In the eerie wasteland of Dartmoor, Sherlock Holmes summons his devoted wife and partner, Mary Russell, from her studies at Oxford to aid the investigation of a death and some disturbing phenomena of a decidedly supernatural origin. Through the mists of the moor there have been sightings of a spectral coach made of bones carrying a woman long-ago accused of murdering her husbandand of a hound with a single glowing eye. Returning to the scene of one of his most celebrated cases, The Hound of the Baskervilles, Holmes and Russell investigate a mystery darker and more unforgiving than the moors themselves, in Laurie R. King's The Moor.
About the Author
Laurie R. King is the Edgar Award-winning author of four contemporary novels featuring Kate Martinelli, eight acclaimed Mary Russell mysteries, and four stand-alone novels, including the highly praised A Darker Place. She lives in northern California.
Read an Excerpt
When I obtained a holiday from my books, I mounted
my pony and made for the moor.
—A BOOK OF DARTMOOR
THE TELEGRAM IN my hand read:
RUSSELL NEED YOU IN DEVONSHIRE. IF FREE TAKE EARLIEST TRAIN CORYTON. IF NOT FREE COME ANYWAY. BRING COMPASS. HOLMES
To say I was irritated would be an understatement. We had only just pulled ourselves from the mire of a difficult and emotionally draining case and now, less than a month later, with my mind firmly turned to the work awaiting me in this, my spiritual home, Oxford, my husband and longtime partner Sherlock Holmes proposed with this peremptory telegram to haul me away into his world once more. With an effort, I gave my landlady’s housemaid a smile, told her there was no reply (Holmes had neglected to send the address for a response—no accident on his part), and shut the door. I refused to speculate on why he wanted me, what purpose a compass would serve, or indeed what he was doing in Devon at all, since when last I had heard he was setting off to look into an interesting little case of burglary from an impregnable vault in Berlin. I squelched all impulse to curiosity, and returned to my desk.
Two hours later the girl interrupted my reading again, with another flimsy envelope. This one read:
ALSO SIX INCH MAPS EXETER TAVISTOCK OKEHAMPTON,
CLOSE YOUR BOOKS. LEAVE NOW.
Damn the man, he knew me far too well.
I found my heavy brass pocket compass in the back of a drawer. It had never been quite the same since being first cracked and then drenched in an aqueduct beneath Jerusalem some four years before, but it was an old friend and it seemed still to work reasonably well. I dropped it into a similarly well-travelled rucksack, packed on top of it a variety of clothing to cover the spectrum of possibilities that lay between arctic expedition and tiara-topped dinner with royalty (neither of which, admittedly, were beyond Holmes’ reach), added the book on Judaism in mediaeval Spain that I had been reading, and went out to buy the requested stack of highly detailed six-inch-to-the-mile Ordnance Survey maps of the southwestern portion of England.
AT CORYTON, IN Devon, many hours later, I found the station deserted and dusk fast closing in. I stood there with my rucksack over my shoulder, boots on feet, and hair in cap, listening to the train chuff away towards the next minuscule stop. An elderly married couple had also got off here, climbed laboriously into the sagging farm cart that awaited them, and been driven away. I was alone. It was raining. It was cold.
There was a certain inevitability to the situation, I reflected, and dropped my rucksack to the ground to remove my gloves, my waterproof, and a warmer hat. Straightening up, I happened to turn slightly and noticed a small, light-coloured square tacked up to the post by which I had walked. Had I not turned, or had it been half an hour darker, I should have missed it entirely.
Russell it said on the front. Unfolded, it proved to be a torn-off scrap of paper on which I could just make out the words, in Holmes’ writing:
Lew House is two miles north.
Do you know the words to “Onward Christian Soldiers”
or “Widdecombe Fair”?
I dug back into the rucksack, this time for a torch. When I had confirmed that the words did indeed say what I had thought, I tucked the note away, excavated clear to the bottom of the rucksack for the compass to check which branch of the track fading into the murk was pointing north, and set out.
