The Dying of the Light

The Dying of the Light

by Michael Dibdin

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Overview

One of England's most acclaimed younger mystery writers, the creator of Detective Aurelio Zen, gives us a brilliant and haunting variation on the classic drawing-room murder novel. The setting is Eventide Lodge, where the guests have gathered for tea. Colonel Weatherby is reading by the fire. Mrs. Hargreave III is whiling away her time at patience. And Miss Rosemary Travis and her friend, Dorothy, are wondering which of their housemates will be the next to die.For even as Michael Dibdin's elderly sleuths debate clues and motives, it becomes clear that Eventide Lodge is not a genteel country inn but a place of ghastly cruelties and humiliations. A place where the logic of murder is . . .almost comforting. At once affectionate homage and audacious satire, The Dying of the Light will delight any aficionado of Patricia Highsmith, Peter Dickinson, or Ruth Rendell.

Product Details

ISBN-13: 9780679753100
Publisher: Knopf Doubleday Publishing Group
Publication date: 01/28/1995
Edition description: Reprint
Pages: 160
Product dimensions: 5.29(w) x 8.01(h) x 0.46(d)

About the Author

Michael Dibdin was born in England and raised in Northern Ireland. He attended Sussex University and the University of Alberta in Canada. He spent five years in Perugia, Italy, where he taught English at the local university. He went on to live in Oxford, England and Seattle, Washington. He was the author of eighteen novels, eleven of them in the popular Aurelio Zen series, including Ratking, which won the Crime Writers’ Association Gold Dagger, and Cabal, which was awarded the French Grand Prix du Roman Policier. His work has been translated into eighteen languages. He died in 2007.

Read an Excerpt

CHAPTER 1

Before entering the lounge, Rosemary paused to check her appearance in the mirror at the foot of the stairs. It was a proper, old-fashioned, full-length looking-glass in a solid rosewood frame, not like the cheap rubbish they turned out these days. That sort of thing might be just about adequate for checking whether your hair was presentable and your seams were straight, but was worse than useless when it came to showing how you looked at a glance, whole and entire.

And that was what mattered, Rosemary reflected, surveying the results of her scrutiny with a certain modest satisfaction. Details were important, of course, but she had been brought up to believe that people were more than the sum of their parts. Anyone with enough money could acquire the trimmings, but what really counted was whether you were the right sort. There was no buying that. It was something which registered instantly, without your even being aware of it.

Everyone had their allotted role in the play of life, and the fitting thing to do was to try and look your part. Miss Rosemary Travis was pleased to see that she had been eminently successful in this respect. From her tightly waved silver-grey hair and steady hazel eyes to her sensible tweed skirt and stout rubber-soled shoes she proclaimed herself for what she was, an elderly maiden aunt whose life had been outwardly uneventful but who was no fool, and did not easily suffer those who were.

She opened the door into the lounge. The marble clock on the mantelpiece read ten past four. Tea had not yet been served, but the other guests had already gathered. Colonel Weatherby was installed in his usual chair by the fireplace, reading The Times. Some distance away the wealthy invalid Mrs Hiram Hargreaves III, swathed in pullovers and blankets, was whiling away the time with a game of patience. At a table near the French windows giving on to the lawn, Charles Symes and Grace Lebon were bent over a jigsaw puzzle, their heads almost touching. His back pointedly turned to the beauties of the landscape, Samuel Rosenstein stood muttering into the telephone in a guttural undertone. Lady Belinda Scott sat rigidly upright on the piano stool, her fingers lightly touching the keys, while in the corner Canon Purvey nodded over a book. Only George Channing, the corned beef millionaire, appeared to be missing.

Rosemary made her way towards the bay window where her friend Dorothy Davenport sat absorbed in her knitting.

'I've got it, Dot!' she announced excitedly.

'I do hope it isn't catching, dear.'

'No, I mean I've worked out who did it.'

The clacking of Dorothy's needles ceased as she turned her pale, elfin face to Rosemary.

'Did what?'

