ISBN-10:
0689814615
ISBN-13:
9780689814617
Pub. Date:
Publisher:
Saving Shiloh (Shiloh Quartet Series #3)

Saving Shiloh (Shiloh Quartet Series #3)

by Phyllis Reynolds Naylor

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Overview

DOES EVERYONE DESERVE A SECOND CHANCE?
Marty's parents think so — even Judd Travers, whose history of drinking and violence keeps Marty from completely trusting that his beloved dog, Shiloh, will always be safe from Judd.
"Some people just seem to attract trouble," Marty's Ma says, and Judd attracts the sort of trouble that makes it hard to believe he's really changed. First, the police find the body of a man who'd fought with Judd. Then, a vicious attack forces Judd to kill one of his dogs. But just when it seems Judd will never be able to escape the shadow of his past, a dangerous accident gives him the chance to prove himself. Can Judd Travers actually become a hero?


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Product Details

ISBN-13: 9780689814617
Publisher: Atheneum Books for Young Readers
Publication date: 02/01/1999
Series: Shiloh Quartet Series , #3
Edition description: Reprint
Pages: 144
Sales rank: 105,523
Product dimensions: 5.12(w) x 7.62(h) x 0.60(d)
Lexile: 1020L (what's this?)
Age Range: 8 - 12 Years

About the Author

Phyllis Reynolds Naylor has written more than 135 books, including the Newbery Award–winning Shiloh and its sequels, the Alice series, Roxie and the Hooligans, and Roxie and the Hooligans at Buzzard’s Roost. She lives in Gaithersburg, Maryland. To hear from Phyllis and find out more about Alice, visit AliceMcKinley.com.

Read an Excerpt

Chapter One

There's one last thing to say about Shiloh before the story's over. I guess a dog's story ain't — isn't — ever over, even after he dies, 'cause if you lose a pet, you still go on loving him. But I couldn't bring myself to tell this part until now; of all the stuff that's happened, this was the scariest, and just thinking on it starts my hands to sweat.

When I first tried to get Shiloh from Judd Travers, who was treating that dog meaner than mud, at least there was a chance that if I couldn't have him for my own, Judd would let him live.

And even after Judd turns his beagle over to me, then starts drinkin' and talkin' ugly, there's hope he never meant it. But sometimes hope seems out of human hands entirely, and when the third thing happened . . . well, here's all that's left to tell.

Next to Christmas, I guess, Halloween is big in West Virginia — out where we live, anyway, which is the little community of Shiloh, up the winding road from Friendly there on the Ohio River. It's because I first saw the little dog here in Shiloh that I named him what I did.

To get to our house, you go through this place called Little — you'll know it by the church — and you keep going along Middle Island Creek, wide as a river, till you see this old falling-down gristmill. It's right by this rusty bridge, and just over the bridge, you'll see the old Shiloh schoolhouse. SHILOH SCHOOL — 1920-1957, reads a sign above the door, like a gravestone or something. I seen plenty of buildings got the date on them when they were built, but I never seen a building got the date when it died.

We live on the side of the creek near the mill, up the lane in a two-bedroom house. You sit out on the steps of an evening, don't move even your little finger, and pretty soon a buck will step out of the trees, a doe or two behind him, and parade across your field just as grand as you please. Now you tell me how many sixth-grade boys in the United States of America got somethin' like that to look on!

"What you going to be for Halloween next year, Marty?" asks Dara Lynn at supper. Halloween is over and gone, see, and already my skinny seven-year-old sister is thinkin' about the next. With her there's never no question. She dresses up like a witch every single year just so Ma can paint her fingernails black.

"I don't know," I tell her. "A ghoul, maybe."

"What's a ghoul?" asks Becky, who's three.

"Halfway between a ghost and a zombie," I say.

"Like a vampire?" asks Dara Lynn. Dara Lynn's big on vampires.

"New. Its skin is green, and it don't suck blood," I say.

"Marty!" Ma scolds, nodding toward my littlest sister.

We're having biscuits with sausage gravy for dinner, and there's nothing in the world I love more than sausage gravy. Except Shiloh, of course. And Shiloh loves that gravy, too, 'cause all through supper he's sittin' beside my chair with his muzzle on my leg, just waiting for me to finish up and pass that plate down to him so's he can lick up every last bit.

"I'm going to be a bunny," says Becky.

"Bunnies don't scare no one!" says Dara Lynn. "Why don't you be a pirate or something?"

"I don't want to scare no one," says Becky.

I guess there are two things I love more than sausage gravy: Shiloh and Becky.

Dad's washing up at the sink. We wait for him if we can, but sometimes his mail route takes longer than he thinks, and Becky gets hungry, so we eat.

