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The title track was among LaSalle's best Malaco tunes, a stomping, urgently sung, sassy bit that walked the line between confrontation, invitation, and remorse. The other tunes weren't quite as inspired, but were equally well performed. Few performers have ever staked out an area and remained loyal to it like LaSalle, who's been doing country/blues soul since the early '70s and seldom strayed from the path, despite numerous trends and changes on the black music scene. Some would call that suicidal; others would say it's commendable.