Pudd'nhead Wilson

Pudd'nhead Wilson

by Mark Twain

Hardcover(Large Print Edition)

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Reversed identities, an eccentric detective, a horrible crime, and a tense courtroom scene are major ingredients in Twain's witty, yet fierce condemnation of a racially prejudiced society that condoned the institution of slavery.

Switched at birth by a female slave who fears for her infant son's life, a light-skinned child changes places with the master's white son. This simple premise underlies Twain's engrossing 19th-century tale of reversed identities, an eccentric detective, a horrible crime, and a tense courtroom scene. Infused with characteristic Twain humor, the novel also fiercely condemns a racially prejudiced society that condoned the institution of slavery.

Product Details

ISBN-13: 9780783891477
Publisher: Gale Group
Publication date: 09/28/2000
Series: Perennial Bestsellers Series
Edition description: Large Print Edition
Pages: 237
Product dimensions: 6.40(w) x 9.51(h) x 0.90(d)

About the Author

MARK TWAIN (1835–1910), born Samuel Langhorne Clemens, was an immensely popular American author and humorist, most acclaimed for his novels The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer.

Date of Birth:

November 30, 1835

Date of Death:

April 21, 1910

Place of Birth:

Florida, Missouri

Place of Death:

Redding, Connecticut

Read an Excerpt

Chapter 1

Tell the truth or trump-but get the trick.

Pudd'nhead Wilson's Calendar

The scene of this chronicle is the town of Dawson's Landing, on the Missouri side of the Mississippi, half a day's journey, per steamboat, below St. Louis.

In 1830 it was a snug little collection of modest one- and two-story frame dwellings whose whitewashed exteriors were almost concealed from sight by climbing tangles of rose-vines, honeysuckles and morning-glories. Each of these pretty homes had a garden in front fenced with white palings and opulently stocked with hollyhocks, marigolds, touch-me-nots, prince's-feathers and other old-fashioned flowers; while on the window-sills of the houses stood wooden boxes containing moss-rose plants and terra-cotta pots in which grew a breed of geranium whose spread of intensely red blossoms accented the prevailing pink tint of the rose-clad house-front like an explosion of flame. When there was room on the ledge outside of the pots and boxes for a cat, the cat was there-in sunny weather-stretched at full length, asleep and blissful, with her furry belly to the sun and a paw curved over her nose. Then that house was complete, and its contentment and peace were made manifest to the world by this symbol, whose testimony is infallible. A home without a cat-and a well-fed, well-petted and properly revered cat-may be a perfect home, perhaps, but how can it prove title?

All along the streets, on both sides, at the outer edge of the brick sidewalks, stood locust-trees with trunks protected by wooden boxing, and these furnished shade for summer and a sweet fragrance in spring when the clusters of buds came forth. The main street,one block back from the river, and running parallel with it, was the sole business street. It was six blocks long, and in each block two or three brick stores

three stories high towered above interjected bunches of little frame shops. Swinging signs creaked in the wind, the street's whole length. The candy-striped pole which indicates nobility proud and ancient along the palace-bordered canals of Venice, indicated merely the humble barbershop along the main street of Dawson's Landing. On a chief corner stood a lofty unpainted pole wreathed from top to bottom with tin pots and pans and cups, the chief tinmonger's noisy notice to the world (when the wind blew) that his shop was on hand for business at that corner.

The hamlet's front was washed by the clear waters of the great river; its body stretched itself rearward up a gentle incline; its most rearward border fringed itself out and scattered its houses about the base-line of the hills; the hills rose high, inclosing the town in a half-moon curve, clothed with forests from foot to summit.

Steamboats passed up and down every hour or so. Those belonging to the little Cairo line and the little Memphis line always stopped; the big Orleans liners stopped for hails only, or to land passengers or freight; and this was the case also with the great flotilla of "transients." These latter came out of a dozen rivers-the Illinois, the Missouri, the Upper Mississippi, the Ohio, the Monongahela, the Tennessee, the Red River, the White River, and so on; and were bound every whither and stocked with every imaginable comfort or necessity which the Mississippi's communities could want, from the frosty Falls of St. Anthony down through nine climates to torrid New Orleans.

Dawson's Landing was a slaveholding town, with a rich slave-worked grain and pork country back of it. The town was sleepy and comfortable and contented. It was fifty years old, and was growing slowly-very slowly, in fact, but still it was growing.

The chief citizen was York Leicester Driscoll, about forty years old, judge of the county court. He was very proud of his old Virginian ancestry, and in his hospitalities and his rather formal and stately manners he kept up its traditions. He was fine and just and generous. To be a gentleman-a gentleman without stain or blemish-was his only religion, and to it he was always faithful. He was respected, esteemed and beloved by all the community. He was well off, and was gradually adding to his store. He and his wife were very nearly happy, but not quite, for they had no children. The longing for the treasure of a child had grown stronger and stronger as the years slipped away, but the blessing never came-and was never to come.