'Why, the murder, of course!'

Dorothy looked away and completed a few more stitches.

'Which murder?' she murmured. 'There have been so many.'

'Well, only two recently,' Rosemary replied. 'And of those it's Hilary Bryant's death which has really mystified us, because it seemed that none of the guests could have killed her-although of course one of them must have.'

Dorothy Davenport gave her friend a weak smile.

'I'm sorry I keep forgetting. I think it must be my medicine.'

'I'm just as bad,' Rosemary said quickly. 'Half the time I can't even remember which day it is.'

Dorothy laid down her knitting.

'Oh, I know that. It's the day Dr Morel is to call with the results of my tests.'

She winced suddenly. Rosemary bent forward and touched her hand.

'Is it painful?'

Dorothy shook her head.

'It's not that.'

'What, then?'

Dorothy looked at her friend.

'I'm frightened, Rose.'

Rosemary frowned.

'But there's no earthly need to be frightened,' she declared in a peeved tone. 'I told you, Dot, I've solved the mystery. I know who the murderer is.'

Dorothy did not seem to hear. She gazed past Rosemary at the window, where the light was starting to fade.

'They'll send me to hospital,' she said. 'I know they will. And once they've got me there, they'll keep me, with tubes and wires stuck in me, like an animal in a laboratory. I won't even be able to die, Rose. What kind of life is that, when you aren't able to die?'

'Nonsense!' cried Rosemary scornfully.

Dorothy clasped her hand.

'And you won't be there to say "Nonsense!". That's what I mind most of all, Rose. That you won't be there.'

Rosemary looked away, disconcerted by the intensity of terror in her friend's voice. Then, with a visible effort, she turned back.

'Pull yourself together, Dot!' she snapped. 'There's simply no time for this sort of silliness. We've got work to do. There's a killer on the loose, and he-or she-may strike again at any moment.'

Dorothy's gaze gradually lost its intensity. She relaxed her grip on Rosemary's hand and took up her knitting again.

'Remind me where we'd got to,' she said.

Rosemary released a long sigh.

'Like Roland Ayres, Hilary was found dead in her bed one morning,' she went on. 'Dr Morel seemed satisfied that she had died of natural causes, and in due course signed a death certificate to that effect, but we knew better.'

Dorothy nodded.

'The rat poison kept in the potting shed . . .'

'. . . accessible through the kitchen garden . . .'

'. . . where all the guests went at one time or another in the days preceding Hilary's death . . . '

" . . . under a variety of more or less flimsy pretexts ranging from replacing a missing croquet hoop to questioning the gardener about his begonias.'

Dorothy picked up her knitting again and began to count her stitches.

'And of course they all had a motive,' she muttered.

'Of course!'

Rosemary gestured towards Belinda Scott, who sat gracefully fingering the keys of the piano.

'Revenge! The only man Lady Belinda ever loved was Randolph Fitzpayne, the dashing youngest son of the Earl of Devon. Hilary Bryant dallied with his affections, then broke off the engagement. In despair, Randolph became a sheep farmer in Patagonia, where he was killed in a duel by a drunken gaucho. Lady Belinda never forgave the faithless temptress who had blighted both their lives.'

She pointed to the military man poring over his newspaper.

'As for Weatherby, he was the chief beneficiary of Hilary Bryant's will, which the colonel's flattering attentions had ill-advisedly induced the former beauty to change in his favour just a few weeks before her death . . . '

Rosemary's finger swung across the room to settle on the blanket-enshrouded form of Mrs Hiram Hargreaves III.

'. . . all unbeknownst to the dead woman's sister, who was under the illusion that she would inherit in the event of her sibling's untimely death.'

Dorothy smiled happily.

'Yes, it's all coming back to me. But what about Purvey? Surely a man of religion must be above suspicion.'

Rosemary shook her head

'As one of the guests, he is by definition a potential suspect. Besides, if you remember, we decided that Purvey is in fact no clergyman but the penniless actor whom Hilary married in her youth, only to abandon him when she met Randolph Fitzpayne.'

