The Concert Anthology

The Concert Anthology

by Marvin GayeMarvin Gaye

CD

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Overview

Marvin Gaye disliked touring, and truthfully, his sweetly nuanced singing style worked best in a studio setting, where every lift and turn of his phrasing could be clearly heard. The concert stage, by contrast, required large, grand gestures from his singing, and while no one would suggest Gaye was ever anything but a solid performer, the hushed intimacy that made some of his greatest songs so magnificent was often difficult to attain on-stage. Bootlegs and cobbled-together packages of live Gaye shows have been on the market for years, often with the venue mislabeled (if it is listed at all) and overly intrusive crowd noise. This two-disc set features two well-recorded shows, one from 1980 and one from Gaye's final tour in 1983. The 1980 concert is probably from the Montreux stop on his tour of Europe that year, although some details are still sketchy. The singer sounds comfortable and assured here, and his sensual, nearly whispered version of "Come Get to This" is a powerful and seductive evocation of one of Gaye's enduring themes, the redemptive power of spiritual and physical love. The kinetic, horn-driven take on his groove classic "Got to Give It Up," however, manages to sound a good deal less immediate and spontaneous than the studio version, and feels forced. Still, Gaye is in control at this show, and it's obvious that no one in attendance was short-changed. The second disc of this set, drawn from Gaye's final American tour in 1983, finds the star sounding just a little exhausted, with decidedly less spark, which is particularly evident if you play both shows back to back. Gaye does "Come Get to This" in this set as well, and the difference three years makes is apparent. While still a moving performance, the hushed, tense urgency of the 1980 version seems replaced here by a tentative apprehension, as if what Gaye was saying in 1980 (come here, I'll save you) had been flipped to its opposite (come here, save me). The highlight of the 1983 show is the ten-minute "Sexual Healing," one of Marvin Gaye's greatest songs, and a clear statement of his major theme, the use of love, lust, and sex to reach out to God. Within a year Marvin Gaye would be gone, shot to death by his father.

Product Details

Release Date: 07/24/2015
Label: Cleopatra
UPC: 0741157234824
catalogNumber: 2348
Rank: 122644

Album Credits

Performance Credits

Marvin Gaye   Primary Artist,Vocals
Pete Escovedo   Percussion
Bernard Baisden   Trombone
Gordon Banks   Guitar,Leader
Frank Blair   Bass
Elmira Collins   Vibes
Lynn Davis   Vocals
Sheila Escovedo   Percussion
Rick Gardner   Trumpet
Richard Griffiths   Horn
Dean Hagen   Drums
Fernando Harkness   Tenor Saxophone
Paulette McWilliams   Vocals
David Majal lI   Saxophone
Byron Miller   Bass
Greg Moore   Guitar
Lonnie Smith   Keyboards
Hiroshi Upshur   Keyboards
Wah Wah Watson   Guitar
Bugsy Wilcox   Drums
Tony Flores   Percussion
Frieda Woody   Vocals
Carl Jones   Baritone Saxophone
Steve Smith   Trumpet
Sandra Akaka   Conga
Dwayne Benjamin   Trombone
Checo Tohomaso   Percussion
Howard Westbrook   Rhythm Guitar
William Bryant   Keyboards
Joseph Mayo   Conga
Robert Stevenson   Vocals
Rastine Calhoun   Alto Saxophone
Frankie Bates   Vocals
Lecester R. Kentle   Vocals
Kush Griffitt   Trumpet

Technical Credits

Marvin Gaye   Composer
Barrett Strong   Composer
Anna Gordy Gaye   Composer
McKinley Jackson   Musical Director
Strong   Composer
Norman Whitfield   Composer
Athan Maroulis   Reissue Producer,Annotation
Eunah Lee   Graphic Design
Elgie Stover   Composer
Jim Britt   Cover Photo
James Nyx   Composer
Fuqua   Composer
Bolton McLeod   Composer

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