On August 22, 1922, near Macroom, County Cork, a single bullet from an unknown gunman killed Michael Collins, the Commander-in-Chief of the Irish Free State Army. The day Collins was buried, businesses across Dublin shut down as thousands lined the streets to pay their respects. And on that day, Michael Lyons, a cooper from the Guinness factory taking advantage of the day off, drowned quietly in Dublin's Royal Canal.
In Ireland's Eye, Mark Anthony Jarman uses this confluence -- a famous death and an obscure death -- as the starting point for a meditation on the intertwined history of a nation and his pursuit of the circumstances of his grandfather's drowning.
Thwarted by family gossip, aunts who can't drive shift, cousins more interested in pubs than lore, and his own fascination with the many Irelands that have been, Jarman finds what he's seeking despite, or perhaps because of, the antics and the unreliable histories. What he reconfigures is a revelation, and an enchanting and engrossing read.
|Publisher:||House of Anansi Press Inc|
|Sold by:||Barnes & Noble|
|File size:||1 MB|
About the Author
Mark Anthony Jarman is the author of Knife Party at the Hotel Europa, My White Planet, 19 Knives, New Orleans Is Sinking, Dancing Nightly in the Tavern, and the travel book Ireland’s Eye. His novel, Salvage King Ya!, is on Amazon’s list of 50 Essential Canadian Books and is the number one book on Amazon’s list of best hockey fiction.
He won a Gold National Magazine Award in nonfiction, has twice won the Maclean-Hunter Endowment Award, won the Jack Hodgins Fiction Prize, was shortlisted for an Atlantic Book Award, the Alistair MacLeod Prize, the Thomas Raddall Prize, was included in The Journey Prize Anthology and Best Canadian Stories, and short-listed for Best American Essays and the O. Henry Award.
He has published in the Walrus, Canadian Geographic, Hobart, the Barcelona Review, Vrij Nederland, and reviews for the Globe and Mail. He is a graduate of The Iowa Writers’ Workshop, a Yaddo fellow, has taught at the University of Victoria, the Banff Centre for the Arts, and now teaches at the University of New Brunswick, where he is fiction editor of the Fiddlehead literary journal.