A superb collection of seven stories in relation to the racial issues facing the South after the Civil War
First published in 1899, these folk tales within a tale provide commentary on the social attitudes of the period
The Conjure Woman
African-American Folk Tales
Voodoo, Hoodoo and Slave Magic
By Charles W. Chesnutt
The Conjure Woman is the title of an 1899 collection of seven stories by Charles W. Chesnutt, an important African-American writer from the post-Civil War South; it was his first book. The stories deal with the racial issues facing the South after the war, often through the comments of the character of Uncle Julius McAdoo. A freed slave, he tells the stories to John and Annie, a white couple from the North, who are visiting in their search for property, as they are thinking of moving south, because of Annie's health, and of buying an old plantation in "Patesville", North Carolina.
Uncle Julius's stories are derived from African-American folk tales and include many supernatural occurrences built around hoodoo conjuring traditions. They are less idealistic and romanticized than John's understanding of Southern culture. They tell of black resistance to and revenge against white culture.
The stories' basis in folk traditions earned publication of the collection. Chesnutt had originally submitted a proposed collection that included only two or three conjure tales, but the editors felt that these were the best and most innovative part of the collection. They asked him to write more in order to have enough for a full book.
The book was adapted by Oscar Micheaux as a silent film released as The Conjure Woman in 1926.
This publication is suitable for those interested in;
- Social Science
- Ethnic Studies
- African American Studies
- Folk Tales
- Traditional Magic