Minnesota, 1915. With success long behind him, writer, husband, and father Monte Becket has lost his sense of purpose . . . until he befriends outlaw Glendon Hale. Plagued by guilt over abandoning his wife two decades ago, Hale is heading back West in search of absolution. And he could use some company on the journey.
As the modern age marches swiftly forward, Becket agrees to travel into Hale’s past, leaving behind his own family for an adventure that will test the depth of his loyalties and morals, and the strength of his resolve. As they flee the relentless former Pinkerton Detective who’s been hunting Hale for years, Becket falls ever further into the life of an outlaw—perhaps to the point of no return.
With its smooth mix of romanticism and gritty reality, So Brave, Young, and Handsome examines one ordinary man’s determination to risk everything in order to understand what it’s all worth, in “an old-fashioned, swashbuckling, heroic Western . . . [An] adventure of the heart and mind (The Washington Post Book World).
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A Thousand a Day
Not to disappoint you, but my troubles are nothing — not for an author, at least. Common blots aside, I have none of the usual Big Artillery: I am not penniless, brilliant, or an orphan; have never been to war, suffered starvation or lashed myself to a mast. My health is adequate, my wife steadfast, my son decent and promising. I am not surrounded by people who don't understand me! In fact most understand me straightaway, for I am and always was an amiable fellow and reliably polite. You, a curious stranger, could walk in this moment; I would offer you coffee and set you at ease. Would we talk pleasantly? Indeed we would, though you'd soon be bored — here on Page One I don't even live in interesting surroundings, such as in a hospital for the insane, or on a tramp steamer, or in Madrid. Later in the proceedings I do promise a tense chase or two and the tang of gunpowder, but here at the outset it's flat old Minnesota and I am sitting on the porch of my comfortable farmhouse, composing the flaccid middle of my seventh novel in five years.
Seven novels, you exclaim — quite right, but then I didn't finish any of them. I'm grateful for that, and you should be too. Number Seven featured a handsome but increasingly bilious ranch hand named Dan Roscoe. A right enough pard to begin with, he became more arrogant page by page. No laconic wit for Dan! It was himself I was writing about, with many low sighs, the morning I first saw Glendon Hale rowing upstream through the ropy mists of the Cannon River. What a cool spring morning that was — birdsong, dew on the blossoms — I yearned to be on the river myself, but Dan Roscoe had rustlers to catch and a girl to win. Neither seemed likely. How often I sighed in those days! I needed a revelation but you know how it is. I would have settled for a nice surprise.
Hearing the groan of oarlocks I peered downriver. A white-headed fellow was rowing up out of the haze.
He rowed standing, facing forward, a tottery business; twice as I watched, one of his narrow sweeps missed the water completely and he lurched like old Quixote, hooting to himself. The truth is he appeared a bit elevated, early though it was. As I say, he was white-haired with a white mustache and he wore white shirtsleeves and his boat too was white above the waterline, so that he had a spectral or angelic quality only somewhat reduced by his tipsy aspect.
Forth he came through the parting mists. To this day I don't know what took hold of me as he approached. I stood from my work and called hello.
"Hello back," said he, not pausing in his strokes.
"Pretty vessel," I called.
"Pretty river," he said, a simple reply that made me ache to be afloat. But he wasn't slowing, as you might expect a polite person to do, and I stepped off the porch and jogged down to the stubby dock my son had built for fishing.
"Can you stop a minute? There's coffee," I said — sounding pushy, I suspect, though I am no extrovert; ask Susannah.
"Maybe," he said, yet he was already well past me and in fact the haze was closing round him again. I had a last glimpse of his boat — its graceful sheer and backswept transom. Then it disappeared, though I could hear in the fog the dip of the old man's oars, his screeling oarlocks, and what might have been a laugh of delight, as though he'd vanished by some mystic capacity that tickled him every time.
I went heavily back to the porch. My boy Redstart was there grinning — he was eleven, Redstart, catching up with his papa in all kinds of ways.
"Who was that man?" he inquired.
"I don't know."
"Was he drunk, do you think?"
"He rows standing up," said Redstart. "I never saw that before. Did you talk to him?"
"No, I didn't." I couldn't look at the boy for a moment or two. I was embarrassed at how much I'd wanted to visit with the man in the boat, and how unaccountably sorry I was that he'd just rowed away. I sat in my chair and lifted pages into my lap. Dan Roscoe was waiting for me in those pages — boy, he was morose. Who could face it?