"Passed by Sweeneys' house on the way home, and two of those straw men they rigged up on their porch have fallen over and been dragged out in the yard by their dogs," Dad says, sitting down at the table. "Look like a couple of drunks keeled over on the grass."

"Those straw men in overalls don't scare nobody," says Dara Lynn. "I want a dead man on our porch next Halloween with a face as white as flour."

"What's Shiloh going to be?" chirps Becky.

"He ain't going to be anything but his own self," I tell her. "Nobody messing with my dog."

"All this talk of Halloween, when Thanksgiving's right around the corner!" says Ma.

I guess there isn't that much to holler about where we live, so when a special day comes along, you want to hang on to it — keep Halloween stuff around till Christmas, and Christmas lights goin' till Easter. I'm thinking how Ma wouldn't let us go trick-or-treating this year, though — not by ourselves.

"Houses too far apart for you kids to be walking out on the road," she'd said.

Well, the houses weren't any farther apart this year than last, and Dara Lynn and me went out then. But this time Dad drove us to the Halloween parade in Sistersville, and we had to do all our trick-ortreating there. I knew Ma was thinking of Judd Travers and the accident he'd had a month ago out on the road, drunk as he was. Knew she didn't want some other drunk to run his car into one of us.

Dara Lynn must have guessed what I'm thinking, 'cause she jokes, "We could always stuff Judd Travers and put him up on our porch. He'd scare off anybody."

"Hush," scolds Ma.

"There's enough talk going around about Judd Travers without you adding your two cents' worth," says Dad.

My ears prick up right quick. "What kind of talk?"

"None that makes one bit of sense," Dad tells me. "The man paid his fine for drunk driving, he busted up his leg and his truck besides, and as far as I can tell, he's trying to turn himself around. You'd think folks would want to help."

"I thought they were," I say. "Whelan's Garage fixed his truck up for him; people were takin' him groceries...."

"That was when he was flat on his back, when he was really down. Now that he's on his feet again, there's the feeling around here that he got off way too easy. Heard Ed Sholt say as much down at the hardware store last week. Said we ought to keep Judd on the hot seat, let him know his kind wasn't wanted around here, and maybe he'd move somewhere else."

That sure would solve a lot of problems, I'm thinking. Ma wouldn't be so afraid for us kids out on the road, Dad wouldn't have to worry about Judd hunting up in our woods where a stray bullet could find its way down to our place, and I could rest easy that Judd wouldn't look for excuses to take Shiloh back; that he wouldn't hurt my dog out of spite, he ever got the chance. I think maybe I like the idea just fine.

"But what if he doesn't move?" says Ma. "What if everybody starts treatin' him worse'n dirt, and he stays right where he is?"

And suddenly I see a meaner Judd Travers than we ever saw before. Madder, too. I think how he used to kick Shiloh — even took a shot at the log where Shiloh and me were sitting once. A meaner Judd than that?

"Way I look at it," Dad goes on, "is that Judd's doing fine so far, and we ought to wait and see what happens."

Dara Lynn's got a mouth on her, though. "Ha! He's still got his leg in a cast," she says. "Get that cast off, and he'll be just as bad as before."

"Well, I believe in giving a man a second chance," Dad tells her.

"Beginning now," says Ma, fixing her eyes on us. "Your dad and I have talked about it, and we're inviting Judd here for Thanksgiving dinner."

Dara Lynn rolls her eyes and falls back in her chair. "Good-bye turkey!" she says, meaning she won't have no appetite come the fourth Thursday in November. As for me, I lose my appetite that very minute and set my plate on the floor.

Copyright© 1997 by Phyllis Reynolds Naylor

What People are Saying About This

From the Publisher

"Reads like a nail-biting mystery...Gripping and ultimately satisfying. [A] masterfully written conclusion to a sterling trilogy."

Booklist starred review

Reading Group Guide

A Reading Group Guide to

The Shiloh Trilogy
By Phyllis Reynolds Naylor


About the Trilogy

The Shiloh Trilogy by Phyllis Reynolds Naylor launched by the Newbery Award–winning novel Shiloh, takes readers straight into the heart and soul of an eleven-year-old West Virginia boy named Marty Preston. His family of five has barely enough food and room for themselves, never mind a pet. But when Marty finds an abused beagle out in the woods, he’s willing to go to almost any length to hold on to him. The story of how Marty keeps Shiloh and at the same time tries to balance his responsibilities to his family, to the dog’s troubled original owner, and, perhaps trickiest of all, to himself, unfolds in an unforgettable trilogy. Each book is richly rewarding on its own. Together they form one of the most deeply felt sagas in modern children’s literature.

