Shafak’s novel conveys how our ancestors’ stories can reach us obliquely, unconsciously … Shafak is cleareyed about how difficult it is to reach across the gulfs within our families: At the end of the novel, Ada is only beginning to learn about her history, and her grief.” - Ron Charles, Washington Post
“Chapter by chapter, the book moves back and forth across several decades, solving some mysteries and raising others …The Island of Missing Trees isn’t just a cleverly constructed novel; it’s explicitly about the way stories are constructed, the way meaning is created, and the way devotion persists. As an author, [Shafak is] that rare alchemist who can mix grains of tragedy and delight without diminishing the savor of either. The results may sometimes feel surreal, but this technique allows her to capture the impossibly strange events of real life.” - New York Times Book Review
“Images of transformation and transition gracefully emerge and recur as Shafak explores what love can and cannot heal. Her moving depiction of inherited trauma will stay with readers, as will her insightful nods to war's effects on the natural world…this tragic tale tempered by enduring love and a fantastical ending is an overall triumph.” - Shelf Awarness (starred review)
“A commentary on the bitter legacy of war .... [and] also a commentary on the folly of our adversarial relationship with nature and our refusal to learn from the flora and fauna with which we share the planet … the scope of her thematic ambition is impressive, and [Shafak] is a compelling storyteller. She writes as well about teenage irascibility as about profound human suffering, and, like the wise fig tree, understands the interconnectedness of all things great and small.” - Claire Messud, Harper's
“A beautiful contemplation of some of life’s biggest questions about identity, history and meaning.” - Time, "Most Anticipated Books of Fall"
“Shafak’s writing is magnetic, and while reading, one is completely absorbed by the world of both Cyprus and London (the story switches time frames and locations with ease) and the grief of the characters is palpable. And, in a narrative choice I loved, it’s partly narrated by the fig tree in the backyard. You don’t want to miss this one.” - Alma.com, "Favorite Books for Fall 2021"
“A book about belonging and identity, a fig tree serves as the only symbol of history and connection to the island Ada Kazantzakis lives. It’s a beautiful nod to an individual finding a place in a big world. As Reese Witherspoon’s November pick in her book club, The Island of Missing Trees is one of those books with a touching message you’ll want to soak into this winter.” - The New York Post
“Shafak amazes with this resonant story of the generational trauma of the Cypriot Civil War . . . Shafak’s fans are in for a treat, and those new to her will be eager to discover her earlier work.” - Publishers Weekly, starred review
“Shafak explores the physical, psychological, and moral cost of the long conflict between Turkish and Greek Cypriots on the island’s citizens and their environment, [and] exhibits her passion for an endangered natural world that possesses wisdom the human world lacks . . . Ambitious, thought-provoking, and poignant.” - Kirkus
“A wise novel of love and grief, roots and branches, displacement and home, faith and belief. Balm for our bruised times.” - David Mitchell, author of UTOPIA AVENUE
“Trees, here, grow through the lives of these unforgettable characters, becoming bearers of memory, makers of metaphor and witnesses to atrocity. Shafak has written a brilliant novel — one that rings with her characteristic compassion for the overlooked and the under-loved, for those whom history has exiled, excluded or separated. I know it will move many readers around the world, as it moved me.” - Robert McFarland, author of UNDERLAND
“This is an enchanting, compassionate and wise novel and storytelling at its most sublime. Though rooted in bloody atrocity it sings to all the senses.” - Polly Samson, author of A THEATRE FOR DREAMERS
“A wonderfully transporting and magical novel that is, at the same time, revelatory about recent history and the natural world and quietly profound.” - William Boyd, author of TRIO
“An excruciatingly tender love story that transcends cultures, generations and, most remarkably, species. A transformational book about our arboreal relatives, to be cherished and savoured.” - Naomi Klein, author of ON FIRE
"A poignant novel of love, grief, and the generational trauma ... weaving details of the frightful conflict into a story of ordinary people in love: tragedy with joy. The Island of Missing Trees is a worthy read for our times, when so many conflicts have driven people to flee, carrying with them the horrors of war and the grief of leaving their homelands and loved ones behind." - Foreign Policy
“A beautiful and magical tale infused with love. Stunning.” - Ruth Jones, author of US THREE
“At once intimate in tone and ambitious in its reach, The Island of Missing Trees is a novel that moves with the urgency of a mystery as it uncovers the story of lovers divided first by war and then, after they are reunited and have a child, by that same war’s enduring psychic wounds. But there is tenderness and humor in this tale, too, and the intense readerly pleasures of a narrative that dances from the insights of ecological science to Greek myth and finally to their surprising merger in what might be called—natural magic.” - Siri Hustvedt, author of MEMORIES OF THE FUTURE
“A beautiful novel about the broken island of Cyprus and its wounded and scarred inhabitants, The Island of Missing Trees teaches us that brokenness can only be healed by love.” - Bernhard Schlink, author of OLGA
“An outstanding work of breathtaking beauty.” - Lemn Sissay Obe
“Shafak makes a new home for us in words.” - Colum McCann
“One of the best writers in the world today.” - Hanif Kureish
“A work of brutal beauty and consummate tenderness.” - Simon Schama, on 10 MINUTES 38 SECONDS IN THIS STRANGE WORLD
“Shafak, alternating between bracing matter-of-factness and glorious metaphorical descriptions, casts light on the atrocities of ethnic violence, the valor of those who search for and excavate mass graves, the inheritance of trauma, and the wonders of trees and nature's interconnectivity . .. . an enthralling, historically revelatory, ecologically radiant, and emotionally lush tale of loss and renewal.” - Booklist, starred review
"The writing is both rich and tender… Shafak bridges the disconnect so many of us feel in these times between our technology-glutted, hamster-wheel lives and the grounding comfort of the natural world by imbuing the fig tree with a humanity and grace we actual humans achieve only sporadically … Shafak is really writing about the immigrant experience—the events that compel us to leave our homelands and the resilience of our connections to those places." - Washington Independent Review of Books
Following the travails of one fictional family from late-20th-century Cyprus to present-day London, Shafak explores the physical, psychological, and moral cost of the long conflict between Turkish and Greek Cypriots on the island’s citizens and their environment.
Shafak, whose previous novels have ranged from realistic political and domestic drama to fanciful interpretations of Muslim spirituality and mysticism, here exhibits her passion for an endangered natural world that possesses wisdom the human world lacks. While the novel is framed around London high school student Ada’s attempts to learn about her parents’ past on Cyprus and what drove them to emigrate, much of the novel is narrated by a fig tree. The loquacious, well-traveled tree fills in parts of the plot unknown to the human protagonists and offers rambling treatises on Cyprian history, plants, and animals. Ada’s father, evolutionary ecologist Kostas, has tended the fig tree lovingly in his London backyard since bringing a shoot with him to plant when he and his pregnant wife, Defne, left Cyprus more than 16 years ago. Back in the 1970s, Greek Orthodox Kosta and Turkish Muslim Defne had carried on an adolescent Romeo-and-Juliet romance until civil war separated them. When they reunited in the early 2000s, Defne left Cyprus with Kostas knowing her family would never forgive her. They didn’t. That loss and guilt over deaths she may inadvertently have caused plague Defne for the rest of her life, so she and Kostas decide never to burden Ada with knowledge of that past. Now, a year after Defne’s death, a still-grieving Ada erupts with anger at her parents’ silence surrounding their earlier lives. Then Defne’s long-estranged sister Meryam visits from Cyprus and truths emerge about the hardships, violence, betrayals, and impossible choices faced not only by Defne and Kostas, but all of Cyprus for generations.
Ambitious, thought-provoking, and poignant.