'While Grace Lebon is his present wife and accomplice, as yet unaware that their marriage is a hollow sham . . . '

'. . . and Charles Symes the raffish society burglar who is pretending to make love to her-a mutual deception which suits both their purposes-while plotting to steal the priceless but ill-fated diamond known as The Evening Star which Randolph Fitzpayne gave Hilary Bryant in a vain attempt to bind that faithless heart to his.'

Dorothy plied her needles energetically.

'In short,' she said, 'they all had a motive to poison her.'

'All except George Channing, the corned beef millionaire,' agreed Rosemary. 'Unfortunately they all had an alibi, too.'

'Even Rosenstein?'

Dorothy pointed to the Jew, who was still muttering urgent phrases into the phone.

'He seemed the most likely suspect for some time,' Rosemary admitted. 'Samuel Rosenstein had every reason to wish Hilary Bryant dead, since she was blackmailing him over the matter of his shady sharedealings. Moreover it was he who passed her the poisoned glass of wine at dinner that evening . . . '

'. . . and then knocked over his own glass, staining Grace Lebon's dress red in an eerie presage of the horrors to come . . . '

'. . . except that it wasn't his own but the poisoned drink,' Rosemary continued, 'which he was forced to spill deliberately in order to avoid having to drink it himself when Hilary, suspecting his murderous intent, cunningly switched their glasses. Yes, Samuel Rosenstein certainly planned Hilary's death, but he did not in fact kill her.'

Dorothy gazed eagerly at her friend.

'Then who did?' she breathed.

The door swung violently open and a thickset woman wearing stained blue overalls came rushing into the lounge.

'Where the fuck's Channing?' she bellowed.

No one moved, no one spoke. The woman stood panting in the centre of the room. Her skin was blotchy and uneven, her hair grizzled. Her eyes took in each of the residents in turn: the colonel with his paper, the elderly hypochondriac swathed in blankets, the gay couple by the window, the financier holding the telephone, the languid aristocrat at the piano, the mild-mannered clergyman reading in the corner.

Weatherby waved his folded newspaper.

'I say,' he called, 'is our tea at all imminent, do you happen to know?'

The woman strode over and struck him resoundingly across the face. She wheeled round on the others, her slim red tongue licking the tips of the fingers which had delivered the blow.

'The first thing I'll do to our George is make him tell me how he got out,' she said meditatively. 'If it turns out that any of you had a part in it, the only tea you'll get'll be Channing's piss, hot from the kidney.'

She jerked her arm up, making Weatherby flinch, and scuttled rapidly out.

The door wheezed shut on its pneumatic spring. After a moment the click of Dorothy's needles resumed.

'Then who did?'

Rosemary gave her a startled glance.

'Who did what?'

Her voice was low and tremulous. Dorothy gave her a searching look.

'For heaven's sake, Rose, I thought I was getting bad! Have you already forgotten what we were talking about? If Samuel Rosenstein didn't kill Hilary Bryant, who did?'

Rosemary breathed deeply in and then out. She flashed a smile at Dorothy.

'George Channing.'

Her friend was clearly taken aback.

'The corned beef millionaire? But we've agreed that he was the only person who had no possible motive.'

Rosemary nodded.

'Not as George Channing, no. But George Channing never existed.'

Dorothy gasped. Rosemary leaned forward confidentially.

'The man we know as Channing is none other than Randolph Fitzpayne, who went to Argentina to bury his sorrows after Hilary Bryant broke their engagement and his heart!'

Dorothy completed a row of stitches while she thought it over. There was now only a short length of yam left dangling.

'But Randolph was killed by a drunken groucho,' she objected.

'Gaucho,' murmured Rosemary. 'Yes, so we all assumed. But we have only Lady Belinda's word for that, don't forget. The truth is that Fitzpayne survived the attack and went on to make his fortune in the corned beef trade before returning to wreak his vengeance on the woman who had spurned him three decades earlier.'