Discussion Topics

1. Marty loves animals. What details does the author provide, right from the opening paragraphs of Shiloh, that make this clear to readers? What does Marty teach Judd about loving animals in Shiloh Season and Saving Shiloh?

2. “A lie don’t seem a lie anymore when it’s meant to save a dog,” Marty says in Shiloh, ”and right and wrong’s all mixed up in my head.” Discuss how Marty continues to wrestle with right and wrong in Shiloh Season and Saving Shiloh.

3. Marty feels that his choices, in Shiloh, come down to either hiding the dog and keeping it secret, or giving it back to Judd. Debate whether there are other possibilities that Marty hasn’t considered.

4. Explain Marty’s comment in Saving Shiloh, “Trying to be polite and honest at the same time is hard work.” Rate Marty on his ability to be both polite and honest.

5. Marty’s dream of becoming a vet “sort of leaks out like water in a paper bag” when his father, early in Shiloh, tells him how expensive veterinary training is. How does Marty restore his dream as the trilogy progresses? Discuss the possibilities of Marty achieving his goal.

6. “Thought once if I could just get Shiloh for my own, it would be the finest day of my life,” Marty says, after he and Shiloh’s original owner, Judd Travers, reach their agreement in Shiloh. “In a way it is, in a way it isn’t.” Why is Marty so torn?

7. The second book in the trilogy is called Shiloh Season. What does Marty mean by “Shiloh season”? How are Marty’s fears justified?

8. Marty and David Howard are allowed to roam the countryside near Marty’s house, but in Saving Shiloh, Marty’s mother won’t let Marty and his sisters go trick-or-treating. She says, “Houses too far apart for you kids to be walk- ing out on the road.” Explain her fears. Why are her fears more justified in Saving Shiloh?

9. In Shiloh Season, Marty realizes that “when you love, you got to take chances.” What are some of the chances he takes for Shiloh? Judd takes a chance for Shiloh in Saving Shiloh. What does Judd’s gesture indicate to Marty and the surrounding community?

10. Over the three novels, the author reveals more and more details about Judd Travers’s childhood. How do Marty’s feelings about Judd change as he learns more about Judd’s early years? Discuss whether your feelings toward Judd change.

11. In Saving Shiloh, Ed Sholt says, “We ought to keep Judd on the hot seat, let him know his kind wasn’t wanted around here, and maybe he’d move some- where else.” How does Judd become a hero in his neck of the woods by the end of the novel?

12. “There’s food for the body and food for the spirit,” Marty’s father says. “And Shiloh sure feeds our spirit.” Explain how Shiloh continues to feed the spirit of the Preston family in Shiloh Season and Saving Shiloh. What is the food that eventually feeds Judd’s spirit in Saving Shiloh?

13. Discuss Marty’s relationship with Dara Lynn and Becky. What is the first evidence in Saving Shiloh that Marty and Dara Lynn’s relationship is improving? How does the “near disaster” at the creek in Saving Shiloh change Marty, David, Judd, and the entire Preston family?

14. Marty’s best friend is David Howard, the only child of two professional parents. Compare and contrast David’s home with Marty’s. What are some of the material advantages that the Howards enjoy? How comfortable is David at Marty’s home? What draws the boys to each other?

15. Explain what Marty means in Saving Shiloh when he says, “Because I got Shiloh, I’m smack in the middle of Judd’s problems.”

16. Why is Judd suspicious of Marty when Marty tries to help him?

17. Cite evidence from the Shiloh novels that religion is important to the Preston family. How does Marty call upon his religious training when he is sorting out the lies that he tells?

18. What does Mr. Preston teach his children about giving someone a second chance? Discuss how many chances the Preston family gives Judd in the Shiloh trilogy. What is the Preston family’s role in helping Judd on a journey of self-discovery? What does Judd learn about giving and receiving in the three Shiloh novels?

19. An epiphany is a term that refers to a point of awakening for one or more characters in a novel. What is Judd Travers’ epiphany in Saving Shiloh? How do Marty and David Howard realize that Judd has changed?

Activities and Research

1. The Shiloh trilogy is set in and around real places in West Virginia. Find a map of Tyler County, West Virginia, on the Internet. Identify the towns mentioned in the novels.

2. In Appalachia where the Shiloh books are set, there is a relationship between the land and the people. Discuss how the land shapes the people. How do the people shape the land? Write a brochure for the Tyler County Welcome Center that explains this to outsiders who want to better understand the area and its people. Include a map of Tyler County on the brochure.

3. In Shiloh, Marty’s teacher, and David Howard’s mother, encourages Marty to work on his grammar. Select a paragraph from Shiloh and write it in Standard English. How does changing the language affect the tone of the novel, and the sense of place?

