Someone Comes to Town, Someone Leaves Town

Someone Comes to Town, Someone Leaves Town

by Cory Doctorow

Hardcover(First Edition)

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Alan is a middle-aged entrepeneur in contemporary Toronto, who has devoted himself to fixing up a house in a bohemian neighborhood. This naturally brings him in contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings—wings, moreover, which grow back after each attempt to cut them off.

Alan understands. He himself has a secret or two. His father is a mountain; his mother is a washing machine; and among his brothers are a set of Russian nesting dolls.

Now two of the three nesting dolls, Edward and Frederick, are on his doorstep—well on their way to starvation, because their innermost member, George, has vanished. It appears that yet another brother, Davey, who Alan and his other siblings killed years ago, may have returned...bent on revenge.

Under such circumstances it seems only reasonable for Alan to involve himself with a visionary scheme to blanket Toronto with free wireless Internet connectivity, a conspiracy spearheaded by a brilliant technopunk who builds miracles of hardware from parts scavenged from the city's dumpsters. But Alan's past won't leave him alone—and Davey is only one of the powers gunning for him and all his friends.

Product Details

ISBN-13: 9780765312785
Publisher: Doherty, Tom Associates, LLC
Publication date: 07/01/2005
Edition description: First Edition
Pages: 320
Product dimensions: 5.82(w) x 8.40(h) x 1.10(d)

About the Author

CORY DOCTOROW is a coeditor of Boing Boing, a special consultant to the Electronic Frontier Foundation, an MIT Media Lab Research Associate and a visiting professor of Computer Science at the Open University. His award-winning novel Little Brother and its sequel Homeland were a New York Times bestsellers. Born and raised in Canada, he lives in Los Angeles.

Read an Excerpt

Chapter One

Alan sanded the house on Wales Avenue. It took six months, and the whole time it was the smell of the sawdust, ancient and sweet, and the reek of chemical stripper and the damp smell of rusting steel wool.

Alan took possession of the house on January 1, and paid for it in full by means of an e-gold transfer. He had to do a fair bit of hand-holding with the realtor to get her set up and running on e-gold, but he loved to do that sort of thing, loved to sit at the elbow of a novitiate and guide her through the clicks and taps and forms. He loved to break off for impromptu lectures on the underlying principles of the transaction, and so he treated the poor realtor lady to a dozen addresses on the nature of international currency markets, the value of precious metal as a kind of financial lingua franca to which any currency could be converted, the poetry of vault shelves in a hundred banks around the world piled with the heaviest of metals, glinting dully in the fluorescent tube lighting, tended by gnomish bankers who spoke a hundred languages but communicated with one another by means of this universal tongue of weights and measures and purity.

The clerks who’d tended Alan’s many stores—the used clothing store in the Beaches, the used book store in the Annex, the collectible tin-toy store in Yorkville, the antique shop on Queen Street—had both benefited from and had their patience tried by Alan’s discursive nature. Alan had pretended never to notice the surreptitious rolling of eyes and twirling fingers aimed temple-wise among his employees when he got himself warmed up to a good oration, but in truth very little ever escaped his attention. His customers loved his little talks, loved the way he could wax rhapsodic about the tortured prose in a Victorian potboiler, the nearly erotic curve of a beat-up old table leg, the voluminous cuffs of an embroidered silk smoking jacket. The clerks who listened to Alan’s lectures went on to open their own stores all about town, and by and large, they did very well.

He’d put the word out when he bought the house on Wales Avenue to all his protégés: Wooden bookcases! His cell phone rang every day, bringing news of another wooden bookcase found at this flea market, that thrift store, this rummage sale or estate auction.

He had a man he used part-time, Tony, who ran a small man-with-van service, and when the phone rang, he’d send Tony over to his protégé’s shop with his big panel van to pick up the case and deliver it to the cellar of the house on Wales Avenue, which was ramified by cold storages, root cellars, disused coal chutes and storm cellars. By the time Alan had finished with his sanding, every nook and cranny of the cellar was packed with wooden bookcases of every size and description and repair.