"I can still hear him," Redstart said, "out in the mist. Can you hear him rowing, Papa?"
I looked at my son, the lover of mysteries. You could never guess what Redstart might say, for his mind was made of stories; he'd gathered all manner of splendid facts about gunpowder and deserts of the world and the anchoring of lighthouses against the furious sea; he knew which members of the James gang had once ridden into our town to knock over a bank and been shot to moist rags for their trouble; and about me he knew some things not even his mother knew, such as the exact number of novels I had abandoned on that porch. He whispered, "How many words today, Papa?"
I made a quick and not altogether honest guess. "Two hundred or so."
"It's early still, that's pretty good," he replied, then sat and shut his eyes and leaned awhile. I knew he should go take the horses to pasture or mulch the tomatoes but I didn't want to lose his company. I picked up my pen and wrote: As Dan Roscoe branded each bawling calf with the Moon Ranch insignia, he recalled how Belle had clung to the arm of his hated rival — a moribund sentence that announced the death of my seventh novel. It didn't surprise me. I had the grim yet satisfactory thought that it wouldn't surprise Dan Roscoe, either. Well, let him moan! I was sick of Dan and his myriad problems.
"Red," said I, "here's an idea. Why don't you go in the house and lay hands on a few of your mother's orange rolls. Let's climb in the boat and head upstream."
"Hmm," said Redstart. He dawdled to his feet; he said "Well" a couple of times.
"Well, nothing," I said. "We don't even need the rolls. Let's catch up with that old man. I want to talk to him."
Redstart went to the door. Poor reluctant boy; long my joyous accomplice in distraction, he had lately been run to ground by his efficient and lovely and desperate mother. He didn't want to shame me, but what choice did I give him?
"I guess we better not, Papa. You got to get your work done. Remember what Mama said?"
What Susannah said was, approximately, If you don't soon finish that book of yours, we'll have to start selling the furniture. Lest you read in her words a tone of panic, let me assure you there was none. She was only letting me know where things stood. The end of money didn't mean the end of much — the end of our marriage, say, or even of Susannah's obstinate confidence in me. At worst it meant the end of pretense. The end of my little run at distinction. To say it truly: the end of pride.
I was the one who panicked.
Here's how I came to this sorry pass. In the fall of 1910 I published a short novel called Martin Bligh, which became so popular I quit being a postman and started calling myself an author. Who knows how these things happen? The book was just an adventure tale. Nothing ambitious. I only wrote it for entertainment and to gratify a sort of wistful ache — Martin Bligh was a postman too, though as a Pony Express rider he had a better shot at glory and peril than I in my tinctured cell at the Northfield P.O. It was a story to make a boy lean forward; it had Indians and great ships and the buried gold of Coronado and two separate duels, including one with sabers. I also added a black-haired senõrita because my own Susannah loves a romance, yet Bligh was reviewed in a Chicago newspaper as "disturbingly real," no doubt because some of the Indians adorned their pintos with bloody blond scalps. That the haggard and venerated Buffalo Bill Cody read my story and praised it in newspaper interviews did not hurt the book at all, though it hardly explains why the first printing of three thousand copies disappeared in two weeks. My publisher, Hackle & Banks, New York, was startled enough to wire me congratulations and print another four thousand, which sped from the warehouse in exactly twelve days. At this I received a second telegram: BLIGH OUR FASTEST SELLER. THANK YOU. GRACE. I was ignorant at the time that Grace was Grace Hackle, the generous and canny widow of Dixon Hackle, who had founded the publishing firm twenty years before.
Then letters began to arrive. I was still employed at the P.O. and was startled in the sorting room when envelopes bearing my name began crossing the desk. I rarely received mail — when I did it was apt to be from my mother, whose letters were straightforward offerings of gained wisdom. These on the other hand were praise from strangers who had read my little tale. To call these readers charitable doesn't touch it. They were lavish and interpretive; they were "stirred." The daunting and completely unforeseen fact was this: They had mistaken me for a person of substance! I blushed but kept the letters. When I did hear from my mother, sometime later, she suggested I cling to my place at the post office and not let publication make me biggity. Fine advice, you will agree, yet vanity is a devious monkey. While some labeled my story naïve or my diction purple, I clove to a review calling it "an enchanting and violent yarn spun in the brave hues of history." A famous ladies' journal claimed I'd crafted "the ideal popular tale." By the time Mama wrote I was miles past her advice. By then Grace Hackle had sent me several elegant personal notes. She had paid for Susannah and me to ride the Great Northern from St. Paul to New York City, where she registered us in a hotel with frescoes and high ceilings. She had accompanied us to a stage play, then to a restaurant lighted the amber of sunsets, where we ate fresh sea bass and talked of books and authors.
