Harold Bloom, regarded by some as the greatest Shakespeare scholar of our time, presents an intimate, wise, deeply compelling portrait of King Lear—the third in his series of five short books about the great playwright’s most significant personalities, hailed as Bloom’s “last love letter to the shaping spirit of his imagination” on the front page of The New York Times Book Review.
King Lear is perhaps the most poignant character in literature. The aged, abused monarch—a man in his eighties, like Harold Bloom himself—is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare’s most moving, tragic hero.
Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Emma Bovary or Hamlet when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of Lear, so that this book also explores an extraordinarily moving argument for literature as a path to and a measure of our humanity.
Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy, pathos, and clarity in Lear.
About the Author
Harold Bloom is Sterling Professor of Humanities at Yale University. He has written more than sixty books, including Cleopatra: I Am Fire and Air, Falstaff: Give Me Life, The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why. He is a MacArthur Prize fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards, including the Academy’s Gold Medal for Criticism. He lives in New Haven, Connecticut.
Hometown:New York, New York and New Haven, Connecticut
Date of Birth:July 11, 1930
Date of Death:October 14, 2019
Place of Birth:New York, New York
Education:B.A., Cornell University, 1951; Ph.D., Yale University, 1955
Table of Contents
Author's Note xi
1 Every Inch a King 1
2 Meantime We Shall Express Our Darker Purpose 7
3 Thou, Nature, Art My Goddess 19
4 Now Thou Art an O Without a Figure 25
5 O Let Me Not Be Mad, Not Mad, Sweet Heaven! 31
6 Poor Tom! / That's Something Yet: Edgar I Nothing Am 35
7 O Heavens! / if Yourselves Are Old, / Make It Your Cause 49
8 This Cold Night Will Turn Us All to Fools and Madmen 57
9 He Childed as I Fathered. / Tom, Away 69
10 He That Will Think to Live Till He Be Old, / Give Me Some Help! 75
11 But That Thy Strange Mutations Make Us Hate Thee, / Life Would Not Yield to Age 83
12 Humanity Must Perforce Prey on Itself, / Like Monsters of the Deep 85
13 O Ruined Piece of Nature, This Great World / Shall So Wear Out to Naught 97
14 Thou Art a Soul in Bliss, But I Am Bound / Upon a Wheel of Fire 123
15 Men Must Endure / Their Going Hence Even as Their Coming Hither. / Ripeness Is All 129
16 The Gods Are Just and of Our Pleasant Vices / Make Instruments to Plague Us 135
17 We That Are Young / Shall Never See So Much, nor Live So Long 151