Alan worked through the long Toronto winter at his sanding. The house had been gutted by the previous owners, who’d had big plans for the building but had been tempted away by a job in Boston. They’d had to sell fast, and no amount of realtor magic—flowers on the dining-room table, soup simmering on the stove—could charm away the essential dagginess of the gutted house, the exposed timbers with sagging wires and conduit, the runnels gouged in the floor by careless draggers of furniture. Alan got it for a song, and was delighted by his fortune.

He was drunk on the wood, of course, and would have paid much more had the realtor noticed this, but Alan had spent his whole life drunk on trivial things from others’ lives that no one else noticed and he’d developed the alcoholic’s knack of disguising his intoxication. Alan went to work as soon as the realtor staggered off, reeling with a New Year’s Day hangover. He pulled his pickup truck onto the frozen lawn, unlocked the Kryptonite bike lock he used to secure the camper bed, and dragged out his big belt sander and his many boxes of sandpaper of all grains and sizes, his heat strippers and his jugs of caustic chemical peeler. He still had his jumbled, messy place across town in a nondescript two-bedroom on the Danforth, would keep on paying the rent there until his big sanding project was done and the house on Wales Avenue was fit for habitation.

Alan’s sanding project: First, finish gutting the house. Get rid of the substandard wiring, the ancient, lead-leaching plumbing, the cracked tile and water-warped crumbling plaster. He filled a half-dozen dumpsters, working with Tony and Tony’s homie Nat, who was happy to help out in exchange for cash on the barrelhead, provided that he wasn’t required to report for work on two consecutive days, since he’d need one day to recover from the heroic drinking he’d do immediately after Alan laid the cash across his palm.

Once the house was gutted to brick and timber and delirious wood, the plumbers and the electricians came in and laid down their straight shining ducts and pipes and conduit.

Alan tarped the floors and brought in the heavy sandblaster and stripped the age and soot and gunge off of the brickwork throughout, until it glowed red as a golem’s ass.

Alan’s father, the mountain, had many golems that called him home. They lived round the other side of his father and left Alan and his brothers alone, because even a golem has the sense not to piss off a mountain, especially one it lives in.

Then Alan tackled the timbers, reaching over his head with palm sanders and sandpaper of ever finer grains until the timbers were as smooth as Adirondack chairs, his chest and arms and shoulders athrob with the agony of two weeks’ work. Then it was the floorwork, but not the floors themselves, which he was saving for last on the grounds that they were low-hanging fruit.

This materialized a new lecture in his mind, one about the proper role of low-hanging fruit, a favorite topic of MBAs who’d patronize his stores and his person, giving him unsolicited advice on the care and feeding of his shops based on the kind of useless book-learning and jargon-slinging that Fortune 100 companies apparently paid big bucks for. When an MBA said "low-hanging fruit," he meant "easy pickings," something that could and should be snatched with minimal effort. But real low-hanging fruit ripens last, and should be therefore picked as late as possible. Further, picking the low-hanging fruit first meant that you’d have to carry your bushel basket higher and higher as the day wore on, which was plainly stupid. Low-hanging fruit was meant to be picked last. It was one of the ways that he understood people, and one of the kinds of people that he’d come to understand. That was the game, after all—understanding people.

So the floors would come last, after the molding, after the stairs, after the railings and the paneling. The railings, in particular, were horrible bastards to get clean, covered in ten or thirty coats of enamel of varying colors and toxicity. Alan spent days working with a wire brush and pointed twists of steel wool and oozing, stinging paint stripper, until the grain was as spotless and unmarked as the day it came off the lathe.

Then he did the floors, using the big rotary sander first. It had been years since he’d last swung a sander around—it had been when he opened the tin-toy shop in Yorkville and he’d rented one while he was prepping the place. The technique came back to him quickly enough, and he fell into a steady rhythm that soon had all the floors cool and dry and soft with naked, exposed woody heartmeat. He swept the place out and locked up and returned home.

The next day, he stopped at the Portuguese contractor-supply on Ossington that he liked. They opened at five a.m., and the men behind the counter were always happy to sketch out alternative solutions to his amateur construction problems, they never mocked him for his incompetence, and always threw in a ten percent "contractor’s discount" for him that made him swell up with irrational pride that confused him. Why should the son of a mountain need affirmation from runty Portugees with pencil stubs behind their ears and scarred fingers? He picked up a pair of foam-rubber knee pads and a ten-kilo box of lint-free shop rags and another carton of disposable paper masks.

