The Master of Ballantrae: A Winter's Tale

The Master of Ballantrae: A Winter's Tale

by Robert Louis Stevenson

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'The Master of Ballantrae' tells the story of two Scottish brothers whose family is torn apart by the Jacobite rising of 1745. It makes a splendid companion volume to 'Kidnapped', and is one of Robert Louis Stevenson's most riveting adventure stories.

Product Details

ISBN-13: 9780804900478
Publisher: Airmont Publishing Company, Incorporated
Publication date: 10/28/1964
Series: Airmont Classics Series
Edition description: REISSUE
Age Range: 13 Years

About the Author

Robert Louis Balfour Stevenson (13 November 1850 - 3 December 1894) was a Scottish novelist, poet, essayist, musician and travel writer. His most famous works are Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde, and A Child's Garden of Verses. Stevenson was a literary celebrity during his lifetime, and now ranks as the 26th most translated author in the world. His works have been admired by many other writers, including Jorge Luis Borges, Bertolt Brecht, Marcel Proust, Arthur Conan Doyle, Henry James, Cesare Pavese, Emilio Salgari, Ernest Hemingway, Rudyard Kipling, Jack London, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said that Stevenson "seemed to pick the right word up on the point of his pen, like a man playing spillikins".

Date of Birth:

November 13, 1850

Date of Death:

December 3, 1894

Place of Birth:

Edinburgh, Scotland

Place of Death:

Vailima, Samoa


Edinburgh University, 1875

Read an Excerpt


Although an old, consistent exile, the editor of the following pages revisits now and again the city of which he exults to be a native; and there are few things more strange, more painful, or more salutary, than such revisitations. Outside, in foreign spots, he comes by surprise and awakens more attention than he had expected; in his own city, the relation is reversed, and he stands amazed to be so little recollected. Elsewhere he is refreshed to see attractive faces, to remark possible friends; there he scouts the long streets, with a pang at heart, for the faces and friends that are no more. Elsewhere he is delighted with the presence of what is new, there tormented by the absence of what is old. Elsewhere he is content to be his present self; there he is smitten with an equal regret for what he once was and for what he once hoped to be.

He was feeling all this dimly, as he drove from the station, on his last visit; he was feeling it still as he alighted at the door of his friend Mr. Johnstone Thomson, W.S., with whom he was to stay. A hearty welcome, a face not altogether changed, a few words that sounded of old days, a laugh provoked and shared, a glimpse in passing of the snowy cloth and bright decanters and the Piranesis on the dining-room wall, brought him to his bed-room with a somewhat lightened cheer, and when he and Mr. Thomson sat down a few minutes later, cheek by jowl, and pledged the past in a preliminary bumper, he was already almost consoled, he had already almost forgiven himself his two unpardonable errors, that he should ever have left his native city, or ever returned to it.

“I have something quite in your way,” said Mr. Thomson. “I wished to do honour to your arrival; because, my dear fellow, it is my own youth that comes back along with you; in a very tattered and withered state, to be sure, but—well!—all that’s left of it.”

“A great deal better than nothing,” said the editor. “But what is this which is quite in my way?” “I was coming to that,” said Mr. Thomson: “Fate has put it in my power to honour your arrival with something really original by way of dessert. A mystery.”

“A mystery?” I repeated.

“Yes,” said his friend, “a mystery. It may prove to be nothing, and it may prove to be a great deal. But in the meanwhile it is truly mysterious, no eye having looked on it for near a hundred years; it is highly genteel, for it treats of a titled family; and it ought to be melodramatic, for (according to the superscription) it is concerned with death.”

“I think I rarely heard a more obscure or a more promising annunciation,” the other remarked. “But what is It?”

“You remember my predecessor’s, old Peter M‘Brair’s business?”

“I remember him acutely; he could not look at me without a pang of reprobation, and he could not feel the pang without betraying it. He was to me a man of a great historical interest, but the interest was not returned.”

“Ah well, we go beyond him,” said Mr. Thomson. “I daresay old Peter knew as little about this as I do. You see, I succeeded to a prodigious accumulation of old law-papers and old tin boxes, some of them of Peter’s hoarding, some of his father’s, John, first of the dynasty, a great man in his day. Among other collections, were all the papers of the Durrisdeers.”

“The Durrisdeers!” cried I. “My dear fellow, these may be of the greatest interest. One of them was out in the ’45; one had some strange passages with the devil—you will find a note of it in Law’s Memorials, I think; and there was an unexplained tragedy, I know not what, much later, about a hundred years ago——”

“More than a hundred years ago,” said Mr. Thomson. “In 1783.”

