Never a Dull Moment

Never a Dull Moment

by Rod StewartRod Stewart
2 New & Used Starting at $3.49


Essentially a harder-rocking reprise of Every Picture Tells a Story, Never a Dull Moment never quite reaches the heights of its predecessor, but it's a wonderful, multi-faceted record in its own right. Opening with the touching, autobiographical rocker "True Blue," which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he'd "rather be back home," the record is the last of Stewart's series of epic fusions of hard rock and folk. It's possible to hear Stewart go for superstardom with the hard-rocking kick and fat electric guitars of the album, but the songs still cut to the core. "You Wear It Well" is a "Maggie May" rewrite on the surface, but it develops into a touching song about being emotionally inarticulate. Similarly, "Lost Paraguayos" is funny, driving folk-rock, and it's hard not to be swept away when the Stonesy hard rocker "Italian Girls" soars into a mandolin-driven coda. The covers -- whether a soulful reading of Jimi Hendrix's "Angel," an empathetic version of Dylan's "Mama, You Been on My Mind," or a stunning interpretation of Etta James' "I'd Rather Go Blind" -- are equally effective, making Never a Dull Moment a masterful record. He never got quite this good ever again.

Product Details

Release Date: 10/25/1990
Label: Polygram Records
UPC: 0042282626325
catalogNumber: 826263

Album Credits

Performance Credits

Rod Stewart   Primary Artist,Vocals
Ronnie Wood   Acoustic Guitar,Bass,Electric Guitar
Pete Sears   Bass,Piano
Ian McLagan   Organ,Piano
Dick Powell   Violin
Brian   Piano
Spike Heatley   Bass,Upright Bass
Gordon Huntley   Steel Guitar
Ronnie Lane   Bass,Bass Guitar
Martin Quittenton   Acoustic Guitar
Speedy   Conga
Mickey Waller   Drums
Kenney Jones   Drums
Speedy   Conga
Brian   Piano

Technical Credits

Rod Stewart   Producer,Audio Production
Mike Bobak   Engineer
Ed Caraeff   Cover Photo
Glyn Johns   Engineer
Desmond Strobel   Art Direction
John Craig   Cover Design
Brian   Contributor
Jimmy Horovidtzz   Arranger
Jim The Easwig   Graphic Supervision
A. Wood   Composer

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Never a Dull Moment 4.5 out of 5 based on 0 ratings. 2 reviews.
JohnQ More than 1 year ago
A good Stewart album but not quite enough to give it 5 stars. Well worth having.
Guest More than 1 year ago
Rod Stewart, riding high with the successes of his "Every Picture Tells a Story" saw himself vaulted above his band members in the Faces, paving the way for the heart of the band, Ronnie Lane, to leave in 1973, for the Faces to collapse in the wake of Lane's departure and for Stewart to leave the shores of Great Britain for the sunny skies of California. And in this midst of his success before his downfall in credibility came his fourth album, "Never a Dull Moment". Back when Rod was Rod and not some fool asking if you thought he was sexy or singing the songs made famous by people as old as his parents, he was a brilliant soul-rock-folk singer teamed up with the greatest partner his music would ever have, Ronnie Wood. The two didn't write everything on the album (like all of the Mercury albums, part of the brilliance is in Rod's unique interpretation of others' songs, here Dylan, Cooke, Hendrix and Etta James), but the songs they did write for "Never a Dull Moment" are among the best of Stewart's career. Stewart's collaboration with Martin Quittenton, "You Wear it Well", while somewhat of a retread of "Maggie May", is still an enjoyable song that has stood the test of time. One can't understate the role of his fellow Faces in the album's gestation. The album simply couldn't have been recorded in the way that it was without Wood and the presences of McLagan, Lane and Jones only help to bolster the album's credibility. No Stewart album on Warner Bros., Atlantic or J Records would sound quite like the Mercury recordings. The Faces were the perfect fit for Stewart, if only his solo successes had never got in the way... at least we have Stewart's first four solo LPs and, of course, the four studio albums by the Faces.