He drove to the house on Wales Avenue, parked on the lawn, which was now starting to thaw and show deep muddy ruts from his tires. He spent the next twelve hours crawling around on his knees, lugging a tool bucket filled with sandpaper and steel wool and putty and wood-crayons and shop rags. He ran his fingertips over every inch of floor and molding and paneling, feeling the talc softness of the sifted sawdust, feeling for rough spots and gouges, smoothing them out with his tools. He tried puttying over the gouges in the flooring that he’d seen the day he took possession, but the putty seemed like a lie to him, less honest than the gouged-out boards were, and so he scooped the putty out and sanded the grooves until they were as smooth as the wood around them.

Next came the beeswax, sweet and spicy and shiny. It almost broke his heart to apply it, because the soft, newly exposed wood was so deliciously tender and sensuous. But he knew that wood left to its own would eventually chip and splinter and yellow. So he rubbed wax until his elbows ached, massaged the wax into the wood, buffed it with shop rags so that the house shone.

Twenty coats of urethane took forty days—a day to coat and a day to dry. More buffing and the house took on a high shine, a slippery slickness. He nearly broke his neck on the slippery staircase treads, and the Portuguese helped him out with a bag of clear grit made from ground walnut shells. He used a foam brush to put one more coat of urethane on each tread of the stairs, then sprinkled granulated walnut shells on while it was still sticky. He committed a rare error in judgment and did the stairs from the bottom up and trapped himself on the third floor, with its attic ceilings and dormer windows, and felt like a goddamned idiot as he curled up to sleep on the cold, hard, slippery, smooth floor while he waited for his stairs to dry. The urethane must be getting to his head.

The bookcases came out of the cellar one by one. Alan wrestled them onto the front porch with Tony’s help and sanded them clean, then turned them over to Tony for urethane and dooring.

The doors were UV-filtering glass, hinged at the top and surrounded by felt on their inside lips so that they closed softly. Each one had a small brass prop-rod on the left side that could brace it open. Tony had been responsible for measuring each bookcase after he retrieved it from Alan’s protégés’ shops and for sending the measurements off to a glazier in Mississauga.

The glazier was technically retired, but he’d built every display case that had ever sat inside any of Alan’s shops and was happy to make use of the small workshop that his daughter and son-in-law had installed in his garage when they retired him to the burbs.

The bookcases went into the house, along each wall, according to a system of numbers marked on their backs. Alan had used Tony’s measurements and some CAD software to come up with a permutation of stacking and shouldering cases that had them completely covering every wall—except for the wall by the mantelpiece in the front parlor, the wall over the countertop in the kitchen, and the wall beside the staircases—to the ceiling.

He and Tony didn’t speak much. Tony was thinking about whatever people who drive moving vans think about, and Alan was thinking about the story he was building the house to write in.

May smelled great in Kensington Market. The fossilized dog shit had melted and washed away in the April rains, and the smells were all springy ones, loam and blossoms and spilled tetrapak fruit punch left behind by the pan-ethnic street-hockey league that formed up spontaneously in front of his house. When the winds blew from the east, he smelled the fish stalls on Spadina, salty and redolent of Chinese barbecue spices. When it blew from the north, he smelled baking bread in the kosher bakeries and sometimes a rare whiff of roasting garlic from the pizzas in the steaming ovens at Massimo’s all the way up on College. The western winds smelled of hospital incinerator, acrid and smoky.

His father, the mountain, had attuned Art to smells, since they were the leading indicators of his moods, sulfurous belches from deep in the caverns when he was displeased, the cold non-smell of springwater when he was thoughtful, the new-mown hay smell from his slopes when he was happy. Understanding smells was something that you did, when the mountain was your father.

Once the bookcases were seated and screwed into the walls, out came the books, thousands of them, tens of thousands of them.

