The American: A Middle Western Legend

The American: A Middle Western Legend

by Howard Fast

NOOK Book(eBook)

$9.49 $9.99 Save 5% Current price is $9.49, Original price is $9.99. You Save 5%.

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now
LEND ME® See Details


The #1 New York Times–bestselling author of Spartacus reimagines the life of John Peter Altgeld, a courageous politician and forgotten national hero.
  Though Abraham Lincoln is often considered the United States’ most legendary politician, he wasn’t the only country lawyer out of Illinois to change the face of the nation. John Peter Altgeld fought for Lincoln as a foot soldier in the Union Army, then followed in his footsteps from law to politics, eventually becoming governor of Illinois in 1896. Howard Fast’s dazzling fictional account of Altgeld’s life offers an inspirational example of a man who made great sacrifices for quintessentially American ideals. Inspired by Altgeld’s social reforms, such as his fight against the dehumanizing economic injustice of the Gilded Age and his trailblazing implementation of some of the nation’s first child labor laws, Fast celebrates the compelling life of an unsung American luminary. This ebook features an illustrated biography of Howard Fast including rare photos from the author’s estate.

Product Details

ISBN-13: 9781453234907
Publisher: Open Road Media
Publication date: 12/13/2011
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 254
Sales rank: 230,590
File size: 5 MB

About the Author

Howard Fast (1914–2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style.

Read an Excerpt

The American

A Middle Western Legend

By Howard Fast


Copyright © 1946 Howard Fast
All rights reserved.
ISBN: 978-1-4532-3490-7


The father was a hard man; he was like flint. If he had ever been anything else, weak or sentimental or loving or kind, there was no trace left now, no trace at all. Between him and the boy, there was fear. And when the boy did wrong, or what the father conceived to be wrong, there was punishment. You would have to have a sheet of paper as long as the Ohio River to write down all the hard, bitter things which had left their mark on the father, and a little of each of those things went into the punishment. The father didn't drink—except beer—but anger let things out of him and relieved him, the way drink lets things out of some men. And anger went into the punishment.

On the wall in the kitchen, there was a piece of an old harness, and when the father got angry, he would walk toward it, and the expression on his lined brown face would tell the boy all the boy had to know. There was a special expression for the boy, a singularity of rage that would indicate his guilt as separate from that of his two brothers and his three sisters.

"Come," the father would say: "Come!"

And the boy would understand. If it were the turn of one or another of the others, they might flee or whimper or plead; not the boy. For the others, sometimes, the mother would plead, although she knew that pleading only increased her husband's anger; but she didn't plead for the boy, at least not until he cried aloud.

And that point came. The boy, on his short, solid legs, was hard too, and ugly and mean, as the neighbors would point out, but the harness strap was heavy, and the father's arm could lift a hundred-pound sack of meal at stiff length.

The father would take down the strap, and the boy would walk ahead of him out to the barn, and there was something in the boy's walk, each step he took, that added fuel to the father's rage. The father would beat him with even, merciless strokes, and the boy would grind his pain under his teeth. The flesh would seam, welt, and then raise up, and then the blood would drive through in pinpoints. And through the father's brain, down his bloodstream, into the nerves and muscles and tendons of his arm would come the pain he had suffered, the wrongs he had bent to, the injustices of life which had made him what he was—and all of them would pour into the harness strap.

Until it snapped, until the father realized what he was doing to his son. Then it was over. Then the punishment was through and finished, and the half-naked boy could stumble away, and the father could walk stolidly back to his house, purged.


It was not long before the great War Between the States, and at that time much of the State of Ohio was still forest land, the tall virgin forest which climbs up to the sky, making a house where the pillars are eight and twelve feet through, where inside there is no underbrush, no saplings, nothing but the dead leaves, the wet sod, the moss, and the silence. The forest meant something to the boy, who was eleven years old, whose name was John Peter Altgeld. He was a good worker, but when there was no work for him to do, he ran to the forest. People said, "What else could you expect, when he looks like a thing from the forest?"

And that was so. He was nothing at all to look at. His hair was black and stiff, and it stood up from his head like a bird's nest. His legs were too short. His body was not misshapen, nor was it shaped right; looking at it was like looking into one of those cheap mirrors which place objects just a litile out of focus, but so little that you can never put your finger on the fault. He had a very slight harelip, but it was enough to make speech harder for him than for the average child. His jaw was too big; first, you thought, this is a child who has never been young, but after a while you saw that it was only because his jaw was too big, giving him an older and more melancholy look than he was entitled to. His blue eyes were pleasant, but with the rest of him the way it was, who went so far as to examine his eyes? The more so since he hardly ever looked straight at you.

It was no wonder that he went into the forest.

But what he found in the forest was his business, and he didn't have to talk about it. The farm was work and hate, from before the sun rose until the sun set; maybe there were farms where it was different, he didn't know; maybe there were poorer people than his family, he didn't know that either. His thoughts were simple, uncomplicated. The forest was in opposition to the farm; it was peaceful, and whatever was there left him alone. There were toads and small, scampering animals in the forest; they did him no harm. There was a brook in the forest, and he walked up and down in the bed of the brook.