“How do you know that? I mean some death.”

“Yes, the lamentable deaths of my Lord Durrisdeer and his brother, the Master of Ballantrae (attainted in the troubles),” said Mr. Thomson with something the tone of a man quoting. “Is that it?”

“To say truth,” said I, “I have only seen some dim reference to the things in memoirs; and heard some traditions dimmer still, through my uncle (whom I think you knew). My uncle lived when he was a boy in the neighbourhood of St. Bride’s; he has often told me of the avenue closed up and grown over with grass, the great gates never opened, the last lord and his old maid sister who lived in the back parts of the house, a quiet, plain, poor, hum-drum couple it would seem—but pathetic too, as the last of that stirring and brave house—and, to the country folk, faintly terrible from some deformed traditions.”

“Yes,” said Mr. Thomson. “Henry Graeme Durie, the last lord, died in 1820; his sister, the Honourable Miss Katherine Durie, in ’27; so much I know; and by what I have been going over the last few days, they were what you say, decent, quiet people and not rich. To say truth, it was a letter of my lord’s that put me on the search for the packet we are going to open this evening. Some papers could not be found; and he wrote to Jack M‘Brair suggesting they might be among those sealed up by a Mr. Mackellar. M‘Brair answered, that the papers in question were all in Mackellar’s own hand, all (as the writer understood) of a purely narrative character; and besides, said he, ‘I am bound not to open them before the year 1889.’ You may fancy if these words struck me: I instituted a hunt through all the M‘Brair repositories; and at last hit upon that packet which (if you have had enough wine) I propose to show you at once.”

In the smoking-room, to which my host now led me, was a packet, fastened with many seals and enclosed in a single sheet of strong paper thus endorsed:

Papers relating to the lives and lamentable deaths of the late Lord Durisdeer, and his elder brother James, commonly called Master of Ballantrae, attainted in the troubles: entrusted into the hands of John M‘Brair in the Lawnmarket of Edinburgh, W.S.; this 20th day of September Anno Domini 1789; by him to be kept secret until the revolution of one hundred years complete, or until the 20th day of September 1889: the same compiled and written by me, Ephraim Mackellar, For near forty years Land Steward on the estates of his Lordship.

As Mr. Thomson is a married man, I will not say what hour had struck when we laid down the last of the following pages; but I will give a few words of what ensued.

“Here,” said Mr. Thomson, “is a novel ready to your hand: all you have to do is to work up the scenery, develop the characters, and improve the style.”

“My dear fellow,” said I, “they are just the three things that I would rather die than set my hand to. It shall be published as it stands.”

“But it’s so bald,” objected Mr. Thomson.

“I believe there is nothing so noble as baldness,” replied I, “and I am sure there is nothing so interesting. I would have all literature bald, and all authors (if you like) but one.”

“Well, well,” said Mr. Thomson, “we shall see.”

[“Johnstone Thomson, W.S.,” is Mr. C. Baxter, W.S. (afterwards the author’s executor), with whom, as “Thomson Johnstone,” Stevenson frequently corresponded in the broadest of broad Scots.—The scene is laid in Mr. Baxter’s house, 7, Rothesay Place, Edinburgh.]

Summary of Events During the Master’s Wanderings

The full truth of this odd matter is what the world has long been looking for, and public curiosity is sure to welcome. It so befell that I was intimately mingled with the last years and history of the house; and there does not live one man so able as myself to make these matters plain, or so desirous to narrate them faithfully. I knew the Master; on many secret steps of his career I have an authentic memoir in my hand; I sailed with him on his last voyage almost alone; I made one upon that winter’s journey of which so many tales have gone abroad; and I was there at the man’s death. As for my late Lord Durrisdeer, I served him and loved him near twenty years; and thought more of him the more I knew of him. Altogether, I think it not fit that so much evidence should perish; the truth is a debt I owe my lord’s memory; and I think my old years will flow more smoothly, and my white hair lie quieter on the pillow, when the debt is paid.

The Duries of Durrisdeer and Ballantrae were a strong family in the south-west from the days of David First. A rhyme still current in the countryside—

Kittle folk are the Durrisdeers, They ride wi’ ower mony spears—

bears the mark of its antiquity; and the name appears in an- other, which common report attributes to Thomas of Ercildoune himself—I cannot say how truly, and which some have applied—I dare not say with how much justice—to the events of this narration:

Twa Duries in Durrisdeer, Ane to tie and ane to ride, An ill day for the groom And a waur day for the bride.

Authentic history besides is filled with their exploits which (to our modern eyes) seem not very commendable: and the family suffered its full share of those ups and downs to which the great houses of Scotland have been ever liable. But all these I pass over, to come to that memorable year 1745, when the foundations of this tragedy were laid.