Dorothy smiled blissfully.

'And now he's fled to evade capture,' she said, as the free end of the wool inched its way over her knuckles. 'It all fits together!'

She contemplated the panel of knitting for a moment before sliding it off the needle and starting to unravel it.

'Why hasn't Lady Belinda gone with him, though?' she remarked. 'After all, they must have been in it together.'

'She'll join him later, once the hunt for George Channing has been called off. Then they can settle down in the villa he's purchased in Antibes and savour the happiness denied them for so long.'

Dorothy rapidly unpicked the knitting she had been working on. Small knots in several places showed where the yam had previously been broken.

'Until the police come to arrest them, of course,' she said. 'After all, they can't be allowed to get away with it, can they?'

Rosemary shook her head gravely.

'That would never do, Dot.'

Another spasm passed across Dorothy's face.

'I'll just pop upstairs and fetch my medicine,' she said.

Rosemary looked at her with an expression of concern.

'Is it bad?'

Dorothy shook her head.

'It's just there. It's always there.'

'Let me go,' Rosemary offered.

Dorothy waved her away.

'I need to go to the lav anyway, and you can't very well do that for me!'

Rosemary watched her frail, diminutive figure recede across the lounge, passing each of the other residents in turn. By the empty fireplace, Weatherby sat slumped over the newspaper whose pages were yellow and brittle with age. Mrs Hargreaves lay on the sofa turning over a pack of battered postcards showing views of Bognor, Hove and Bournemouth, the written messages so blurred that they were no longer decipherable. The elderly couple were still poring over the jigsaw cannibalized from the surviving pieces of what had originally been several separate puzzles.

'Operator, get me the police!' urged the gaunt figure in an intense whisper, seemingly oblivious of the fact that the lead dangling down from the phone ended in a frayed mass of severed wires. Studiously ignoring everyone else, Belinda Scott sat draped over the piano whose strings and mechanism had long been removed. As Dorothy reached the door, Purvey looked up from the pages of his engagement diary for 1951 and smiled at her. 'Thank you once again so very much for letting me impose on your hospitality like this,' he said. 'I do hope I'm not being too much of a nuisance.'

Rosemary glanced at the clock, which still read ten past four. She turned towards the window, attracted by a sound outside. Owing to the plastic sheeting which had been taped over the glass to improve the insulation and reduce draughts, it was impossible to see anything outside and the lounge was never aired. On hot days, and in winter when the storage heaters were turned on, the residual stench of flesh and food and urine, always pervasive, became quite overpowering. She could still hear the noise which had drawn her attention in the first place. Then she had thought it might be a fly trapped between the glass and the plastic film, but now it sounded more like a distant growling interspersed with cries which might almost have been human.

Rosemary got up and raised the lower right-hand corner of the plastic, where the tape had come loose from the frame. Through the triangle of grimy glass she could see part of the overgrown lawn at the front of the house and the double row of copper beeches which marked the line of the driveway, but there was no clue as to the cause of the strange sounds, which had now ceased.