With this pair lived the Judge's widowed sister, Mrs. Rachel Pratt, and she also was childless-childless, and sorrowful for that reason, and not to be comforted. The women were good and commonplace people, and did their duty and had their reward in clear consciences and the community's approbation. They were Presbyterians, the Judge was a free-thinker.

Pembroke Howard, lawyer and bachelor, aged about forty, was another old Virginian grandee with proved descent from the First Families. He was a fine, brave, majestic creature, a gentleman according to the nicest requirements of the Virginia rule, a devoted Presbyterian, an authority on the "code," and a man always courteously ready to stand up before you in the field if any act or word of his had seemed doubtful or suspicious to you, and explain it with any weapon you might prefer from brad-awls to artillery. He was very popular with the people, and was the Judge's dearest friend.

Then there was Colonel Cecil Burleigh Essex, another F.F.V. of formidable caliber-however, with him we have no concern.

Percy Northumberland Driscoll, brother to the Judge, and younger than he by five years, was a married man, and had had children around his hearthstone; but they were attacked in detail by measles, croup and scarlet fever, and this had given the doctor a chance with his effective antediluvian methods; so the cradles were empty. He was a prosperous man, with a good head for speculations, and his fortune was growing. On the 1st of February, 1830, two boy babes were born in his house: one to him, the other to one of his slave girls, Roxana by name. Roxana was twenty years old. She was up and around the same day, with her hands full, for she was tending both babies.

Mrs. Percy Driscoll died within the week. Roxy remained in charge of the children. She had her own way, for Mr. Driscoll soon absorbed himself in his speculations and left her to her own devices.

In that same month of February, Dawson's Landing gained a new citizen. This was Mr. David Wilson, a young fellow of Scotch parentage. He had wandered to this remote region from his birthplace in the interior of the State of New York, to seek his fortune. He was twenty-five years old, college-bred, and had finished a post-college course in an Eastern law school a couple of years before.

He was a homely, freckled, sandy-haired young fellow, with an intelligent blue eye that had frankness and comradeship in it and a covert twinkle of a pleasant sort. But for an unfortunate remark of his, he would no doubt have entered at once upon a successful career at Dawson's Landing. But he made his fatal remark the first day he spent in the village, and it "gaged" him. He had just made the acquaintance of a group of citizens when an invisible dog began to yelp and snarl and howl and make himself very comprehensively disagreeable, whereupon young Wilson said, much as one who is thinking aloud-

"I wish I owned half of that dog."

"Why?" somebody asked.

"Because I would kill my half."

The group searched his face with curiosity, with anxiety even, but found no light there, no expression that they could read. They fell away from him as from something uncanny, and went into privacy to discuss him. One said:

"'Pears to be a fool."

"'Pears?" said another. "Is, I reckon you better say."

"Said he wished he owned half of the dog, the idiot," said a third. "What did he reckon would become of the other half if he killed his half? Do you reckon he thought it would live?"

"Why, he must have thought it, unless he is the downrightest fool in the world; because if he hadn't thought it, he would have wanted to own the whole dog, knowing that if he killed his half and the other half died, he would be responsible for that half just the same as if he had killed that half instead of his own. Don't it look that way to you, gents?"

"Yes, it does. If he owned one half of the general dog, it would be so; if he owned one end of the dog and another person owned the other end, it would be so, just the same; particularly in the first case, because if you kill one half of a general dog, there ain't any man that can tell whose half it was, but if he owned one end of the dog, maybe he could kill his end of it and--"

"No, he couldn't either; he couldn't and not be responsible if the other end died, which it would. In my opinion the man ain't in his right mind."

"In my opinion he hain't got any mind."

No. 3 said: "Well, he's a lummox, anyway."

"That's what he is," said No. 4, "he's a labrick-just a Simon-pure labrick, if ever there was one."

"Yes, sir, he's a dam fool, that's the way I put him up," said No. 5. "Anybody can think different that wants to, but those are my sentiments."

"I'm with you, gentlemen," said No. 6. "Perfect jackass-yes, and it ain't going too far to say he is a pudd'nhead. If he ain't a pudd'nhead, I ain't no judge, that's all."

Mr. Wilson stood elected. The incident was told all over the town, and gravely discussed by everybody. Within a week he had lost his first name; Pudd'nhead took its place. In time he came to be liked, and well liked too; but by that time the nickname had got well stuck on, and it stayed. That first day's verdict made him a fool, and he was not able to get it set aside, or even modified. The nickname soon ceased to carry any harsh or unfriendly feeling with it, but it held its place, and was to continue to hold its place for twenty long years.

