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by Lawrence Durrell, Jan Morris

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The astounding third offering in Durrell’s Alexandria Quartet, a richly detailed and extraordinary expansion of the events of Justine and Balthazar
David Mountolive is a British diplomat who views love as just another everyday transaction. But as romance turns to betrayal and secret alliances are exposed, Mountolive’s affair will bring the true complexity of contemporary love to the forefront amid the swirling political climate of Alexandria.  Continuing to push beyond the limits of the traditional novel, Lawrence Durrell maintains his unwavering focus in Mountolive. He recasts the romantic affairs and liaisons he so skillfully established in Justine and Balthazar through the eyes of the young Mountolive, building toward the series’ stunning conclusion.    This ebook contains a new introduction by Jan Morris.

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Product Details

ISBN-13: 9781453261439
Publisher: Open Road Media
Publication date: 06/12/2012
Series: The Alexandria Quartet , #3
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 320
Sales rank: 519,046
File size: 2 MB

About the Author

Born in Jalandhar, British India, in 1912 to Indian-born British colonials, Lawrence Durrell was a critically hailed and beloved novelist, poet, humorist, and travel writer best known for the Alexandria Quartet novels, which were ranked by the Modern Library as among the greatest works of English literature in the twentieth century. A passionate and dedicated writer from an early age, Durrell’s prolific career also included the groundbreaking Avignon Quintet, whose first novel, Monsieur (1974), won the James Tait Black Memorial Prize, and whose third novel, Constance (1982), was nominated for the Booker Prize. He also penned the celebrated travel memoir Bitter Lemons of Cyprus (1957), which won the Duff Cooper Prize. Durrell corresponded with author Henry Miller for forty-five years, and Miller influenced much of his early work, including a provocative and controversial novel, The Black Book (1938). Durrell died in France in 1990.  

Born in Jalandhar, British India, in 1912 to Indian-born British colonials, Lawrence Durrell was a critically hailed and beloved novelist, poet, humorist, and travel writer best known for the Alexandria Quartet novels, which were ranked by the Modern Library as among the greatest works of English literature in the twentieth century. A passionate and dedicated writer from an early age, Durrell’s prolific career also included the groundbreaking Avignon Quintet, whose first novel, Monsieur (1974), won the James Tait Black Memorial Prize, and whose third novel, Constance (1982), was nominated for the Booker Prize. He also penned the celebrated travel memoir Bitter Lemons of Cyprus (1957), which won the Duff Cooper Prize. Durrell corresponded with author Henry Miller for forty-five years, and Miller influenced much of his early work, including a provocative and controversial novel, The Black Book (1938). Durrell died in France in 1990.  

Read an Excerpt


By Lawrence Durrell


Copyright © 1958 Lawrence Durrell
All rights reserved.
ISBN: 978-1-4532-6143-9


As a junior of exceptional promise, he had been sent to Egypt for a year in order to improve his Arabic and found himself attached to the High Commission as a sort of scribe to await his first diplomatic posting; but he was already conducting himself as a young secretary of legation, fully aware of the responsibilities of future office. Only somehow today it was rather more difficult than usual to be reserved, so exciting had the fish-drive become.

He had in fact quite forgotten about his once-crisp tennis flannels and college blazer and the fact that the wash of bilge rising through the floorboards had toe-capped his white plimsolls with a black stain. In Egypt one seemed to forget oneself continually like this. He blessed the chance letter of introduction which had brought him to the Hosnani lands, to the rambling old-fashioned house built upon a network of lakes and embankments near Alexandria. Yes.

The punt which now carried him, thrust by slow thrust across the turbid water, was turning slowly eastward to take up its position in the great semicircle of boats which was being gradually closed in upon a target-area marked out by the black reed spines of fish-pans. And as they closed in, stroke by stroke, the Egyptian night fell — the sudden reduction of all objects to bas-reliefs upon a screen of gold and violet. The land had become dense as tapestry in the lilac afterglow, quivering here and there with water mirages from the rising damps, expanding and contracting horizons, until one thought of the world as being mirrored in a soap-bubble trembling on the edge of disappearance. Voices too across the water sounded now loud, now soft and clear. His own cough fled across the lake in sudden wing-beats. Dusk, yet it was still hot; his shirt stuck to his back. The spokes of darkness which reached out to them only outlined the shapes of the reed-fringed islands, which punctuated the water like great pin-cushions, like paws, like hassocks.

