Good Morning, Irene (Irene Adler Series #2)

Good Morning, Irene (Irene Adler Series #2)

by Carole Nelson Douglas

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Overview

Picking up where Good Night, Mr. Holmes left off, our heroine, Irene, is in Paris lapping up her obituaries, when a drowned sailor emerges from the Seine bearing a strange tattoo . . . rather like the one on a corpse Irene once saw on Bram Stoker's dining room table. "So that's what happened to Irene Adler! Sherlockians will (relish) it!"--Charlotte MacLeod, author of The Mistletoe Mystery.

Product Details

ISBN-13: 9780812509496
Publisher: Tom Doherty Associates
Publication date: 05/15/1992
Series: Irene Adler Series , #2
Pages: 384
Product dimensions: 4.25(w) x 6.75(h) x 0.96(d)

Table of Contents

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Good Morning, Irene (Irene Adler Series #2) 3.7 out of 5 based on 0 ratings. 3 reviews.
cbl_tn on LibraryThing More than 1 year ago
Rumored dead in a train accident, Irene Adler and her husband, Godfrey Norton, are alive and well and lying low in Paris. Irene is suffering from boredom since her ¿death¿ means the end of her opera career. She finds a new outlet for her creative energy in the unraveling of a mystery that spans several years and at least two countries. When Irene and her friend, Penelope Huxleigh, view the body of a drowned sailor recently pulled from the Seine they immediately notice similarities to the body of a drowned sailor they had viewed in England years earlier. Both men had unusual tattoos and were missing one finger. Irene and company encounter a missing girl, mysterious pursuers, a famous actress, the royal family of Monaco, rumors of hidden treasure, and the renowned Sherlock Holmes in their quest to solve the mystery.Irene, Godfrey, and Penelope work well as an investigative team, with each contributing valuable skills and talents to the group effort. While Irene Adler's character is borrowed from one of Arthur Conan Doyle's Sherlock Holmes stories, the characters in Douglas's novel are strong enough to stand on their own. The competition between Irene and Sherlock Holmes to solve the mystery is a distraction rather than a help to the plot. Penelope compares favorably to Watson as a first-person narrator. Although she might miss some of the clues that Irene spots, she's not often very far behind, and she doesn't necessarily jump to the wrong conclusion. However, there were a few places where I felt like I had missed something because Penelope hadn't been present to describe an event as it happened.This book will appeal to many fans of historical mysteries, particularly those with husband and wife investigators like Robin Paige's Sir Charles and Lady Kathryn Sheridan or Tasha Alexander's Colin Hargreaves and Lady Emily Ashton. However, Sherlock Holmes aficionados might be disappointed.
Bookmarque on LibraryThing More than 1 year ago
This was fun as usual. The footnote at the end of the book is so clever as to almost make one believe that Sherlock Holmes was a real person. There are enough real figures in the book to make Irene seem real as well. This was a good mystery with many layers and came to a good end. A bunch of people survived a shipwreck and landed on a small island where they found a great treasure. After they were rescued they were each tattooed with a piece of a map to the treasure. This was to legitimize their claim. After a while, members of the group are killed off by one individual bent on claiming the treasure for himself. It went in the past that if any member of the group died, their nearest relative would claim their spot and be tattooed. It¿s this that happens to the tattooing of a young girl who then fakes her own death to escape her greedy uncle who wants the share for himself. Holmes is sent by the Paris police to investigate this. He never finds out about the larger picture though even when he and Irene meet face to face, without disguises for the first time.
melannen on LibraryThing More than 1 year ago
I have no idea why the title was changed in the most recent editions: Good Morning, Irene is far better (though I like the newer cover more.) I started with the second book in this series because it was the one my local library had. I suspect this is actually a series where not reading the first book really does interfere with your enjoyment. At the start of the second one, Irene Adler, her husband Godfrey, and Nell, the last member of the household, a young London typist who has been adopted by Irene and fills the chronicler role, are living in Paris, and they have come into a great deal of wealth, and Irene is allowing herself to be presumed dead for some reason, but does not seem particularly invested in keeping a low profile. I thought that would be all I needed to know, but the further I got in the book, the more it became clear that there were complications carrying over from the first book which it would have helped me to know about, but which I never quite got the picture of.That aside, though, the book was fun. Irene is delicious, Irene's friends are delicious, Godfrey is wonderful; it took me awhile to warm to Nell, but I eventually did. The absolute best thing about this book (and, I hope, the whole series), is that it reverses the gender roles of the story, and does so deliberately. Not reversing gender roles in the world itself - it's still late Victorian Europe, and the women living in it are women who belong in that time - but reversing gender roles in the *story*, just by choosing to make it a story that's about women, and told through a lens in which women are the important people. Women are important, women's views are important, women's work and women's concerns and women's spaces are the important ones; women are powerful, and not just because the women Douglas chooses to write about are powerful women (though some of them are), but because she tells the story from a viewpoint where the power that women have is the important power: partly through Irene, who is determined that a woman can have any power a man does, but wield it better; partly through respectable Nell, who is determined that the power her society assigns to women is all the power anybody needs. Oh, there are male characters, but the important thing about the male characters is their relationships with the women - there's nothing inherently important about them as people.And yet she does this, and does it intentionally, in a believable Victorian London without changing anything except the POV, with characters (male and female) who are entirely believable and likeable; and it's not a "woman's story" - it's not about romance, family, and household; it's a rollicking murder mystery and treasure hunt set among dangerous and far-flung lands.Now on to the things I didn't like: the mystery itself never really grabbed my attention; it was certainly quite as baroque as any of Holmes' cases, but I think it's easier to sustain that level of ~mysterious happenings~ when you only have to do it for the length of a short story or novella; in a modern-length novel it gets to be a bit much. And so many of the important characters and events were introduced very late in the novel, so you have to sit through a long build-up and then everything happening at once. Once it did start happening, I was hooked, and everything came together neatly in the solution of the mystery, though the actual solution was one of those classic "let's get all the suspects in a room and explain the deductions" arrangements which just seemed deeply out of place in the story as it was - they can work when you're trying to bluff a confession, but in this one it wasn't all that necessary. Also, the portions that suddenly switch to Holmes POV, while it's nice to have the connection back to Holmes, are really jarringly abrupt, and I think on a re-read I would just skip them with very little loss to the story. (Plus: not enough Watson!) Also, while story manages (by dint of being set mostly i