×
Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
0008811188825

12.99
In Stock
Overview
This may be the greatest unissued first album ever to surface from a major band. The story behind the 78 minutes of music on this CD, cut two years before Lynyrd Skynyrd's official debut album, could fill a chapter of a book. Cut primarily during late June and late July of 1971, with a quintet of 1972-vintage tracks added, they constitute Skynyrd's complete studio recordings from the period when they were still trying to get signed and were playing lots of small-time local gigs for barely enough money to live on. Seven of the songs were released on the 1978 album Skynyrd's First and...Last, and three others appear on the 1991 box set, while "Comin' Home" turned up on The Essential Lynyrd Skynyrd earlier that same year, but this is the first time this potent body of work has been assembled properly, in one place. And, additionally, one previously unissued track by itself justifies the price of this disc -- the original demo version of "Free Bird," on which the soaring harmonies, Billy Powell's beautiful piano, and the Collins-Rossington guitar duo plays with startling fire and lyricism. Several of the tracks do contain overdubs laid on in the mid-'70s (mostly Ed King's bass and some guitar, and even a Mellotron on "White Dove" -- it would be great to hear that song without the electronic string section), but this is still the band at its most raw and unaffected, in terms of what the core members are playing. Ronnie Van Zant's singing was not only powerful, but beautiful at this stage of his career, and the group's playing -- especially the Rossington-Collins double lead guitar attack -- is filled with a fresh spirit of experimentation and adventure that makes these tracks essential listening for anyone who has ever enjoyed this band's work. Evidently, the material and related demos scared the crap out of most record company executives when they were shown around in 1971-1972, and it's easy to see why -- the sound is fierce, the songs not only boldly played but boldly written as well (even the Rick Medlocke-written and sung "The Seasons" is a killer piece of semi-acoustic country-rock), and running anywhere from five to ten minutes apiece. Anyway, most record company executives being inherent cowardly, or stupid, or both, it's easy to see them running from the room over these sounds. Anyone who owns any of Lynyrd Skynyrd's releases should add this magnificent lost chapter in the group's history.
Product Details
Release Date: | 11/17/1998 |
---|---|
Label: | Mca |
UPC: | 0008811188825 |
catalogNumber: | 11888 |
Rank: | 7643 |
Tracks
Album Credits
Performance Credits
Lynyrd Skynyrd Primary ArtistAllen Collins Guitar
Billy Powell Piano
Jo Jo Billingsley Background Vocals
Bob Burns Drums
Ronnie Eades Saxophone
Cassie Gaines Background Vocals
Leslie Hawkins Background Vocals
Jimmy Johnson Guitar
Larry Junstrom Bass
Ed King Bass
Randy McCormick Mellotron
Rick Medlocke Drums,Background Vocals
Wayne Perkins Guitar
Gary Rossington Guitar
Ronnie Van Zant Vocals
Leon Wilkeson Bass,Background Vocals
Greg T. Walker Bass
Tim Smith Background Vocals
Technical Credits
Gregg Hamm EngineerJimmy Johnson Producer,Engineer
Jerry Masters Engineer
Steve Melton Engineer
Gary Rossington Composer
Doug Schwartz Remixing
Ron O'Brien Reissue Producer
Gary Ashley Art Direction
Tim Smith Producer
Jimmy R. Johnson Producer
Customer Reviews
Related Searches
Explore More Items
No album containing only 12 songs with a running time of 52 minutes can claim ...
No album containing only 12 songs with a running time of 52 minutes can claim
anything like a comprehensive look at the 1970s, much less present the best of the decade. But Hip-O's discount-priced compilation, part of Universal Music's 20th ...
A companion to the 2007 live home video of the same name, 3 Bats Live
finds Meat Loaf on a supporting tour for the Jim Steinman-less Bat Out of Hell III, running through selections from all three bats. It should ...
More than anything, the '70s opened up worlds of experimentation and exploration in music without ...
More than anything, the '70s opened up worlds of experimentation and exploration in music without
the constraints of modern music rules. There was literally something that appealed to the ears of everyone, regardless of what style you were into, and ...
Beneath the flourish, extravagance, and pretension that saturated the pop charts during the '80s lay
a culture rich in innovation that brought about the rise of truly groundbreaking music and an indomitable spirit of independence, not to mention nationwide networks ...
This album marked Platinum Blonde's commercial peak, and in retrospect you can only wonder why ...
This album marked Platinum Blonde's commercial peak, and in retrospect you can only wonder why
it failed to spread the band's massive Canadian success to America. Beyond the MTV-perfect hairdos, the quartet offered a savvy musical blend that suggested crossing ...
Dazed and Confused is a lazy comedy about growing up stoned in the '70s. Appropriately, ...
Dazed and Confused is a lazy comedy about growing up stoned in the '70s. Appropriately,
the soundtrack is filled with eight-track anthems, from Black Sabbath's Paranoid and Foghat's Slow Ride to Sweet's Fox on the Run. In fact, with its ...
The rich, lengthy, and sometimes painful history of Lynyrd Skynyrd is not only one of
the true epic tales of Southern rock, but in all of rock & roll itself. The early rise to fame, the tragic loss, and eventual ...
Coming on the heels of the commercially and artistically successful Pump, the fitfully entertaining Get ...
Coming on the heels of the commercially and artistically successful Pump, the fitfully entertaining Get
a Grip doesn't match its predecessor's musical diversity, but it's not for lack of trying. In fact, Aerosmith try too hard, making a stab at ...