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0602547201638
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![Rhinestone Cowboy [Bonus Tracks]](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v7.18.7)
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Overview
Early on in Rhinestone Cowboy, Glen Campbell sings that he's making his "comeback," a sentiment that can't help but seem to carry an autobiographical heft. While it is true that he was hardly off the charts in the early '70s, the quality of his music was a little inconsistent; the singles were often good, but his albums were burdened with schlock and erratic in quality. He started to break free with a pair of 1974 albums, Houston (I'm Comin' to See You) and the Jimmy Webb tribute Reunion, but it wasn't until 1975's Rhinestone Cowboy that he seemed in full control of his talent, delivering a record that stands proudly next to his '60s peaks. Much credit is due to the presence of producers Dennis Lambert and Brian Potter, who help focus Campbell through their own tunes, their expert selection of songs, and their shimmering, high-gloss production that dazzles on the surface but also delivers considerable thematic and musical substance. Throughout the record, there are allusions to Campbell being a country boy stranded in the big city, where he's successful but emotionally adrift. This is most evident on the album's two big hits, "Country Boy (You Got Your Feet in L.A.)" and "Rhinestone Cowboy" itself, but his yearning is underpinned by sad songs like "I'd Build a Bridge," the despairing "We're Over," and a heartbreaking version of Randy Newman's "Marie." Among this, a cheerful cover of the Temptations' "My Girl" seems a little out of place, but this is the only outright misstep in an otherwise masterful album that manages to sound soothing even when it's sad. Even with its undercurrents of melancholy, Rhinestone Cowboy sounds and feels like a triumph because of the assured, layered lushness of the Lambert/Potter production and Campbell's fine performances. He sounds engaged by the material, bringing out nuances within the songs, and it's positively a joy to hear after several years of wandering.
[Capitol/Universal's 40th Anniversary 2015 reissue of the album is remastered and contains fine new liner notes from Brian Mansfield, along with five bonus tracks. The first of these is "Record Collector's Dream," a tremendous ode to B-sides original released as the flip to "Country Boy (You Got Your Feet In L.A.);" it's the greatest song Nick Lowe never wrote. "Coming Home," a nice piece of extravagant studio pop with a stronger production than melody, appeared as a single in Japan in 1975, while an understated version of Danny O'Keefe's "Quits" sees its first release here. Then, there are remixes of the hits "Country Boy" and "Rhinestone Cowboy," both taken from the Glen Campbell Greatest Hits album from 2009; they're fine, but the original mixes on the album are superior.]
Product Details
Release Date: | 03/31/2015 |
---|---|
Label: | Capitol |
UPC: | 0602547201638 |
catalogNumber: | 002270002 |
Rank: | 88590 |
Tracks
Album Credits
Performance Credits
Glen Campbell Primary Artist,Acoustic GuitarDon Menza Horn
Jerome Richardson Horn
Tom Scott Horn
Ben Benay Electric Guitar
Ginger Blake Background Vocals
George Bohannon Horn
Boogie Symphony Strings
Gary Coleman Percussion
Scott Edwards Bass
Chuck Findley Horn
Jules "Stix" Greenberg Percussion
Ed Greene Drums
Paul Hubinon Horn
David Kemper Drums
Dennis Lambert Percussion,Keyboards
Lew McCreary Horn
Michael Omartian Keyboards
Dean Parks Electric Guitar
Brian Potter Percussion
Tom Sellers Conductor
Sid Sharp Strings
Dalton Smith Horn
Fred Tackett Acoustic Guitar
Julia Tillman Background Vocals
Maxine Willard Background Vocals
Technical Credits
Randy Newman ComposerSmokey Robinson Composer
Barry Mann Composer
Larry Weiss Composer
Dennis McCarthy Arranger
Johnny Cunningham Composer
Dennis Lambert Composer,Producer
Danny O'Keefe Composer
Brian Potter Composer,Producer
Tom Sellers Arranger
Mike Settle Composer
Joe Sidore Engineer
Cynthia Weil Composer
Tom Bejgrowicz Reissue Design
Roy Kohara Art Direction
Brian Mansfield Liner Notes
Billy Davis Composer,Producer
Bill C. Graham Composer
Matt D'amico Reissue Producer
Michael Murphy Reissue Producer
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