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The Dying of the Light 4.3 out of 5 based on 0 ratings. 6 reviews.
datrappert on LibraryThing More than 1 year ago
Clever and engaging once you get past the disorientation of the first few pages, but very minor overall - a perfectly good light entertainment. Some occasional black humor - but more of a tale of misdirection than anything else. Hard to say based on this if I would seek out another Dibdin book or not.
Eurydice on LibraryThing More than 1 year ago
This is a brilliant, finely finished little morsel of a book: original, in all its homage, decadent with grimness and quiet horror, studded with humor and pathos, its surface glittering polished with irony and perfect, measured prose.The Dying of the Light is not a 'conventional' mystery, though perhaps best appreciated by those who love them. Not - as it were - a book to give little old ladies. Did I mention it's set in a nursing home?
michaelm42071 on LibraryThing More than 1 year ago
Here¿s an unusual mystery: Michael Dibdin¿s The Dying of the Light , published in 1993 and reissued in paperback in 1995.The book opens at tea time, in the lounge of what appears to be an English nursing home, where the old folks¿ names sound as if they came out of a Clue game or an Agatha Christie novel: Colonel Weatherby, Lady Belinda Scott, Canon Purvey, and the corned beef millionaire, George Channing, who turns out to be the first victim.In this setting, two of the characters, Rosemary and Dorothy, are amusing themselves and trying to keep their minds alive by pretending they are indeed in an Agatha Christie novel: they speculate that the last two deaths in the home were the result of foul play rather than natural causes, and they invent linked romantic pasts for the other guests, providing them each with a motive for doing away with their late companions. Then Dibdin begins to twist the plot. First a cruel nurse attendant enters, striking one of the guests, snarling, threatening the rest. ¿Aha!¿ we think, ¿perhaps there is more to Rosemary and Dorothy¿s speculation than game playing.¿ Then we learn that the clock in the lounge always says ten past four, and we see some of the guests behaving in a very disturbed way. ¿Aha!¿ we think, ¿Rosemary and Dorothy aren¿t just playing mind games; they¿re nutty as fruitcakes and so is everyone else; this isn¿t an old people¿s home but an insane asylum.¿ Then Rosemary finds Dorothy dead, an apparent suicide, and we realize Dibdin has tricked us again: we have to take seriously the murder speculation that Rosemary and her dead friend have been indulging in. Dibdin plays with the reader in this way throughout: First Rosemary is set up in the tradition of the elderly female amateur¿that is, the Miss Marple type¿but then she is undercut, then set up again, but we are always reminded that she is also an inventor. When a police inspector from the county constabulary enters, we are ready to play Dibdin¿s game and to guess whether the constable will look like a bumbling idiot and turn out to be brilliant, or look like a bumbling idiot and turn out to be . . . a bumbling idiot. The questions remain right up until the end: will Rosemary be able to convince the inspector that her friend was murdered? Was Dorothy in fact murdered? When Rosemary leaves herself off the list of possible suspects, does that mean we should suspect her? Dibdin keeps shifting the ground under us, and ultimately creates a kind of paradox: a book that is both a good mystery and a good parody of a mystery. The Dyling of the Light is a dark book, but an entertaining one that will keep you guessing.
juglicerr on LibraryThing More than 1 year ago
Don't ever let anyone describe the plot of a Michael Dibdin novel to you. Dibdin is something very special. He is a master of the plot devices that lesser talents try and fail with, and he doesn't cheat. There are very few authors that can pull off a completely unexpected plot twist at the end that leaves me sinking back into my chair with my mouth open. I'm almost afraid to open a new book by him! I won't get anything done and I'll probably be left stunned. He also writes a mystery series about an Italian detective named Aurelio Zen, which is very good, but not as superb as this.I do have one complaint about this book; the detective spends an inordinate amount of time thinking about soccer. Those parts get a bit dull, but the rest of the story makes up for it.
Guest More than 1 year ago
Don't ever let anyone describe the plot of a Michael Dibdin novel to you. I normally don't like "serious fiction", but Dibdin is something very special. He is a master of the plot devices that lesser talents try and fail with, and he doesn't cheat. There are very few authors that can pull off a completely unexpected plot twist at the end that leaves me sinking back into my chair with my mouth open. I'm almost afraid to open a new book by him! I won't get anything done and I'll probably be left stunned. He also writes a mystery series about an Italian detective named Aurelio Zen, which is very good, but not as superb as this.
Guest More than 1 year ago
Believe me, I don't envy the characters in this novel. Not in the slightest. Especially when they're all cooped up in a dreary nursing home, and shoved around by an alcoholic charlatan and his overbearing sister. I'm especially unenvious of the way they keep dropping dead, as though the new owners wanted to get rid of them so they could sell the property. And I certaily don't envy the way they have to stay inside all day, so that the snarling doberman doesn't rip them to shreds. It's a ghastly business all around and if it lasted any longer than it does, I'd positively die of fright.