I hadn’t the faintest idea what he meant by that note. I had heard the two songs, one a thumping hymn and the other one of those overly precious folk songs, but I did not know their words other than one song’s decidedly ominous (to a Jew) introductory image of Christian soldiers marching behind their “cross of Jesus” and the other’s endless and drearily jolly chorus of “Uncle Tom Cobbley and all.” In the first place, when I took my infidel self into a Christian church it was not usually of the sort wherein such hymns were standard fare, and as for the second, well, thus far none of my friends had succumbed to the artsy allure of sandals, folk songs, and Morris dancing. I had not seen Holmes in nearly three weeks, and it did occur to me that perhaps in the interval my husband had lost his mind.
Two miles is no distance at all on a smooth road on a sunny morning, but in the wet and moonless dark in which I soon found myself, picking my way down a slick, rutted track, following the course of a small river which I could not see, but could hear, smell, and occasionally step in, two miles was a fair trek. And there was something else as well: I felt as if I were being followed, or watched. I am not normally of a nervous disposition, and when I have such feelings I tend to assume that they have some basis in reality, but I could hear nothing more solid than the rain and the wind, and when I stopped there were no echoing splashes of feet behind me. It was simply a sense of Presence in the night; I pushed on, trying to ignore it.
I stayed to the left when the track divided, and was grateful to find, when time came to cross the stream, that a bridge had been erected across it. Not that wading through the water would have made me much wetter, and admittedly it would have cleared my lower extremities of half a hundredweight of mud, but the bridge as a solid reminder of Civilisation in the form of county councils I found encouraging.
Having crossed the stream, I now left its burble behind me, exchanging the hiss of rain on water for the thicker noises of rain on mud and vegetation, and I was just telling myself that it couldn’t be more than another half mile when I heard a faint thread of sound. Another hundred yards and I could hear it above the suck and plop of my boots; fifty more and I was on top of it.
It was a violin, playing a sweet, plaintive melody, light and slow and shot through with a profound and permanent sadness. I had never, to my knowledge, heard the tune before, although it had the bone-deep familiarity possessed by all things that are very old. I did, however, know the hands that wielded the bow.
“Holmes?” I said into the dark.
He finished the verse, drawing out the long final note, before he allowed the instrument to fall silent.
“Hello, Russell. You took your time.”
“Holmes, I hope there is a good reason for this.”
He did not answer, but I heard the familiar sounds of violin and bow being put into a case. The latches snapped, followed by the vigorous rustle of a waterproof being donned. I turned on the torch in time to see Holmes stepping out of the small shelter of a roofed gate set into a stone wall. He paused, looking thoughtfully at the telltale inundation of mud up my right side to the elbow, the result of a misstep into a pothole.
“Why did you not use the torch, coming up the road?” he asked.
“I, er …” I was embarrassed. “I thought there was someone following me. I didn’t want to give him the advantage of a torch-light.”
“Following you?” he said sharply, half-turning to squint down the road.
“Watching me. That back-of-the-neck feeling.”
I saw his face clearly by the light of the torch. “Ah yes. Watching you. That’ll be the moor.”
“The Moor?” I said in astonishment. I knew where I was, of course, but for an instant the book I had been reading on the train was closer to mind than my sense of geography, and I was confronted by the brief mental image of a dark-skinned scimitar-bearing Saracen lurking along a Devonshire country lane.
“Dartmoor. It’s just there.” He nodded over his shoulder. “It rises up in a great wall, four or five miles away, and although you can’t see it from here, it casts a definite presence over the surrounding countryside. You’ll meet it tomorrow. Come,” he said, turning up the road. “Let us take to the warm and dry.”
