The Book of Spies: An Anthology of Literary Espionage

The Book of Spies: An Anthology of Literary Espionage


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Here is an extraordinary collection of the world’s best literary espionage, selected by Alan Furst, a contemporary master of the genre. The Book of Spies brings us the aristocratic intrigues of The Scarlet Pimpernel, in which French émigrés duel with Robespierre’s secret service; the savage political realities of the 1930s in Eric Ambler’s classic A Coffin for Dimitrios; the ordinary (well, almost) citizens of John le Carré’s The Russia House, who are drawn into Cold War spy games; and the 1950s Vietnam of Graham Greene’s The Quiet American, with its portrait of American idealism and duplicity. Drawing on acknowledged classics and rediscovered treasures, A Book of Spies delivers literate entertainment and excitement on every page.

Product Details

ISBN-13: 9780375759598
Publisher: Random House Publishing Group
Publication date: 06/08/2004
Series: Modern Library Classics Series
Edition description: Reprint
Pages: 400
Sales rank: 818,955
Product dimensions: 5.20(w) x 8.00(h) x 0.80(d)

About the Author

ALAN FURST is widely recognized as the master of the historical spy novel. He is the author of Night Soldiers, Dark Star, The Polish Officer, The World at Night, Red Gold, Kingdom of Shadows, and Blood of Victory, all of which are available as Random House Trade Paperbacks. Born in New York, he has lived for long periods in France, especially Paris. He now lives on Long Island, New York.

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Excerpted from "The Book of Spies"
by .
Copyright © 2004 Alan Furst.
Excerpted by permission of Random House Publishing Group.
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Alan Furst describes the area of his interest as “near history.” His novels are set between 1933–the date of Adolf Hitler’s ascent, with the first Stalinist purges in Moscow coming a year later–and 1945, which saw the end of the war in Europe. The history of this period is well documented. Furst uses books by journalists of the time, personal memoirs–some privately published–autobiographies (many of the prominent individuals of the period wrote them), war and political histories, and characteristic novels written during those years.

“But,” he says, “there is a lot more”–for example, period newsreels, magazines, and newspapers, as well as films and music, especially swing and jazz. “I buy old books,” Furst says, “and old maps, and I once bought, while living in Paris, the photo archive of a French stock house that served newspapers of Paris during the Occupation, all the prints marked as cleared by the German censorship.” In addition, Furst uses intelligence histories of the time, many of them by British writers.

Alan Furst has lived for long periods in Paris and in the south of France. “In Europe,” he says, “the past is still available. I remember a blue neon sign, in the Eleventh Arrondissement in Paris, that had possibly been there since the 1930s.” He recalls that on the French holiday le jour des morts (All Saints’ Day, November 1) it is customary for Parisians to go to the Père Lachaise Cemetery. “Before the collapse of Polish communism, the Polish émigrés used to gather at the tomb of Maria Walewska. They would burn rowsof votive candles and play Chopin on a portable stereo. It was always raining on that day, and a dozen or so Poles would stand there, under black umbrellas, with the music playing, as a kind of silent protest against the communist regime. The spirit of this action was history alive–as though the entire past of that country, conquered again and again, was being brought back to life.”

The heroes of Alan Furst’s novels include a Bulgarian defector from the Soviet intelligence service, a foreign correspondent for Pravda, a Polish cartographer who works for the army general staff, a French producer of gangster films, and a Hungarian émigré who works with a diplomat at the Hungarian legation in Paris. “These are characters in novels,” Furst says, “but people like them existed; people like them were courageous people with ordinary lives and, when the moment came, they acted with bravery and determination. I simply make it possible for them to tell their stories.”

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The Book of Spies: An Anthology of Literary Espionage 4.3 out of 5 based on 0 ratings. 3 reviews.
AnBu More than 1 year ago
This book is academically stimulating and is rivaled only by its teaching consistency in the art of Spy Novel writing.
krbrancolini on LibraryThing More than 1 year ago
"The Book of Spies" caught my attention because it is edited by Alan Furst, who also wrote the introduction. I have been reading Furst's excellent literary novels of espionage and I was curious to read works by other authors he recommends. Furst is often compared to Eric Ambler and Graham Greene, whom I've read. But what would Furst himself select? "A Coffin for Demetrios" is the first selection and there's one from "The Quiet American" by Graham Greene, but many of the other selections are unexpected and riveting. The only one I had read was the Ambler. I ran out and bought "The Quiet American," but I'm also going to read "Tremor of Intent" by Anthony Burgess, "Under Western Eyes" by Joseph Conrad, "Ashenden" by W. Somerset Maugham (probably the most intriguing selection in the entire anthology), and "The Tears of Autumn" by Charles McCarry. In his introduction Furst notes that the date of publication is important for each selection because they are essentially political novels, tied to and shaped by a particular place and time. I was struck by the variety among these selections and although I had my favorites, I was sorry when each ended. The anthology is not a substitute for the full-length novels, but rather provides an overview of the genre and serves a guide for further reading.
Anonymous More than 1 year ago