The newest stage in human evolution begins in outer space. Survivors of a cataclysmic nuclear war awake to find themselves being studied by the Oankali, tentacle-covered galactic travelers whose benevolent appearance hides their surprising plan for the future of mankind. The Oankali arrive not just to save humanity, but to bond with it—crossbreeding to form a hybrid species that can survive in the place of its human forebears, who were so intent on self-destruction. Some people resist, forming pocket communities of purebred rebellion, but many realize they have no choice. The human species inevitably expands into something stranger, stronger, and undeniably alien. From Hugo and Nebula award–winning author Octavia Butler, Lilith’s Brood is both a thrilling, epic adventure of man’s struggle to survive after Earth’s destruction, and a provocative meditation on what it means to be human.
This ebook features an illustrated biography of Octavia E. Butler including rare images from the author’s estate.
About the Author
Octavia E. Butler (1947–2006) was a bestselling and award-winning author, considered one of the best science fiction writers of her generation. She received both the Hugo and Nebula awards, and in 1995 became the first author of science fiction to receive a MacArthur Fellowship. She was also awarded the prestigious PEN Lifetime Achievement Award in 2000. Her first novel, Patternmaster (1976), was praised both for its imaginative vision and for Butler’s powerful prose, and spawned four prequels, beginning with Mind of My Mind (1977) and finishing with Clay’s Ark (1984).
Although the Patternist series established Butler among the science fiction elite, it was Kindred (1979), a story of a black woman who travels back in time to the antebellum South, that brought her mainstream success. In 1985, Butler won Nebula and Hugo awards for the novella “Bloodchild,” and in 1987 she published Dawn, the first novel of the Xenogenesis trilogy, about a race of aliens who visit earth to save humanity from itself. Fledgling (2005) was Butler’s final novel. She died at her home in 2006.
Read an Excerpt
By Octavia Butler
OPEN ROAD INTEGRATED MEDIACopyright © 1987 Octavia E. Butler
All rights reserved.
Alive ... again.
Awakening was hard, as always. The ultimate disappointment. It was a struggle to take in enough air to drive off nightmare sensations of asphyxiation. Lilith Iyapo lay gasping, shaking with the force of her effort. Her heart beat too fast, too loud. She curled around it, fetal, helpless. Circulation began to return to her arms and legs in flurries of minute, exquisite pains.
When her body calmed and became reconciled to reanimation, she looked around. The room seemed dimly lit, though she had never Awakened to dimness before. She corrected her thinking. The room did not only seem dim, it was dim. At an earlier Awakening, she had decided that reality was whatever happened, whatever she perceived. It had occurred to her—how many times?—that she might be insane or drugged, physically ill or injured. None of that mattered. It could not matter while she was confined this way, kept helpless, alone, and ignorant.
She sat up, swayed dizzily, then turned to look at the rest of the room.
The walls were light-colored—white or gray, perhaps. The bed was what it had always been: a solid platform that gave slightly to the touch and that seemed to grow from the floor. There was, across the room, a doorway that probably led to a bathroom. She was usually given a bathroom. Twice she had not been, and in her windowless, doorless cubicle, she had been forced simply to choose a corner.
She went to the doorway, peered through the uniform dimness, and satisfied herself that she did, indeed, have a bathroom. This one had not only a toilet and a sink, but a shower. Luxury.
What else did she have?
Very little. There was another platform perhaps a foot higher than the bed. It could have been used as a table, though there was no chair. And there were things on it. She saw the food first. It was the usual lumpy cereal or stew, of no recognizable flavor, contained in an edible bowl that would disintegrate if she emptied it and did not eat it.
And there was something beside the bowl. Unable to see it clearly, she touched it.
