Outlaw Gentlemen & Shady Ladies

Outlaw Gentlemen & Shady Ladies

by VolbeatVolbeat


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In the two-and-half years since Volbeat's wildly successful Beyond Hell/Above Heaven, they've traveled some miles, both literally and figuratively. They toured not only Europe but the U.S. and Canada in support for nearly a year, and parted ways with lead guitarist Thomas Bredahl. A permanent replacement was found in Robert Caggiano, formerly of Anthrax, who was enlisted to produce Outlaw Gentlemen & Shady Ladies and play on select tracks. His addition has proved integral to the band's ever evolving sound. While the meld of various kinds of heavy metal, country, and rockabilly is still present here -- it is now undoubtedly the sound of Volbeat itself -- the lines between those styles are less pronounced. The sometimes jarring shift from rockabilly to thrash, from death metal to the Johnny Cash-country on previous albums, still happens, but here these sounds often coexist within the same song. While it is accurate to say that this set is more accessible than anything Volbeat has attempted previously, it is also the most ambitious set of tracks they've committed to tape. The songwriting is tight, focused; there are lots of hooks, most of them heavy -- thanks, no doubt, to Caggiano's presence. His playing style is full of insanely catchy riffs, vamps, and intricate melodies. Michael Tomas Poulsen's vocals still blend Elvis, James Hetfield, and Keith Caputo, but they growl less; they're expressive and natural sounding. Hard rock and vintage HM are the prevalent sounds here -- as heard on cuts like "Pearl Heart," the riff-arific "The Nameless One," and the aggressive attack in "The Hangman's Body Count." The slow, doomy chug of "Room 24" melds early Black Sabbath to death metal with King Diamond guesting on vocals. Another surprise is in the cover of Young the Giant's "My Body." Thanks to Poulsen's awesome singing and the blasting guitars, it could pass as a Volbeat anthem. An excellent example of all the band's styles converging at once is in "Black Bart," with death metal, Gun Club-style punk-country, and even Thin Lizzy's twin lead guitars. The Creepshow and Walk Off the Earth vocalist Sarah Blackwood sings with Poulsen on "Lonesome Rider," where slap bass rockabilly and hooky '80s metal commingle. Thin Lizzy also get channeled on the killer "The Sinner Is You," while Civil War-era banjo introduces the theatrical country meets death metal choogler "Doc Holliday." A high lonesome desert harmonica à la Ennio Morricone introduces closer "Our Loved Ones," which is as fine a melodic headbanger as anything the band's ever cut. While it is accurate to say that Outlaw Gentlemen & Shady Ladies is more accessible than anything Volbeat has attempted previously, it is also the most ambitious -- and arguably enjoyable -- set they've committed to tape.

Product Details

Release Date: 04/09/2013
Label: Republic
UPC: 0602537342822
catalogNumber: 001828202
Rank: 26138


  1. Let's Shake Some Dust
  2. Pearl Hart
  3. The Nameless One
  4. Dead But Rising
  5. Cape of Our Hero
  6. Room 24
  7. The Hangman's Body Count
  8. My Body
  9. Lola Montez
  10. Black Bart
  11. Lonesome Rider
  12. The Sinner is You
  13. Doc Holliday
  14. Our Loved Ones

Album Credits

Performance Credits

Volbeat   Primary Artist
King Diamond   Vocals
Paul Lamb   Harp
Rob Caggiano   Guitar,Drums,Background Vocals
Anders Pedersen   Slide Guitar
Sarah Blackwood   Vocals
Anders Kjolholm   Bass
Jon Larsen   Drums
Rod Sinclair   Banjo
Jakob Øelund   Double Bass
Michael Schøn Poulsen   Guitar,Vocals

Technical Credits

King Diamond   Composer,Lyricist
Jacob Hansen   Producer,Engineer
Rob Caggiano   Composer,Producer
Bryan Russell   Engineer
J.T. Longoria   Vocal Engineer,Vocal Producer,Vocal Mixing
Volbeat   Composer,Producer
Ian Blackwood   Vocal Engineer
Nathan Gallagher   Band Photo
Henrik Siegel   Graphic Design
Young the Giant   Composer,Lyricist
Karsten Sand   Illustrations
Michael Schøn Poulsen   Composer,Lyricist,Art Conception

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