Chapter II

Adam was but human-this explains it all. He did not want the apple for the apple's sake, he wanted it only because it was forbidden. The mistake was in not forbidding the serpent; then he would have eaten the serpent.A Whisper to the Reader

There is no character, howsoever good and fine, but it can be destroyed by ridicule, howsoever poor and witless. Observe the ass, for instance: his character is about perfect, he is the choicest spirit among all the humbler animals, yet see what ridicule has brought him to. Instead of feeling complimented when we are called an ass, we are left in doubt.

Pudd'nhead Wilson's Calendar

A person who is ignorant of legal matters is always liable to make mistakes when he tries to photograph a court scene with his pen; and so I was not willing to let the law chapters in this book go to press without first subjecting them to rigid and exhausting revision and correction by a trained barrister-if that is what they are called. These chapters are right, now, in every detail, for they were rewritten under the immediate eye of William Hicks, who studied law part of a while in southwest Missouri thirty-five years ago and then came over here to Florence for his health and is still helping for exercise and board in Macaroni Vermicelli's horsefeed shed which is up the back alley as you turn around the corner out of the Piazza del Duomo just beyond the house where that stone that Dante used to sit on six hundred years ago is let into the wall when he let on to be watching them build Giotto's campanile and yet always got tired looking as soon as Beatrice passed along on her way to get a chunk of chestnut cake to defend herself with in case of a Ghibelline outbreak before she got to school, at the same old stand where they sell the same old cake to this day and it is just as light and good as it was then, too, and this is not flattery, far from it. He was a little rusty on his law, but he rubbed up for this book, and those two or three legal chapters are right and straight, now. He told me so himself.

Given under my hand this second day of January, 1893, at the Villa Viviani, village of Settignano, three miles back of Florence, on the hills-the same certainly affording the most charming view to be found on this planet, and with it the most dreamlike and enchanting sunsets to be found in any planet or even in any solar system-and given, too, in the swell room of the house, with the busts of Cerretani senators and other grandees of this line looking approvingly down upon me as they used to look down upon Dante, and mutely asking me to adopt them into my family, which I do with pleasure, for my remotest ancestors are but spring chickens compared with these robed and stately antiques, and it will be a great and satisfying lift for me, that six hundred years will.

Mark Twain

Copyright 2002 by Mark Twain

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Pudd'nhead Wilson 4.4 out of 5 based on 0 ratings. 34 reviews.
Mariamosis More than 1 year ago
PuddN'head Wilson is an incredible book, which clearly defines the lines between social inequality and racial nonsense.

I found myself torn between detesting the son of Roxy, falsely referred to as "Tom", and wishing at the same time that he would escape being detected.

