The Glass Books of the Dream Eaters, Volume 1

The Glass Books of the Dream Eaters, Volume 1

by Gordon Dahlquist

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Overview


Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures.

It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.


Product Details

ISBN-13: 9780553385854
Publisher: Random House Publishing Group
Publication date: 12/30/2008
Edition description: Reprint
Pages: 480
Sales rank: 534,339
Product dimensions: 5.20(w) x 8.10(h) x 1.10(d)

About the Author

Gordon Dahlquist is a native of the Pacific Northwest, where he worked for several years writing and directing plays. Since 1988 he has lived in New York. He has been a member of New Dramatists, is a New York Theatre Workshop Usual Suspect, and a founding member of the CiNE. His works include Messalina (Evidence Room, Los Angeles: SPF, New York), text for Babylon Is Everywhere: A Court Masque (CiNE, Schaeberle Theatre; Theatre Magazine), Delirium Palace (Evidence Room, Los Angeles; published in Breaking Ground), The Secret Machine (Twilight Theatre Company at Solo Rep), Vortex du Plaisir (Ice Factory ’99 Festival at the Ohio Theatre, WKCR’S Manhattan Theatre of the Air), Island of Dogs (4th Street Theatre), Severity’s Mistress (Soho Rep Theatre, New York University; winner of Primary stages’ Bug &Bub award), Mission Byzantium! (American Globe Theatre, NYTW’s Just Add Water Festival), and Reitcence (Horace Mann Theatre).

He has written and directed several experimental films, that have been selected for the San Francisco International Film Festival, the Seattle International Film Festival, and the Northwest Film and Video Film Festival. He is a graduate of Reed College and Columbia University’s School of the Arts. He has received two Garland Playwriting Awards for Messalina and Delirium Palace.

The Glass Books of the Dream Eaters is his first novel.

Read an Excerpt

The Glass Books of the Dream Eaters


By Gordon Dahlquist

Random House

Gordon Dahlquist
All right reserved.

ISBN: 0385340354


Chapter One

It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were irregular he would still take his mid-day meal, whenever he did take it, at the same restaurant. Miss Temple found an antiquarian book shop across the street--where, as she was obliged to purchase something for standing so long watching through its window, she on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The books were detailed enough to warrant her spending the time in the window, apparently examining the colored plates, while actually watching Roger first enter and then, after an hour, re-emerge, alone, from the heavy doors across the street. He walked straight back into the Ministry courtyard. Miss Temple arranged for her purchase to be delivered to the Boniface, and walked back into the street, feeling like a fool.

She had re-crossed the square before her reason convinced her that she was not so much a fool as an inexperienced observer. It was pointless to watch from outside the restaurant. It was only from inside that she could have determined whether or not Roger dined alone, or with others, or with which particular others, or whether with any of whom he might have shared significant words--all crucial information. Further, unless he had merely thrown her over forhis work--which she doubted, scoffing--she was like to learn nothing from observing his working day. It was after work--obviously--that any real intelligence would be gathered. Abruptly, for by this time she was across the square and in the midst of the shops, she entered a store whose windows were thick with all shapes of luggage, hampers, oilskins, gaiters, pith helmets, lanterns, telescopes, and a ferocious array of walking sticks. She emerged some time later, after exacting negotiations, wearing a ladies black traveling cloak, with a deep hood and several especially cunning pockets. A visit to another shop filled one pocket with opera glasses, and a visit to a third weighed down a second pocket with a leather bound notebook and an all-weather pencil. Miss Temple then took her tea.

Between cups of Darjeeling and two scones slathered with cream she made opening entries in the notebook, prefacing her entire endeavor and then detailing the day's work so far. That she now had a kind of uniform and a set of tools made everything that much easier and much less about her particular feelings, for tasks requiring clothes and accoutrements were by definition objective, even scientific, in nature. In keeping with this, she made a point to write her entries in a kind of cipher, replacing proper names and places with synonyms or word-play that hopefully would be impenetrable to all but herself (all references to the Ministry were to "Minsk" or even just "Russia", and Roger himself--in a complex train of thought that started with him as a snake that had shed his skin, to a snake being charmed by the attractions of others, to India, and finally, because of his still-remarkable personal presence--became "the Rajah"). Against the possibility that she might be making her observations for some time and in some discomfort, she ordered a sausage roll for later. It was placed on her table, wrapped in thick wax paper, and presently bundled into another pocket of her cloak.

