Finalist/First Runner Up for the Rainbow Book Award, 2015 Best LGBT Debut
How to make any wedding liberating, brave, and sexy.
This post-DOMA book is for any couplesame or opposite sexseeking a personalized wedding that dignifies the relationship and the individual self. No “new normal” herethis guide emboldens you to harness your unique, brazen, queer truth; to be creative; and to plan your wedding your way.
Every fiancé faces the question: How do I become something new without losing myself? Using his own storyfrom how he and his husband connected via MTV’s The Real World to the real world of their marriageauthor Mark O’Connell reflects on conflicts that arrive during wedding transitions, as well as various other transitions throughout your lives.
As a psychotherapist, O’Connell offers ideas to bridge relational gaps with your partner, family, and friends. As a professional actor, he also offers insight into the ways your wedding is a theatrical production: how this can help you to conceptualize the event, consolidate your efforts, and increase creative collaboration as a couple. This will serve you not only on the day, but also for the rest of your time together.
Whether we’re straight, gay, or other, weddings inspire us to carve out more fun, freedom, recognition, life-space, love-space, and connubial space than we’ve ever had before.
|Product dimensions:||6.00(w) x 9.10(h) x 1.10(d)|
About the Author
Liza Monroy is the author of The Marriage Act: The Risk I Took To Keep My Best Friend In America And What It Taught Us About Love and Mexican High. She has written for the New York Times, O, Marie Claire, and many other publications. She resides in Santa Cruz, California.
Table of Contents
Part 1 First Comes Love 7
Part 2 The Vision 47
Part 3 Setting the Stage 87
Part 4 Play with the Players, Party with the Parties 129
Part 5 Project Alter: Making Things Work, Letting Things Go, and the Wisdom to Know Which Is Best 165
Part 6 Showtime 197
Part 7 Dancing in the New World 227
Part 8 Then Comes … 257
Appendix: Example Budget Chart 268
About the Author 278