"It is destined timing," Grace declared. "You have dared paint a romance on the sterile canvas of our age." She was a perfectly beautiful tidy small woman with the metropolitan habit of placing events in the big picture. She believed romance was no mere ingredient but the very stone floor on which all life makes its fretful dance. Having traveled once as far west as the Black Hills she still awoke from dreams of rock and prairie. She confessed to a fascination with the architecture of tepees. William Howard Taft might be president, Grace noted, but who did not miss Teddy Roosevelt? "The strenuous life," she sighed.
Looking back, I have to laugh. You know why Martin Bligh was strenuous? Whenever I didn't know what to write next, I put a swift river in front of his horse and sent the two of them across!
"And now," Grace added, "tell me you plan to write another book."
I looked at Susannah, who was squeezing my hand under the table. I had never thought about another book.
Grace sipped tea. "You have some ideas, I suppose."
"Why, yes," I said, though my lone idea at the moment was the fragile sweetheart Grace herself had just planted: that I was an Author now, that I had new Business upon the Earth, that the tedium of sorting mail might be exchanged for something more expansive or — dare I say it? — Swashbuckling.
"Can you write another book?" she asked, rather baldly.
I thought about it. Martin Bligh had not been difficult to write; whatever I wanted to do, that's what Martin did. He rode in all weathers, flouting night and blizzard; he defied the wicked; he kissed the pretty girl. How hard could it be to do something similar again? I said, "Indeed I can."
Grace's eyes were unconvinced. Perhaps she saw what I could not.
Wanting to please her I made a hasty claim. "I shall write one thousand words a day until another book is finished."
"You dear man," said Grace Hackle. In memory she blanches at my naïve pledge, but maybe not.
"Jack London sets down a thousand a day before breakfast," said I. Why do the foolish insist? But I was thinking of the modest dimensions a thousand words actually describe — a tiny essay, a fragment of conversation. "How hard can it be?" concluded your idiot narrator, lifting his glass to the future.
We didn't see our tipsy oarsman for weeks — I'd have forgotten him entirely if Redstart hadn't kept bringing him up. "I bet he's a vagabond. Clive says they get a vagabond at the door every week."
Clive Hawkins was Redstart's most stalwart friend. The two of them would spit on their hands and shake. They were presently in agreement that vagabonds were the most alluring terror locally available.
"Vagabonds don't have rowboats," I pointed out.
"He might be a new strain," Redstart said. "He might've stole that boat just before we saw him. He was laughing about something, remember?"
"Maybe he recalled a good joke," I said — I am one of those people who can never remember a joke, on the rare occasion I feel like telling one.
"That wasn't a joke laugh. It was a pleased laugh. He was pleased by something clever he'd done. He probably stole that boat. Any vagabond would be happy to have a boat, after walking for weeks and weeks."
"Well, Red," said I, but on he plunged into the imagined joys and dangers of the life unfettered. What could I do but watch him talk? We'd named him for the vigorous passerines so plentiful in the yard the day he was born, but there was never a songbird as energetic as Redstart.
One evening he returned from a long ride on Chief, his oversized gelding. He'd been gone since morning — not unusual for that boy. He strolled into the house hungry and self-important with a whippy weal on one cheek from galloping through the trees.
"Well, I found the old boatman," he announced, as though it had been Livingstone. "I went down to the river so Chief could drink and I could swim, and here he came rowing. Standing up like before. He almost fell over. His name is Glendon and he lives in a barn."
"You talked to him?"
"Yes sir I did."
"Was Glendon sober?" asked Susannah. She was at work on a painting — we never thought she was listening while standing intent at her easel, but she always was.
"He might of been," said Redstart, in a vague way.
His mother looked at him. "You kept your distance, I expect."
I said, "Well, let's have it. Is he a tramp, as you believed?"
"No. He makes boats. He made that boat he's always standing up in. He lived in Texas and Oklahoma and Kansas and in Mexico by the Sea of Cortez. He's coming here for breakfast tomorrow."