Though the winter was verging into spring, the city was still damp around the edges, and the evenings colder than the lengthening days seemed to promise. Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that they would be following a gentleman, most likely in another carriage, and that she would rap on the roof of the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence to mean that this was a usual enough thing, and felt all the more sure of herself, settling in the back of the coach, readying her glasses and her notebook, waiting for Roger to appear. When he did, some 40 minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses into nearby open windows--but some tingling intuition caused her to glance back at the courtyard gates just in time to see Roger (standing in the road with an air of confidence and purpose that made her breath catch) flag down a coach of his own. Miss Temple rapped sharply on the roof of the coach, and they were off.

The thrill of the chase--complicated by the thrill of seeing Roger (which she was nearly certain was the result of the task at hand and not any residual affection)--was quickly tempered when, after the first few turns, it became evident that Roger's destination was nothing more provocative than his own home. Again, Miss Temple was forced to admit the possibility that her rejection might have been in favor of no rival, but, as it were, immaculate. It was possible. It might even have been preferable. Indeed, as her coach trailed along the route to the Bascombe house--a path she knew so well as to once have considered it nearly her own--she reflected on the likelihood that it was that another woman had taken her place in Roger's heart. To her frank mind, it was not likely at all. Looking at the facts of Roger's day--a Spartan path of work to meal to work to home where undoubtedly he would, after a meal, immerse himself in still more work--it was more reasonable to conclude that he had placed her second to his vaulting ambition. It seemed a stupid choice, as she felt she could have assisted him in any number of sharp and subtle ways, but she could at least follow the (faulty, childish) logic. She was imagining Roger's eventual realization of what he had (callously, foolishly, blindly) thrown aside, and then her own strange urge to comfort him in this sure-to-be-imminent distress when she saw that they had arrived. Roger's coach had stopped before his front entrance, and her own a discreet distance behind.

Roger did not get out of the coach. Instead, after a delay of some minutes, the front door opened and his manservant Phillips came toward the coach bearing a bulky black-wrapped bundle. He handed this to Roger through the open coach door, and then in turn received Roger's black satchel and two thickly bound portfolios of paper. Phillips carried these items of Roger Bascombe's work day back into the house, and closed the door behind him. A moment later, Roger's coach jerked forward, returning at some pace into the thick of the city. Miss Temple rapped on her coach's ceiling and was thrown back into her seat as the horses leapt ahead, resuming their trailing surveillance.

By this time it was fully dark, and Miss Temple was more and more forced to rely on her driver that they were on the right path. Even when she leaned her head out of the window--now wearing the hood for secrecy--she could only glimpse the coaches ahead of them, with no longer a clear confidence about which might be Roger's at all. This feeling of uncertainty took deeper hold the longer they drove along, as now the first tendrils of evening fog began to reach them, creeping up from the river. By the time they stopped again, she could barely see her own horses. The driver leaned down and pointed to a high, shadowed archway over a great staircase that led down into a cavernous gas-lit tunnel. She stared at it and realized that the shifting ground at its base, which she first took to be rats streaming into a sewer, was actually a crowd of dark-garbed people flowing through and down into the depths below. It looked absolutely infernal, a sickly-yellow portal surrounded by murk, offering passage to hideous depths.

"Stropping, Miss," the driver called down and then, in response to Miss Temple's lack of movement, "train station." She felt as if she'd been slapped--or at least the hot shame she imagined being actually slapped must feel like. Of course it was the train station. A sudden spike of excitement drove her leaping from the cab to the cobblestones. She quickly thrust money into the driver's hand and launched herself toward the glowing arch. Stropping Station. This was exactly what she had been looking for--Roger was doing something else.

It took her a few desperate moments to find him, having wasted valuable seconds gaping in the coach. The tunnel opened into a larger staircase that led down into the main lobby and past that to the tracks themselves, all under an intricate and vast canopy of ironwork and soot-covered brick. "Like Vulcan's cathedral," Miss Temple smiled, the vista spreading out beneath her, rather proud of so acutely retaining her wits. Beyond coining similes, she had the further presence of mind to step to the side of the stairs, use a lamp post to perch herself briefly on a railing, and with that vantage use the opera glasses to look over the whole of the crowd--which her height alone would never have afforded. It was only a matter of moments before she found Roger. Again, instead of immediately rushing, she followed his progress across the lobby to a particular train. When she was sure she had seen him enter the train, she climbed off of the railing and set off first to find out where it was going, and then to buy a ticket.

