The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work of fiction, Bradbury exposes our ambitions, weaknesses, and ignorance in a strange and breathtaking world where man does not belong.
|Publisher:||Bantam Doubleday Dell Publishing Group|
|Product dimensions:||6.20(w) x 8.68(h) x 0.89(d)|
About the Author
Ray Bradbury is the author of more than three dozen books, including Fahrenheit 451, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes, as well as hundreds of short stories. He has written for the theater, cinema, and TV, including the screenplay for John Huston’s Moby Dick and the Emmy Award–winning teleplay The Halloween Tree, and adapted for television sixty-five of his stories for The Ray Bradbury Theater. The recipient of the 2000 National Book Foundation’s Medal for Distinguished Contribution to American Letters, the 2007 Pulitzer Prize Special Citation, and numerous other honors, Bradbury lives in Los Angeles.
Hometown:Los Angeles, California
Date of Birth:August 22, 1920
Place of Birth:Waukegan, Illinois
Education:Attended schools in Waukegan, Illinois, and Los Angeles, California
Read an Excerpt
January 1999: Rocket Summer
One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.
Rocket summer. People leaned from their dripping porches and watched the reddening sky.
The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land. . . .
February 1999: Ylla
They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind. Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp. And from the book, as his fingers stroked, a voice sang, a soft ancient voice, which told tales of when the sea was red steam on the shore and ancient men had carried clouds of metal insects and electric spiders into battle.
Mr. and Mrs. K had lived by the dead sea for twenty years, and their ancestors had lived in the same house, which turned and followed the sun, flower-like, for ten centuries.
Mr. and Mrs. K were not old. They had the fair, brownish skin of the true Martian, the yellow coin eyes, the soft musical voices. Once they had liked painting pictures with chemical fire, swimming in the canals in the seasons when the wine trees filled them with green liquors, and talking into the dawn together by the blue phosphorous portraits in the speaking room.
They were not happy now.
This morning Mrs. K stood between the pillars, listening to the desert sands heat, melt into yellow wax, and seemingly run on the horizon.
Something was going to happen.
She watched the blue sky of Mars as if it might at any moment grip in on itself, contract, and expel a shining miracle down upon the sand.
Tired of waiting, she walked through the misting pillars. A gentle rain sprang from the fluted pillar tops, cooling the scorched air, falling gently on her. On hot days it was like walking in a creek. The floors of the house glittered with cool streams. In the distance she heard her husband playing his book steadily, his fingers never tired of the old songs. Quietly she wished he might one day again spend as much time holding and touching her like a little harp as he did his incredible books.
But no. She shook her head, an imperceptible, forgiving shrug. Her eyelids closed softly down upon her golden eyes. Marriage made people old and familiar, while still young.
She lay back in a chair that moved to take her shape even as she moved. She closed her eyes tightly and nervously.
The dream occurred.
Her brown fingers trembled, came up, grasped at the air. A moment later she sat up, startled, gasping.
She glanced about swiftly, as if expecting someone there before her. She seemed disappointed; the space between the pillars was empty.
Her husband appeared in a triangular door. "Did you call?" he asked irritably.
"No!" she cried.
"I thought I heard you cry out."
"Did I? I was almost asleep and had a dream!"
"In the daytime? You don't often do that."
She sat as if struck in the face by the dream. "How strange, how very strange," she murmured. "The dream."
"Oh?" He evidently wished to return to his book.
"I dreamed about a man."
"A tall man, six feet one inch tall."
"How absurd; a giant, a misshapen giant."
"Somehow"--she tried the words--"he looked all right. In spite of being tall. And he had--oh, I know you'll think it silly--he had blue eyes!"
"Blue eyes! Gods!" cried Mr. K. "What'll you dream next? I suppose he had black hair?"
"How did you guess?" She was excited.
"I picked the most unlikely color," he replied coldly.
"Well, black it was!" she cried. "And he had a very white skin; oh, he was most unusual! He was dressed in a strange uniform and he came down out of the sky and spoke pleasantly to me." She smiled.
"Out of the sky; what nonsense!"
"He came in a metal thing that glittered in the sun," she remembered. She closed her eyes to shape it again. "I dreamed there was the sky and something sparkled like a coin thrown into the air, and suddenly it grew large and fell down softly to land, a long silver craft, round and alien. And a door opened in the side of the silver object and this tall man stepped out."
"If you worked harder you wouldn't have these silly dreams."
