged: James Joyce and His Trieste Library, Reading the Book Himself: Narrative Strategies in the Works of James Joyce, The Aesthetics of Chaos, The Myth of an Irish Cinema, James Joyce and the Exilic Imagination, Reading William Kennedy, and Film Appreciation through Genres. His other edited works include the Norton Critical Edition of The Importance of Being Earnest, James Joyce and the Fabrication of an Irish Identity, and Joyce through the Ages: A Non-Linear View.
Date of Birth:October 16, 1854
Date of Death:November 30, 1900
Place of Birth:Dublin, Ireland
Place of Death:Paris, France
Education:The Royal School in Enniskillen, Dublin, 1864; Trinity College, Dublin, 1871; Magdalen College, Oxford, England, 1874
Read an Excerpt
Dorian made no answer, but passed listlessly in front of his picture and turned towards it. When he saw it he drew back, and his cheeks flushed for a moment with pleasure. A look of joy came into his eyes, as if he had recognized himself for the first time. He stood there motionless and in wonder, dimly conscious that Hallward was speaking to him, but not catching the meaning of his words. The sense of his own beauty came on him like a revelation. He had never felt it before. Basil Hallwards's compliments has seemed to him to be merely the charming exaggerations of friendship. He had listened to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed. The scarlet would pass away from his lips, and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth.
As he thought of it, a sharp pang of pain struck though him like a knife, and made each delicate fibre of his nature quiver. His eyes deepened into amethyst, and across them came a mist of tears. He felt as is a hand of ice had been laid upon his heart.
'Don't you like it?' cried Hallward at last, stung a little by the lad's silence, not understanding what it meant.
'Of course he likes it,' said Lord Henry. 'Who wouldn't like it? It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it.'
'It is not my property, Harry.'
'Whose property is it?'
'Dorian's, of course,' answered the painter.
'He's a very lucky fellow.'
'How sad it is!' murmured Dorian Gary, with his eyes still fixed upon his own portrait. 'How sad it is! I shall grow old, and horrible, and dreadful. It will never be older than this particular day of June...If it were only the other way!
Excerpted from "The Picture of Dorian Gray"
Copyright © 2003 Oscar Wilde.
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Table of Contents
5 The preface
7 Chapter 1
20 Chapter 2
35 Chapter 3
47 Chapter 4
62 Chapter 5
74 Chapter 6
82 Chapter 7
94 Chapter 8
108 Chapter 9
118 Chapter 10
127 Chapter 11
146 Chapter 12
153 Chapter 13
160 Chapter 14
173 Chapter 15
182 Chapter 16
191 Chapter 17
198 Chapter 18
208 Chapter 19
218 Chapter 20
What People are Saying About This
"Simon Prebble perfectly achieves Lord Henry's 'low, languid voice' and sparkling conversation, while avidly expressing the other characters' more torrid emotions." -AudioFile