She had never been in a station of such size--Stropping carried all traffic to the north and west--much less at the crowded close of a working day, and to Miss Temple it was like being thrust into an ant-hill. It was usual in her life for her small size and delicate strength to pass unnoticed, taken for granted but rarely relevant, like an unwillingness to eat eels. In Stropping Station, however, despite knowing where she was going (to the large chalk board detailing platforms and destinations), Miss Temple found herself shoved along pell mell, quite apart from her own intentions, the view from within her hood blocked by a swarm of elbows and waistcoats. Her nearest comparison was swimming in the sea against a mighty mindless tide. She looked up and found landmarks in the ceiling, constellations of ironwork, to judge her progress and direction, and in this way located an advertising kiosk she had seen from the stairs. She worked her way around it and launched herself out again at another angle, figuring the rate of drift to reach another lamp post that would allow her to step high enough to see the board.

The lamp post reached, Miss Temple began to fret about the time. Around her--for there were many, many platforms--whistles fervently signaled arrivals and departures, and she had no idea, in her subterranean shuffling, whether Roger's train had already left. Looking up at the board, she was pleased to see that it was sensibly laid out in columns indicating train number, destination, time, and platform. Roger's train--at platform 12--left at 6:23, for the Orange Canal. She craned her head to see the station clock--another hideous affair involving angels, bracketing each side of the great face (as if keeping it up with their wings), impassively gazing down, one holding a pair of scales, the other a bared sword. Between these two black metal specters of judgment, Miss Temple saw with shock that it was 6:17. She threw herself off the lamp post toward the ticket counter, burrowing vigorously through a sea of coats. She emerged, two minutes later, at the end of an actual ticket line, and within another minute reached the counter itself. She called out her destination--the end of the line, round-trip--and dropped a handful of heavy coins onto the marble, pushing them peremptorily at the clerk, who looked beakily at her from the other side of a wire cage window. His pale fingers flicked out from under the cage to take her money and shoved back a perforated ticket. Miss Temple snatched it and bolted for the train.

A conductor stood with a lantern, one foot up on the stairs into the last car, ready to swing himself aboard. It was 6:22. She smiled at him as sweetly as her heaving breath would allow, and pushed past onto the car. She had only just stopped at the top of the steps to gather her wits when the train pulled forward, nearly knocking her off her feet. She flung her arms out against the wall to keep her balance and heard a chuckle behind her. The conductor stood with a smile at the base of the steps in the open doorway, the platform moving past behind him. Miss Temple was not used to being laughed at in any circumstance, but between her mission, her disguise, and her lack of breath, she could find no immediate retort and instead of gaping like a fish merely turned down the corridor to find a compartment. The first was empty and so she opened the glass door and sat in the middle seat facing the front of the train. To her right was a large window. As she restored her composure, the last rushing view of Stropping Station--the platform, the trains lined up, the vaulted brick cavern--vanished, swallowed by the blackness of a tunnel.

The compartment was all dark wood, with a rather luxurious red velvet upholstery for the bank of three seats on either side. A small milk white globe gave off a meager gleam, pallid and dim, but enough to throw her reflection against the dark window. Her first instinct had been to pull off the cloak and breathe easily, but though Miss Temple was hot, scattered, and with no sense of where she was exactly going, she knew enough to sit still until she was thinking clearly. Orange Canal was some distance outside the city, nearly to the coast, with who knew how many other stops in between, any one of which might be Roger's actual destination. She had no idea who else might be on the train, and if they might know her, or might know Roger, or might in fact be the journey's reason itself. What if there were no destination at all, merely some rail-bound assignation? In any case, it was clear that she had to find Roger's location on the train or she would never know if he disembarked or if he met someone. As soon as the conductor came to take her ticket, she would begin to search.

He did not come. It had already been some minutes, and he had only been a few yards away. She didn't remember seeing him go past--perhaps when she entered?--and began to get annoyed, his malingering on top of the chuckle making her loathe the man. She stepped into the corridor. He was not there. She narrowed her eyes and began to walk forward, carefully, for the last thing she wanted--even with the cloak--was to stumble into Roger unawares. She crept to the next compartment, craned her head around so she could peer into it. No one. There were eight compartments in the car, and they were all empty.

The train rattled along, still in darkness. Miss Temple stood at the door to the next car and peered through the glass. It looked exactly like the car she was in. She opened the door and stepped through--another eight compartments without a single occupant.