"I rather enjoyed it," she replied, lying back. "I never suspected myself of such an imagination. Black hair, blue eyes, and white skin! What a strange man, and yet--quite handsome."
"You're unkind. I didn't think him up on purpose; he just came in my mind while I drowsed. It wasn't like a dream. It was so unexpected and different. He looked at me and he said, 'I've come from the third planet in my ship. My name is Nathaniel York----' "
"A stupid name; it's no name at all," objected the husband.
"Of course it's stupid, because it's a dream," she explained softly. "And he said, 'This is the first trip across space. There are only two of us in our ship, myself and my friend Bert.' "
"Another stupid name."
"And he said, 'We're from a city on Earth; that's the name of our planet,' " continued Mrs. K. "That's what he said. 'Earth' was the name he spoke. And he used another language. Somehow I understood him. With my mind. Telepathy, I suppose."
Mr. K turned away. She stopped him with a word. "Yll?" she called quietly. "Do you ever wonder if--well, if there are people living on the third planet?"
"The third planet is incapable of supporting life," stated the husband patiently. "Our scientists have said there's far too much oxygen in their atmosphere."
"But wouldn't it be fascinating if there were people? And they traveled through space in some sort of ship?"
"Really, Ylla, you know how I hate this emotional wailing. Let's get on with our work."
It was late in the day when she began singing the song as she moved among the whispering pillars of rain. She sang it over and over again.
"What's that song?" snapped her husband at last, walking in to sit at the fire table.
"I don't know." She looked up, surprised at herself. She put her hand to her mouth, unbelieving. The sun was setting. The house was closing itself in, like a giant flower, with the passing of light. A wind blew among the pillars; the fire table
bubbled its fierce pool of silver lava. The wind stirred her russet hair, crooning softly in her ears. She stood silently looking out into the great sallow distances of sea bottom, as if recalling something, her yellow eyes soft and moist. " 'Drink to me only with thine eyes, and I will pledge with mine,' " she sang, softly, quietly, slowly. " 'Or leave a kiss within the cup, and I'll not ask for wine.' " She hummed now, moving her hands in the wind ever so lightly, her eyes shut. She finished the song.
It was very beautiful.
"Never heard that song before. Did you compose it?" he inquired, his eyes sharp.
"No. Yes. No, I don't know, really!" She hesitated wildly. "I don't even know what the words are; they're another language!"
She dropped portions of meat numbly into the simmering lava. "I don't know." She drew the meat forth a moment later, cooked, served on a plate for him. "It's just a crazy thing I made up, I guess. I don't know why."
He said nothing. He watched her drown meats in the hissing fire pool. The sun was gone. Slowly, slowly the night came in to fill the room, swallowing the pillars and both of them, like a dark wine poured to the ceiling. Only the silver lava's glow lit their faces.
She hummed the strange song again.
Instantly he leaped from his chair and stalked angrily from the room.
Later, in isolation, he finished supper.
When he arose he stretched, glanced at her, and suggested, yawning, "Let's take the flame birds to town tonight to see an entertainment."
"You don't mean it?" she said. "Are you feeling well?"
"What's so strange about that?"
"But we haven't gone for an entertainment in six months!"
"I think it's a good idea."
"Suddenly you're so solicitous," she said.
"Don't talk that way," he replied peevishly. "Do you or do you not want to go?"
She looked out at the pale desert. The twin white moons were rising. Cool water ran softly about her toes. She began to tremble just the least bit. She wanted very much to sit quietly here, soundless, not moving until this thing occurred, this thing expected all day, this thing that could not occur but might. A drift of song brushed through her mind.
"Do you good," he urged. "Come along now."
"I'm tired," she said. "Some other night."
"Here's your scarf." He handed her a phial. "We haven't gone anywhere in months."
"Except you, twice a week to Xi City." She wouldn't look at him.
"Business," he said.
"Oh?" She whispered to herself.
From the phial a liquid poured, turned to blue mist, settled about her neck, quivering.
The flame birds waited, like a bed of coals, glowing on the cool smooth sands. The white canopy ballooned on the night wind, flapping softly, tied by a thousand green ribbons to the birds.
Ylla laid herself back in the canopy and, at a word from her husband, the birds leaped, burning, toward the dark sky. The ribbons tautened, the canopy lifted. The sand slid whining under; the blue hills drifted by, drifted by, leaving their home behind, the raining pillars, the caged flowers, the singing books, the whispering floor creeks. She did not look at her husband. She heard him crying out to the birds as they rose higher, like ten thousand hot sparkles, so many red-yellow fireworks in the heavens, tugging the canopy like a flower petal, burning through the wind.