It was a fair haul of information. I was proud of Redstart.
"Breakfast?" said Susannah.
"That's right," said Redstart, "so you both get to meet him. I guess it's a good thing I went riding today!"
Susannah set down her brush and came around the easel. She had a little stab of burgundy on one cheek like a warning. "Did he agree to come for breakfast, Red? Did he say he's coming?"
"No," said Redstart, who ignored warnings of all kinds. "But I told him to come, so I expect he will."
"Unless he resists being ordered about by fractious infants," I suggested.
But Redstart was adamant. "He told me his name. He didn't want to say it, but I tricked him and out it came. You know what happens, once you get a person's name."
"Nope," I replied. "You'll have to tell me."
"Why, then you have power over him," said Redstart.
It's an old business, it turns out, this notion that learning a person's true name gives you leverage; I have since found it in Indian and Nordic tales and I suppose it goes back like so many good ideas all the way to the Tigris and Euphrates. Nothing is new under the sun. Anyhow Glendon appeared in his white dory next morning about an hour past sunup. Our pug Bert saw him first and stood on the dock barking and slobbering. Bert doesn't truly bark but says oof, oof, like a disappointed farmer. Glendon drifted up, putting his oars to rights while I went down to greet him.
"Monte Becket," I said, holding out my hand. He grasped it and stepped up out of his dory and immediately let go like a nervous child. He was a short one, trim as a leprechaun and not as old as his white hair had led me to assume. He wore a long split-back jacket such as dressy horsemen used to wear, and he had vivid green eyes that might believe anything at all. I'd rather not say I smelled whiskey so early in the morning; nevertheless, there was an evaporating haze around our visitor. He nodded to me but said nothing and kept glancing toward the house as though it were a place of dread.
I said, "I'm glad you've come, and I surely beg your pardon if Redstart overstepped his bounds — he can be bossy. Come on up. Susannah's made rolls."
Glendon said, "What did you call that son of yours?"
"Aha, Redstart. Thank you, Mr. Becket." And up we went, his anxiety flown off with the breeze.(Continues…)
Excerpted from "So Brave, Young, and Handsome"
Copyright © 2008 Leif Enger.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
What a superb writer. After reading, Peace Like a River, I anxiously awaited Mr. Enger's next book. I was not disappointed. This book is one of the finest books I have read in a long time. I took my time with this book and often read chapters twice for the beauty of his words. Although the story is a compelling one, it's the imagery that I found to be remarkable. If you read this book, take your time and enjoy the journey.
With a backdrop against the middle and west of the United States, with elements of pursuit, obsession and redemption, a group of interesting characters are interwoven into a cacophony of subplots with twists and turns. In some ways it reminded me of Huckleberry Finn. The mysterious Glendon on a journey to make amends after many years, the obsession of Charles, the pursuer, the awakening of Monte, the main character, all kept the plot moving. There were subtler themes here, good vs. evil, amends vs. avoidance, care vs. obsession. At times the story took turns which weren't predicatable and, perhaps, believable, but the writing style of the author and the organization of the work kept me going to the end. For a period piece about interesting characters I thought this worth the read.
The journey of the protagonist in So Brave Young & Handsome -- from its strange start (the visual of a man standing, rowing a boat) to its almost haphazard side-character development to the satisfying and wrenching conclusion -- is gritty. A great strength of the book is the sustained strength of the prose. Poetic (as readers of Peace Like a River would expect) and compelling, the novel draws the reader in and doesn't let go. The plot line is filled with bizarre characters, sketched to strength in just a few quick lines by the clever and insightful Enger. This one is a keeper.
I treid very hard to get into this book. I read all the rave reviews and thought there must be something wrong with me. I tried three separate times and never made it past Chapter 5. Too many exclamation points! They were unnecessary, completely distracting, and finally extremely annoying. That is now how I want to feel when I read a book. It may have been a good story. I will never know not do I care to.
Stick with Leif Enger's first novel, Peace Like A River. Don't waste your money or more importantly ~ your valuable TIME on this novel. I loved Peace Like A River so hoped he'd deliver in this as well. The irony is that he writes about a writer who wrote a hit first novel and can't put together anything else worth publishing. I think he should have followed the footsteps of the main character this time! There were many times this book just wandered aimlessly and I kept kicking myself for hoping for it to improve and pursuing it. It did start to improve toward the end, but it wasn't redeeming. I left in it the hotel room because I wouldn't want to burden anyone with sharing it and I would not be happy to see it sitting on my bookshelf either.