Continues...


Excerpted from The Glass Books of the Dream Eaters by Gordon Dahlquist Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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The Glass Books of the Dream Eaters, Volume 1 4.1 out of 5 based on 0 ratings. 29 reviews.
Kitten-on-the-Keys More than 1 year ago
I enjoyed this book immensely. It is an intense, non-stop-action-packed, dark opium dream of a Steampunk adventure, with thrills, chills, and a breakneck pacing that leaves you gasping along with each of the three protagonists. The book switches at several times between the points of view of the three protagonists, but it works since the author stays with each character for roughly a third of the book, so it's more of a focused, 'And meanwhile, this is what was going on with this other character many miles away', than a nervous jumping back and forth. A nice addition to the genre.
pinkb More than 1 year ago
This is an exciting and edge of the seat, intelligent story. The characters are well developed and thought out.
Anonymous More than 1 year ago
Be sure to buy both volumes if you want the paperbacks. The first one will leave you grasping for the second. Most defintely the best book(s) I've read in a long time. Complex, sexy, exciting and mysterious.
kraaivrouw on LibraryThing More than 1 year ago
I don't often abandon a book, but I ditched this one midway through the second volume and that, I think, pretty much sums up my problem with it - there was a second volume.There's a good premise here and had Mr. Dahlquist submitted to actual editing there might have been a great story here, but at something over 700 pages for both volumes this just wasn't worth it. If you're going to be this long-winded, you'd better be entertaining and at some point with this book I just didn't care.Part of my problem with this is that I think it really wants to be The League of Extraordinary Gentlemen (the comic, not the movie) and Alan Moore has already done that and done it in an absolutely brilliant and engaging way - this suffers in comparison.
alana_leigh on LibraryThing More than 1 year ago
My review for The Glass Books of the Dream Eaters spans both Volume One and Volume Two, because really, I figure if you're committing yourself to the first, you should probably accept the second... after all, the book was originally printed as one large hardcover, and it only split into two volumes in paperback.That said, my big issue was this. Generally, I think one can assume that the period of time in which it takes the events of a book to unfold will be greater than the time it takes one to read it. That might be *barely* true here... but only if one factors in the extra day that passes in the first five pages where Miss Temple absorbs the news that Roger Bascombe has ended their engagement. *Including that*, everything takes place in three days. Three days! That's a lot of pages to chart the course of three days. And sure, we're moving quickly, but I actually found this to be a book rich in detail, perfectly willing to linger over descriptions of people and locations... and the action scenes certainly took double the time to read than they would to actually occur (and oftentimes, you have certain scenes repeated at least twice, as we bounce between the perspectives of three main characters).All that aside, I did enjoy these books and since I read them in the space of five days, I can reasonably say that they do captivate one's attention. Of course, they do this by such a ridiculous amount of suspense that I didn't feel as though I was eagerly devouring the book so much as I was being forcibly pushed through everything, with the knowledge that if I stopped, I would surely find something amiss and so I had no choice but to power through. There was never a moment of pause as we barreled headlong into an incredibly complicated plot with a long list of characters. The simple description is ridiculously broad. Three unlikely compatriots find themselves banding together against a sinister group of persons who have a plot to take over the world by mind-manipulation. But that only scratches the surface.The book opens upon Miss Temple reading a note from her fiancee, informing her in a rather terse note that he is terminating their engagement. She resolves to discover exactly why he has ended things (not out of deep love to get him back, but more with a need for closure), and of course, the most logical way to do that is not to ask him, but to follow him. This propels her (and the reader) into a world that is more and more complicated by the minute, with a "Cabal" of personalities bound tightly together by a fracturing partnership. But she isn't alone -- Celeste Temple forms a strange alliance with two other men as they seek to thwart the evil-doings of the Cabal. Cardinal Chang is a deadly assassin so named for his trademark red jacket and scarring on his eyes that gives him the appearance of being Oriental. Originally hired to kill a man (who turns out to be deeply involved in the Cabal's goings-on), Chang is unable to follow-through on that assignment when he finds the man has been killed for him, but his involvement hardly ends there. Doctor Svenson is a chain-smoking diplomat/doctor who is essentially baby-sitting a prince of Macklenburg (a German duchy) that has become engaged to a wealthy Lord's daughter, and then discovers that the Lord, the daughter, and his own prince all have their roles in this sinister plot. And lest you think this is some simple "take over the world" plot by hypnotising people, the means for mind-manipulation rest in the mysterious properties of "indigo clay" and the amazing glass that can be formed by it as a repository for memories. Such fantastic ideas have a darker side, too -- and the adherents to this "Process" might very well be selling their souls (or at least their free will) over to the leaders of the Cabal.The fantasy elements are certainly interesting... I was introduced to the phrase "steampunk" by way of this book, and if you know that at all, it certainly applies.