Cloth! A folded mound of clothing. She snatched it up, dropped it in her eagerness, picked it up again and began putting it on. A light-colored, thigh-length jacket and a pair of long, loose pants both made of some cool, exquisitely soft material that made her think of silk, though for no reason she could have stated, she did not think this was silk. The jacket adhered to itself and stayed closed when she closed it, but opened readily enough when she pulled the two front panels apart. The way they came apart reminded her of Velcro, though there was none to be seen. The pants closed in the same way. She had not been allowed clothing from her first Awakening until now. She had pleaded for it, but her captors had ignored her. Dressed now, she felt more secure than she had at any other time in her captivity. It was a false security she knew, but she had learned to savor any pleasure, any supplement to her self-esteem that she could glean.
Opening and closing her jacket, her hand touched the long scar across her abdomen. She had acquired it somehow between her second and third Awakenings, had examined it fearfully, wondering what had been done to her. What had she lost or gained, and why? And what else might be done? She did not own herself any longer. Even her flesh could be cut and stitched without her consent or knowledge.
It enraged her during later Awakenings that there had been moments when she actually felt grateful to her mutilators for letting her sleep through whatever they had done to her—and for doing it well enough to spare her pain or disability later.
She rubbed the scar, tracing its outline. Finally she sat on the bed and ate her bland meal, finishing the bowl as well, more for a change of texture than to satisfy any residual hunger. Then she began the oldest and most futile of her activities: a search for some crack, some sound of hollowness, some indication of a way out of her prison.
She had done this at every Awakening. At her first Awakening, she had called out during her search. Receiving no answer, she had shouted, then cried, then cursed until her voice was gone. She had pounded the walls until her hands bled and became grotesquely swollen.
There had not been a whisper of response. Her captors spoke when they were ready and not before. They did not show themselves at all. She remained sealed in her cubicle and their voices came to her from above like the light. There were no visible speakers of any kind, just as there was no single spot from which light originated. The entire ceiling seemed to be a speaker and a light—and perhaps a ventilator since the air remained fresh. She imagined herself to be in a large box, like a rat in a cage. Perhaps people stood above her looking down through one-way glass or through some video arrangement.
There was no answer. She had asked her captors when they began, finally, to talk to her. They had refused to tell her. They had asked her questions. Simple ones at first.
How old was she?
Twenty-six, she thought silently. Was she still only twenty-six? How long had they held her captive? They would not say.
Had she been married?
Yes, but he was gone, long gone, beyond their reach, beyond their prison.
Had she had children?
Oh god. One child, long gone with his father. One son. Gone. If there were an afterworld, what a crowded place it must be now.
Had she had siblings? That was the word they used. Siblings.
Two brothers and a sister, probably dead along with the rest of her family. A mother, long dead, a father, probably dead, various aunts, uncles, cousins, nieces, and nephews ... probably dead.
What work had she done?
None. Her son and her husband had been her work for a few brief years. After the auto accident that killed them, she had gone back to college, there to decide what else she might do with her life.
Did she remember the war?
Insane question. Could anyone who had lived through the war forget it? A handful of people tried to commit humanicide. They had nearly succeeded. She had, through sheer luck, managed to survive—only to be captured by heaven knew who and imprisoned. She had offered to answer their questions if they let her out of her cubicle. They refused.
She offered to trade her answers for theirs: Who were they? Why did they hold her? Where was she? Answer for answer. Again, they refused.
So she refused them, gave them no answers, ignored the tests, physical and mental, that they tried to put her through. She did not know what they would do to her. She was terrified that she would be hurt, punished. But she felt she had to risk bargaining, try to gain something, and her only currency was cooperation.
They neither punished her nor bargained. They simply ceased to talk to her.
Food continued to appear mysteriously when she napped. Water still flowed from the bathroom faucets. The light still shone. But beyond that, there was nothing, no one, no sound unless she made it, no object with which to amuse herself. There were only her bed and table platforms. These would not come up from the floor, no matter how she abused them. Stains quickly faded and vanished from their surfaces. She spent hours vainly trying to solve the problem of how she might destroy them. This was one of the activities that helped keep her relatively sane. Another was trying to reach the ceiling. Nothing she could stand on put her within leaping distance of it. Experimentally, she threw a bowl of food—her best available weapon—at it. The food spattered against it, telling her it was solid, not some kind of projection or mirror trick. But it might not be as thick as the walls. It might even be glass or thin plastic.