Little kids’ books with loose signatures, ancient first-edition hardcovers, outsized novelty art books, mass-market paperbacks, reference books as thick as cinderblocks. They were mostly used when he’d gotten them, and that was what he loved most about them: They smelled like other people and their pages contained hints of their lives: marginalia and pawn tickets, bus transfers gone yellow with age and smears of long-ago meals. When he read them, he was in three places: his living room, the authors’ heads, and the world of their previous owners.

They came off his shelves at home, from the ten-by-ten storage down on the lakeshore, they came from friends and enemies who’d borrowed his books years before and who’d "forgotten" to return them, but Alan never forgot, he kept every book in a great and deep relational database that had begun as a humble flatfile but which had been imported into successive generations of industrial-grade database software.

This, in turn, was but a pocket in the Ur-database, The Inventory in which Alan had input the value, the cost, the salient features, the unique identifiers, and the photographic record of every single thing he owned, from the socks in his sock drawer to the pots in his cupboard. Maintaining The Inventory was serious business, no less important now than it had been when he had begun it in the course of securing insurance for the bookshop.

Alan was an insurance man’s worst nightmare, a customer from hell who’d messenger over five bankers’ boxes of detailed, cross-referenced Inventory at the slightest provocation.

The books filled the shelves, row on row, behind the dust-proof, light-proof glass doors. The books began in the foyer and wrapped around the living room, covered the wall behind the dining room in the kitchen, filled the den and the master bedroom and the master bath, climbed the short walls to the dormer ceilings on the third floor. They were organized by idiosyncratic subject categories, and alphabetical by author within those categories.

Alan’s father was a mountain, and his mother was a washing machine—he kept a roof over their heads and she kept their clothes clean. His brothers were: a dead man, a trio of nesting dolls, a fortune-teller, and an island. He only had two or three family portraits, but he treasured them, even if outsiders who saw them often mistook them for landscapes. There was one where his family stood on his father’s slopes, Mom out in the open for a rare exception, a long tail of extension cords snaking away from her to the cave and the diesel generator’s three-prong outlet. He hung it over the mantel, using two hooks and a level to make sure that it came out perfectly even.

Tony helped Alan install the shallow collectibles cases along the house’s two-story stairwell, holding the level while Alan worked the cordless power driver. Alan’s glazier had built the cases to Alan’s specs, and they stretched from the treads to the ceiling. Alan filled them with Made-in-Occupied-Japan tin toys, felt tourist pennants from central Florida gator farms, a stone from Marie Laveau’s tomb in the St. Louis I Cemetery in New Orleans, tarnished brass Zippos, small framed comic-book bodybuilding ads, carved Polynesian coconut monkeys, melamine transistor radios, Bakelite snow globes, all the tchotchkes he’d accumulated over a lifetime of picking and hunting and digging.

They were gloriously scuffed and non-mint: he’d always sold off the sterile mint-in-package goods as quickly as he could, squirreling away the items that were marked with "Property of Freddy Terazzo" in shaky ballpoint, the ones with tooth marks and frayed boxes taped shut with brands of stickytape not offered for sale in fifty years.

The last thing to go in was the cellar. They knocked out any wall that wasn’t load-bearing, smeared concrete on every surface, and worked in a loose mosaic of beach glass and beach china, smooth and white with spidery blue illustrations pale as a dream. Three coats of urethane made the surfaces gleam.

Then it was just a matter of stringing out the cables for the clip-on halogens whose beams he took care to scatter off the ceilings to keep the glare to a minimum. He moved in his horsehair sofa and armchairs, his big old bed, his pots and pans and sideboard with its novelty decanters, and his entertainment totem.

A man from Bell Canada came out and terminated the data line in his basement, in a room that he’d outfitted with an uninterruptible power supply, a false floor, dry fire extinguishers and a pipe-break sensor. He installed and configured the router, set up his modest rack and home servers, fished three four-pair wires through to the living room, the den and the attic, where he attached them to unobtrusive wireless access points and thence to weatherproofed omnidirectional antennae made from copper tubing and PVC that he’d affixed to the building’s exterior on short masts, aimed out over Kensington Market, blanketing a whole block with free Internet access.

He had an idea that the story he was going to write would require some perambulatory cogitation, and he wanted to be able to take his laptop anywhere in the market and sit down and write and hop online and check out little factoids with a search engine so he wouldn’t get hung up on stupid details.