She didn't watch the dead, ancient bone-chess cities slide under, or the old canals filled with emptiness and dreams. Past dry rivers and dry lakes they flew, like a shadow of the moon, like a torch burning.
She watched only the sky.
The husband spoke.
She watched the sky.
"Did you hear what I said?"
He exhaled. "You might pay attention."
"I was thinking."
"I never thought you were a nature lover, but you're certainly interested in the sky tonight," he said.
"It's very beautiful."
"I was figuring," said the husband slowly. "I thought I'd call Hulle tonight. I'd like to talk to him about us spending some time, oh, only a week or so, in the Blue Mountains. It's just an idea----"
"The Blue Mountains!" She held to the canopy rim with one hand, turning swiftly toward him.
"Oh, it's just a suggestion."
"When do you want to go?" she asked, trembling.
"I thought we might leave tomorrow morning. You know, an early start and all that," he said very casually.
"But we never go this early in the year!"
"Just this once, I thought----" He smiled. "Do us good to get away. Some peace and quiet. You know. You haven't anything else planned? We'll go, won't we?"
She took a breath, waited, and then replied, "No."
"What?" His cry startled the birds. The canopy jerked.
"No," she said firmly. "It's settled. I won't go."
He looked at her. They did not speak after that. She turned away.
The birds flew on, ten thousand firebrands down the wind.
In the dawn the sun, through the crystal pillars, melted the fog that supported Ylla as she slept. All night she had hung above the floor, buoyed by the soft carpeting of mist that poured from the walls when she lay down to rest. All night she had slept on this silent river, like a boat upon a soundless tide. Now the fog burned away, the mist level lowered until she was deposited upon the shore of wakening.
She opened her eyes.
Her husband stood over her. He looked as if he had stood there for hours, watching. She did not know why, but she could not look him in the face.
"You've been dreaming again!" he said. "You spoke out and kept me awake. I really think you should see a doctor."
"I'll be all right."
"You talked a lot in your sleep!"
"Did I?" She started up.
Dawn was cold in the room. A gray light filled her as she lay there.
"What was your dream?"
She had to think a moment to remember. "The ship. It came from the sky again, landed, and the tall man stepped out and talked to me, telling me little jokes, laughing, and it was pleasant."
Mr. K touched a pillar. Founts of warm water leaped up, steaming; the chill vanished from the room. Mr. K's face was impassive.
"And then," she said, "this man, who said his strange name was Nathaniel York, told me I was beautiful and--and kissed me."
"Ha!" cried the husband, turning violently away, his jaw working.
Most Helpful Customer Reviews
this book was truly an amazing read. i've read sci-fi before but never like this. I read it 3 years ago and to this day it is one of the best books i have ever read. The way Bradbury can compile short stories in this book and somehow relate every story to one another and give them common features is simply incredible. He even borrows from E.A Poe in one of my favorite stories. this is a must read.
The Martian Chronicles Ray Bradbury’s recent passing created an opportunity to reread some of his stories and novels. No, I don’t like all that Bradbury wrote, but his whimsical, lyrical style always attracted me. He could create a world of “Firemen” in Fahrenheit 451 or the mysterious characters of “The Illustrated Man” and leave me entranced. The Martian Chronicles was no exception! First Impressions: The book itself is a loosely-knit series of short stories, one leading to the next, in date order in the writer’s 21st century future. Here we have Earth that is looking towards Mars as a haven from the brewing atomic wars and rumors of such. What impressed me was the stylized characters and fleshed-out civilizations and how both Martian and Earthman deal with each other, as well as their own jealousies and prejudices. Stories! I won’t bore the reader with a mini-review of each tale, but the few that I really liked involved some of the crazy characters – one an off-kilter man, Spender, part of a crew from the Fourth Expedition, who didn’t want to see Mars commercialized as he looked upon the dead Martian civilization (destroyed by Man’s diseases – holy War of the Worlds!) and decides to kill off his own men and keep the planet pristine! That plan does not go over well with Captain Wilder. The darkness of the story and its clear criticism of colonialism were enticing to me. The other story I really liked involved the last colonists on Mars (the rest being called back to Earth because of atomic war) who missed the last rocket, and gets lonely. Far off, he hears a phone ring. He finally finds who rang it, hoping for some female company, but the guy isn’t so lonely that he does not have standards! Finally, the tale of a Martian and an Earth worker, both going to a party driving in their respective vehicles and meet each other on a lonely road – 10,000 years apart! Crazy. Bottom Line: Most of the stories flow well one to the other. Ray does reflect some of the 1940s’ style prejudices of the time which may put off modern readers, but if you read Ray’s poetic style in its historic context, you too will see that a lot of his criticism and satire is still quite relevant. Highly recommended!
