- Worry My Dome
- My Monkey Made a Man Out of Me
- You Belong to Me Now
- Ruby's Got a Big Idea
- Tough Hang
- Baby, It's a Long Way Down
- It's a Line
- I Let Her Get Away
- My Heart Isn't in It
- Make No Mistake
- Call Off the Dogs
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0696998634725

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Overview
On their/his full-length debut album, Falling Into Place, Candy Butchers' Mike Viola (the group name is really a polite fiction) came off as a successor to Graham Parker and early Elvis Costello in the romantically angered post-punk new wave vein, a worthy enough position that tends to delight critics without engaging the critical mass of fans it takes to maintain a major-label record contract. On his/their second album (this time the billing is Candy Butchers instead of Mike Viola & Candy Butchers), Viola often comes off as a Marshall Crenshaw-style power popper, steeped in the sound of mid-'60s pop
ock and its fascination with unusual sounds audible on the margins of tracks dominated by electric guitar riffs and hooky choruses. "Baby, It's a Long Way Down," for example, is distinctly Beatlesque, while "My Monkey Made a Man Out of Me," apparently a celebration of addiction, boasts an intro and outro that recall George Harrison's flirtation with Indian music. On Falling Into Place, Viola seemed to be writing the same song of romantic disappointment over and over; here he is still disappointed, but his frustration is more global. "The older I get the more it seems/I watch my dreams get smaller," he begins on "It's a Line," and this sense of diminished expectations pervades the songs. The romantic element is not absent, but things are more specific and more desperate, notably on "I Let Her Get Away," in which a pregnancy is compared to mold. By album's end, Viola has practically abandoned the studio trickery to return to a Parker/Costello-like stance on "Make No Mistake," singing over acoustic guitar accompaniment with bitter wordplay that continues into the elegiac closer, "Call Off the Dogs." The album makes another impressive, if severe, statement likely to play well to the brainy and miss the masses.
ock and its fascination with unusual sounds audible on the margins of tracks dominated by electric guitar riffs and hooky choruses. "Baby, It's a Long Way Down," for example, is distinctly Beatlesque, while "My Monkey Made a Man Out of Me," apparently a celebration of addiction, boasts an intro and outro that recall George Harrison's flirtation with Indian music. On Falling Into Place, Viola seemed to be writing the same song of romantic disappointment over and over; here he is still disappointed, but his frustration is more global. "The older I get the more it seems/I watch my dreams get smaller," he begins on "It's a Line," and this sense of diminished expectations pervades the songs. The romantic element is not absent, but things are more specific and more desperate, notably on "I Let Her Get Away," in which a pregnancy is compared to mold. By album's end, Viola has practically abandoned the studio trickery to return to a Parker/Costello-like stance on "Make No Mistake," singing over acoustic guitar accompaniment with bitter wordplay that continues into the elegiac closer, "Call Off the Dogs." The album makes another impressive, if severe, statement likely to play well to the brainy and miss the masses.
Product Details
Release Date: | 03/12/2002 |
---|---|
Label: | Sony |
UPC: | 0696998634725 |
catalogNumber: | 86347 |
Rank: | 105840 |
Tracks
Album Credits
Performance Credits
Candy Butchers Primary Artist,Track PerformerMelora Creager Vocals
Mike Levesque Drums,Background Vocals,Yells
Mike Viola Guitar,Vocals
Pete Donnelly Bass,Background Vocals,Yells
Technical Credits
Dae Bennett EngineerDanny Bennett Management
Mike Viola Arranger,Producer
Frank Longo Art Direction
Jason Fine Liner Notes
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