Siddhartha: An Indian Tale

Siddhartha: An Indian Tale

by Hermann Hesse

Paperback(Millenium ed. Large Print)

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Overview

Siddhartha is a 1922 novel by Hermann Hesse that deals with the spiritual journey of self-discovery of a man named Siddhartha during the time of the Gautama Buddha. The book, Hesse's ninth novel, was written in German, in a simple, lyrical style. It was published in the U.S. in 1951 and became influential during the 1960s. Hesse dedicated Siddhartha to Romain Rolland and Wilhelm Gundert.

In Hesse's classic novel, experience, the totality of conscious events of a human life, is shown as the best way to approach understanding of reality and attain enlightenment - Hesse's crafting of Siddhartha's journey shows that understanding is attained not through intellectual methods, nor through immersing oneself in the carnal pleasures of the world and the accompanying pain of samsara; however, it is the completeness of these experiences that allow Siddhartha to attain understanding.

The word Siddhartha is made up of two words in the Sanskrit language, siddha (achieved) + artha (what was searched for), which together means "he who has found meaning (of existence)" or "he who has attained his goals".[2] In fact, the Buddha's own name, before his renunciation, was Siddhartha Gautama, Prince of Kapilvastu, Nepal. In this book, the Buddha is referred to as "Gotama"

This newly published Millenium Edition features easier to read typeface and attractive font, yet contains the entire content of the original.

"This Millenium edition of Siddhartha by Hermann Hesse is a splendid and welcome update to the perennial classic readers have enjoyed for decades, but with a new, more readable format." - Publisher's Weekly

Product Details

ISBN-13: 9781936828296
Publisher: West Coast Performing Arts Presenters
Publication date: 08/29/2014
Edition description: Millenium ed. Large Print
Pages: 102
Sales rank: 1,015,805
Product dimensions: 6.00(w) x 9.00(h) x 0.24(d)
Age Range: 18 Years

About the Author

In the 1960s, especially in the United States, the novels of Hermann Hesse were widely embraced by young readers who found in his protagonists a reflection of their own search for meaning in a troubled world. Hesse’s rich allusions to world mythologies, especially those of Asia, and his persistent theme of the individual striving for integrity in opposition to received opinions and mass culture appealed to a generation in upheaval and in search of renewed values.

Born in southern Germany in 1877, Hesse came from a family of missionaries, scholars, and writers with strong ties to India. This early exposure to the philosophies and religions of Asia—filtered and interpreted by thinkers thoroughly steeped in the intellectual traditions and currents of modern Europe—provided Hesse with some of the most pervasive elements in his short stories and novels, especially Siddhartha (1922) and Journey to the East (1932).

Hesse concentrated on writing poetry as a young man, but his first successful book was a novel, Peter Camenzind (1904). The income it brought permitted him to settle with his wife in rural Switzerland and write full-time. By the start of World War I in 1914, Hesse had produced several more novels and had begun to write the considerable number of book reviews and articles that made him a strong influence on the literary culture of his time.

During the war, Hesse was actively involved in relief efforts. Depression, criticism for his pacifist views, and a series of personal crises—combined with what he referred to as the “war psychosis” of his times—led Hesse to undergo psychoanalysis with J. B. Lang, a student of Carl Jung. Out of these years came Demian (1919), a novel whose main character is torn between the orderliness of bourgeois existence and the turbulent and enticing world of sensual experience. This dichotomy is prominent in Hesse’s subsequent novels, including Siddhartha (1922), Steppenwolf (1927), and Narcissus and Goldmund (1930). Hesse worked on his magnum opus, The Glass Bead Game (1943), for twelve years. This novel was specifically cited when he was awarded the Nobel Prize for Literature in 1946. Hesse died at his home in Switzerland in 1962.

Calling his life a series of “crises and new beginnings,” Hesse clearly saw his writing as a direct reflection of his personal development and his protagonists as representing stages in his own evolution. In the 1950s, Hesse described the dominant theme of his work: “From Camenzind to Steppenwolf and Josef Knecht [protagonist of The Glass Bead Game], they can all be interpreted as a defense (sometimes also as an SOS) of the personality, of the individual self.” 

Joachim Neugroschel (translator) has won three PEN translation awards and the French-American translation prize. He has also translated Thomas Mann's Death in Venice and Sacher-Masoch's Venus in Furs, both for Penguin Classics. He lives in Brooklyn, New York.

Ralph Freedman (introducer), Professor Emeritus of Comparative Literature at Princeton University, is acclaimed for his biographies Hermann Hesse: Pilgrim of Crisis, and Life of a Poet: Rainer Maria Rilke.
 

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Chapter 1
(Continues…)



Excerpted from "Siddhartha"
by .
Copyright © 1999 Hermann Hesse.
Excerpted by permission of Penguin Publishing Group.
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Table of Contents

Siddhartha Introduction
Suggestions for Further Reading
A Note on the Translation
SIDDHARTHA

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