Mourning Becomes Electra [ By: Eugene O'Neill ]

Mourning Becomes Electra [ By: Eugene O'Neill ]

by Eugene O'Neill

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Mourning Becomes Electra is considered O'Neill's most ambitious work. In the play, he adapts the Greek tragic myth Oresteia to nineteenth-century New England. Generally, critics praised the play as one of O'Neill's best. Even though performances ran almost six hours long, audiences seemed to agree; it ran for 150 performances.

Like Oresteia, O'Neill's play features themes of fate, revenge, hubris, adultery, and honor. Many critics note that the play reflects his recurring concerns about the unsuccessful struggle of an individual to escape a tragic fate and the dark nature of human existence. The play is structured as a trilogy, with three different plays—The Homecoming, The Hunted, The Haunted—comprising the story

Product Details

BN ID: 2940012251152
Publisher: Publish This, LLC
Publication date: 01/11/2011
Sold by: Barnes & Noble
Format: NOOK Book
Sales rank: 710,875
File size: 176 KB

About the Author

American playwright, and Nobel laureate in Literature. His plays are among the first to introduce into American drama the techniques of realism, associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. His plays were among the first to include speeches in American vernacular and involve characters on the fringes of society, engaging in depraved behavior, where they struggle to maintain their hopes and aspirations, but ultimately slide into disillusionment and despair. O'Neill wrote only one well-known comedy (Ah, Wilderness!). Nearly all of his other plays involve some degree of tragedy and personal pessimism.

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