For nineteen years, Jonathan Rebeck has hidden from the world within the confines of the Bronx’s Yorkchester Cemetery, making an abandoned mausoleum his secret home. He speaks with the newly dead as they pass from life to wherever spirits finally go, providing them with comfort, an understanding ear, and even the occasional game of chess.
But Mr. Rebeck’s reclusive life is soon to be disrupted. An impossible love has blossomed between two ghosts at Yorkchester Cemetery, and Rebeck finds himself drawn to a living woman. Helped along by a cynical raven and a mysterious security guard, these four souls must learn the true difference between life and death and make choices that really are forever.
Told with an elegiac wisdom, Peter S. Beagle’s first novel is a timeless work of fantasy, imbued with hope and wonder. This updated edition contains the author’s final revisions and stands as the definitive version of an enduring modern classic.
|Edition description:||New Edition|
|Product dimensions:||5.54(w) x 8.48(h) x 0.74(d)|
About the Author
Peter S. Beagle is the best-selling author of The Last Unicorn, which has sold a reported five million copies since its initial publication in 1968. His other novels include A Fine & Private Place, The Innkeeper’s Song, and Tamsin. His short fiction has been collected in four volumes by Tachyon Publications, including The Rhinoceros Who Quoted Nietzsche, The Line Between, We Never Talk About My Brother, and Sleight of Hand. He has won the Hugo, Nebula, Mythopoeic, and Grand Prix de l’Imaginaire awards as well as the World Fantasy Award for Lifetime Achievement.
Read an Excerpt
A Fine & Private Place
By PETER S. BEAGLE
TACHYON PUBLICATIONSCopyright © 1988 Peter S. Beagle
All right reserved.
Chapter OneTHE BALONEY WEIGHED THE RAVEN DOWN, and the shopkeeper almost caught him as he whisked out the delicatessen door. Frantically he beat his wings to gain altitude, looking like a small black electric fan. An updraft caught him and threw him into the sky. He circled twice, to get his bearings, and began to fly north.
Below, the shopkeeper stood with his hands on his hips, looking up at the diminishing cinder in the sky. Presently he shrugged and went back into his delicatessen. He was not without philosophy, this shopkeeper, and he knew that if a raven comes into your delicatessen and steals a whole baloney it is either an act of God or it isn't, and in either case there isn't very much you can do about it.
The raven flew lazily over New York, letting the early sun warm his feathers. A water truck waddled along Jerome Avenue, leaving the street dark and glittering behind it. A few taxicabs cruised around Fordham like well-fed sharks. Two couples came out of the subway and walked slowly, the girls leaning against the men. The raven flew on.
It had been a hot night, and the raven saw people waking on the roofs of the city. The gray rats that come out just before dawn were all back in their cellars because the cats were out, stepping along the curbs. The morning pigeons had scattered to the rooftops and window ledges when the cats came,which the raven thought was a pity. He could have done with a few less pigeons.
The usual early fog was over Yorkchester, and the raven dropped under it. Yorkchester had been built largely by an insurance company, and it looked like one pink brick building reflected in a hundred mirrors. The houses of Yorkchester were all fourteen stories tall, and they all had stucco sailors playing accordions over the front entrances. The rear entrances all had sailors playing mandolins. The sailors were all left-handed, and they had stucco pom-poms on their hats. There was a shopping center, and there were three movie theaters, and there was a small square park.
There was also a cemetery, and it was over this that the raven swooped. It was a very large cemetery, about half the size of Central Park, and thick with trees. It was laid out carefully, with winding streets named Fairview Avenue, and Central Avenue, and Oakland Avenue, and Larch Street, and Chestnut Street, and Elm Street. One street led to the Italian section of the cemetery, another to the German section, a third to the Polish, and so on, for the Yorkchester Cemetery was nonsectarian but nervous.
The raven had come in the back way, and so he flew down Central Avenue, holding the baloney in his claws. The stretch of more or less simple headstones gradually began to give way to Old Rugged Crosses; the crosses in turn gave way to angels, the angels to weeping angels, and these finally to mausoleums. They reared like icy watchdogs over the family plots and said, "Look! Something of importance has left the world," to one another. They were aggressively Greek, with white marble pillars and domed roofs. They might not have looked Greek to a Greek, but they looked Greek to Yorkchester.
One mausoleum was set away from the others by a short path. It was an old building, not as big as some of the others, nor as white. Its pillars were cracked and chipped at their bases, and the glass was gone from one of the barred grates over the front door. But the two heavy door rings were held in the mouths of two lions, and if you looked through the window in front you could see the stained-glass angel on the back wall.