Slowly, at the pace of prayer or meditation, the great arc of boats was forming and closing in, but with the land and the water liquefying at this rate he kept having the illusion that they were travelling across the sky rather than across the alluvial waters of Mareotis. And out of sight he could hear the splatter of geese, and in one corner water and sky split apart as a flight rose, trailing its webs across the estuary like seaplanes, honking crassly. Mountolive sighed and stared down into the brown water, chin on his hands. He was unused to feeling so happy. Youth is the age of despairs.

Behind him he could hear the hare-lipped younger brother Narouz grunting at every thrust of the pole while the lurch of the boat echoed in his loins. The mud, thick as molasses, dripped back into the water with a slow flob flob, and the pole sucked lusciously. It was very beautiful, but it all stank so: yet to his surprise he found he rather enjoyed the rotting smells of the estuary. Draughts of wind from the far sea-line ebbed around them from time to time, refreshing the mind. Choirs of gnats whizzed up there like silver rain in the eye of the dying sun. The cobweb of changing light fired his mind. 'Narouz' he said, 'I am so happy' as he listened to his own unhurried heartbeats. The youth gave his shy hissing laugh and said: 'Good, good' ducking his head. 'But this is nothing. Wait. We are closing in.' Mountolive smiled. 'Egypt' he said to himself as one might repeat the name of a woman. 'Egypt.'

'Over there' said Narouz in his hoarse, melodious voice 'the ducks are not rusés, do you know?' (His English was imperfect and stilted.) 'For the poaching of them, it is easy (you say 'poaching' don't you?) You dive under them and take them by the legs. Easier than shooting, eh? If you wish, tomorrow we will go.' He grunted again at the pole and sighed.

'What about snakes?' said Mountolive. He had seen several large ones swimming about that afternoon.

Narouz squared his stout shoulders and chuckled. 'No snakes' he said and laughed once more.

Mountolive turned sideways to rest his cheek on the wood of the prow. Out of the corner of his eye he could see his companion standing up as he poled, and study the hairy arms and hands, the sturdy braced legs. 'Shall I take a turn?' he asked in Arabic. He had already noticed how much pleasure it gave his hosts when he spoke to them in their native tongue. Their answers, smilingly given, were a sort of embrace. 'Shall I?'

'Of course not' said Narouz, smiling his ugly smile which was only redeemed by magnificent eyes and a deep voice. Sweat dripped down from the curly black hair with its widow's peak. And then lest his refusal might seem impolite, he added: 'The drive will start with darkness. I know what to do; and you must look and see the fish.' The two little pink frills of flesh which edged his unbasted lip were wet with spittle. He winked lovingly at the English youth.

The darkness was racing towards them now and the light expiring. Narouz suddenly cried: 'Now is the moment. Look there.' He clapped his hands loudly and shouted across the water, startling his companion who followed his pointed finger with raised head. 'What?' the dull report of a gun from the furtherest boat shook the air and suddenly the skyline was sliced in half by a new flight, rising more slowly and dividing earth from air in a pink travelling wound; like the heart of a pomegranate staring through its skin. Then, turning from pink to scarlet, flushed back into white and fell to the lake-level like a shower of snow to melt as it touched the water — 'Flamingo' they both cried and laughed, and the darkness snapped upon them, extinguishing the visible world.

For a long moment now they rested, breathing deeply, to let their eyes grow accustomed to it. Voices and laughter from the distant boats floating across their path. Someone cried 'Ya Narouz' and again 'Ya Narouz'. He only grunted. And now there came the short syncopated tapping of a finger-drum, music whose rhythms copied themselves instantly in Mountolive's mind so that he felt his own fingers begin to tap upon the boards. The lake was floorless now, the yellow mud had vanished — the soft cracked mud of prehistoric lake-faults, or the bituminous mud which the Nile drove down before it on its course to the sea. All the darkness still smelt of it. 'Ya Narouz' came the cry again, and Mountolive recognized the voice of Nessim the elder brother borne upon a sea-breath as it spaced out the words. 'Time ... to ... light ... up.' Narouz yelped an answer and grunted with satisfaction as he fumbled for matches. 'Now you'll see' he said with pride.