So much enjoyed the first novel and was looking forward to his next but I found it lacking. For his fans I won't say not to read it because this is just my personal opinion but my suggestion,hold out and purchase it as a bargain book if your are searching for a western novel to read and you want to foolw up with Enger's latest atttempt .
I know I was supposed to like it, but I just found it lagging. I'll be the first to admit that I am not a a great reviewer, nor am I an author, but with all he hype, I expected to be blown away. I like the tie in to some true life historical figures, but I think I prefer non-fiction and wsa hoping for more. That being said, his use of the English language is sublime and descriptive.
This is a very visual book with believable characters and places. A great read, it will take you away from the current financial state and back to a time of barter and hard work. From Monte's artistic block to his son's sense of adventure you keep pulling that things will all work out to the best ending. And I was satisfied with the ending.
Since reading Peace Like a River several years ago I have been waiting for another book by Leif Enger. This one does not disappoint as he is a wonderful story teller who can make you cry, laugh or cheer. It was not what I expected or what the title hinted it would be. It reminded me somewhat of Peace Like a River because they ended up on the wrong side of the law and were pursued throughout by someone you didn't know whether to hate or respect. No matter, I love the way he puts words on the page.
I think categorizing this book as a "Western" novel, as many have, could be inaccurate, but in a most positive way. The "Wild West" days many of us envision are all but gone. However, the characters in this story find "excuses" to try and relive those days one last time. One wants to head to Mexico to find a long lost love. Another is an aging Pinkerton agent who wants to catch the one outlaw that got away. The next is a young mild mannered man who has written a Western novella to satisfy his fondness of Western adventure, never thinking he would be part of his own adventure. You will enjoy getting to know these characters and following them on their journey, each finding their way together, separately..... Also, this is one of those books I think would make an excellent movie because of the great character development. I think it would make for just the kind of role some of our country's great actors with a nostalgia for Westerns would jump at the opportunity to be part of.....maybe for their one last adventure based on the old West....
I have never cared for western novels, but recently read and loved Lonesome Dove, then on Larry McMurty¿s recommendation I read ¿Across the High Lonesome¿ and it was also excellent. Then the other day at the bookstore the owner recommended this novel and I also enjoyed it very much....so maybe I am becoming a western fan, buit I actually think it is just the quality of the writing and storytelling in these books.
Monte Becket appears to have led a respectable life but is disappointed in himself for being a one hit wonder with a single best selling book. He has attempted to repeat this feat with no luck, until he meets Glendon Hale. Hale is a free living man who seems to have some secrete to happiness he derives from the wide open spaces. Monte takes a flyer and leaves his wife to join Hale and his wandering life. This all is not as easy as Monte first imagines and the full ramifications of his actions are indeed complex. The strength of Enger¿s writing is his ability to develop fully fleshed characters I actually cared about. I¿ll be looking for more from Enger in the future!
I loved this book. There are many sentences that I would read over again just for the beautiful sound of the words, or to marvel at the author's insight. The characters will stay with you.
I enjoyed the slice of life view into the 1915's and was more impressed to find that Mr. Enger researches the data he uses. The ex-Pinkerton guy was real! I also loved his supportive wife.
Leif Enger¿s So Brave, Young and Handsome, like its predessor Peace Like A River, was one of those thoughtful books ¿ full of interesting characters, beautiful prose, and journeys both physical and emotional. Like a river, the plot flowed steadily ¿ sometimes tumbling forth in a rapid, while other times, still and unbroken. Enger must be a poet at heart.Monte Becket enjoyed rapid success with his dime-store novel, but after six years, could not pen another book. His family befriended their quiet neighbor, Glendon, who asked Monte to travel west with him to find Glendon¿s estranged wife. Not knowing that Glendon was a former outlaw, Monte agreed to go. Within a day of their journey, Glendon¿s past came back to haunt him ¿ his presence alerted to a traveling policeman ¿ and Monte must make a choice: help his fugitive friend make peace with his past, or turn around and go home. Striking out from his usual ¿safe¿ personality, Monte chose to accompany his friend, trying to stay one step ahead of the law along the way.While it was Glendon¿s quest for redemption, I quickly learned that it was Monte¿s quest too: a quest to become a better person, enjoy his literary success and make peace with his writer¿s block. Monte¿s journey was deeply personal ¿ he was a character I could root for, despite his mistakes.Along their journey, the gentlemen meet interesting characters and landmarks. Enger drew real-life men all facing decisions that would forever alter their lives. Mix in a Wild West that was becoming less wild, and you have a wonderful juxtaposition of how things were and are. Beautifully written, So Brave, Young and Handsome would be perfect for a book discussion. Even the title alone could be a 10-minute discussion. Enger¿s themes, characters and descriptions made this novel unforgettable and enjoyable. I would recommend this book to anyone who looks for these elements in their reading.