There's really not much that one can say that hasn't already been said about this classic science fiction set of stories...but I'll try. This collection of short stories was originally published in the early 1950s. Drawing upon his influences - such as Edgar Rice Burrough's "John Carter" series - Bradbury tells the story of the first interactions between the aboriginal Martians and humans and then the eventual full-scale colonization of the red planet. This colonization and interaction take place against the backdrop of tense times on earth - a reflection of the escalating Cold War between the Americans and the Soviet Union. One could also see this as a replay of European colonization of North America - if the Indians had telepathy and better weapons. Ultimately, the 4th expedition discovers that the entire Martian civilization has been wiped out by chicken pox - a disease that sickened earth children, but almost never killed them. It is an ironic counterpoint to Wells' "War of the Worlds" that Bradbury brings the killing virus to the Martians. The middle third of the story continues with the colonization of Mars. The interactions with the remaining Martians are fewer, with the emphasis on terraforming the 4th planet - in habitation if not evironmentally. Of course, humans have fled to Mars, but their humanity has stowed away and made its home there as well. The story "Usher II" addresses the issue of censorship; an issue that has metastasized in our day into political correctness. This theme of censorship by a heavy-handed government would be further developed by Bradbury in Fahrenheit 451. Ultimately, somebody on earth decided to push the button, and full-scale nuclear war breaks out. Seeing earth aflame, most Martian settlers elect to return to earth (why?). The last third of the book tells the tale of the remainder of humanity making his last stand as permanent residents on Mars. Since the book as originally published was going to fall victim to the Moody Blues "Days of Future Passed", the 1997 re-release of the book pushed all dates ahead by 31 years so that they run from 2030 to 2057 (as opposed to the original 1999-2026). This keeps the book from being looked upon as an anachronism. The publisher has also gone inside the stories themselves to make sure that they are consistent with the revised dating. Having now read both "War of the Worlds" and this book, I will at some point attempt to read Kim Stanley Robinson's "Mars Trilogy" which may take some of these themes to another level. BOTTOM LINE: If you love science fiction and haven't read this, shame on you for six weeks.
Fantastic Book! i read this book back in high school in science fiction class. at the time i thought it was boring and dull. BUT i have reread it 4 years later. i must say this book is a classic! (having realized that i was just a Jr. in high school who hated to read) know that i am older i see the sheer genius of this book, the child like imagination with a philosophical massage, and the , dare i say, suspense Bradbury throws in. mans inhumanity to hes fellow man and others from another world. if you are a sifi buff this is the book for you!!!
After lord of rings this is best book ever written. It opened my imagination to read wow books can be likee that it made me avid reader. Amazing stories sad profound.
I read this as an adolescent and have recently read it again as an adult. Bradbury never disappoints! I enjoyed it even more in my "old age". The complexity of the story that lost me as a child (not that I knew it at the time) intrigued me to no end! Bradbury has always been one of my favs and it was nice to sit down with an old "friend"!
A great writer. Bradbury never received the acclaim he deserved.
A thematically-connected collection of vignettes and short stories about the colonisation of Mars. Always lyrical, it veers between poignancy and a marvellous evocation of place on the one hand, and being clunkily didactic and glaringly dated on the other.
The first time I had read this treat from Bradbury. The collection of shorts tie together seamlessly to produce an amazing collection. All of the stories explore aspects of humanity set in an inhuman environment and lead us to new conclusions about what humanity really is. I won't say much more, because this collection is a classic and has been reviewed by better people than I.
Themes: space, Mars, apocalypse, how soon can humans mess up a planetI wish I had read this sooner. Contains a selection of stories about Earth's exploration of Mars, but it's really a chance for Bradbury to write about what's wrong with humans on this planet. Great stories in here. My favorite was the one about the Blacks leaving in a group for a Promised Land in space. Haunting stories that will definitely stay with me. I was surprised at how dark it was, but without being overtly dramatic about it.
I thought I'd read this years ago, but I don't remember it. Anyway, my son read it for school, so I thought I'd (re?)read it, too. Five stars because it's such a classic.
