The Necropolis Railway

The Necropolis Railway

by Andrew Martin

Paperback(First Edition)

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Bright and ambitious, young Jim Stringer moves from the English countryside to London deter- mined to become a railway man. It is 1903, the dawn of the Edwardian age, when steam runs the nation and the railways drive progress. Jim can’t believe his luck to have gotten his foot in the door at South East Railway, run out of Waterloo Station. He finds, however, that his duties involve a graveyard shift, literally—a railway line that takes coffins from London morgues to the gigantic new cemeteries being dug in the city’s outskirts. He also learns that his predecessor had disappeared and that his coworkers seem to have formed an instant loathing for him. Forced to live by his wits and to arrive at his own deductions—assisted by his landlady, for whom he falls— he tries to figure out what is going on before he is issued a one-way ticket on the Necropolis Railway. 

Product Details

ISBN-13: 9780156030687
Publisher: Houghton Mifflin Harcourt
Publication date: 01/31/2012
Series: Jim Stringer Series , #1
Edition description: First Edition
Pages: 256
Sales rank: 785,537
Product dimensions: 5.25(w) x 8.00(h) x 0.64(d)

About the Author

ANDREW MARTIN was a Spectator (London) Young Writer of the Year and has written for the Guardian , the Daily Telegraph , and Granta . He has a weekly column in the New Statesman . He lives in London.

Read an Excerpt

Chapter One

Saturday 14 November 1903
With the letters from Rowland Smith in my pocket, I had a lively ride from York to London: just four and a half hours in all. The engine was one of the new Atlantics of Mr Ivatt, and when she came down Stoke Bank I put aside The Railway Magazine I was reading, and leant out the window at the carriage end to experience the amazing velocity.
After Peterborough I took down my box and opened the parcel my dad had packed for me, which turned out to contain three tubs of Melton cream for my boots, and two tins of Nugget’s polish, also for my boots. My dad was red-hot for smartness, smart boots especially. There was an alarm clock too–which was the next best thing to Dad coming with me because he’d always woken me up himself at home–and a green Lett’s pocket diary, which might seem an out of the way sort of thing to give somebody, November sort of time, but I knew it was the kind of thing Dad would have thought gentlemanly.
I opened the first page, which was headed ‘The King and the Royal Family, showing ages and annuities’, and stared at it for a while, thinking: well, it’s all right, but I would rather have a map of the railways. Then I took out from my pocket the letters from Rowland Smith, which had been sent to me, not from the place he worked, but from his home address: Granville Mansions, Dartmouth Park. Whenever I saw that I thought with wonder, ‘In the house of the Lord there are many mansions.’ It was in the Northern Division of London. I put the letters away after a few more minutes of marvelling but took them out over and again throughout the journey.
We came into Platform One at King’s Cross, which was as I had expected, but what I had not expected was that half of London would be there, and most of them attempting to force me into the Ladies’ Waiting Room, where I had no right nor any desire to be.
When I finally struggled free, the first thing I saw was the road packed with darting waggons, then, over the road from King’s Cross, and three times the size, St Pancras. I could not believe there had ever been so many bricks in the world–it must have had more than the Eskdale viaduct and I knew for a fact there were more than five million in that. The clock said five to three; I turned back and looked at the clock on King’s Cross, and that said five after, and I thought: now, that is strange, because it was impossible to imagine either the Midland or the Great Northern making a bloomer over the time, of all things, but one of them must have, and it seemed that I was only getting in everybody’s way by standing there and fretting over it.
Then I spied a stream of hansoms pouring out of a little arch at the bottom of St Pancras like beetles from under a stone, and decided I would take one for the first time in my life. But as soon as I stepped into the road between King’s Cross and St Pancras, I was put into another cab – one of a completely separate lot–by a lad who had lately been holding a horse’s head and eating a fish. Now he was tipping his head back, and, blowing spinning bits of fish into the air from his mouth, saying, ‘If this keeps up, we might be in with a fighting chance, eh, guv?’
He was talking about the sun. It had been raining in Yorkshire but the day was set fair in London, and I might just as well have stepped off a boat train, such was the newness and strangeness of it all.
‘Where you off to?’ shouted the fish-eating kid.
I said, ‘Waterloo,’ sounding not like myself, but even the horse seemed to have heard of the place for he set off without coaxing.
There were just too many people in London, and that was all about it. Sooner or later, I thought as we rolled away from King’s Cross, they will have to bring this madness to a halt and get everything put straight. All the buses were marked ‘Vanguard’ and there was no end of motor cars. There was no end of everything else either, so that after a sprint of a start we soon settled down to a crawl, and I added a second half crown to the one I already had in my hand for the fare, fearing the price might be to do with time spent as well as distance covered.
After twenty minutes or so we came up to the river, which was something more like ten rivers side by side, all brown and glittering and packed with rolling, smoking boats, with big factories on the Waterloo side. Through a gap between two of them, I could see the engine shed of Waterloo rising above the factories and houses like a lot of giant greenhouses at an angle to the river, but the greenhouses gave out after a while, and then there were metal girders, and the automatic hammer was somewhere in there: you’d hear the bang, and then the black cloud would come up after every one.
On the other side of that rusty bridge–and I believe that in my excitement I forgot to breathe all the way across–I realised I had gone from what they called the Northern Division to the Southern Division, and when I remembered that Rowland Smith lived in the Northern Division yet worked in the Southern Division, I began to think of that gentleman as being even grander than I had already imagined, and resembling the Colossus of Ancient Greece who stands over whatever river it may be.
We came onto what I now know as Westminster Bridge Road, where trams were surging up to the people like steeplechasers. We had also struck the smell of Waterloo, which came from the station and the chimneys on the river. It was the smell of bad beer, or good pickles, or something that kept you thinking, mingled with engine smoke and another smell that was like the sea captured by factories.
We carried on under a long, low viaduct with a slow-goods hammering overhead, and when we emerged I saw a great vibrating building with steam and smoke rushing out of a line of chimneys. I had thought this would be another factory, but a sign on the roof told me it was the ‘Lambeth Skating Rink’. We did not reach that building, however, but turned sharp right, going immediately under another black viaduct with another goods pounding overhead. This viaduct was enormous, and, when we came out from under, the day was not as bright as it had been before.This dark street, which was called Lower Marsh, was all in the shadow of that great viaduct, and so the people there lived in a world of under and over: under went the houses and shops, the pubs, the people and the lines of stables, and over went the trains with a constant clanging. The shops spilled out into the street and had more goods outside than in: everybody was selling everything to everybody else, and everybody was shouting to make themselves heard over the trains. The most important thing in the street apart from the viaduct seemed to be a round pub called the Citadel: a big, orange-glowing beer-barrel sort of a place with a sign saying Red Lion Ales and Reid’s Stout over and over again–I would soon learn that in London they are never happy to just do something once.
Above the pub, above the street, and really above all, was the great station itself, the spider in the middle of the viaduct web. I knew it to serve the grandest railway in the world, the London and South Western, and yet I was surprised, for there was nothing glorious to it. Waterloo seemed to have no front and no back. It did have a roof–in parts–but there were many huge tarpaulins rising and falling in the dirty breeze over the rambling mass of bricks and glass. Under these great tents, I was sure, they were making the station bigger still, and I did not doubt that it would finish up the mightiest in the Empire. Already, as I knew from The Railway Magazine, Waterloo received 700 trains every day, compared to 250 at King’s Cross. St Pancras received . . . a good many, I did not know the exact number, and I realised, alone in the dark little cab, that it would be a very long time before I would be able to look it up, for I had only brought the latest two numbers of The Railway Magazine in my box. 

