Preaching on Wax: The Phonograph and the Shaping of Modern African American Religion

Preaching on Wax: The Phonograph and the Shaping of Modern African American Religion

by Lerone A. Martin

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Overview

The overlooked African American religious history of the phonograph industry

Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History

Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections

From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepreneurs and celebrities through their pioneering use of radio, black clergy were largely marginalized from radio. Instead, they relied on other means to get their message out, teaming up with corporate titans of the phonograph industry to package and distribute their old-time gospel messages across the country. Their nationally marketed folk sermons received an enthusiastic welcome by consumers, at times even outselling top billing jazz and blues artists such as Bessie Smith and Ma Rainey.

These phonograph preachers significantly shaped the development of black religion during the interwar period, playing a crucial role in establishing the contemporary religious practices of commodification, broadcasting, and celebrity. Yet, the fame and reach of these nationwide media ministries came at a price, as phonograph preachers became subject to the principles of corporate America.

In Preaching on Wax, Lerone A. Martin offers the first full-length account of the oft-overlooked religious history of the phonograph industry. He explains why a critical mass of African American ministers teamed up with the major phonograph labels of the day, how and why black consumers eagerly purchased their religious records, and how this phonograph religion significantly contributed to the shaping of modern African American Christianity. Instructor's Guide

Product Details

ISBN-13: 9781479890958
Publisher: New York University Press
Publication date: 11/14/2014
Series: Religion, Race, and Ethnicity Series , #5
Edition description: New Edition
Pages: 240
Sales rank: 793,830
Product dimensions: 5.40(w) x 8.20(h) x 1.20(d)

About the Author

Lerone A. Martin is Assistant Professor of Religion and Politics in the John C. Danforth Center on Religion and Politics at Washington University in Saint Louis.

Table of Contents


Contents
Acknowledgments ix
Note on the Text xi
1 Introduction 1
2 Regulation, Not Rebellion: From “Rough Music”
to Democratic Disorder 21
3 “Secret Plodders”: Anti-Federalism, Anonymity,
and the Struggle for Democratic Dissent 55
4 Institutionalizing Counterpublicity: The Democratic
Societies of the 1790s 83
5 James Madison: Public Opinion and Dissentient Democracy 115
6 “Salutary Collisions” and Multiple Discourses:
A Farmer, a Lawyer, and Two Unknown Democrats 147
7 The “Saucy Sons of Enquiry”: Thomas Cooper
and Democratic Dissent 177
8 Conclusion 197
Notes 207
Bibliography 243
Index 257
About the Author 262

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