First in a duology that reimagines fairy tale tropes within a space opera—The Princess Bride meets Princess Leia.
Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium.
Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world.
When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince.
How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.
About the Author
K. Eason is a lecturer at the University of California, Irvine, where she and her composition students tackle important topics such as the zombie apocalypse, the humanity of cyborgs, and whether or not Beowulf is a good guy. Her previous publications include the On the Bones of Gods fantasy series with 47North, and she has had short fiction published in Cabinet-des-Fées, Jabberwocky 4, Crossed Genres, and Kaleidotrope.
Read an Excerpt
Once Upon A Time
They named the child Rory, because the firstborn of every generation was always a Rory, and had been since the first of that name had cut his way through the cursed briars on the homeworld and saved the kingdom of Thorne-and, incidentally, the princess-from the consequences of poor manners.
That the latest Rory was a girl and not a boy came as a bit of a surprise. The medical mecha scans had been clear. That little flicker on the screen had been proof of Rory's masculinity. And yet, out she came, the blood-slick product of ten hours of hard work, and the little flicker was nowhere in sight on the flesh-and-blood baby.
"A daughter!" said the midwife. She had been an attendant at too many births across the years to be surprised by the mistakes of a med-hex.
The new father-whose name was not Rory, as he was the second son, and the luckier of the two boys born to his parents-stopped himself, only just, from asking if that flicker might've broken off somewhere during the process, or if it mightn't, perhaps, appear at some point very soon. Then he locked eyes with the new mother and thought better. The Consort hailed from Kreshti, a small independent and allied planet on which skill with combat training was considered both a plain necessity (the neighbors were both ill-mannered and much larger) and a mark of personal pride, and the Consort was a very proud woman.
There had not been a daughter born in the Thorne line for ten generations, not since that first princess, the one who had needed her Rory. And thus, no one knew what to call her.
"Talia has the weight of tradition," said the Vizier. "It is her foremother's name, after all."
"A cursed foremother," said the Consort. "I think not. What's wrong with Rory? That's tradition, too."
The Vizier chose not to argue. He pointed out, to a scowling Majesty, that popular fashion indicated that the name Rory could function for all genders.
And so it was settled. Mostly.
There was another custom, which hailed from the same quaint homeworld story about magic briars and curses and poor hospitality, which had fallen into disuse, victim of the same lack of girl children in the Thorne line. The Vizier (re)discovered it by accident, while looking for appropriate girls' names among the rare, expensive, fragile paper tomes in the Thorne family library, which had been shipped at great expense from the homeworld when the kingdom had become a Consortium and moved its capital to the planet named for its founding line. That collection of tomes was a mark of pride, a symbol of the age of the lineage, and, according to the King, absolutely vital to the integrity and reputation of the Thorne Consortium. Except for the Vizier, the library received no regular visitors.
The Vizier had gotten his position in part because he had, in addition to a doctorate in arithmancy, earned two graduate degrees in homeworld history and folklore. Finding quaint, forgotten, and neglected customs was his second favorite pastime in the multiverse. Explaining to others the relevance of those ancient customs was the first. Besides, he told himself, he would be remiss in his duties if he did not tell the King about the Naming.
He regretted his diligence almost immediately.
"I've never heard of this custom!" The King spun the priceless book and shoved it back across the desk with exactly as much care as he gave his breakfast tray after he'd finished with it.
The Vizier controlled a wince. He turned the book gently and nudged it back across the (imported, expensive, and now slightly scuffed) wood expanse with a fingertip.
"Nevertheless, Majesty. I'm afraid it's very clear. You must invite the fairies to the naming day of a girl child so that they may bless her. You know. Beauty, kindness . . . quick wits," he added under his breath.
The King thrust out his lip. "The boys do all right without that nonsense."
The Vizier did not blink. "Of course, Majesty."
"We invented void-flight and everything. No magic involved. No blessings." The King pointed at the 2D 'cast behind his desk. It was a reconstruction of the exact path the first exploratory rover had taken when it made planetfall. A panorama of dull red rocks and darker sand, creeping toward a sepia horizon. The King had set the 'cast to repeat itself, endlessly.
"Do you see that, Rupert? We did that. We Thornes. It's amazing. Phenomenal. Beautiful."
"Yes, Majesty." The Vizier did not point out that the rover had been unmanned. Nor did he point out that the rover's landing site now hosted the void-port, a high-end shopping establishment for off-world visitors, and a full set of embassies, and that the King himself had never set foot on that planet.