She never found out.
She worked out a whole series of physical exercises and would have done them daily if she had had any way of distinguishing one day from the next or day from night. As it was, she did them after each of her longer naps.
She slept a lot and was grateful to her body for responding to her alternating moods of fear and boredom by dozing frequently. The small, painless awakenings from these naps eventually began to disappoint her as much as had the greater Awakening.
The greater Awakening from what? Drugged sleep? What else could it be? She had not been injured in the war; had not requested or needed medical care. Yet here she was.
She sang songs and remembered books she had read, movies and television shows she had seen, family stories she had heard, bits of her own life that had seemed so ordinary while she was free to live it. She made up stories and argued both sides of questions she had once been passionate about, anything!
More time passed. She held out, did not speak directly to her captors except to curse them. She offered no cooperation. There were moments when she did not know why she resisted. What would she be giving up if she answered her captors' questions? What did she have to lose beyond misery, isolation, and silence? Yet she held out.
There came a time when she could not stop talking to herself, when it seemed that every thought that occurred to her must be spoken aloud. She would make desperate efforts to be quiet but somehow the words began to spill from her again. She thought she would lose her sanity; had already begun to lose it. She began to cry.
Eventually, as she sat on the floor rocking, thinking about losing her mind, and perhaps talking about it too, something was introduced into the room—some gas, perhaps. She fell backward and drifted into what she had come to think of as her second long sleep.
At her next Awakening, whether it came hours, days, or years later, her captors began talking to her again, asking her the same questions as though they had not asked them before. This time she answered. She lied when she wanted to but she always responded. There had been healing in the long sleep. She Awoke with no particular inclination to speak her thoughts aloud or cry or sit on the floor and rock backward and forward, but her memory was unimpaired. She remembered all too well the long period of silence and isolation. Even an unseen inquisitor was preferable.
The questions became more complex, actually became conversations during later Awakenings. Once, they put a child in with her—a small boy with long, straight black hair and smoky-brown skin, paler than her own. He did not speak English and he was terrified of her. He was only about five years old—a little older than Ayre, her own son. Awakening beside her in this strange place was probably the most frightening thing the little boy had ever experienced.
He spent many of his first hours with her either hiding in the bathroom or pressed into the corner farthest from her. It took her a long time to convince him that she was not dangerous. Then she began teaching him English—and he began teaching her whatever language he spoke. Sharad was his name. She sang songs to him and he learned them instantly. He sang them back to her in almost accentless English. He did not understand why she did not do the same when he sang her his songs.
She did eventually learn the songs. She enjoyed the exercise. Anything new was treasure.
Sharad was a blessing even when he wet the bed they shared or became impatient because she failed to understand him quickly enough. He was not much like Ayre in appearance or temperament, but she could touch him. She could not remember when she had last touched someone. She had not realized how much she had missed it. She worried about him and wondered how to protect him. Who knew what their captors had done to him—or what they would do? But she had no more power than he did. At her next Awakening, he was gone. Experiment completed.
She begged them to let him come back, but they refused. They said he was with his mother. She did not believe them. She imagined Sharad locked alone in his own small cubicle, his sharp, retentive mind dulling as time passed.
Unconcerned, her captors began a complex new series of questions and exercises.CHAPTER 2
What would they do this time? Ask more questions? Give her another companion? She barely cared.
She sat on the bed, dressed, waiting, tired in a deep, emptied way that had nothing to do with physical weariness. Sooner or later, someone would speak to her.
She had a long wait. She had lain down and was almost asleep when a voice spoke her name.
"Lilith?" The usual, quiet, androgynous voice.
She drew a deep, weary breath. "What?" she asked. But as she spoke, she realized the voice had not come from above as it always had before. She sat up quickly and looked around. In one corner she found the shadowy figure of a man, thin and long-haired.
