The 1619 Project: Born on the Water

by Nikole Hannah-Jones, Renée Watson, Nikkolas Smith (Illustrator)

Overview

Notes From Your Bookseller

A complement to The New York Times’ “1619 Project”, Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson share a powerful exploration of the origins of American identity and the lingering impact it’s had on society. Nikkolas Smith’s illustrations on their own are noteworthy — when paired with Hannah-Jones and Watson’s poetry, they become groundbreaking. We haven’t seen a project like this before and it’s unlikely to see one in the future.

The 1619 Project’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson.


A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders.
But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

 
And the people planted dreams and hope,
willed themselves to keep
living, living.
 
And the people learned new words
for love
for friend
for family

for joy
for grow
for home.
 
With powerful verse and striking illustrations by Nikkolas Smith, Born on the Water provides a pathway for readers of all ages to reflect on the origins of American identity.

Product Details

ISBN-13:	9780593307359
Publisher:	Penguin Young Readers Group
Publication date:	11/16/2021
Pages:	48
Sales rank:	9,650
Product dimensions:	9.30(w) x 9.10(h) x 0.50(d)
Lexile:	860L (what's this?)
Age Range:	7 - 10 Years

About the Author

Nikole Hannah-Jones is a Pulitzer Prize-winning reporter covering racial injustice for The New York Times Magazine and creator of the landmark 1619 Project. In 2017, she received a MacArthur Foundation Fellowship, known as the Genius Grant, for her work on educational inequality. She has also won a Peabody Award, two George Polk Awards, three National Magazine Awards, and the 2018 John Chancellor distinguished journalism award from Columbia University. In 2016, Nikole co-founded the Ida B. Wells Society for Investigative Reporting, a training and mentorship organization geared towards increasing the numbers of investigative reporters of color.

Renée Watson is a New York Times bestselling author. Her young adult novel, Piecing Me Together (Bloomsbury, 2017) received a Newbery Honor and Coretta Scott King Award. Her books for young readers include Harlem's Little Blackbird: The Story of Florence Mills, which was nominated for an NAACP Image Award, and Ways to Make Sunshine, which received the SCBWI Golden Kite Award. She has given readings and lectures at many renown places including the United Nations, the Library of Congress, and the U.S. Embassy in Japan and New Zealand. Renée is on the Council of Writers for the National Writing Project and is a member of the Academy of American Poets’ Education Advisory Council. Renée grew up in Portland, Oregon, and splits her time between Portland and New York City. To learn more about Renée’s work, visit her at www.reneewatson.net


Nikkolas Smith is a Houston, Texas-born Artivist, picture book author, and Hollywood film illustrator. He is the author/illustrator of The Golden Girls of Rio, nominated for an NAACP Image Award, My Hair Is Poofy And That’s Okay, and World Cup Women. As a Black illustrator, Nikkolas is focused on creating captivating art that can spark important conversations around social justice in today’s world and inspire meaningful change. Many of his viral, globally shared and published sketches are included in his book Sunday Sketch: The Art of Nikkolas. Nikkolas also speaks on his Artivism at conferences, workplaces, and schools around the world, and leads workshops in digital painting, character, and movie poster design. He lives in Los Angeles, California. Learn more here: www.NIKKOLAS.art

Editorial Reviews

★ 10/11/2021

When a Black child, this story’s narrator, feels shame surrounding a family tree assignment (“I can only count back three generations, here, in this country”), their parents and grandparents offer what an author’s note calls “a proud origin story.” In meticulous, forthright poems by Newbery Honoree Watson and 1619 Project founder Hannah-Jones, the family reaches back to the Kingdom of Ndongo, where their ancestors “had a home, a place, a land,/ a beginning.” Subsequent spreads describe the child’s West Central African forbears, who spoke Kimbundu (“had their own words/ for love/ for friend/ for family”), were good with their hands and minds, excelled at math and science, “and they danced.” When the lines recount how, in 1619, those ancestors were shackled and ferried across the Atlantic to Virginia on the White Lion, the authors clearly but non-graphically confront the horror of chattel slavery, emphasizing the resilience of the enslaved people who survived this impossible journey. Alternating between realistic and surreal images, Smith (World Cup Women) works in a saturated palette to create emotionally evocative scenes: dark, mostly monochrome tableaus convey tragedy or violence; brightly lit, multicolor palettes illustrate scenes of peace and joy. While detailing the specifics of an often-obscured history and its effects, this volume powerfully emphasizes that Black history is not merely a story of slavery and suffering but one of perseverance and hope. Ages 7–10. (Nov.)