The road went away into the forest, straight as an arrow down the side of the section. In the summertime, when they let him go to school, he went down that road to the district schoolhouse. He didn't go eagerly; they only let him go in the summertime, and that was all right with him. Those who were educated were natural enemies of his father, but they were not friends of his. For one thing, they spoke a different tongue; they spoke the Yankee tongue, which they made him learn, laughing at his guttural German speech. The schoolmaster whipped him with a birch rod, and the lessons made his head ache. But going to the school gave him a concept of the road, which took its deep-rutted course through the forest to the log lesson house, and then beyond that point over hill and dale into the blue dream of anywhere. So when he was in the forest, he had the road within easy reach, and he knew a time would come when he would go down that road with no coming back.

When he followed the brook through the forest, stepping catlike among the slippery rocks, he eventually came to the place where it emerged and ran across the cleared lands of Ichabod Morrison, the Yankee farmer who was a neighbor of theirs. Morrison had a swarm of children who were all towheaded, and although the boy, John Peter, didn't play with them, he liked to watch them from the edge of the forest and create a life for them that was fine and gentle, although in actuality it was none so different from his own. There was one little girl called Lulubelle, who he thought was the most beautiful creature on earth, and after he learned to read a little, he identified her with the princess in his reader. His imagination, struggling through the sterility of the few concepts open to him, found a place for her in the wonderful life he would have some day. But his concepts were few, and his idea of a wonderful life was mostly negative—not to be beaten, not to be laughed at, not to be hungry.

In the winter, however, the refuge of the forest was denied to him. Cold and snow made it a forbidding place—and the days were very short. Also, there was work for him; there was always work for him.


The family moved to a bigger farm, a hundred and forty acres, and the father starved, scraped, haggled, pawned, and somehow bought the place and bought with it an enormous mortgage. There was one whole night when the father was a human being, smiling, even singing a little, and remembering what it meant to have a place like this in the old country, for a peasant and the son of a peasant and the grandson of a peasant. Mulled beer and a pudding made an occasion of it, and the mother wept with pride. The boy, John Peter, had been an infant of only a few months when they came to this new country from the old one, but he had a link of language, legend, and custom with the old country, and from what the father said, he surmised that it was a place one was glad to leave yet also glad to remember, puzzling as that contradiction might be. Yet the separation of old country from new country was never really clear, for always around them were German families, Norwegian families, Bohemian and Lithuanian families, as well as those stranger folk called Yankees. And as for coming to this particular place, Ohio, well, the Yankees were not long here either; only the Indians, the mysterious red folk, who were sometimes dirty and homeless bums in town and sometimes romantic bands passing out of the forest and into it, were native to this region, old to it, accepting it, and not having to struggle against it and break their hearts, as the Yankees and the others did.

But on this night of celebration, which went with the acquiring of the new farm, there was no talk of heartbreak. The father told stories about the old country, and John Peter, who had never heard him tell stories before, listened with open eyes and open mouth. There was a broad world, and as each piece of it became a little more apparent, he tried to fit it into place in his head, and that way dreams came, imagination and longing and hunger for the half formless; a mental change that went along with the physical change in him, the change which brought the budding hair, the swelling glands, the blood coursing, the nervous, wonderful restlessness that made despair and hope play on him like a bow on the chords of a fiddle.

Change was the new theme motif; the ugly became beautiful, as so many of the tales he read told him. The impossible became possible, as this new farm proved, in spite of the broken siding house they inherited, the stump-filled fields, the rotten log barns. His old life where he ran to the forest for refuge was no more; refuge was in the new possibilities; his wirelike hair would be soft and curly; his body would become slim and long and graceful. Even the father, whose anger was so terrible, was not angry, not even granite-like this one night.

So he listened to the father's tales of what was and what would be.


It was not many weeks before the boy realized that the father had exchanged an old master for a new one, and that the rapaciousness of this new master, one hundred and forty acres of land, could not and would not be satisfied. If they had worked before, they worked twice as hard now, and "mortgage" became a personalized monster in the boy's mind. Instead of a pig being killed for food, it went to the market; mortgage explained that. Mortgage took the potatoes away, and they ate turnips. Mortgage made the father harder and more bitter than he had ever been. When the harness strap came down on the boy's back, it was mortgage that made it quiver with additional force.

In the old place, the boy worked only for the father, and since there was not enough work to fill all his time, and certain days when there was almost no work, he had a little time to himself always, and sometimes hours and hours to play, to wander alone, to go to school. But now he was thirteen years old, and the father said that was too old for school and too old for idleness. What the boy had done, his brothers and sisters would do; the father worked twice as hard, if such a thing were possible—to a degree where the neighbors said, "The devil has him." And the boy was hired out to work. First on this place and then on the other. "Strong as a man," the father said. "He can do a man's work." So the boy went one day to the Bjornsons', and the next to the Schwabs', and the next to Joneses' place, and then maybe back to Bjornsons', or three days at one place and five at another, or half a day's work in the forenoon with three miles to walk, and then a five-mile walk to the next place in the same day, to get more work in.