The 'cast restarted its loop. The Vizier cleared his throat.
"What? Oh," said the King. He blinked and pressed his fingers over his eyes, creating a nest of fine wrinkles in the skin. "What will the investors think? The Thornes will look stupid. I will look stupid. And the Consort will probably laugh at me."
Oh, thought the Vizier. That's almost inevitable. He cleared his throat again. "Call it exactly what it is, Majesty. A quaint custom from the homeworld. Use the Naming as an opportunity to remind your subjects about our origins. Use it as a celebration of our progress."
The King frowned.
"Thorne progress, Majesty." The Vizier smiled. He practiced that smile in the mirror every day. Lips curved around just the palest hint of teeth. Eyes firmly blank. "It could be an excellent public relations move. Insist on a reenactment, of sorts. A pageant. If his Majesty will permit, I've taken the liberty of drawing up some names of suitable ladies who might play the twelve-"
"Fine." The King was already glazing over. He flittered his fingers at the Vizier. "All right. Whatever."
"-but I would like his Majesty's advice on who should play the thirteenth."
The King blinked. "What?"
The Vizier rebooted his smile. "The thirteenth fairy, Majesty. She was the one who cursed Talia."
"Then why would we want her? She was bad luck, right? We don't want bad luck." The King grinned, suddenly. "The Consort's mother would be a good choice, though. Ha. No. Skip the thirteenth fairy. Leave that part out. Make the ceremony an exact reenactment. I want it perfect. Only." He stopped. "The fairies won't come. You're certain. They're not, I don't know, xenos or something."
The Vizier controlled a tiny sigh. "No, Majesty. They are not xenos. They will not come."
The King glanced uneasily at the 'cast, as if the beings in question might be hiding behind the rust-colored rocks. "Well, but, what if they do?"
The fairy invitations were written on vellum, hand-scribed with genuine ink and a genuine pen in period-specific calligraphy that only the Vizier himself could write, much less read. He could have written the cook's favorite cobbler recipe, or enumerated the King's favorite athletic teams, or made a list of all the bullies he'd survived during his childhood. But being both arithmancer and historian, the Vizier was more than a bit obsessive, and very devoted to detail, so it is no surprise that he wrote the invitations as best he could to the specifications set forth in the record. He had to consult with the court astronomer to calculate the calendar for a single moon and the homeworld's longer solar revolution, and although he consulted with local biologists for local equivalents, he chose in the end to use homeworld fauna.
The Royal House of Thorne
requests the Honor of Your Presence
Princess Rory Thorne
First Day of the Seventh Moon
Year of the Wolf
Lacking the authentic delivery system-sparrows being in short supply, and not well-suited to tesser-hex-the Vizier elected to leave the invitations, neatly rolled and tied with silk ribbons, in a secluded corner of the royal gardens. He tucked them into the branches of the single homeworld tree species that would grow in the light of a foreign sun. It was not a large tree, and the Vizier felt sorry for it, burdened as it was under the weight of the tradition.
He gave the gardener strict orders to leave the invitations alone.
When, three days later, the gardener reported the invitations missing, the Vizier assumed that local fauna (probably tree-rats) had developed a taste for vellum. It was an ignominious end to his labors, but then, he was accustomed to that.
The rest of the guests got the standard electronic invitation, delivered from one impersonal machine to another, and filtered up through the appropriate chain of attendants. It was less aesthetically satisfying, but ultimately more reliable. The Vizier consoled himself with the planning of the actual ceremony: commissioning costumes and choosing which women were best suited to play the twelve fairies in the pageant, where best suited meant politically inoffensive, prudent, desirable, and/or necessary, in that order. That was, in the end, a great deal more work than the fairy invitations had been. And it proved to be an entirely wasted effort.
The vellum, ink, and ribbon, however, did not.
On the first day of the seventh moon, which was technically the third pass of the second of the two moonlets, in the year of an animal the only knowledge of which came from old homeworld video footage that only the Vizier and the Consort had bothered to watch, the unofficial Princess Rory Thorne became the official Princess Rory Thorne.
The party was spectacular. All the guests had, per the King's request, come in historically authentic costume. Or, rather, they had tried. There were imported silks and velvets mixed with Martian brocades and leather (from various animals, both native and not) boots. But the overall shape of the garments was correct, and although the Vizier suspected some of the guests might have chosen less than academically reliable sources for their inspiration, he decided he could not complain.