The house on Wales Avenue was done. He’d repainted the exterior a lovely robin’s-egg blue, fixed the front step, and planted a low-maintenance combination of outsized rocks from the Canadian Shield and wild grasses on the front lawn. On July first, Alan celebrated Canada Day by crawling out of the attic window onto the roof and watching the fireworks and listening to the collective sighs of the people densely packed around him in the Market, then he went back into the house and walked from room to room, looking for something out of place, some spot still rough and unsanded, and found none. The books and the collections lined the walls, the fans whirred softly in the ceilings, the filters beneath the open windows hummed as they sucked the pollen and particulate out of the rooms—Alan’s retail experience had convinced him long ago of the selling power of fresh air and street sounds, so he refused to keep the windows closed, despite the fantastic volume of city dust that blew in.

The house was perfect. The ergonomic marvel of a chair that UPS had dropped off the previous day was tucked under the wooden sideboard he’d set up as a desk in the second-floor den. His brand-new computer sat centered on the desk, a top-of-the-line laptop with a wireless card and a screen big enough to qualify as a home theater in some circles.

Tomorrow, he'd start the story.

Excerpted from Someone Comes to Town, Someone Leaves Town by Cory Doctorow.
Copyright © 2005 by Cory Doctorow.
Published in July 2005 by Tom Doherty Associates, LLC.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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Someone Comes to Town, Someone Leaves Town 3.5 out of 5 based on 0 ratings. 33 reviews.
fyrefly98 on LibraryThing More than 1 year ago
Summary: Alan (or Andy, or Adam; his parents were never too particular about names, which is understandable, given that his father is a mountain and his mother is a washing machine) is trying to live a normal life. He's renovating a house in Toronto, working on writing a novel, and doing his best to make friends - although his two primary friends are a dumpster-diving tech geek with plans to provide free wireless internet to the entire city, and his next-door neighbor, who has wings that she lets her boyfriend cut off every time they grow too large to be hidden. Things are going pretty well for Alex until three of his brothers, Eddie, Fred, and Grant, the Russian nesting dolls, show up on his doorstep... followed by their brother Davey - the same Darren who the brothers had killed many years ago - who resurfaces in Arthur's life, intent on his murderous revenge.Review: If it wasn't already abundantly clear from the summary: this book was weird. Sometimes gloriously weird, sometimes confusingly weird, sometimes annoyingly weird, but always, always, just unrelentingly weird. Now, I'm a fantasy reader, so I'm fairly comfortable with fiction in which the unnatural coexisting with the natural, and the abnormal with the normal, but I prefer it if the strangeness and the weirdness in my books at least follows its own internal logic. And in the case of Someone Comes to Town, Someone Leaves Town, it seemed like sometimes the various absurdities fit together, and sometimes not, but even when they made their own kind of sense, I could never fully get a handle on what that sense was. I read most of the book feeling like there was something that I was missing, something I wasn't getting, something that I was waiting for that would make the entire thing click into place.However, despite never quite being able to grasp what the book was trying to say, it still told a pretty engaging story. For all his and his family's weirdness, Alan's a sympathetic protagonist, and the theme of being an outsider, unsure what to do to fit in with the "normal" people around you is something that I think most people can relate to. Once I threw my hands up and stopped trying to make all of the pieces fit, it was very easy to get caught up in the flow of the story of Alan's upbringing and his family. For that reason, however, I found that Doctorow's tech-heavy digressions - the same sort that served the story so well in Little Brother - were much less organic to the main plot and therefore really distracting here. I guess I didn't see their point, how they added to and fit with the rest of the story... but then I felt like I didn't quite understand so much of this book that maybe I shouldn't single them out.Overall, it's really hard to pin down how I feel about this book, probably because it's so hard to pin down exactly what this book is. It's very original, for sure. And very strange. And potentially just totally over my head. 3 out of 5 stars.Recommendation: Oooh, tough one. It reminded me a little of Geek Love (the family of not-quite-regular siblings), and a little of Perdido Street Station (the way it took the normal perceptions of the way story elements worked and turned them sideways), but neither of those is a read-alike on any larger scale. Recommended for those who like their fiction well off the beaten path, I guess.