The conclusion left me betwixt regarding the punishment in which was received and at the same time not. This ending distinctly shows the mindset that was involved concerning slaves and the degradation they endured while being looked upon as mere chattels.
Tamara87 More than 1 year ago
This book is very insightful and gives a great glimpse into human character and what drives our actions. It is a great story and Mark Twain, as usual, tells and excellent story. I had a difficult time reading the grammatically incorrect language of some of the black characters (Mark Twain's regionalism at its finest) but the ideas were conveyed very strongly through their actions and reactions to different situations. This is highly recommended for the classroom setting in which an instructor can lead readers into the themes and motifs prevalent in this book.
Guest More than 1 year ago
A good book by Twain, in his eccentric and original stile, this book is provocative as much as it is humorous. The concluding court room drama at the end makes up for some lower moments. However, a word to the wise, in many parts the reading in this book can be rather trying, with the 19th century Negro slave talk, as in other famous Twain novels but, there is more here than in Sawyer or Fin. Yet, at the same time when you factor in the overall story, I would recommend it.
Anonymous More than 1 year ago
bookworm12 on LibraryThing More than 1 year ago
An odd mix of Twain¿s work, Pudd¿nhead Wilson combines the character swapping from The Prince and the Pauper and the race drama in The Adventures of Huckleberry Finn. It was not at all what I was expecting. The title character, Pudd¿head, is actually the cleverest person in the book. Roxy is a slave, but is only 1/16th African. Her son is only 1/32nd African and in a moment of desperation she switches her son with her master¿s child. The boys are almost identical and after the switch they are raised in their new lives with no knowledge of the past. Years later things become even more complicated as Roxy tried to reconcile the man her real son has become. The other major theme of the book is a very early look at the use of forensic evidence in detective work. It feels like common knowledge to us now, but at the time fingerprinting was a completely foreign concept. Throw in some twins from another country, a gambling problem and some bad choices and you¿ve got a novel. It¿s a strange book, one that doesn¿t quite feel like Twain. It has some of his trademarks elements; a sharp wit, commentary on race relations, etc., but it¿s unique in some other respects. It feels disjointed and a bit thrown together. I read a bit from Twain after I finished the book and he talked about how he set out to write one book and found himself in the midst of another. I think the plot reflects that and in the end it¿s not one of his best. BOTTOM LINE: If you really like Twain, definitely check it out. If you¿re new to his work I would check out Huck Finn or Tom Sawyer before this one. ¿When angry count four, when very angry swear.¿
ostrom on LibraryThing More than 1 year ago
The Bantam Books edition has a fine introduction by Langston Hughes. This is a fascinating novel, with Twain taking on the questions of race and of nature/nurture head on. It was the first novel to bring finger-printing into the plot. The Norton Critical edition is very good, too.
corinneblackmer on LibraryThing More than 1 year ago
Every single critic (or reader) has accused Mark Twain of racism because of his representations in The Adventures of Huckleberry Finn, needs to read this book, which, while a lesser work of artistic achievement, savages American and Southern racism in their many forms. Roxy is a slave woman who is 1/16 African, and her infant son, who cannot be differentiated from the son of the master, is 1/32 African. On one occasion, Roxy fears that she and her son will be sold from Dawson's Landing, Missouri "down the river." Thus, she switches her son with the master's son, which means that the "slave" is raised as the "master" and vice versa. It takes detective work of a legitimate variety (the fingerprinting done by "Pudd'nhead") to solve the murder mystery that develops as the story goes along, but nothing is solved when the original mixup between the two infant boys is "corrected." The scars of racism run deep, as Mark Twain knows perfectly well.
sgerbic on LibraryThing More than 1 year ago
Reviewed Dec. 1999 After the first reading of this book several years ago, I felt that this book (amongst others)should be required reading for Junior High School. and now after re-reading it again this December I find that I still feel this way. Twains grip of this era is wonderful, he eaves everything in...through reading the Negro speak is a bit difficult unless you do it fast. The mystery and suspense is as good as any modern mystery (accept the reader knows who did if from the beginning) but how the murderer is discovered is extremely entertaining. As a historical story it seems accurate while poking fun of the people at the time. the characters are very developed and interesting to read about. I had forgotten what a free-thinker Twain is, (could Twain have seen himself as Tom¿s uncle?) Looking back almost 100 years to the customs and lifestyle of the time, a modern reader is flabbergasted by how far society has come. Puddenhead keeps us further entertained throughout with quips from his calender. ¿Nothing so needs reforming as other people¿s habits.¿ And many more. 52-1999
VKNask on LibraryThing More than 1 year ago
This is a fun little book that I first read in tenth grade. In fact, I think it's the only Twain I've ever read, though I really ought to change that. I was recently perusing my shelves for a short book that was a change of pace from my other current reads, and when I spotted this one, I knew I'd found it.This is such a neat little story as far as plot goes. He lays everything out for the reader from the beginning, all in plain sight, and then proceeds to tell a nicely interwoven complex tale, and you're not entirely certain where it's going until it actually gets there. My favorite part is the whole use of fingerprints in the story, a fairly novel thing in the time and culture this was written. Twain also manages to delve into the topics of race and circumstances of blood and upbringing, and what makes a man who he is.A short and enjoyable tale I would recommend to anyone, and one I would reread (and have).
tloeffler on LibraryThing More than 1 year ago
A Mark Twain story I had never heard of! First published in 1894, it is the story of a slave woman, Roxy, who was as white as the rest of the town, but was 1/16th black, and so, in the times, was classified, "by a fiction of law and custom," Negro. Roxy has a baby son the same age as the nephew of her master, and one day, worried about her sons future, she decides to switch the babies. Pudd'nhead Wilson is a local attorney, whose hobby is studying fingerprints, a relatively new and untested forensic service at the time.What happens as these boys grow up, and how Pudd'nhead saves the day, is a fun story, with a good moral. The dialect was a little difficult to read, but still, a good book.
soylentgreen23 on LibraryThing More than 1 year ago
Pudd'nhead Wilson is a novella, born of a longer novel that Twain cut in two; it is a great adventure story and also a satire on slavery and what makes a man a man; but its plot is so similar to The Prince and The Pauper that it at times seems unoriginal.The characters are certainly well-drawn, although we see little of Wilson. His calendar entries are exceedingly witty, and are worth reading several times over (I certainly have). However, by writing all of Roxana's dialog in a kind of phonetic mash, some segments of the book prove difficult reading; it is worth comparing how Kennedy Toole handled dialect in A Confederacy of Dunces, set in much the same part of the world.
kwohlrob on LibraryThing More than 1 year ago
An unbelievable satire on American race relations and identity.
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