I left the torch on now. It played across the hedgerow on one side and a stone wall on the other, illuminating for a moment a French road sign (some soldier’s wartime souvenir, no doubt), giving us a brief glimpse of headstones in a churchyard just before we turned off into a smaller drive. A thick layer of rotting leaves from the row of half-bare elms and copper beeches over our heads gave way to a cultivated garden—looking more neglected than even the season and the rain would explain, but nonetheless clearly intended to be a garden—and finally one corner of a two-storey stone house, the small pieced panes of its tall windows reflecting the torch’s beam. The near corner was dark, but farther along, some of the windows glowed behind curtains, and the light from a covered porch spilled its welcome out across the weedy drive and onto a round fountain. We ducked inside the small space, and had begun to divest ourselves of the wettest of our outer garments when the door opened in front of us.
In the first instant I thought it was a butler standing there, the sort of lugubrious aged retainer a manor house of this size would have, as seedy and tired as the house itself, and as faithful and long-serving. It was his face, however, more than the old-fashioned clerical collar and high-buttoned frock coat he wore, that straightened my spine. Stooped with age he might be, but this was no servant.
The tall old man leant on his two walking sticks and took his time looking me over through the wire spectacles he wore. He examined the tendrils of escaped hair that straggled wetly down my face, the slime of mud up my clothing, the muck-encrusted boot I held in my hand, and the sodden stocking on the foot from which I had just removed the boot. Eventually he shifted his gaze to that of my lawfully wedded husband.
“We have been waiting for this person?” he asked.
Holmes turned to look at me, and his long mouth twitched—minutely, but enough. Had it not been that going back into the night would have meant a close flirtation with pneumonia, I should immediately have laced my boot back on and left those two sardonic males to their own company. Instead, I let the boot drop to the stone floor, sending small clots of mud slopping about the porch (some of which, I was pleased to see, ended up on Holmes’ trouser leg), and bent to my rucksack. It was more or less dry, as I had been wearing it underneath the waterproof (a procedure which made me resemble a hunchback and left the coat gaping open in the front, but at least guaranteed that I should have a dry change of clothing when I reached my destination). I snatched at the buckles with half-frozen fingers, jerked out the fat bundle of cloth-mounted, large-scale maps, and threw it in the direction of Holmes. He caught it.
“The maps you asked for,” I said coldly. “When is the next train out of Coryton?”
Holmes had the grace to look discomfited, if briefly, but the old man in the doorway simply continued to look as if he were smelling something considerably more unpleasant than sodden wool. Neither of them answered me, but Holmes’ next words were in a voice that verged on gentle, tantamount to an apology.
“Come, Russell. There’s a fire and hot soup. You’ll take your death out here.”
Somewhat mollified, I removed my other boot, picked up my rucksack, and followed him into the house, stepping past the cleric, who shut the door behind us. When I was inside and facing the man, Holmes made his tardy introductions.
“Gould, may I present my partner and, er, wife, Mary Russell. Russell, this is the Reverend Sabine Baring-Gould.”
One would think, I reflected as I shook the old man’s large hand, that with two and a half years of marriage behind him the idea of having a wife would come more easily, at least to his tongue. However, I had to admit that we both normally referred to the other as partner rather than spouse, and the form of our married life was in truth more that of two individuals than that of a bound couple. Aside, of course, from certain activities rendered legal by a bit of paper.
The Reverend Sabine Baring-Gould made the minimum polite response and suggested that Holmes show me upstairs. I wondered if I was to be allowed back down afterwards, or if I ought to say good-bye to him now. Holmes caught up a candlestick and lit its taper from a lamp on the table, and I followed him out of the warmth, through a dark-panelled passageway (my stockings squelching on the thin patches in the carpeting), and up what by the wavering light appeared a very nicely proportioned staircase lined with eighteenth-century faces.
“Holmes,” I hissed. “Who on earth is that old goat? And when are you going to tell me what you dragged me down here for?”
“That ‘old goat’ is the Reverend Sabine Baring-Gould, squire of Lew Trenchard, antiquarian, self-educated expert in half a dozen fields, and author of more books than any other man listed in the British Museum. Hymnist, collector of country music—”
A small light went on in my mind. “‘Onward Christian Soldiers’? ‘Widdecombe Fair’?”
