Whether you're a lifelong believer, a devout atheist, or someone who remains uncertain about the role of religion in our lives, this insightful manifesto will engage you with its provocative ideas.
With a close and studied reading of the major religious texts, Christopher Hitchens documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope's awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.
In the tradition of Bertrand Russell's Why I Am Not a Christian and Sam Harris's The End of Faith, Christopher Hitchens makes the ultimate case against religion.
|Publisher:||Grand Central Publishing|
|Product dimensions:||5.10(w) x 7.90(h) x 1.00(d)|
About the Author
Christopher Hitchens is a widely published polemicist and frequent radio and TV commentator. He is a contributing editor to Vanity Fair and a visiting professor of liberal studies at the New School in New York.
Read an Excerpt
Putting It Mildly
If the intended reader of this book should want to go beyond disagreement with its author and try to identify the sins and deformities that animated him to write it (and I have certainly noticed that those who publicly affirm charity and compassion and forgiveness are often inclined to take this course), then he or she will not just be quarreling with the unknowable and ineffable creator who–presumably–opted to make me this way. They will be defiling the memory of a good, sincere, simple woman, of stable and decent faith, named Mrs. Jean Watts.
It was Mrs. Watts’s task, when I was a boy of about nine and attending a school on the edge of Dartmoor, in southwestern England, to instruct me in lessons about nature, and also about scripture. She would take me and my fellows on walks, in an especially lovely part of my beautiful country of birth, and teach us to tell the different birds, trees, and plants from one another. The amazing variety to be found in a hedgerow; the wonder of a clutch of eggs found in an intricate nest; the way that if the nettles stung your legs (we had to wear shorts) there would be a soothing dock leaf planted near to hand: all this has stayed in my mind, just like the “gamekeeper’s museum,” where the local peasantry would display the corpses of rats, weasels, and other vermin and predators, presumably supplied by some less kindly deity. If you read John Clare’s imperishable rural poems you will catch the music of what I mean to convey.
At later lessons we would be given a printed slip of paper entitled “Search the Scriptures,” which was sent to the school by whatever national authority supervised the teaching of religion. (This, along with daily prayer services, was compulsory and enforced by the state.) The slip would contain a single verse from the Old or New Testament, and the assignment was to look up the verse and then to tell the class or the teacher, orally or in writing, what the story and the moral was. I used to love this exercise, and even to excel at it so that (like Bertie Wooster) I frequently passed “top” in scripture class. It was my first introduction to practical and textual criticism. I would read all the chapters that led up to the verse, and all the ones that followed it, to be sure that I had got the “point” of the original clue. I can still do this, greatly to the annoyance of some of my enemies, and still have respect for those whose style is sometimes dismissed as “merely” Talmudic, or Koranic, or “fundamentalist.” This is good and necessary mental and literary training.
However, there came a day when poor, dear Mrs. Watts overreached herself. Seeking ambitiously to fuse her two roles as nature instructor and Bible teacher, she said, “So you see, children, how powerful and generous God is. He has made all the trees and grass to be green, which is exactly the color that is most restful to our eyes. Imagine if instead, the vegetation was all purple, or orange, how awful that would be.”
And now behold what this pious old trout hath wrought. I liked Mrs. Watts: she was an affectionate and childless widow who had a friendly old sheepdog who really was named Rover, and she would invite us for sweets and treats after hours to her slightly ramshackle old house near the railway line. If Satan chose her to tempt me into error he was much more inventive than the subtle serpent in the Garden of Eden. She never raised her voice or offered violence–which couldn’t be said for all my teachers–and in general was one of those people, of the sort whose memorial is in Middlemarch, of whom it may be said that if “things are not so ill with you and me as they might have been,” this is “half-owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”
However, I was frankly appalled by what she said. My little ankle-strap sandals curled with embarrassment for her. At the age of nine I had not even a conception of the argument from design, or of Darwinian evolution as its rival, or of the relationship between photosynthesis and chlorophyll. The secrets of the genome were as hidden from me as they were, at that time, to everyone else. I had not then visited scenes of nature where almost everything was hideously indifferent or hostile to human life, if not life itself. I simply knew, almost as if I had privileged access to a higher authority, that my teacher had managed to get everything wrong in just two sentences. The eyes were adjusted to nature, and not the other way about.
I must not pretend to remember everything perfectly, or in order, after this epiphany, but in a fairly short time I had also begun to notice other oddities. Why, if god was the creator of all things, were we supposed to “praise” him so incessantly for doing what came to him naturally? This seemed servile, apart from anything else. If Jesus could heal a blind person he happened to meet, then why not heal blindness? What was so wonderful about his casting out devils, so that the devils would enter a herd of pigs instead? That seemed sinister: more like black magic. With all this continual prayer, why no result? Why did I have to keep saying, in public, that I was a miserable sinner? Why was the subject of sex considered so toxic? These faltering and childish objections are, I have since discovered, extremely commonplace, partly because no religion can meet them with any satisfactory answer. But another, larger one also presented itself. (I say “presented itself” rather than “occurred to me” because these objections are, as well as insuperable, inescapable.) The headmaster, who led the daily services and prayers and held the Book, and was a bit of a sadist and a closeted homosexual (and whom I have long since forgiven because he ignited my interest in history and lent me my first copy of P. G. Wodehouse), was giving a no-nonsense talk to some of us one evening. “You may not see the point of all this faith now,” he said. “But you will one day, when you start to lose loved ones.”
Again, I experienced a stab of sheer indignation as well as dis-belief. Why, that would be as much as saying that religion might not be true, but never mind that, since it can be relied upon for comfort. How contemptible. I was then nearing thirteen, and becoming quite the insufferable little intellectual. I had never heard of Sigmund Freud–though he would have been very useful to me in understanding the headmaster–but I had just been given a glimpse of his essay The Future of an Illusion.
From the Hardcover edition.
What People are Saying About This
The author propounds his belief that all religion is not only wrong-headed but dangerous. One doubts the flamboyant journalist will sway those convinced that metaphysical certainty depends on faith, not proof, and that the higher powers are fundamentally good. Others will find his points familiar (if not self-evident), his knowledge wide, his writing graceful, and his sarcasm apt. Like partisans of any description, he ignores inconvenient facts and overstates his case. As narrator, he contributes a pleasantly moderated voice and a listener-friendly British accent. At times, he sounds a bit tired, at other times rushed, but, all in all, he reads well enough, with the added benefit of knowing where the laugh lines are. Y.R. © AudioFile 2007, Portland, Maine [Published: DEC 07/ JAN 08]
"I am pretty sure that Hitchens's book will stand out as a leading example. How does Hitchens fare as a narrator? Quite well, at least to these unwashed ears. Hitchens has a windy prose style that is sometimes too stuffed with parenthetical qualifiers to be read easily. His breezy narration, however, makes such cluttered prose easy on the ear; we sense more of a conversational lecturer at work rather than a mere writer. Of course, Hitchens' upper-crust British accent will sound either charming or down-right intimidating. It enhanced his formidable learning and dry sense of humor." -Winston-Salem Journal
"Hitchens also proves to be more than a capable readeer; his wit, erudition, and passionate unbelief could not have been conveyed as compellingly by a surrogate. Highly recommended for all general collections." -Audiofile
"God is not great; brilliant"... Dennis Groves says: My Audio Book List