Even the xenos had gotten into the spirit. The foreign attendees, some of whom had too many (or too few) limbs to manage corsets and hose and boots, came as culturally appropriate inanimate objects. The k'bal had come as a five-armed candelabrum, standing two meters tall, with blue carapace showing where the cosmetics had rubbed off. Each head wore a little flame-shaped hat, made of a fine metal mesh that fluttered with each exhale from its cranial vents. There was a teapot, too: an adapted environmental suit for the mirri President, whose daughter-buds had come as little cups.
When the designated hour for the ceremony arrived, the Vizier rang the silver gong. It was a perfect and exact replica, the original having been lost to looters in the initial instability following the first Rory incident, when the homeworld kingdom found itself absent a royal family and possessed of a very large, overgrown patch of briars. The guests obediently withdrew to the great hall's perimeter. The Consort entered with the Princess in her arms. She, too, wore a costume: an elaborate confection of silk and velvet involving a great many laces along the torso. She didn't look happy about it. Her grim-lipped body-maid, in a much simpler garment, stalked along in the Consort's wake, raking suspicious eyes across the guests. Even the gentle little mirri teacups got a scowl.
The King was already in place on a dais, beside the royal cradle-which was the original-resplendent in furs and reproduction armor. He beamed at the Consort. At the Princess. At the multiverse in general. After his initial skepticism, he had thrown himself into the Naming Day preparations with startling enthusiasm. The Vizier suspected the armor was to blame. It was heavy, metal, ridiculous, and very manly.
The Vizier edged closer to the King, in case his Majesty needed prompting through the script. He needn't have worried. The King boomed out a formal welcome to his guests, presented the Consort, and oversaw the placing of the Princess into her cradle. Tradition dictated that the guests would, one at a time (as species-appropriate), come to the dais and offer both blessing and gifts to Rory. But first, the fairies.
"I welcome first the guardians of my kingdom, on whose goodwill all our luck rests." The King sucked a deep breath. The Vizier spotted motion reflected in the King's breastplate, a pinkish blur, from the far doorway. He turned that way, expecting to see the General-Commander's wife stuffed into her First Fairy robes.
And so the Vizier, man of arithmancy and education, possessor of two degrees in the obscure and overlooked, was the first human being to see a fairy in five hundred years.
She was taller than he'd imagined (because a man does not spend a large slice of his life studying quaint folk beliefs and not wonder what a fairy would look like). She stood at least half a meter taller than the tallest human in the room, which put her at a level with the tallest of the k'bal's cranial stalks. Her dress was an iridescent, impossible close cousin of red, and as unlike red as stars were to swamp gas. Her skin was faintly pink, the palest echo of her dress. Tiny scales shimmered along her cheekbones, her forehead, the proud arch of her nose. Silver-shot vermillion hair, blasted white at the temples, coiled in a severe knot at the nape of her neck. Her eyes matched her hair, bisected by a single silver pupil. She did not walk as much as she floated across the tile. Not a whisper, not a sound.
She climbed the dais. Took her place on the far side of the cradle. Nodded encouragement at the King.
Who stared saucer-eyed at the Vizier. But you said they weren't real warped his lips, fluttered in his throat. Came out as a breathy, strangled, "Wah."
The Consort slid her slippered foot sideways, hard, into the King's armored boot. The Vizier heard the meaty thump and winced on the Consort's behalf. She didn't flinch. Didn't blink, when her husband looked at her.
The King cleared his throat. "Welcome," he said again, to the First Fairy. His eyes clutched at the Vizier. Then, carefully, mechanically, the King welcomed the rest of the fairies. One by one.
By the fourth (aquamarine, angular, and very tall), the Vizier was sure they were xenos. By the ninth (cobalt, whose robes draped in a fashion that suggested rather too many limbs for a human), he was unsure again. By the twelfth (the smallest, pale, and round as the second moon), he simply didn't care. They were beautiful. They were magical.