“He wrote the one and collected the other. Rural parson,” he continued, “novelist, theologian”—Yes, I thought, I had heard of him somewhere, connected with dusty tomes of archaic ideas—“amateur architect, amateur archaeologist, amateur of many things. He is one of the foremost living experts on the history and life of Dartmoor. He is a client with a case. He is also,” he added, “a friend.”
While we were talking I had followed the candle up the stairway with its requisite portraits of dim and disapproving ancestors and through a small gallery with a magnificent plaster ceiling, but at this final statement I stopped dead. Fortunately, he did not go much farther, but opened a door and stepped into a room. After a moment, I followed, and found him turning up the lights in a nice-sized bedroom with rose-strewn paper on the walls (peeling up slightly at the seams) and a oncegood, rose-strewn carpet on the floor. I put the rucksack on a chair that looked as if it had seen worse usage and sat gingerly on the edge of the room’s soft, high bed.
“Holmes,” I said. “I don’t know that I’ve ever heard you describe anyone other than Watson as a friend.”
“No?” He bent to set a match to the careful arrangement of sticks and logs that had been laid in the fireplace. There was a large radiator in the room, but like all the others we had passed, it stood sullen and cold in its corner. “Well, it is true. I do not have many.”
“How do you know him?”
“Oh, I’ve known Baring-Gould for a long time. I used him on the Baskerville case, of course. I needed a local informant into the life of the natives and his was the name that turned up, a man who knew everything and went everywhere. We correspond on occasion, he came to see me in Baker Street two or three times, and once in Sussex.”
I couldn’t see how this sparse contact qualified the man for friendship, but I didn’t press him.
“I shouldn’t imagine he ‘goes everywhere’ now.”
“No. Time is catching up with him.”
“How old is he?”
“Nearly ninety, I believe. Five years ago you’d have thought him a hearty seventy. Now there are days when he does not get out of bed.”
I studied him closely, hearing a trace of sorrow beneath his matter-of-fact words. Totally unexpected and, having met the object of this affection, quite inexplicable.
“You said he had a case for us?”
“He will review the facts after we’ve eaten. There’s a bath next door, although I don’t know that I would recommend it; there seems to be no hot water at the moment.”
THE MOOR. Copyright © 1998 by Laurie R. King. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address Picador, 175 Fifth Avenue, New York, N.Y. 10010.
Table of Contents
Reading Group Guide
About this Guide
The following author biography and list of questions about The Moor are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach The Moor.
1. After two years of marriage, Mary Russell notes that her relationship with Holmes falls closer on the side of a partnership between two detectives rather than that of a wedded couple. Given Russell's strong independent nature and her open views on the gender inequalities of the time, what did you make of this comment? In your opinion, does this attitude make Russell a stronger female character or does it still limit her in some capacity?
2. In the Editor's Preface, Laurie King notes that Russell names both real and unknown figures and places throughout her memoirs. King concludes Russell has no doubt employed this story-telling method to suit her own purposes. Based on what you know about Russell, what might some of these purposes be?
3. It surprises Russell when Holmes introduces the Reverend Sabine Baring-Gould as an old friend. Why did she find the possibility of such a friendship startling? What was your reaction when you discovered the true relationship between Holmes and Baring-Gould? How does this information deepen your understanding of Holmes's character?
4. At first, Josiah Gorton's death is chalked up to his taking a chilly jaunt in Mrs. Howard's spectral coach. What is the local lore behind this former noblewoman and her demonic hound, and what parallels can you draw between this story and the one concerning Richard Covell's wife, which David Sheiman recounts to Russell as the true reason behind the Baskerville curse?
5. Moreover, how do the details in both the local legend of Mrs. Howard and the story of Mrs. Cavell reflect the villagers' attitude towards women in this small, isolated town?
6. When Russell peruses the library of Baring-Gould's writing, she is surprised to find a cruel tone in his passages, especially as it relates to the subject of the poor. Would you say there is a kinship between the Reverend's coldness towards the poor and the sentimentality he expresses towards tradition and heritage?