I really liked this book. Leif Enger, author of "Peace Like River" tells a beautiful tale. In this instance he combines two stories. The first, the story of what an author must live with after his first success, and I have to wonder if this is partly autobiographical. I enjoy reading about the way authors must live within and alongside their characters while they are writing. The second story is a wonderful, poignant, horrifying adventure, something of a latter day Odyssey or Huck Finn tall tale. It is about love, honesty, character, and respect. I think that when one of the characters, a Pinkerton agent, tells the protagonist that he will outlast them all, it is really a reference to an earlier statement to the effect that an author's dream is to write one piece which will live on beyond him. I believe both of Enger's novels will do so.
Mostly readable and beautiful. Sometimes slow, but overall good. Vivid characters and relationships. Delightful story - he spins a great tale. At times it felt like a bit heartwarming old West tale¿ of redemption and finding oneself.
This is my first experience with Leif Enger, but I have heard such wonderful things about Peace Like a River that I thought I would give this one a chance. I picked this audiobook up at the library so we could listen to it as we were driving to my son's college graduation. I've found that audiobooks really help to pass the time when you are trapped in a car!The main character, Monte Becket, has written a very successful novel, but now finds himself struggling as he tries to continue his writing career. When Glendon comes into Monte's life, he starts to re-evaluate everything that has become important to him. He feels that maybe he is starting to head down the wrong path so he decides to take a journey across the Wild West with his new friend Glendon.There are many things that happen along their cross-country trip that strengthen their friendship and test their loyalty to each other. I think the part of the journey that I recall most vividly is when they were travelling down a river on a raft and encountered a snapping turtle. Some unruly characters decided that they would take control of the raft for themselves, but with the help of the snapping turtle that did not happen. If you use your imagination I think you will get the idea!Since Monte left his family at home in Minnesota to follow Glendon across the country, he takes special care to write a letter to his wife from almost every town that they stop in. While writing these letters, Monte finds himself reflecting on his life and relationship with his wife, thinking that they have somehow grown apart over the years. Along this journey Monte learns what is missing from his life and what he must do to bring back the man that his wife first fell in love with.I really was hoping that I would enjoy this story more than I did. I loved the fact that while Monte was off trying to figure out his life that he remained loyal to his wife and family. He could have just disappeared off the face of the earth and made many immoral decisions knowing that his wife would never know, but he didn't. I didn't really enjoy this one as an audiobook, but I may have enjoyed it better had I read it. I had a real hard time staying focused on this story and I think the narrator actually made me tired, so please keep in mind that my rating pertains to the Audiobook.
Good character development. Enjoyed the journey and time period.
I started this book annoyed. I did NOT like the pseudoformal English that the author posits regular people used a century ago, felt it was such a cutesy way of making the story feel "authentic" and so contrived as to make me want to smack the perpetrator.I got over it. Glendon the train robber completely seduced me, just like he did the narrator, the narrator's wife, the narrator's son, and so many, many others along his twisty path.This is a tale about Truth, not truth, and the author shows us that from the get-go with the very narrative voice I found so irksome at first. There is Truth in the world, often to be found shoved behind elaborate scrims of lies, where the facts that tell the truth are woven into the most fantastical beasts of falsehood it's amazing.Leif Enger knows this, and tells us this amazing and important and underappreciated piece of knowledge in the voice of a man whose grasp of the facts is imperfect but whose knowledge of the Truth guides him and saves him from a wasted, useless life.Very, very worth reading. I say grit your teeth at the narrative voice and charge into the story full tilt. You will be very glad you got to know these characters. They do remain characters, though; some essential *oomph* is missing that's necessary to launch them into full personhood. Still, they're good readin'. Go to it, unfettered by fear of disappointment.