The circle of boats had narrowed now to encompass the pans and in the hot dusk matches began to spark, while soon the carbide lamps attached to the prows blossomed into trembling yellow flowers, wobbling up into definition, enabling those who were out of line to correct their trim. Narouz bent over his guest with an apology and groped at the prow. Mountolive smelt the sweat of his strong body as he bent down to test the rubber tube and shake the old bakelite box of the lamp, full of rock-carbide. Then he turned a key, struck a match, and for a moment the dense fumes engulfed them both where they sat, breath held, only to clear swiftly while beneath them also flowered, like some immense coloured crystal, a semicircle of lake water, candent and faithful as a magic lantern to the startled images of fish scattering and reforming with movements of surprise, curiosity, perhaps even pleasure. Narouz expelled his breath sharply and retired to his place. 'Look down' he urged, and added 'But keep your head well down.' And as Mountolive, who did not understand this last piece of advice, turned to question him, he said 'Put a coat around your head. The kingfishers go mad with the fish and they are not night-sighted. Last time I had my cheek cut open; and Sobhi lost an eye. Face forwards and down.'

Mountolive did as he was bidden and lay there floating over the nervous pool of lamplight whose floor was now peerless crystal not mud and alive with water-tortoises and frogs and sliding fish — a whole population disturbed by this intrusion from the overworld. The punt lurched again and moved while the cold bilge came up around his toes. Out of the corner of his eye he could see that now the great half-circle of light, the chain of blossoms, was closing more rapidly; and as if to give the boats orientation and measure, there arose a drumming and singing, subdued and melancholy, yet authoritative. He felt the tug of the turning boat echoed again in his backbone. His sensations recalled nothing he had ever known, were completely original.

The water had become dense now, and thick; like an oatmeal soup that is slowly stirred into thickness over a slow fire. But when he looked more closely he saw that the illusion was caused not by the water but by the multiplication of the fish themselves. They had begun to swarm, darting in schools, excited by the very consciousness of their own numbers, yet all sliding and skirmishing one way. The cordon too had tightened like a noose and only twenty feet now separated them from the next boat, the next pool of waxen light. The boatmen had begun to utter hoarse cries and pound the waters around them, themselves excited by the premonition of those fishy swarms which crowded the soft lake bottom, growing more and more excited as the shallows began and they recognized themselves trapped in the shining circle. There was something like delirium in their swarming and circling now. Vague shadows of men began to unwind hand-nets in the boats and the shouting thickened. Mountolive felt his blood beating faster with excitement. 'In a moment' cried Narouz. 'Lie still.'

The waters thickened to glue and silver bodies began to leap into the darkness only to fall back, glittering like coinage, into the shallows. The circles of light touched, overlapped, and the whole ceinture was complete, and from all around it there came the smash and crash of dark bodies leaping into the shallows, furling out the long hand-nets which were joined end to end and whose dark loops were already bulging like Christmas stockings with the squirming bodies of fish. The leapers had taken fright too and their panic-stricken leaps ripped up the whole surface of the pan, flashing back cold water upon the stuttering lamps, falling into the boats, a shuddering harvest of cold scales and drumming tails. Their exciting death-struggles were as contagious as the drumming had been. Laughter shook the air as the nets closed. Mountolive could see Arabs with their long white robes tucked up to the waist pressing forwards with steadying hands held to the dark prows beside them, pushing their linked nets slowly forward. The light gleamed upon their dark thighs. The darkness was full of their barbaric blitheness.

And now came another unexpected phenomenon — for the sky itself began to thicken above them as the water had below. The darkness was suddenly swollen with unidentifiable shapes for the jumpers had alerted the sleepers from the shores of the lakes, and with shrill incoherent cries the new visitants from the sedge-lined outer estuary joined in the hunt — hundreds of pelican, flamingo, crane and kingfisher — coming in on irregular trajectories to careen and swoop and snap at the jumping fish. The waters and the air alike seethed with life as the fishermen aligned their nets and began to scoop the swarming catch into the boats, or turned out their nets to let the rippling cascades of silver pour over the gunwales until the helmsmen were sitting ankle-deep in the squirming bodies. There would be enough and to spare for men and birds, and while the larger waders of the lake folded and unfolded awkward wings like old-fashioned painted parasols, or hovered in ungainly parcels above the snapping, leaping water, the kingfishers and herring-gulls came in from every direction at the speed of thunderbolts, half mad with greed and excitement, flying on suicidal courses, some to break their necks outright upon the decks of the boats, some to flash beak forward into the dark body of a fisherman to split open a cheek or a thigh in their terrifying cupidity. The splash of water, the hoarse cries, the snapping of beaks and wings, and the mad tattoo of the finger-drums gave the whole scene an unforgettable splendour, vaguely recalling to the mind of Mountolive forgotten Pharaonic frescoes of light and darkness.