Although I enjoyed reading this novel I must admit that it is not my favorite Bradbury novel: Fahrenheit 451 is my all-time favorite novel. I did admire the intertwining stories: the connections between various characters, who made several appearances in different chapters. However, I felt that some of the chapters (you may also call them short stories) had similar ideas to close it.
I've often stated that Ray Bradbury could write a shopping list in such a way that it would be a captivating read and The Martian Chronicles, one of his earliest works, affirms this view in my mind. Far more interesting than "milk, eggs, bread", the novel is in fact a series of short stories, some only a few paragraphs long, that are tied together by a time line of humans colonizing the planet Mars. Some characters appear multiple times throughout the book but mostly it is the planet - the strange alien atmosphere - that strings together Bradbury's vignettes. The entries are at times chilling and suspenseful while others are lighthearted and humorous and still more provide biting social commentary. Uniting them all, is Bradbury's masterful prose and textured descriptions that bring rich life to Mars and it's alien inhabitants.Oftentimes science fiction is a genre avoided because it can seem too "out there", yet Martian Chronicles - though riddled with rockets and robots - is as much about human sensibilities as it is about futuristic space adventures. This is a novel that can be appreciated by lovers of the sci-fi genre as well as those first encountering Bradbury's work. I thoroughly enjoyed this book!
As wild as science fiction gets. Ray Bradbury definitely has his own style that is unlike any other, full of black humor and wild ideas. However, I feel like [author: Stanislaw Lem]'s The Cyberiad is in some ways similar to The Martian Chronicles.
An uneven classic from the late forties and early fifties. It took a while to get into the book but once I did I sensed the Bradbury sense to it. Full of post-war mid-century technical and apocalyptic references mixed with Bradbury's early 20th century sensibilities. Not his best but certainly a distinct work.
Seeing as I like the short story "There Will Come Soft Rains" and truly love "The Naming of Names," I was very disappointed to find out that this book is only a loosely connected series of short stories ranging from terrible to interesting. My biggest gripe with this book is that it does not contain ALL the Martian Chronicles, such as "The Naming of Names" (there are two short stories, by Bradbury, with THIS name, and a similar concept; the one contained in this book, is NOT the one I love). Over all the book was a great idea poorly executed.
It had been a while since I had read anything by Bradbury, so I decided to pick this up. Also, given all of the exciting stuff with the Mars exploration -- they found water on Mars last week! -- I thought this an appropriate time to read the Martian Chronicles. Typical Bradbury form, I enjoyed this book. One interesting aspect of the book that I had to get over was this is written from what he thought space exploration would be like in the 1940s. The astronauts in this book are cowboys and rebels as opposed to genius pilots and scientists. A logical perspective from the 1940s, but it is so different from what the reality is. My favorite store in it was probably Usher II although the book is worth reading as a whole.
With this book I discovered his style is very simular to Asimov. they were probably writing for the same monthly SciFi magazines at the time. These are very short chapters set in a semi-log style starting with January 1999. Of man's attempts to settle Mars, the Martians reaction to colonization and the after affects. The content is very dated (as is Asimov) with white men who drink from flasks and smoke cigarettes stepping off rockets and littering and disrespecting Mars. Still fun to read, this is considered a classic SciFi read. 7-2009
Great short stories. Classic sci/fi.
A group of linked short stories written in the 1940s and 1950 and describing a group of colonizing missions to Mars. Human reactions to the Martians and their culture are predictably destructive, whether through violence or carelessness. It is Bradbury's imagining of the Martians and their effect on the men and women who travel there that make the collection well worth the read.
This was the first Ray Bradbury book I ever read. I worked with a group of high schoolers and when I was moving across the state, one of the kids gave me this book as a going away present. He said it was his favorite copy of his favorite book. I have treasured it ever since.
An all-time classic of the SF field, in a lovely anniversary hardcover.
The Martian Chronicles are a perfect example of good sci-fi writing. Not only are the characters interesting and diverse, but the very definitions of right and wrong, reality and fantasy become skewed and interlocking. I especially enjoyed how the first stories when martians were still visible, physical beings, and then they slowly morph into an idea and a philosophy which must be adopted to survive. The Martian Chronicles are classic science fiction for a reason. Ray Bradbury has always been a genius.
Arguably the best example of science fantasy. Some stories are better than others, but Bradbury is doing what he does best here: Making you think.
Love, love, love The Martian Chronicles.