Publishers Weekly

#1 New York Times Bestseller!
An Amazon Best of the Year 2021
A Time Magazine Best Children’s Books of 2021
A NPR Best Books of the Year 2021
A School Library Journal Best Books of 2021
A NYPL Best Books 2021
A Chicago Public Library Best Books 2021
A Barnes & Noble Best Picture Book of 2021
A Publisher’s Weekly Best Book of 2021
A News & Observer Best Books of 2021
An Amazon Best Book of the Month
A New York Public Library Best Book of 2021
A Barnes & Noble Book of the Year finalist
A 2022 Irma S. Black Award Contender
A 2022 Lee Bennett Hopkins Poetry Award Winner
A 2022 NCTE/CLA Notable Children’s Books in the Language Arts Award Winner
A 2022 SDUSMP Phillis Wheatley Book Award in the Children's (Ages 0-17) Non-fiction Category
A 2022 AAMBC Literary Award Nominee

PRAISE FOR THE 1619 PROJECT: BORN ON THE WATER

"A gift to Black Americans and everyone else who reads it." ―Kirkus Reviews, starred review

"Black history is not merely a story of slavery and suffering but one of perseverance and hope." ―Publisher's Weekly, starred review

"A stunning work, providing a glimpse into the history of the Black experience before and after the slave trade; the poetic language and breathtaking artwork will have a lasting effect on readers." ―School Library Journal, starred review

"Written in lovely and loving verse, with dynamic, expressive, and expansive illustrations that convey the emotional journey of a resilient people, this book provides a moving, informative answer to an essential question." ―Horn Book, starred review

From the Publisher

★ 10/22/2021

Gr 2–5—An illustrated work on the 1619 Project for young readers, this adaptation begins with a school assignment. A young Black girl is told by her teacher to trace her roots, but she is not aware of her origins beyond a few generations. When she recounts this at home her grandmother responds by gathering the family members together to tell their story. Thus begins a visual journey back centuries to the Kingdom of Ndongo in West Central Africa, the birthplace of their ancestors, "They had a home, a place, a land, a beginning." The authors' storytelling is utterly hypnotic, revealing a vibrant community that once spoke their own language and flourished in building and trade. "They spoke Kimbundu, had their own words, for joy, for grow, for home." The opening pages radiate warmth, elation, and celebration through the artwork, which moves and dances along with the people. Sweeping brush strokes and earthy tones are splashed with a bright yellow. With the turn of the page, the triumphant atmosphere vanishes as terror envelops the community, artfully represented in dark mournful blues and deep fiery reds. Entire families are kidnapped and sent by white people to a new country sailing on the White Lion: "We were born on the water. We come from the people who refused to die." The horror of the voyage and the subsequent life in Virginia where these families became slaves is deeply felt through the evocative images. Chaotic sweeps of color are in balance with the smooth lines on the faces of the people who endured, resisted, remembered, and survived. Smith also adds African scarification pattern motifs throughout that create a striking textured effect. The narrative is told in a flowing verse that informs yet also stirs emotion. The lyrical text does not leave readers in despair but confident in the knowledge of the legacy so many Black people forged, "Never forget you come from a people of great strength," Grandma says, "Be proud of our story, your story." VERDICT A stunning work, providing a glimpse into the history of the Black experience before and after the slave trade; the poetic language and breathtaking artwork will have a lasting effect on readers.—Claire Moore, Manhattan Beach Lib., CA

School Library Journal

★ 2021-09-24
A celebration of Black Americans for young readers, derived from Hannah-Jones’ 1619 Project.

Told in a series of poems that create a narrative, the story opens with a young Black girl given a school assignment to trace her ancestry. Despondent, she tells her grandmother about her shame at being unable to complete the assignment. Grandma then tells the story of their ancestors. Refreshingly, that story starts pre-enslavement, in West Central Africa: “Their story does not begin / with whips and chains. / They had a home, a place, a land, / a beginning. / … / Before they were enslaved, they were / free.” Several spreads are dedicated to celebrating the ancestors’ language, skilled hands, sharp minds, joyful hearts, and amazing dancing. When enslavement enters the narrative, authors and illustrator strike a balance between presenting an honest picture and consideration for young readers. Smith’s evocative, vibrant art is full of emotion and motion. Colors and images speak volumes, while characters are portrayed with dignity, even in the worst circumstances. A significant portion of the story focuses on this period and how the ancestors survived and made a home in the United States. Poems “Resistance” and “Legacy” round out the narrative until reaching a conclusion for the character the book opened with in “Pride.” Compression of 400-plus years of history leads to some oversimplification, but overall it is a tremendous achievement.(This book was reviewed digitally.)

A gift to Black Americans and everyone else who reads it. (authors' note, illustrator's note) (Picture book/poetry. 5-8)

Kirkus Reviews