Here and there too the men began to fight off the birds, striking at the dark air around them with sticks until amid the swarming scrolls of captured fish one could see surprisingly rainbow feathers of magical hue and broken beaks from which blood trickled upon the silver scales of the fish. For three-quarters of an hour the scene continued thus until the dark boats were brimming. Now Nessim was alongside, shouting to them in the darkness. 'We must go back.' He pointed to a lantern waving across the water, creating a warm cave of light in which they glimpsed the smooth turning flanks of a horse and the serrated edge of palm-leaves. 'My mother is waiting for us' cried Nessim. His flawless head bent down to take the edge of a light-pool as he smiled. His was a Byzantine face such as one might find among the frescoes of Ravenna — almond-shaped, dark-eyed, clear-featured. But Mountolive was looking, so to speak, through the face of Nessim and into that of Leila who was so like him, his mother. 'Narouz' he called hoarsely, for the younger brother had jumped into the water to fasten a net. 'Narouz!' One could hardly make oneself heard in the commotion. 'We must go back.'

And so at last the two boats each with its Cyclops-eye of light turned back across the dark water to the far jetty where Leila waited patiently for them with the horses in the mosquito-loud silence. A young moon was up now.

Her voice came laughingly across the variable airs of the lake, chiding them for being late, and Narouz chuckled. 'We've brought lots of fish' cried Nessim. She stood, slightly darker than the darkness, and their hands met as if guided by some perfected instinct which found no place in their conscious minds. Mountolive's heart shook as he stood up and climbed on to the jetty with her help. But no sooner were the two brothers ashore than Narouz cried: 'Race you home, Nessim' and they dived for their horses which bucked and started at the laughing onslaught. 'Careful' she cried sharply, but before a second had passed they were off, hooves drumming on the soft rides of the embankment, Narouz chuckling like a Mephistopheles. 'What is one to do?' she said with mock resignation, and now the factor came forward with their own horses.

They mounted and set off for the house. Ordering the servant to ride on before with the lantern, Leila brought her horse close in so that they might ride knee-to-knee, solaced by the touch of each other's bodies. They had not been lovers for very long — barely ten days — though to the youthful Mountolive it seemed a century, an eternity of despair and delight. He had been formally educated in England, educated not to wish to feel. All the other valuable lessons he had already mastered, despite his youth — to confront the problems of the drawing-room and the street with sang-froid; but towards personal emotions he could only oppose the nervous silence of a national sensibility almost anaesthetized into clumsy taciturnity: an education in selected reticences and shames. Breeding and sensibility seldom march together, though the breach can be carefully disguised in codes of manners, forms of address towards the world. He had heard and read of passion, but had regarded it as something which would never impinge on him, and now here it was, bursting into the secret life which, like every overgrown schoolboy, lived on autonomously behind the indulgent screen of everyday manners and transactions, everyday talk and affections. The social man in him was overripe before the inner man had grown up. Leila had turned him out as one might turn out an old trunk, throwing everything into confusion. He suspected himself now to be only a mawkish and callow youth, his reserves depleted. With indignation almost, he realized that here at last there was something for which he might even be prepared to die — something whose very crudity carried with it a winged message which pierced to the quick of his mind. Even in the darkness he could feel himself wanting to blush. It was absurd. To love was absurd, like being knocked off the mantelpiece. He caught himself wondering what his mother would think if she could picture them riding among the spectres of these palm-trees by a lake which mirrored a young moon, knee touching knee. 'Are you happy?' she whispered and he felt her lips brush his wrist. Lovers can find nothing to say to each other that has not been said and unsaid a thousand times over. Kisses were invented to translate such nothings into wounds. 'Mountolive' she said again, 'David darling.' —'Yes.' —'You are so quiet. I thought you must be asleep.' Mountolive frowned, confronting his own dispersed inner nature. 'I was thinking' he said. Once more he felt her lips on his wrist.


Excerpted from Mountolive by Lawrence Durrell. Copyright © 1958 Lawrence Durrell. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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