The overlooked African American religious history of the phonograph industry
Winner of the 2015 Frank S. and Elizabeth D. Brewer Prize for outstanding scholarship in church history by a first-time author presented by the American Society of Church History
Certificate of Merit, 2015 Award for Excellence in Historical Recorded Sound Research presented by the Association for Recorded Sound Collections
From 1925 to 1941, approximately one hundred African American clergymen teamed up with leading record labels such as Columbia, Paramount, Victor-RCA to record and sell their sermons on wax. While white clerics of the era, such as Aimee Semple McPherson and Charles Fuller, became religious entrepreneurs and celebrities through their pioneering use of radio, black clergy were largely marginalized from radio. Instead, they relied on other means to get their message out, teaming up with corporate titans of the phonograph industry to package and distribute their old-time gospel messages across the country. Their nationally marketed folk sermons received an enthusiastic welcome by consumers, at times even outselling top billing jazz and blues artists such as Bessie Smith and Ma Rainey.
These phonograph preachers significantly shaped the development of black religion during the interwar period, playing a crucial role in establishing the contemporary religious practices of commodification, broadcasting, and celebrity. Yet, the fame and reach of these nationwide media ministries came at a price, as phonograph preachers became subject to the principles of corporate America.
In Preaching on Wax, Lerone A. Martin offers the first full-length account of the oft-overlooked religious history of the phonograph industry. He explains why a critical mass of African American ministers teamed up with the major phonograph labels of the day, how and why black consumers eagerly purchased their religious records, and how this phonograph religion significantly contributed to the shaping of modern African American Christianity. Instructor's Guide
About the Author
Lerone A. Martin is Assistant Professor of Religion and Politics in the John C. Danforth Center on Religion and Politics at Washington University in Saint Louis.
Table of Contents
ContentsAcknowledgments ixNote on the Text xi1 Introduction 12 Regulation, Not Rebellion: From “Rough Music”to Democratic Disorder 213 “Secret Plodders”: Anti-Federalism, Anonymity,and the Struggle for Democratic Dissent 554 Institutionalizing Counterpublicity: The DemocraticSocieties of the 1790s 835 James Madison: Public Opinion and Dissentient Democracy 1156 “Salutary Collisions” and Multiple Discourses:A Farmer, a Lawyer, and Two Unknown Democrats 1477 The “Saucy Sons of Enquiry”: Thomas Cooperand Democratic Dissent 1778 Conclusion 197Notes 207Bibliography 243Index 257About the Author 262