7. If you are a fan of The Hound of the Baskervilles, discuss the ways in which The Moor overlaps with the plot of the original novel, and King's depiction of the Baskerville family. In what ways does her point of view depart from that of Conan Doyle?
8. What was your first impression of Richard Ketteridge and David Scheiman? Did you detect any clues hidden in the mannerisms of the two men or in their dialogue during dinner in Baskerville Hall that tipped you off to their grand scheme?
9. Russell naturally objects to Baring-Gould's often sexist point of view, but her opinion of him changes after their late-night conversation in the library. Is some degree of sexism allowable when stacked against a person's good qualities?
10. It's a wet, moonless night in the moorland when Russell and Holmes begin their investigation. As the two sleuths trudge through blankets of fog, burbling streams, and unmarked peat trails, what environmental details, including Russell's observations on the condition of the Reverend Sabine Baring-Gould's home, serve to create the mood of this mystery?
Before the live bn.com chat, Laurie R. King agreed to answer some of our questions:Q: How were you first introduced to Sherlock Holmes mysteries?
A: I suppose that like everyone else, I read "The Speckled Band" in school, and of course The Hound of the Baskervilles, both the book and the Basil Rathbone movie. But I was never much of a Sherlockian -- still am not, for that matter -- and did not settle down to read the canon until I began to write Mary Russell books in 1987.
Q: Could you please describe the room where you work?
A: I write in a high, uplifted place. Very distracting, to have an upper room above the trees with views of a cow-sprinkled valley on one side and a small city on the other. It's light and too warm in the summertime, lined with books, of course. I work in a comfortable chair with a pad of paper, an oversized artist's clipboard, and a fountain pen. And a cup of coffee.
Q: Is the character of Mary Russell based on anyone real?
A: I beg your pardon! Next thing you'll be telling me that Sherlock Holmes was invented by that doctor chap.
Q: Which is your favorite Sherlock Holmes mystery?
A: Hound of the Baskervilles, I would say. Or if you mean short story, I would take either "Devil's Foot" or "Empty House."
Q: If you had to solve a mystery, and Sherlock Holmes and Mary Russell were nowhere to be found, which fictional sleuth would you choose instead?
A: Definitely Lord Peter's friend Miss Climpson -- Miss Marple without the knitting needles.
Most Helpful Customer Reviews
I would have loved to have reread The Hound of the Baskervilles before this, but I was in a hurry to get to the ARC of Pirate King that was waiting. Next time ¿ because these are definitely books I will reread now and then as time goes by. It's great fun to watch the investigation into new reports of spectral happenings on the Moor, punctuated by Holmes's disgust with the common man's susceptibility and Russell's very private never-spoken niggling question as to whether in such a weird (in the classical sense) place as this the supernatural might not be real. But best of all is the emotion in the story: another glimpse of Holmes the human being, the fierce friend. The Moor is a prime example of why this series isn't mere fan-fiction, why it rises above the level of most pastiche. I'll probably grow repetitious with these reviews, but so be it: Laurie R. King's Sherlock Holmes is beautifully true to Doyle's, having realistically aged since the last of the original stories, and having found a new lease on life. LRK knows the world she's writing in, both the real world of the 1920's and the earlier London and its environs of the original stories and books ¿ knows it well enough that she can move so confidently from, as here, London to Yorkshire that the reader never questions a detail. Generally the books in the Holmes and Russell series pay only passing homage to the original works; obviously The Moor is a law unto itself. In more ways than one. And honestly, who could resist doing honor to The Hound? It's such a beautiful opportunity to both tie the progenitor and the offspring together and to create the distance this Holmes desires between the things that man Doyle wrote about him and what an intelligent and loving wife would set down. And it also ties together the fictional hero and the man who wrote his "biography", Sabine Baring Gould, in a lovely manner. Yes, I'm the one who constantly complains, bitterly, about the use of real people as characters in fiction (as well as the use of other people's characters). But there is a world of difference between the Jane Austen, Lady Detective books (not to mention Jane Austen, Vampire or whatever) and this sort of treatment. This was ¿ wish fulfillment, in a way. Like the Doctor Who episode Vincent and the Doctor ¿ which was something of a valentine to the artist, not so much never-was-or-could-be as an I-wish-this-could-have-been (and I really do) - it's a lovely thing to imagine that this great aficionado of Holmes, Sabine Baring-Gould, was in fact the detective's old and valued friend. I think he would have loved it. As with the setting and Holmes himself, it is obvious that LRK knows what she is talking about inside and out, and has the utmost respect for both the fictional and the actual. It's what makes the series not only tolerable but wonderful.