clong on LibraryThing More than 1 year ago
This is only the second work of Doctorow¿s for me (the other having been the very funny short story ¿I, Rowboat¿). It strikes me as a book that would evoke strong opinions, pro and con. Put me squarely in the pro column.It is an ambitious book, not quite like anything I¿ve ever read before. Doctorow demonstrates a facility for juxtaposing the fantastic with the everyday in a way vaguely reminiscent of one my all-time favorites, Cordwainer Smith. The protagonist Alan is an original character on several levels (not the least of which is his unusual family tree). This is not a book that I would consider Cyberpunk, more Urban Fantasy with healthy doses of Lovecraft.Someone Comes to Town, Someone Leaves Town is clearly a book about identify, a book about how we are all the same and how we are each different. And perhaps about how you are defined by the company that your keep. It is at times quite funny, at times quite scary, and often absurd. In the end it delivers a powerful and affirming message, something along the lines of ¿be true to our commonality and be true to our differences and avoid those who aren¿t either.¿There are things about the book that didn¿t entirely work for me. The changing names thing was more annoying than effective (although in retrospect it clearly fit squarely into the identity theme of the book). Alan¿s brothers (except for Davey) never felt fully fleshed out as distinct characters, which made the climax somewhat less effective than it could have been. The short, choppy narrative segments at times left you confused about which of the various storylines you were dropping in on.Overall, a book where the pluses far outweigh the minuses. I will definitely plan to read more from Cory Doctorow.
steevc on LibraryThing More than 1 year ago
A strange mix of geek fiction and fantasy. Read over a long period on my phone
bethlakshmi on LibraryThing More than 1 year ago
I enjoyed reading a new author, but I'm not sure I'd read more. The book was very innovative, with some interestingly strange characters and a good system for fitting fantastic creatures into the "real" world. My objection is that the book can be dark but not in a way that is either sexy or thrilling. There's some fairly gross bits that are in keeping with the characters, but gross enough that it wasn't so fun to read while eating or just before bedtime - my two favorite reading times.Also, the author choose to make several major characters with ambiguous names - the names change throughout the book, and you have to get used to reading for the first initial, not the whole name. This was possible due to the limited cast of characters, but it puts added effort on the reader.For the grossness and the naming weirdnes, I expected a bigger payoff in the ending, and I didn't get it.
g026r on LibraryThing More than 1 year ago
A Doctorow-written piece that didn't make me want to claw my eyes out. To say I was surprised would be an understatement. It's just a pity the ending feels so sudden and forced. (The fact it ties in so heavily to Doctorow's techno-fetishism shouldn't be too much of a surprise, but that could be overlooked if it weren't for how jarringly abrupt it is.)On the minus side: it still feels like he came up with an idea he wished to push and then tried to build a story around it, and there are several low points where the plot disappears into stereotypical Doctorow-ranting. Also, is it impossible for him to write a character who eats, uses, or wears something without him feeling the need to tell us the brand of the item and where it was purchased? Overall, it still feels like he's trying too hard to convince people of both his hipness and intelligence.On the plus side: his overuse and abuse of made-up words and the English language in general (along with his Disney-obsession) is far less prevalent in this book than in some of his other writings.
glitrbug on LibraryThing More than 1 year ago
Ok, I admit it. I bought it for the cover. Seriously, how cool is it??? I also loved the bit on the back that reads " He himself has a secret or two. His father is a mountain, his mother is a washing machine, and among his brothers are a set of Russian nesting dolls" . How could that not pique your interest? It's a great story about coping with a disfunctional family, realizing that everyone has family weirdness, loving your eccentric friends, letting down your guard and doing your best to leave the world a better place. I loved that the characters all had their good sides and their issues (except for Davy/Daniel/Doug) and I loved that it was so darn entertaining while it gave me something to think about. Great art on the cover and an outstanding read. Can it get any better?
aethercowboy on LibraryThing More than 1 year ago
