Lives of the Dead Poets: Keats, Shelley, Coleridge

Lives of the Dead Poets: Keats, Shelley, Coleridge

by Karen Swann

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Overview

Any reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge’s case, of promise wasted in indolence. One confronts reminiscences of contemporaries who describe subjects singularly unsuited to this world, as well as still stranger materials—death masks, bits of bone, locks of hair, a heart—initially preserved by circles and then circulating more widely, often in tandem with bits of the literary corpus.

Especially when it centers on the early deaths of Keats and Shelley, biographical interest tends to be dismissed as a largely Victorian and sentimental phenomenon that we should by now have put behind us. And yet a line of verse by these poets can still trigger associations with biographical detail in ways that spark pathos or produce intimations of prolepsis or fatality, even for readers suspicious of such effects. Biographical fascination—the untoward and involuntary clinging of attention to the biographical subject—is thus “posthumous” in Keats’s evocative sense of the term, its life equivocally sustained beyond its period.

Lives of the Dead Poets takes seriously the biographical fascination that has dogged the prematurely arrested figures of three romantic poets. Arising in tandem with a sense of the threatened end of poetry’s allotted period, biographical fascination personalizes the precariousness of poetry, binding poetry, the poet-function, and readers to an irrecuperable singularity. Reading romantic poets together with the modernity of Benjamin and Baudelaire, Swann shows how poets’ afterlives offer an opening for poetry’s survival, from its first nineteenth-century death sentences into our present.

Product Details

ISBN-13: 9780823284177
Publisher: Fordham University Press
Publication date: 04/02/2019
Series: Lit Z
Edition description: New Edition
Pages: 192
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Karen Swann is Morris Professor of Rhetoric Emerita in the Williams College English Department. She currently teaches at Bard Microcollege Holyoke.

Table of Contents

Introduction 1

1. Tracing Keats 29

2. The Art of Losing: Shelley’s Adonais 53

3. Shelley’s Pod People 76

4. Late Coleridge 92

5. Coleridge the Talker 115

Coda 133

Acknowledgments 137

Notes 139

Index 169

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