© Andrew Martin, 2002
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.


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The Necropolis Railway (Jim Stringer Series #1) 2 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
This was probably the worst book I have read in years. The plot made little to no sense and the author used obscure technical terms without bothering to explain the meanings. For example, I spent most of the book trying to figure out what the heck a footplate was & was never given any hint except that it's part of a steam engine. The hero was a callow, cowardly lump who occasionally used truly foul language regarding women for nothing more than shock value. This book will be boring and offensive to anyone with half a brain and any respect for women. To top it all off, the ending was pulled out of thin air and with very little regard for the intelligence of the reader. Don't waste your time.
Guest More than 1 year ago
The slang and focus on railroading can be a bit to bear, but at the same time it's rather ambitious and an interesting read. About as close as I will ever come to watching at work the mind of a very early 20th century young Englishman. The character very much seems a product of his times, whatever that might translate into a century later here in America. I look forward to reading the sequel The Blackpool Highflyer. Don't be put off by the negative review. Like the movie Momento just grin and bear it for about 10 minutes, then it takes off and you keep turning the page.
thorold on LibraryThing More than 1 year ago
This is a historical novel of the more feeble-minded sort - I wouldn't have bought it if it wasn't in the bargain basket, so I only have myself to blame.The true, if rather flimsy historical hook for the story is that the London Necropolis Company used to run funeral trains from a discreet annexe of Waterloo Station to its out of town cemetery at Brookwood. Martin is honest enough to accept that funeral trains are not in themselves spooky or mysterious, but conjures up a kind of murder mystery around them. He obviously knows enough about railways, and does a reasonably plausible job of filling in the technical detail of life in a big engine shed (Nine Elms) at the beginning of the 20th century, but he's less good at turning this into a mystery story with believable characters. It takes far too long for the story to get going, and the naïve young narrator is neither very interesting nor really sympathetic (although he does grow on you a bit as he matures towards the end of the novel). The mystery is not very mysterious, and the final twist in the plot is seriously lacking in axle-grease. Apart from the narrator himself, none of the characters is anything more than a cardboard cut-out.Language is a problem too - to be convincing, the narrator has to use words in a manner consistent with a semi-educated teenager from the North Riding a hundred years ago. Martin only manages to keep this up rather intermittently, and a lot of little anachronisms creep in to spoil the illusion (for instance, a corpse is referred to as a "stiff", - in 1900 it would have been a "stiff 'un").The real mystery is what Fabers were thinking of when they decided to publish this nonsense...
Replay on LibraryThing More than 1 year ago
It's very hard to really get into the plot. Characters are drowned in the flow of railways and turn-of-the-20th-century pub slang. First half of the novel is simply boring and very slow-motionned. It's hard to find its way through the meandrous platforms of gloomy trains sheds. In my opinion, Martin's novel falls short to captivate readers in time. When everything is put together, it's simply too late.