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The Master of Ballantrae (Barnes & Noble Library of Essential Reading) 2.8 out of 5 based on 0 ratings. 6 reviews.
ben_a on LibraryThing More than 1 year ago
I generally adore Stevenson, but this one was enough of a trial that I stopped reading mid-way. The book is memorable to me for some very (very!) striking passages in the Master's early life, including piracy described with no gilding and, one fears, great accuracy. But in the second half the pace slows, and the tone flags. Also, I dislike reading about detestable people, and hate more when no one lifts a finger to stop them...
sarah408 on LibraryThing More than 1 year ago
Having previously failed miserably to read either Treasure Island, or Kidnapped, I was a little anxious approaching this book. And in the first instance it did seem that my fears were well grounded, as I struggled with the Scottish dialect. But, further in, the dialect was less prevalent and, having surmounted these early teething problems, the book proved to be surprisingly readable, a gripping adventure yarn that entices you swiftly through the pages.The story is told in the main by Ephraim McKellar, steward of Durrisdeer, and concerns the fates of the two Durie brothers, both during and after the Jacobite rebellion. In order to preserve the estate they will take opposing sides in the conflict. Against the wishes of his family, the heir and favourite, James, insists on joining the uprising, whilst Henry, well-intentioned, but beloved of no-one but McKellar, supports King George. When the uprising fails and James is reported dead, Henry becomes heir and takes all that formerly belonged to James, who retains only his title, Master of Ballantrae. However, James has survived, and bitterly blames Henry for his losses.I did endeavour to consider the themes en route, but was initially rather dismissive of the whole thing as a fairly straightforward morality tale. It put me strongly in mind of a passage between Frodo and Aragorn in the Fellowship of the Rings, where Frodo suspects that the spies of the Enemy would `seem fairer and feel fouler,¿ whilst Aragorn, as he himself quips, looks foul and feels fair.It seemed an obvious point to make, that what looks well may be ill, and vice versa, but maybe that was not the point. Maybe the point was that we may know this, and still not feel it. I must reluctantly admit to a sneaking admiration for the Master, whilst experiencing a hint of contempt for Henry that would not be repressed.Having apparently nailed it, the morality becomes more complex, as the Master¿s few admirable qualities (namely courage and resolve) come to the fore, whilst Henry seems to become petty, vindictive and wholly unlikeable. Halfway through the book McKellar is seduced by the Master and it feels as though the reader is asked to pour their scorn on his hapless head. However, by the end of the book, certainly from my perspective, the reader is also won over by the Master, and must therefore question their own judgement, and reassess that of McKellar.But¿ the waters are further muddied by the nature of the two narrators, both of whom are proven unreliable. We suspect that the Chevalier Burke exaggerates the wickedness of the Master to minimise his own culpability, and McKellar likewise impugns the Master, whilst praising Henry, as a function of his partiality.This could also provide an explanation for our changing feelings toward the characters; but, as McKellar becomes enthralled by the Master, does his narrative become more impartial or does it in fact swing in the other direction?There are too many variables to pin this story down; which left me with the following questions:-Why did James insist on going to war? It must have been clear that the uprising stood little chance of success, and that he would suffer the consequences. Throughout the book it is obvious that James projects the right image. This is why he is favoured. Maybe his choice serves to emphasize that he intends to prosper through his charm which, he believes, will negate the nature of his actions.James is permitted to keep his title 'Master of Ballantrae,' which should have passed to Henry's son. This effectively traps James in the position of heir apparent, whilst the natural progression to Lord is denied him. Is this a calculated act of cruelty, provoking and also symbolising James' inability to progress beyond the hand fate dealt him?Does Henry, as McKellar suggests, really lose his reason, or is this only McKellar's rationale to explain Henry's undesirable behaviour and his own lack of judgement?My favourite part of the book is
foggidawn on LibraryThing More than 1 year ago
This book lacks the high levels of suspense, action, and adventure in some of Stevenson's better-known works (though there is some piracy and a trek through the American wilderness). Instead, it focuses mostly on the relationship between two brothers, as described by an admittedly partisan old servant. As such, it's an interesting read -- is the older brother really as evil as he's painted? Is the younger brother some sort of martyr, or just a whinging grump? I'm not sorry to have read this book . . . but I won't be reading it again.
MrsLee on LibraryThing More than 1 year ago
This was interesting for the setting, early America, immigrant fleeing from Scotland and all that. The story itself did not move me much, rather typical of its times. Not my favorite Stevenson, but others may disagree.
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