I had received a copy of this book from Cory Doctorow himself quite a while ago, but finally got around to reading it. He has an interesting writing voice. And sometimes, that voice changes. While his voice in Eastern Standard Tribe matched his voice in public speaking and blogging, there was something different about his voice in Someone Comes to Town, Someone Leaves Town.It was almost as if Neil Gaiman took control of righty while China Mieville took control of lefty, and they duked it out on Doctorow's keyboard. But, to some degree, Doctorow was still in control.The book, a contemporary fantasy set in the not-too-distant future, complete with emerging technologies, like mesh nets and such, is about a man named Alan. Well, he'll pretty much answer to any name beginning with A, like his brothers: Bentley, Charles, Daniel, Edgar, Frederic, and Gerald. His mother alphabetized them instead of giving them names.I don't really blame his mother for not being able to keep track of everybody's name. I mean, she was a washing machine. And his father was a mountain. To use a joke in the book: she kept them in clean clothes, and he kept a roof over their heads.He and his brothers are all outcasts in a way. Allan looks normal, but has regenerative properties. Barry has psychic abilities, Chester is an island, Doug is a zombie, and Evan/Frank/George are Russian nesting dolls.Andy's moved to a new house where he wants to write a book. He meets his new neighbors: Krishna, Link, Mimi, and Natalie. Krishna doesn't like him very much, but everyone else manages to cozy up to him.Likewise, he befriends a dumpster-diver named Kurt, and tries to get his ParasiteNet (a mesh network) up and running throughout the Kensignton Marketplace.But then Denny rears his ugly, undead head, and Errol, Flynn, and Gentry start disappearing. Dick, who plagued Alfred's life during childhood, and strained his relationship with his first girlfriend, Marci, will have none of Andy's antics, especially after Arthur was the one who killed him in the first place, and buried him deep in the soil of Corbin.Andrew must balance his life: posing as a human, avoiding his undead brother's attempt to kill him, avoiding Krishna's hateful glares, helping get Kurt's network up and running, and dealing with his bitter past.I enjoyed the book with only the argument that, though it was 12,000 words, it should have been longer. Fortunately, it's under the creative commons, so if I did want to write a nice little addendum to the book, I could (if it's derivative, which I think it is).
kmgallo on LibraryThing More than 1 year ago
Original, Interesting and Great Imagery throughout the book
punkgardener on LibraryThing More than 1 year ago
Doctorow adds a nice twist of Alice in Wonderland surrealism to a story that is about monsters-- the very real kind that haunt people who survive being raised in dysfunctional families. This is a dark & wonderful story about the destructiveness of keeping painful family secrets and the hope that can be found in becoming strong enough to stop hiding who one is.
2seven on LibraryThing More than 1 year ago
In the spirit of Haruki Murakami, Doctorow creates an alternate reality where his characters subsist, unfazed, in the most preposterous of circumstances. Contemporary fantasy, magical realism, technological fiction? "Someone Comes to Town..." is not easily labeled which might be frustrating for a fan of Doctorow's more topical tech and sci-fi work. Still, Doctorow continues to successfully push the boundaries of contemporary science fiction and fantasy genres."Someone Comes to Town, Someone Leaves Town" is, by far, my favorite of Doctorow's novels to date. I look forward to his upcoming projects.
anglemark on LibraryThing More than 1 year ago
I don't even know where to start to untangle this one in my head, to peel of the layers and storylines to understand what it's about. Really good, though!
monado on LibraryThing More than 1 year ago
This book is a winner with me on several counts. The characters are interesting. The main character wants to figure out what makes people "tick," and so do I. The use of language is scintillating: his neologisms make sense and uses unfamiliar phrasing to bring his scenes to life. I was tickled to find one of my little jokes, "automagically," tucked away in a description of how technology works. The book is set mainly in Toronto with specific and seemingly accurate descriptions¿I can't swear to every back alley or rooftop or the aroma of the kosher bakery but I can recognize streets, businesses, and personal styles. To someone who knows the city, that makes his descriptions more vivid. He actually notices smells. He talks about linking Toronto in a wireless network at a time when Toronto is being linked in a wireless network, albeit a more formal one. He's aware of business and economic realities as many SF authors aren't. He ventures out of Toronto to the hinterland of Kapuskasing in Northern Ontario. Finally, he teaches me things I don't know.