The front door itself was open, and on the steps there sat a small man in slippers. He waved at the raven as the bird swept down, and said, "Good morning, good morning," as he landed in front of him. The raven dropped the baloney, and the small man reached forward eagerly and picked it up. "A whole baloney!" he said. "Thank you very much."
The raven was puffing for breath a little and he looked at the small man rather bitterly. "Corn flakes weren't good enough," he said hoarsely. "Bernard Baruch eats corn flakes, but you have to have baloney."
"Did you have trouble bringing it?" asked the small man, whose name was Jonathan Rebeck.
"Damn near ruptured myself." The raven grunted.
"Birds don't get ruptured," said Mr. Rebeck a little uncertainly.
"Hell of an ornithologist you'd make."
Mr. Rebeck began to eat the baloney. "Delicious," he said presently. "Very tender. Won't you have some?"
"Don't mind," said the raven. He accepted a piece of baloney from Mr. Rebeck's fingers.
"Is it nice out?" Mr. Rebeck asked after a moment.
"Nice," the raven said. "Blue sky, shining sun. The world stinks with summer."
Mr. Rebeck smiled a little. "Don't you like summer?"
The raven lifted his wings slightly. "Why should I? It's all right."
"I like summer," Mr. Rebeck said. He took a bite of his baloney and said with his mouth full, "It's the only season you can taste when you breathe."
"Jesus," the raven said. "Not so early in the morning. Incidentally, you better get rid of all those old paper bags. I can see them from outside."
"I'll drop them in the wastebasket in the men's room," Mr. Rebeck said.
"No you won't. I'll fly them out. People start wondering, you know. They see paper bags in a cemetery, they don't think the Girl Scouts are having a picnic. Besides, you hang around there too much. They're going to start remembering you."
"I like it," Mr. Rebeck said. "I'm very fond of that lavatory. I wash my clothes there." He locked his hands around his knees. "You know, people say the world is run by materialists and machines. It isn't, though. New York isn't, anyway. A city that would put a men's room in a cemetery is a city of poets." He liked the phrase. "A city of poets," he said again.
"It's for the children," the raven said. "The mothers bring the kids to see the graves of their great-uncles. The mothers cry and put flowers on the grave. The kids gotta go. Sooner or later. So they put in a big can. What else could they do?"
Mr. Rebeck laughed. "You never change," he said to the raven.
"How can I? You've changed, though. Nineteen years ago you'd have been sloppily thankful for a pretzel. Now you want me to bring you steaks. Give me another hunk of baloney."
Mr. Rebeck gave him one. "I still think you could do it. A small steak doesn't weigh so much."
"It does," said the raven, "when there's a cop hanging on one end of it. I damn near didn't get off the ground today. Besides, all the butchers on this last frontier of civilization know me now. I'm going to have to start raiding Washington Heights pretty soon. Another twenty years, if we live that long, I'll have to ferry it across from Jersey."
"You don't have to bring me food, you know," Mr. Rebeck said. He felt a little hurt, and oddly guilty. It was such a small raven, after all. "I can manage myself."
"Balls," said the raven. "You'd panic as soon as you got outside the gate. And the city's changed a lot in nineteen years."
"Very damn much."
"Oh," said Mr. Rebeck. He put the rest of the baloney aside, wrapping it carefully. "Do you mind," he said hesitantly, "bringing me food? I mean, is it inconvenient?" He felt silly asking, but he did want to know.
The raven stared at him out of eyes like frozen gold. "Once a year," he said hoarsely. "Once a year you get worried. You start wondering how come the airborne Gristede's. You ask yourself, What's he getting out of it? You say, 'Nothing for nothing. Nobody does anybody any favors.'"
"That isn't so," Mr. Rebeck said. "That isn't so at all."
"Ha," said the raven. "All right. Your conscience starts to bother you. Your cold cuts don't taste right." He looked straight at Mr. Rebeck. "Of course it's a trouble. Of course it's inconvenient. You're damn right it's out of my way. Feel better? Any other questions?"
"Yes," said Mr. Rebeck. "Why do you do it, then?"
The raven made a dive at a hurrying caterpillar and missed. He spoke slowly, without looking at Mr. Rebeck. "There are people," he said, "who give, and there are people who take. There are people who create, people who destroy, and people who don't do anything and drive the other two kinds crazy. It's born in you, whether you give or take, and that's the way you are. Ravens bring things to people. We're like that. It's our nature. We don't like it. We'd much rather be eagles, or swans, or even one of those moronic robins, but we're ravens and there you are. Ravens don't feel right without somebody to bring things to, and when we do find somebody we realize what a silly business it was in the first place." He made a sound between a chuckle and a cough. "Ravens are pretty neurotic birds. We're closer to people than any other bird, and we're bound to them all our lives, but we don't have to like them. You think we brought Elijah food because we liked him? He was an old man with a dirty beard."