Most Helpful Customer Reviews
4.5 Rory Thorne is the first female born to her name in generations. Therefore, if following tradition, she must be blessed by the fairies on her naming day ceremony—because ensuring she has beauty, grace, and a talent for playing the harp is a must. Already predisposed to buck tradition, however, Rory is blessed by not just twelve fairies, but a thirteenth fairy crashes the party to impart the gift (curse) to “find no comfort in illusion or platitude, and to know truth when you hear it.” Luckily, the twelfth fairy comes to the rescue and grants Rory courage. Which is great because several years later, after an assassination attempt, a war breaks out between the Thorne Consortium and The Free Worlds of Tadesh that lasts for years. Until it is determined that an alliance can be reached by, you guessed it, MAWAGE! Specifically between Rory and Crown Prince of the Free Worlds Ivar once they both come of age. In the meantime, as an act of goodwill, Rory takes up residence on Tadesh and what she discovers will send the Multiverse spiraling before it is ultimately, you know, Destroyed. Rory Thorne is a wonderful twist on traditional fairy tales, yet also a lovely homage. Almost like a progression from where fairy tales originated to where they’ve gone (or are going) as we, as a society, also progresses. Turning the “traditional” women’s role waiting to be saved by the prince trope on its ear. The story utilizes the “Chronicler” or this kind of omnipresent narrator who is relaying Rory’s story to us, the reader. There’s often a dry tongue-in-cheek tone to the “voice” which was delightful, and I thought gave a lightness to the story. While I, overall, loved this writing device, I felt like it caused me to really need to focus on each and every word and sentence. Not a bad thing, honestly, but also doesn’t lend itself well, at least for me, if too many things were going on in the background while I was trying to read. I think that’s why it ultimately took me a little longer to finish the story. Because the story itself is engaging and relatively fast-paced. While the action is mostly relegated to political maneuvering, I don’t think it slowed it down whatsoever. What really stood out for me were the concepts of alchemy and arithmancy and the connection between magic and science. It really encompasses the whole idea of this science fiction and fantasy world really well. I mean some could argue that the idea of science itself is a form of magic. That is, depending on your definition of magic. I was especially interested in the idea that both alchemy and arithmancy are things that can be taught, like a school subject. No one is limited by an inherent gift, everyone seemingly has the opportunity to excel at these sciences, but some people are more adept than others. I want to spend more time exploring these ideas and hopefully we’ll get that in the sequel. Overall, Rory Thorne was a very satisfying read. I honestly wasn’t ready for it to end, and I look forward to seeing what happens next since, you know, she DESTROYED THE MULTIVERSE (not a spoiler it’s in the title)!
Sometimes no matter how interesting a book is, there can be a disconnect when reading and this was just one of those books. I'm not saying I didn't like it but it just wasn't a book for me, you know what I mean? This book was an interesting concept since it took a lot of different fairytale tropes and put a new spin on them. It is also set in space so that adds a whole new level to the plot. I liked a lot of the things that were included but it didn't fully pull me in. This space opera follows Rory Thorne who is the first girl born into the family in ten generations. When it comes to her, she is determined to do what she wants and no one will tell her otherwise. She wants to determine her own future and that is what she sets out to do. Overall, she is a generic character when it comes to today's fictional worlds. She didn't grasp my attention and honestly, none of the characters did. To me, the book was more plot driven since it does deal with a lot of tropes. At the beginning of the book, it reminded me a lot of Sleeping Beauty or Ella Enchanted when it came to the fairies. I thought it was fun to be able to pull out different fairytale tropes and be reminded of similar scenes from other books/movies. The pacing was a bit slow at first but it builds up and becomes a bit more engaging the farther you get in the book. As for the ending, it was alright and there is room for another book (which I believe there will be). I don't know if I would say it captured my attention enough to continue on with the series. I felt that it wrapped up enough for my liking. Overall, it was a decent read but it is definitely a case of, it's me and not you. I know that others will find this book quite enjoyable and could see it becoming a movie or even a show. If you are a fan of space operas and a girl who wants to do things her own then look no further! This one is sure to please. earc provided by publisher through Netgalley
A clever and heartfelt space opera with a fairy tale twist Rory Thorne—princess, diplomat, and arithmancer—continues the tradition of Leia, Cimorene, and Winter while carving her own place in the collection of stubborn, smart royals determined to better life for more than just themselves. This is a wonderfully convoluted story populated with characters so three-dimensional they feel like people you've known for years. A voicy third-person narrator cements this book's spot among my favorites. I give this book my highest recommendation, particularly to readers/viewers who've enjoyed space operas along the lines of Star Wars, Firefly, and the Dune series.