stephaniechase on LibraryThing More than 1 year ago
I really liked the character of Alan... but the book is just plain weird.
ragwaine on LibraryThing More than 1 year ago
So this was pretty cool. Dark, creepy and completely absurd. The sex scene was hot even though (maybe because) he focused on her wings. The name changing thing was annoying at first but then got kinda fun. I think it was a good idea to make the main character a book lover because it immediately links the reader with the character (unless they're just a casual reader). The ending wasn't as satisfying as I wanted it to be but not terrible.This is the kind of thing I like to read once in a while to get out of reading the same kind of books (mostly fantasy and sci-fi) all the time. But since it didn't blow me away I probably won't read more by Doctorow unless the subject sounds really interesting.
jmilstid on LibraryThing More than 1 year ago
I enjoyed this book. It was a difficult read until I just let go and went with it. As with many of Cory Doctorow's works, this tale takes a grassroots stab at the system and big business. With a love story neatly thrown in, and bizarre characters to boot, it held my attention throughout. Cory tends to jump around a lot, both in time sequences and plot.Cory Doctorow is one of my favorite authors. His imagination and writing style are amazing and I'll continue to read his works.
JohnMunsch on LibraryThing More than 1 year ago
Boy, this is a tough one. I definitely liked it better than Down and Out in the Magic Kingdom by the same author because I felt like the characters were far more developed. As with Down and Out, I'm still not sure about the ending, but at least it didn't seem rushed.On the whole, I liked it, I liked parts of it a lot.
hobreads on LibraryThing More than 1 year ago
Bad. I imagine the author had a bad trip after watching A Clockwork Orange and decided to write a story in the style of Neil Gaiman (including a Dave McKean-like cover) using Mad Libs for inspiration. Pity, because I rather enjoyed Doctorow's "Little Brother".
JonathanGorman on LibraryThing More than 1 year ago
It was a little hard to get into at first, but I ended up really liking it. The "magical" parts of it remind me quite a bit of Bradbury's October Country, with a touch of Dunsany thrown in. Quite a bit different than some of Doctorow's other novels which feel a bit more like Stross with some political issues thrown in. A few of those here.The characters themselves have a certain realism that is hard to describe. There were one or two rough transitions, which made me consider going to 4 and a 1/2 stars. To be honest though, recapturing the Bradbury magic meant a lot to me.
SimonW11 on LibraryThing More than 1 year ago
Umm lets see the narrators is a business man who has taken a year or to out two write a book and develop a free public access WiFi network. His father is a mountain his mother a washing machine while his dead brother is killing the living ones who live inside each other like Russian dolls. but there is something odd about his neighbours. Is there a point? I don't know but I doubt it.
tyroeternal on LibraryThing More than 1 year ago
I spent the first half of this book thoroughly confused, unable to put the book down. The second half of the book I was still confused, but coming to terms with the way things were.Had I known it was some sort of alternate reality from the start it would have been much easier to follow, but I doubt it would have been so enjoyable. The jumps in timeline and the strange nature of the story had me following along with A(lan), trying to understand him as he tried to understand himself.Not quite like any of the other Doctorow stories I have read, but good nevertheless. Engrossing writing, entertaining storyline, and an enjoyable addition of correctly used technology to round it all off.
rphbamf on LibraryThing More than 1 year ago
Someone Comes to Town, Someone Leaves Town by Cory DoctorowA Grimm fairy tale, wrapped n a William Gibson cyber-punk. A bread crumb in a shot ofAbsinthe. Two things that you don¿t think will mix well together until you try it, and find out that you were right after all.You don¿t wonder how things in this book hook-up, but why. A main character whose father is a mountain, mother is a washing machine. Seriously. And it takes place in Canada, of all places.But, it is an interesting story. I was hooked on the plot, even though I knew it would end with a fizzle. Even though I really didn¿t see a point in the "mountain characters¿" names changing from one sentence to the next, based only around a first letter (Alan becomes Adam becomes Abby becomes Arthur).The sexy descriptions of winged-girl Mimi, however, were nice. Her tits almost seemed like characters of their own by the end.2.5 on LibraryThing
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