He fell silent, scratching aimlessly in the dust with his beak. Mr. Rebeck said nothing. Presently he reached out a tentative hand to smooth the raven's plumage.
"Don't do that," said the bird.
"It makes me nervous."
"I'm sorry," Mr. Rebeck said again. He stared out over the neat family plots with their mossy headstones. "I hope some more people come soon," he said. "It gets lonesome in the summer."
"You wanted company," the bird said, "you should have joined the Y."
"I do have company, most of the time," Mr. Rebeck said. "But they forget so soon, and so easily. It's best when they've just arrived." He got up and leaned against a pillar. "Sometimes I think I'm dead," he said. The raven made a sputtering sound of derision. "I do. I forget things too. The sun shines in my eyes sometimes and I don't even notice it. Once I sat with an old man, and we tried to remember how pistachio nuts tasted, and neither of us could."
"I'll bring you some," the raven said. "There's a candy store near Tremont that sells them. It's a bookie joint too."
"That would be nice," Mr. Rebeck said. He turned to look at the stained-glass angel.
"They accept me more easily now," he said with his back to the raven. "They used to be dreadfully frightened. Now we sit and talk and play games, and I think, Maybe now, maybe this time, maybe really. Then I ask them, and they say no."
"They'd know," the raven said.
"Yes," Mr. Rebeck said, turning back, "but if life is the only distinction between the living and the dead - I don't think I'm alive. Not really."
"You're alive," the raven said. "You hide behind gravestones, but it follows you. You ran away from it nineteen years ago, and it follows you like a skip-tracer." He cackled softly. "Life must love you very much."
"I don't want to be loved," Mr. Rebeck cried. "It's a burden on me."
"Well, that's your affair," the raven said. "I got my own problems." His black wings beat in a small thunder. "I gotta get moving. Let's have the bags and stuff."
Mr. Rebeck went into the mausoleum and came out a few moments later with five empty paper bags and an empty milk container. The raven took the bags in his claws and waved aside the container. "I'll pick that up later. Carry it now and I'll have to walk home." He sprang into the air and flapped slowly away over Central Avenue.
"Good-bye," Mr. Rebeck called after him.
"See you," the raven croaked and disappeared behind a huge elm. Mr. Rebeck stretched himself, sat down again on the steps, and watched the sun climb. He felt a bit disconcerted. Usually, the raven brought him food twice a day, they exchanged some backchat, and that was that. Sometimes they didn't even talk. I don't know that bird at all, he thought, and it's been all these years. I know ghosts better than I know that small bird. He drew his knees up to his chin and thought about that. It was a new thought, and Mr. Rebeck treasured new thoughts. He hadn't had too many lately, and he knew it was his fault. The cemetery wasn't conducive to new thoughts; the environment wasn't right. It was a place for counting over the old, stored thoughts, stroking them lovingly and carefully, as if they were fine glassware, wondering if they could be thought any other way, and knowing deeply and securely that this way was the best. So he examined the new thought closely but gingerly, stood close to it to get the details and then away from it for perspective; he stretched it, thinned it, patted it into different shapes, gradually molding it to fit the contours of his mind.
A rush of wings made him look up. The raven was circling ten or fifteen feet above him, calling to him. "Forget something?" Mr. Rebeck called up to him.
"Saw something on the way out," the bird said. "There's a funeral procession coming in the front gate - not a very big one, but it's coming this way. You better either hide in a hurry or change your pants, either one. They may think you're a reception committee."
"Oh, my goodness!" Mr. Rebeck exclaimed. He sprang to his feet. "Thank you, thank you very much. Can't afford to get careless. Thank you for telling me."
"Don't I always?" the raven said wearily. He flew away again with easy, powerful wing strokes. And Mr. Rebeck hurried inside the mausoleum, closed the door, and lay down on the floor, listening to his heart beat in the sudden darkness.
Excerpted from A Fine & Private Place by PETER S. BEAGLE Copyright © 1988 by Peter S. Beagle . Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most Helpful Customer Reviews
But a tender, beautiful and sweet tale all the same. The bits of humor it contains are very dark, and the entire book has a sad feeling to it. It is, however, the only sad book I have ever read that I have truly liked. Different concepts of love, life, death, and the hereafter are explored in ways I never thought possible. Naturally I won't give away the ending, but don't expect it to fit in with any of your previous conceptions of what a happy or sad ending is or should be. Read this book.
I enjoyed this book. Like the title, it was just a calming, relaxing story. Sure, it has a few ghosts, untimeley deaths, some other things that would typically seem a little morbid (I won't go into spoilers) but it still manages to be a calm, comfortable read. It's a fine and private book?Additional kudos goes to the awesome picture of author Peter S. Beagle on the back fly leaf smoking a cigarette with the errol Flynn mustache.