He became a work-weary, dulled, and senseless animal. He fell into bed at night and woke in the morning with all his bones aching. "Growing pains," his mother said. "He should rest a little." But the father was like a man insane when the thought of sickness was suggested. Everything could be fought but this. Suppose he himself were to fall sick, or to break an arm or a leg, or crush a hand, the sort of accident which is never far away in heavy manual work, just suppose, just realize that would be the end of everything; the farm would go, mortgage and taxes would smash down, the wife and children would starve—then don't speak of it. "The boy has growing pains, the boy is lazy. You spare the rod and spoil the child. The boy brings home three dollars a week."

John Peter worked. He pitched hay. He churned butter. He shoveled manure. For a thousand years, his ancestors had done such work, and those who were weak or prey to disease died; he was strong. He walked twenty miles in one day, and if it rained, he had growing pains. And inside of him, the glands matured, the heavy juices ran through his body, and there came a day when he raised a hand to stop the harness strap, a hand that held his father's wrist with power and determination, while the hate sparked out of him.


"Then don't beat me," the boy said. "Then don't beat me again. I been beat enough, I tell you." In English this.

In German, his father said, "Speak my tongue!"

"This is mine. Don't beat me."

"Speak my tongue!"

"This is mine!"

The wrist tore loose; the father was still stronger. Though he fought back, the father beat him. "A devil," the father said. "A devil from hell."

After that, the boy knew he would go away. What bonds there were had worn thin. He would go away and never come back. The world outside was a fearful place, but nothing it held could be more fearful than the wild, inhuman struggle that the father had to make for this brood to live.


Now he faced his father differently, and that was a part of the difference in him, of his own subjective realization of that difference. He thought of himself now as "Pete." Pete was an American word. I am Pete, I am going away, he would think to himself, and then tell his father so.

"Where will you go?"

"I'll go, I'll go, you'll see."

"You'll go? Well, you'll go out and starve. So you think you're a man now. Go ahead then."

Time went by without his going, because the threat of the world was so great a threat, because the unknown was so tremendous, stretching away from the farm on every hand, with a thousand facets of suggestion and only one or two facets of actuality. But his dreams were more complex, more stirring, richer as he reached the age of thirteen, fourteen, fifteen. A ferment was in the nation, and it stirred every corner, even the remotest rural corner of Ohio. The ferment was war, and the catalyst was old Abe Lincoln who had come from somewhere in these very parts. News which came to the backwash farm where Pete Altgeld lived was none too clear; no newspapers reached the farm, except, very occasionally, a German language paper, and by word of mouth the war appeared as confusing as wars have always appeared to such earthbound folk. A villain's name was Jeff Davis, and already there was a song about him, about hanging him high on a sour apple tree, and down along the river where strange people called "Abolitionists," and they were on the side of the black men, the slaves, and that also was somehow bound into the war. On the farms where he worked Pete heard sung, "Old Union of glory, Let's die for her, boys"; and he sang the words to the fine, lilting tune, and even felt something curiously blood-stirring as he sang it; yet he had only the haziest notion of what the Union was, and the word glory meant absolutely nothing to him, so primitive and simple was his knowledge of English, a work-knowledge, a field-and-barn knowledge.

For the most part, those people for whom he worked were against the war; they had come from one place or another in the old country, and they had an ancient folk-knowledge of war, which Pete somehow shared. It was a visitation, like the plague or the pox, and though they were used in it, it never concerned them. Once, however, when Pete drove to town with Bjornson, there was a patriotic rally on the main street of Little Washington. A unit of the 33rd Ohio National Guard was preparing to march off to the war. They stood in the dusty street, fourteen of them lined up very straight, blue uniforms, red sashes, while old Meyerburg, who kept the feed store, addressed the crowd in German. Then Stacy, the justice of the peace, spoke in English, and then old Fritz Anderson, veteran of the Revolution, white-bearded and just a little drunk, told about the Battle of Bunker Hill. As the number of Revolutionary veterans narrowed, the number of battles in which the remaining had participated increased, and by now Anderson's lexicon included just about every engagement, large or small.

Peter asked Bjornson what was the Revolution, and Bjornson, on not too certain ground, said it was a war like this one, but a long time ago. A drum began to play, a long roll, a short roll, and then a rat-a-tat-tat, over and over. The National Guard began to march, and some of them picked up a tune, "Susybell was from Kentucky, a loose-limbed gal an' durn unlucky." Pete leaped from the wagon and ran after them, Bjornson shouting, "Hey, Pete, hey, where are you going?"

Asking the soldiers, "How old you got to be? How old you got to be?" Pete kept pace with them, until Bjornson grabbed him by the shirt and said, "This I'll tell your father."

"How old you got to be?"


Excerpted from The American by Howard Fast. Copyright © 1946 Howard Fast. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents


Part Seven THE CODA,

Customer Reviews