_________jt_________ on LibraryThing More than 1 year ago
The essence of this book put me in mind of Neal Stephenson's BAROQUE CYCLE, with its sex, swashbuckling and sci-fi aspects. DREAM EATERS has more of a pulpy feel, however; the sex is more frequent, and is implicated and alluded to on almost every page; the swashbuckling is (even) more frequent and bloodier; and the sci-fi/technological aspects are more mysterious and fanciful. The most outstanding aspect of this book, and the one that seems to have garnered the most attention, is the sex, and deservedly so; Dahlquist handles it very, very deftly. His writing is sexy, but not pornographic; he leaves no important details out, but you never feel he's danced around something, either. And the sex takes many forms, seeping into every level of the story and of the characters' psyches. The two older, male protagonists are constantly beset by distant longings and insane urges that distract them from tasks at hand, while the younger, female protagonist is on the cusp of sexual awakening, a tension that subtly colors every aspect of her relationships with both friends and enemies. On top of that, the most salient function of the the eponymous glass books is to serve as top-quality porn, a function that shocks and intensely intrigues all who experience it. To sum up, there is such a variety and subtlety of sexuality in this book as I don't think I've ever seen before. Unfortunately, other aspects of the book don't receive as much loving care, ending up a little undercooked. The frequent fights aren't especially thrilling, owing partly to a muddled narration -- when I try to imagine what's happening, I can never quite make it work -- and partly to frequent turns of fortune that overwhelmingly favor the protagonists (if you thought a 5'1" woman might have trouble taking out two burly men, think again). The book is also an exceedingly slow starter, taking a leisurely route toward establishing the three protagonists and unwrapping the mystery of the memory-capturing glass and the strangely corrupted people surrounding it. It takes such a leisurely route, in fact, that until page 250 or so the book feels quite rudderless. You will want full answers long before you start to get the barest clues. But when things finally go, they really go, and the last half of the book passes very quickly, and now I can't wait to start the second volume.
sereq_ieh_dashret on LibraryThing More than 1 year ago
Crazy action, multiple coups-de-theatre, a lot of asskicking, implied or in-your-face sexyness and steampunk.Pity it leaves the end a bit hanging
TheCriticalTimes on LibraryThing More than 1 year ago
It doesn't make much sense to write a review for a book that is half a novel, literally. In this case an editor picked a chapter somewhere in the middle of The Glass Books of the Dream Eaters and cut the book into two separate novels, of which this is part one. It also explains why the ending made absolutely no sense whatsoever since it was never meant to be an ending. From the wiki page we learn that the book was cut in half to make up for a lost investment that never panned out. Please see the reviews of the full novel for a better insight into the quality of the book.
picardyrose on LibraryThing More than 1 year ago
Steampunk with sex. First of three.
Anonymous More than 1 year ago
Blender-P More than 1 year ago
This was an excellent and complex story. The characters are compelling and you definitely grow to feel for them and the world building is done in a way that is very immersive and doesn't pull you out of the story. I've read the entire series and really enjoyed seeing the evolution of Celeste and you should definitely do as another reviewer suggested and get both volume 1 & 2 to read in a stretch. I also highly recommend the 2 other books in the series, The Dark Volume (which B&N does have), and The Chemikal Marriage (which B&N does not have) as they do an excellent job of wrapping things up.
Anonymous More than 1 year ago
Very strange. Very entertaining. It was different from anything I have ever read before. This book stands alone. Good work Mr. Dahlquist.
LovelyLindaLush More than 1 year ago
I absolutely loved this book. I saw this book a few times before I actually bought it and was intrigued and confused by the title. I wasn't sure if I liked the jumping around between naratives at first, but as the story unfolds it's obvious why Dahlquist wrote it that way. I felt it was organically imaginative and creative, unlike the recycled storylines of many modern novels. The characters were well-developed and interesting. You have to have a decent imagination to even be interested in what this book has to offer. But, I doubt you'll be disappointed with what you find.
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