Leif Enger's first book, "Peace Like a River", is one of my all time favorite novels. Imagine my delighted surprise when I stumbled across his newest novel in CD form at the library. I wasn't even aware he'd published a new book, although I'd checked every now and then. It's been quite a while in between books.The funny thing is the main character of the book is a "One hit wonder" author who is struggling to write a second novel. I have to wonder if Leif Enger struggled with this himself? I like it so far, although it doesn't seem to have captivated me in quite the same way as his first novel. ********************Overall, I was disappointed with this book. It didn't live up to my expectations after his first novel and really, three stars is being generous just because I did like the first one so much. I found the plot tedious, and a bit baffling. Time and time again the main character found himself in circumstances where he didn't want to be; why didn't he just walk away? I know, I know; He was on a life journey. A totally predictable life journey.
Enger's second novel gracefully tells a very American tale of identify and redemption, uncoiling with an almost Homeric, profound cadence, but in the end telling us less than I'd like. Sometimes what you look for in a book are the slight edges of imperfection. Sometimes when reading something classic, something fully planed flat and careful, we lose our way and are unable to feel enough. Perhaps that's what happened to me here. No little burrs of emotion snagged into my soul.It's 1915. Monte Becket, a flailing, possibly dilettante writer with a rather too-lovely, whipsmart little family up in Minnesota (and obvious latent wanderlust), decides to tail along with Glendon, a fugitive felon whose crimes include...well, pretty much everything. But Glendon is good at making boats. And drinking.What follows is an adventure tale that has that heavy, attractive feel of that underpinning of adventure stories that has been with us since prehistory. And it echoes the masters who have wielded the brush of this kind of adventure. Sections of river travel smack of Mark Twain. High plains and western happenings have shadows of (softer) Cormac McCarthy, Kent Haruf, Ivan Doig. Even the occasional burp of Steinbeck, especially towards the end of the novel.Parts are downright appealing. The river-floating and turtle-catching center of the country now lost to modernity. Cowboys with depravities. Floods and shooting. It is a fun read, full of crisp and hearty language.Characters speak in off-the-cuff, just-then-coined, beautiful proverbs. The countryside is dashed off in a few words or sentences that leave no doubt, and leave the reader room to roam the textures of the characters and the plots. But some things--the bigger pieces--don't deliver fully. There's a pattering, heavily thumping sub-current of redemption. Glendon's nearsightedness and other characters' various types of blindness are emphasized. Without giving away plot points, I can say that the way these themes are handled and wrapped up left me cold. I found it hard to reconcile the motives of Becket in a few places, about two-thirds through the book--he left me exasperated. Additionally, the excitement and clarity of the structure and language in the book leave one expecting a swelling, memorable resolution and instead I feel blank.But! I think someone of different temperament, at a different emotional point than I am right at the moment, might find this book deeply moving. I can imagine it filling a particular shape of personal void. And, for Enger's admitted firm grasp on the language, and the enjoyability of the story, it still gets high marks.
Not nearly as good as his first novel, Peace Like a River. I muddled through a story that seemed unrealistic and slightly pedantic for a seemingly long while, until I realized that it simply wasn't going to get better. Not wanting to let the book get the better of me, I did finish it, but didn't feel any the more justified for having finished. It seemed that he was experimenting more than creating, and the end result left a bad taste in my mouth.
So Brave, Young, and Handsome is about a failed writer, Monte Becket, living in Minnesota with his wife and son. One day, he meets aging outlaw Glendon Hale, and agrees to run with him. Eventually, they are joined by sixteen-year-old Hood Roberts, automobile repairman-turned-criminal. They are chased by the seasoned ex-Pinkerton Charlie Siringo (who was in fact, a real historical figure who did indeed hunt down Butch Cassidy¿s Wild Bunch, and was one of the first detectives to operate undercover).Siringo turns out to be the most intriguing character, and one gets the impression that Enger enjoyed writing fictionally about him. The other three main characters aren¿t nearly so well drawn as he is. There are scenes where Siringo appears literally from nowhere, which sent chills down my spine.But all the characters were enjoyable to read about. I¿m not normally a reader of Westerns or books with Western themes, but I was completely engrossed by this book. Enger has the ability to make you care about his characters, even if they¿re criminals on the run. The chapters and sentences in this book are short, but each one was powerful. The novel¿s theme is ultimately about finding oneself, and one¿s purpose, which Monte and Glendon eventually do.