Playwright, poet, essayist, flamboyant man-about-town, Oscar Wilde pack an astonishing amount of work, genius, and controversy into two short decades, producing masterworks in every literary genre. This selection includes almost all of his short stories, including "The Canterville Ghost," "The Fisherman and his Soul," and "The Remarkable Rocket."
Alongside THE MODEL MILLIONAIRE, Harper Perennial will publish the short fiction of Fyodor Dostoevsky, Herman Melville, Willa Cather, Leo Tolstoy, and Stephen Crane to be packaged in a beautifully designed, boldly colorful boxset in the aim to attract contemporary fans of short fiction to these revered masters of the form. Also, in each of these selections will appear a story from one of the new collections being published in the "Summer of the Short Story." A story from Simon Van Booy's forthcoming collection, LOVE BEGINS IN WINTER, will be printed at the back of this volume.
About the Author
Born in Ireland in 1856, Oscar Wilde was a noted essayist, playwright, fairy tale writer and poet, as well as an early leader of the Aesthetic Movement. His plays include: An Ideal Husband, Salome, A Woman of No Importance, and Lady Windermere's Fan. Among his best known stories are The Picture of Dorian Gray and The Canterville Ghost.
Date of Birth:October 16, 1854
Date of Death:November 30, 1900
Place of Birth:Dublin, Ireland
Place of Death:Paris, France
Education:The Royal School in Enniskillen, Dublin, 1864; Trinity College, Dublin, 1871; Magdalen College, Oxford, England, 1874
Read an Excerpt
The Model Millionaire
The Sphinx Without a Secret
One afternoon I was sitting outside the Café de la Paix, watching the splendour and shabbiness of Parisian life, and wondering over my vermouth at the strange panorama of pride and poverty that was passing before me, when I heard some one call my name. I turned round and saw Lord Murchison. We had not met since we had been at college together, nearly ten years before, so I was delighted to come across him again, and we shook hands warmly. At Oxford we had been great friends. I had liked him immensely, he was so handsome, so high-spirited, and so honourable. We used to say of him that he would be the best of fellows, if he did not always speak the truth, but I think we really admired him all the more for his frankness. I found him a good deal changed. He looked anxious and puzzled, and seemed to be in doubt about something. I felt it could not be modern scepticism, for Murchison was the stoutest of Tories, and believed in the Pentateuch as firmly as he believed in the House of Peers; so I concluded that it was a woman, and asked him if he was married yet.
"I don't understand women well enough," he answered.
"My dear Gerald," I said, "women are meant to be loved, not to be understood."
"I cannot love where I cannot trust," he replied.
"I believe you have a mystery in your life, Gerald," I exclaimed; "tell me about it."
"Let us go for a drive," he answered, "it is too crowded here. No, not a yellow carriage, any other colour—there, that dark green one will do"; and in a few moments we weretrotting down the boulevard in the direction of the Madeleine.
"Where shall we go to?" I said.
"Oh, anywhere you like!" he answered— "to the restaurant in the Bois; we will dine there, and you shall tell me all about yourself."
"I want to hear about you first," I said. "Tell me your mystery."
He took from his pocket a little silver-clasped morocco case, and handed it to me. I opened it. Inside there was the photograph of a woman. She was tall and slight, and strangely picturesque with her large vague eyes and loosened hair. She looked like a clairvoyante, and was wrapped in rich furs.
"What do you think of that face?" he said; "is it truthful?"
I examined it carefully. It seemed to me the face of some one who had a secret, but whether that secret was good or evil I could not say. Its beauty was a beauty moulded out of many mysteries—the beauty, in fact, which is psychological, not plastic—and the faint smile that just played across the lips was far too subtle to be really sweet.
"Well," he cried impatiently, "what do you say?"
"She is the Gioconda in sables," I answered. "Let me know all about her."
"Not now," he said; "after dinner," and began to talk of other things.
When the waiter brought us our coffee and cigarettes I reminded Gerald of his promise. He rose from his seat, walked two or three times up and down the room, and, sinking into an arm-chair, told me the following story:—
"One evening," he said, "I was walking down Bond Street about five o'clock. There was a terrific crush of carriages, and the traffic was almost stopped. Close to the pavement was standing a little yellow brougham, which, for some reason or other, attracted my attention. As I passed by there looked out from it the face I showed you this afternoon. It fascinated me immediately. All that night I kept thinking of it, and all the next day. I wandered up and down that wretched Row, peering into every carriage, and waiting for the yellow brougham; but I could not find ma belle inconnue,and at last I began to think she was merely a dream. About a week afterwards I was dining with Madame de Rastail. Dinner was for eight o'clock; but at half-past eight we were still waiting in the drawing-room. Finally the servant threw open the door, and announced Lady Alroy. It was the woman I had been looking for. She came in very slowly, looking like a moonbeam in grey lace, and, to my intense delight, I was asked to take her in to dinner. After we had sat down, I remarked quite innocently, 'I think I caught sight of you in Bond Street some time ago, Lady Alroy.' She grew very pale, and said to me in a low voice, 'Pray do not talk so loud; you may be overheard.' I felt miserable at having made such a bad beginning, and plunged recklessly into the subject of the French plays. She spoke very little, always in the same low musical voice, and seemed as if she was afraid of some one listening. I fell passionately, stupidly in love, and the indefinable atmosphere of mystery that surrounded her excited my most ardent curiosity. When she was going away, which she did very soon after dinner, I asked her if I might call and see her. She hesitated for a moment, glanced round to see if any one was near us, and then said, 'Yes; tomorrow at a quarter to five.' I begged Madame de Rastail to tell me about her; but all that I could learn was that she was a widow with a beautiful house in Park Lane, and as some scientific bore began a dissertation on widows, as exemplifying the survival of the matrimonially fittest, I left and went home.
"The next day I arrived at Park Lane punctual to the moment, but was told by the butler that Lady Alroy had just gone out. I went down to the club quite unhappy and very much puzzled, and after long consideration wrote her a letter, asking if I might be allowed to try my chance some other afternoon. I had no answer for several days, but at last I got a little note saying she would be at home on Sunday at four and with this extraordinary postscript: 'Please do not write to me here again; I will explain when I see you.' On Sunday she received me, and was perfectly charming; but when I was going away she begged of me, if I ever had occasion to write to her again, to address my letter to 'Mrs. Knox, care of Whittaker's Library, Green Street.' 'There are reasons,' she said, 'why I cannot receive letters in my own house.'The Model Millionaire
Stories. Copyright © by Oscar Wilde. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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The description indicates it is a collection of stories, however, it is a single short story.