A skillful, highly imaginative re-imagining of Sherlock and his relationships and motivations.
This is the first book in the Russell/Holmes stories that I ever read. I honestly recommend that people begin with the first in the series, The Beekeeper's Apprentice. However, I was a tremendous skeptic that someone could write an older Holmes that I would recognize; this book practically took my head off. If you also were a great lover of the Holmes stories in your youth, it will not seem bizarre: this book changed my life.This one is not heavy on plot, it's heavy on atmosphere, characterization and unknown details about Holmes' early life. Have a cup of tea and prepare to enjoy yourself immensely.
Love Laurie King's prose, her rounded characters, her plots. Love the Sherlock Holmes association.
I have read several of these Mary Russell/Sherlock Holmes stories and was delighted to find this earlier one in our local library. I find them enjoyable but also informative. I do like the character development. I hope there are others in this series.
fourth in series. this is the one i bought and started with. like it and wanted to read from the beginning
I am so glad this wasn't the first Mary Russell mystery I read! I found this installment of the series *very* slow. I loved the information and background on the moor itself - but that's about all I loved about the first half of this novel. It took me forever to get into the story - and I was pretty unhappy with the slap dash rote ending. After such a long slow build up - I really felt like I deserved something more.
Told through the eyes of Sherlock Holmes' partner in work and life, Mary Russell, this is the story of their investigation into strange events at the site of Hound of the Baskervilles.This was my introduction to Laurie King and exactly as I expected it: an engaging, quick mystery solved in classic Holmes style. I enjoyed the detailed descriptions, the dry wit and the restrained, very British tone to it all. But there was nothing particularly outstanding about this book, and the supposed "climax" was a bit of a let-down.
Sherlock Holmes returns to the moors of the Baskervilles and summons his wife, Mary Russell to help him solve the mysterious sitings of a coach and hound on the moors.
As much as I like Sabine Baring-Gould, not my favorite Russell novel. For one thing, flat villians. Blah.
I like the lead character Mary Russell. The setting intrigued me. And I found the book tedious at times. Perhaps it would have worked better as a novella.
I greatly enjoyed this book. It made me want to read the Hound of the Baskerville again. I literally stayed up late reading the book, then was late for work because I wanted to finish the book.
Not my favorite in the series so far, it's a bit slow...but I still love these characters and will continue reading!
I always enjoy the adventures of Mary Russell, but I was not particularly impressed with "The Moor." Perhaps it was the drudgery of the setting, or my mild annoyance that King fell back on an old plot, but I found this book took me a greater effort to read than most others I have read so far. Nevertheless, King's imagery holds up well and Mary Russell's observations are as intriguing as ever. 2 1/2 out of 5 stars.
Stumbled on the first book, "The Beekeeper's Apprentice," in a box of give-away books. Couldn't wait to find the second one. I'll read them all.
Loved this new look at the moors and more background and detail of the people and location. Fun new twist to the whole Baskerville case as well.
This, like all the books in the Mary Russell series is wonderful. After reading, I feel like I have been to the moor and actually met the characters of the story. The story itself is interesting, well planned, and is not predictable.I like how Ms. King included some characters which were actual residents and historians of Dartmoor.