Was he the reason for the clothing, then? He seemed to be wearing a similar outfit. Something to take off when the two of them got to know each other better? Good god.
"I think," she said softly, "that you might be the last straw."
"I'm not here to hurt you," he said.
"No. Of course you're not."
"I'm here to take you outside."
Now she stood up, staring hard at him, wishing for more light. Was he making a joke? Laughing at her?
"Outside to what?"
"Education. Work. The beginning of a new life."
She took a step closer to him, then stopped. He scared her somehow. She could not make herself approach him. "Something is wrong," she said. "Who are you?"
He moved slightly. "And what am I?"
She jumped because that was what she had almost said.
"I'm not a man," he said. "I'm not a human being."
She moved back against the bed, but did not sit down. "Tell me what you are."
"I'm here to tell you ... and show you. Will you look at me now?"
Since she was looking at him—it—she frowned. "The light—"
"It will change when you're ready."
"You're ... what? From some other world?"
"From a number of other worlds. You're one of the few English speakers who never considered that she might be in the hands of extraterrestrials."
"I did consider it," Lilith whispered. "Along with the possibility that I might be in prison, in an insane asylum, in the hands of the FBI, the CIA, or the KGB. The other possibilities seemed marginally less ridiculous."
The creature said nothing. It stood utterly still in its corner, and she knew from her many Awakenings that it would not speak to her again until she did what it wished—until she said she was ready to look at it, then, in brighter light, took the obligatory look. These things, whatever they were, were incredibly good at waiting. She made this one wait for several minutes, and not only was it silent, it never moved a muscle. Discipline or physiology?
She was not afraid. She had gotten over being frightened by "ugly" faces long before her capture. The unknown frightened her. The cage she was in frightened her. She preferred becoming accustomed to any number of ugly faces to remaining in her cage.
"All right," she said. "Show me."
The lights brightened as she had supposed they would, and what had seemed to be a tall, slender man was still humanoid, but it had no nose—no bulge, no nostrils—just flat, gray skin. It was gray all over—pale gray skin, darker gray hair on its head. The hair grew down around its eyes and ears and at its throat. There was so much hair across the eyes that she wondered how the creature could see. The long, profuse ear hair seemed to grow out of the ears as well as around them. Above, it joined the eye hair, and below and behind, it joined the head hair. The island of throat hair seemed to move slightly, and it occurred to her that that might be where the creature breathed—a kind of natural tracheostomy.
Lilith glanced at the humanoid body, wondering how humanlike it really was. "I don't mean any offense," she said, "but are you male or female?"
"It's wrong to assume that I must be a sex you're familiar with," it said, "but as it happens, I'm male."
Good. "It" could become "he" again. Less awkward.
"You should notice," he said, "that what you probably see as hair isn't hair at all. I have no hair. The reality seems to bother humans."
"Come closer and look."
She did not want to be any closer to him. She had not known what held her back before. Now she was certain it was his alienness, his difference, his literal unearthliness. She found herself still unable to take even one more step toward him.
"Oh god," she whispered. And the hair—the whatever-it-was—moved. Some of it seemed to blow toward her as though in a wind—though there was no stirring of air in the room.
She frowned, strained to see, to understand. Then, abruptly, she did understand. She backed away, scrambled around the bed and to the far wall. When she could go no farther, she stood against the wall, staring at him.
Some of the "hair" writhed independently, a nest of snakes startled, driven in all directions.
Revolted, she turned her face to the wall.
"They're not separate animals," he said. "They're sensory organs. They're no more dangerous than your nose or eyes. It's natural for them to move in response to my wishes or emotions or to outside stimuli. We have them on our bodies as well. We need them in the same way you need your ears, nose, and eyes."
Excerpted from Lilith's Brood by Octavia Butler. Copyright © 1987 Octavia E. Butler. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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A Biography of Octavia Butler,