4. Judd Travers violates hunting laws. Why are his actions so dangerous to the community at large? Learn about the hunting laws in your area. Find out if there have been violations of or significant controversies about them.

5. “You’ve got to go by the law,” Marty’s father says. “You don’t agree by the law, then you work to change it.” Research the ways that citizens in your community have worked to change a law with which they disagreed.

6. Marty’s class is assigned to write about how they imagine their future. Prepare this assignment for Marty. How does he imagine his future? How much education will he need? Where will he live?

7. Invite a representative from your local SPCA to talk about animal abuse. What are the warning signs of abuse? How should you report it?

8. “Truth,” Marty decides in Shiloh Season, “is more important, but gossip is more interesting.” Discuss how David Howard’s case against Judd Travers in Saving Shiloh is based on gossip and a wild imagination. The community also suspects Judd of the murder. Write a letter to the editor of the newspaper accusing Judd of the crime.

9. In Saving Shiloh, the Prestons invite Judd Travers to Thanksgiving lunch. Role-play a family conversation that takes place at the end of the day. What, for example, would Marty, Dara Lynn, and Becky say to their parents about their guest? How might Mr. and Mrs. Preston respond to their children?

10. David Howard’s dad works for the Tyler Star-News. Find out the role of a good journalist. Then write the story about Judd saving Shiloh for Mr. Howard’s newspaper. Provide quotes from Judd, Marty, and David Howard. Give the article an appropriate title.

11. Marty’s father had faith in Judd Travers, even when other people didn’t. Write an essay about the changes that occur within Judd Travers from the beginning of Shiloh to the end of Saving Shiloh.

Read—Watch—Write: Exploring the Film Versions

1. A book has been written; a movie has been made. The next step is for reviewers to make thoughtful comparisons of the movie to the book. Put yourself in the role of a reviewer. First read one of the Shiloh books, then watch the DVD, and finally, write a review. Carefully think through the challenges of putting a book on the screen, considering both the advantages and disadvantages of each medium. Remember that a review should include a concise summary, your opinion of the work, clear evidence to support your opinion, and a short conclusion.

2. Anytime a novel is made into a film, there is a question as to which is better. Why is it important to read a novel before seeing the film adaptation? Discuss the difference in a film narrative and a novel narrative.

3. Read Shiloh, Shiloh Season, and Saving Shiloh before you watch the films. How do you mentally picture the main characters? After watching the films, write a brief paper that compares your mental image of one of the main characters (e.g. Marty, David Howard, Judd Travers, etc.) to the way they are portrayed on the screen.

4. Consider the dialect that is indicative of the Appalachia people. The reader knows that Marty is working to improve his grammar. How are dialect and grammar different? Note any inconsistencies in language in the book and the movie. Who is the most authentic character in the movie?

5. Appalachia is a unique region of the United States. Write down what you learned about the geography and the culture of this region from Naylor’s Shiloh novels. While viewing the film, jot down the way this region is conveyed. Are the films true to the people and how they live?

6. Marty experiences various emotions throughout the Shiloh novels. For example, he feels anger, fear, happiness, and sadness. Find a scene in one or all of the novels where Marty shows these emotions. How does he display the same emotions in the film versions of the novels? Is it in dialogue? Body language? Try your hand at acting. Pick an emotional scene in one of the novels and prepare it as a monologue.

7. The films are largely faithful to the novels’ plots, but there were some changes made. What were some of the most significant ones? Why do you think the changes were made? If you could change one thing about the movie Saving Shiloh, what would it be?

8. Be a casting director. Choosing from children and adults in your school or neighborhood, who would you pick for the major roles in the films? How about the dog? What kind of training would the dog need to play the role?

9. Filmmakers use dialogue to tell a story, but they also have other tools at their disposal. Pay special attention to scenes that feature little or no dialogue. Discuss how the filmmakers use music or visual images to set a tone or mood, or to advance the plot. For example, the suspense of the scene where Marty and David are exploring the old farmhouse or the final scene when Judd jumps in the water to save Shiloh.

10. Typically, stunt men and women are used in film when a specific scene places the actor in a dangerous position. Make note of scenes where you think stunt artists were used. Explain your thoughts.

11. Phyllis Reynolds Naylor wrote the Shiloh trilogy alone, but each of the films credits a long list of people, in addition to the actors, who worked on the project. Find out more about these various behind-the-camera jobs. What, for example, are the responsibilities of a director, a producer, or a cinematographer?

12. Analysis, opinion, and evaluation are three common types of nonfiction writing. Brainstorm the differences in these types of writing. After viewing one of the Shiloh films, write an analysis, opinion, or evaluation of the film.

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