Although A Fine and Private Place is not as well known as Beagle's The Last Unicorn, it also wraps many insights into human nature into a tale of the supernatural. The most advertised plot element is the love between two ghosts who meet in a cemetery after being buried, and while this is certainly touching and entertaining, the book is really about the living man Jonathan Rebeck, who has retreated from the world and must the do the thing he fears most in order to help his friends (the two ghosts who have fallen in love). The story would be insightful and effective even if Michael and Laura were not ghosts, but rather social outcasts like Rebeck, for the main thrust of the story is Rebeck's re-entry into the world, for which he must conquer his fears and step outside of himself, a journey that many readers may be able to relate to in some way. A Fine and Private Place is a simple yet profoundly accurate story that shines with the otherworldy charm of Beagle's other novels.
hauntingly beautiful. an under-appreciated tale by a master story-teller
This is a beautiful piece. It's filled with ghosts and fantasy; however, it is all about what it means to be human. I literally cried when I read this book.
Alright, I didn't care for it, but you might. A live man is living in a cemetery and he can see and speak with the ghosts of people who are buried there. The only characters I really cared about in this tale were Mrs. Clapper, a live woman who befriends the man living in the graveyard, the raven, who feeds the man, and Campos, the cemetery guard. The rest of them annoyed me. They were constantly spouting out unfounded philosophical statements and pronouncements. It was like sitting in a room full of young men all trying to outdo each other with profound sayings. The mood and action (very little action) in this reminded me of another book which I couldn't abide, "Cider with Rosie" by Laurie Lee. Now, just because I didn't like it, doesn't mean you won't, it simply isn't my type of story. I think the only reason I stuck with this to the end was that I found the author was pleasant to listen to on audio.
I think it's better than The Last Unicorn, for whatever that's worth, and I suspect I might like this one more when I'm older.Or perhaps not. Some of the plot contrivances seem awfully convenient, and I don't know that I buy any aspect of the ending. But then I suppose the plot isn't really the point... and so I have to punt it back to "maybe I'll like it better when I'm older." It's possible.
A beautiful story of haunting love. Michael Morgan wakes up in a coffin at his own funeral. Turns out he is dead and is wife is suspected of poisoning and murdering him. He meets Mr Rebeck who is an alive ghost haunting and living in the cemetary with a raven that keeps him in food. He has taken himself away from life after he went bankrupt and lost his pharmacy business. It is up to Mr Rebeck to teach Michael about death and being a ghost.Death is not the end for Michael. Ghosts lose their memories over time including human mannerisms like walking on the ground properly, but Michael is determined to keep himself together. He meets Laura, another recent ghost who was hit by a car. She had thought about sucicide when alive but never went through with it. It also seems that Mr Rebeck has another chance at a more usual life when he meets widow Mrs Klapper who may be able to help him come back to the world.This was such a beautiful book. The language was consuming somehow, really pulling me in. I loved Beagle's ideas of death and what happens after we die. His characters were really interesting and there were some great surprises throughout the story. It's a ghost story but more a look at humanity and what makes a person. Highly recommended
This is one of those books that many people probably won't like. There isn't a lot of action, and the emphasis is on characters rather than plot. The main character is not especially engaging, although just about everyone else is, especially the talking raven and the reticent guard. We don't know exactly why Jonathan lives in the cemetery and is afraid to leave it, but we suspect that his condition, whatever name we might give it, is what enables him to converse with some of the ghosts whose bodies are buried there. The book is only loosely a fantasy. I found it very enjoyable because of the characters.
A wonderful story, about two lonely people who are dead to the world around them until they find each other, and a couple of sad ghosts who only find love after death. This one is deserving to be read more than once, it's warm and romantic and even funny at times. Mr. Rebeck, who is still alive by the way, has taken up residence in a mausoleum, afraid to enter the world that he left twenty years ago, he never leaves the cemetery and must hide from the grounds crew and the visitors of the cemetery to remain. Mr. Rebeck has the unlikely ability to talk to people who have recently passed, as well as converse with a cynical raven who brings him food daily by stealing from locals. Mr. Rebeck meets Mrs. Klapper, a recent widow who often comes to visit her deceased husband's grave; and strikes up a hopeful love interest with her, all the while trying to hide his unusual choice of residence. Michael Morgan is a ghost who is unsure about his own death, and tries to work out the details of whether he committed suicide or was murdered by his wife. He soon meets Laura, another ghost and both struggle to remember the most basic things about their earthly lives, now unnecessary. Laura and Michael eventually fall in love, but even in death, some things like togetherness do not last forever.