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Overview

A GOOD MORNING AMERICA COVER TO COVER BOOK CLUB PICK

“Rich, dark, and intricately twisted, this enthralling whodunit mixes family saga with domestic noir to brilliantly chilling effect.” —Ruth Ware, New York Times bestselling author

“A haunting, atmospheric, stay-up-way-too-late read.” —Megan Miranda, New York Times bestselling author

From the New York Times bestselling author of Then She Was Gone comes another page-turning look inside one family’s past as buried secrets threaten to come to light.

Be careful who you let in.

Soon after her twenty-fifth birthday, Libby Jones returns home from work to find the letter she’s been waiting for her entire life. She rips it open with one driving thought: I am finally going to know who I am.

She soon learns not only the identity of her birth parents, but also that she is the sole inheritor of their abandoned mansion on the banks of the Thames in London’s fashionable Chelsea neighborhood, worth millions. Everything in Libby’s life is about to change. But what she can’t possibly know is that others have been waiting for this day as well—and she is on a collision course to meet them.

Twenty-five years ago, police were called to 16 Cheyne Walk with reports of a baby crying. When they arrived, they found a healthy ten-month-old happily cooing in her crib in the bedroom. Downstairs in the kitchen lay three dead bodies, all dressed in black, next to a hastily scrawled note. And the four other children reported to live at Cheyne Walk were gone.

In The Family Upstairs, the master of “bone-chilling suspense” (People) brings us the can’t-look-away story of three entangled families living in a house with the darkest of secrets.

Product Details

ISBN-13: 9781508287681
Publisher: Simon & Schuster Audio
Publication date: 11/05/2019
Edition description: Unabridged
Pages: 320
Sales rank: 109,614
Product dimensions: 5.90(w) x 5.00(h) x 0.90(d)

About the Author

Lisa Jewell is the internationally bestselling author of seventeen novels, including the New York Times bestsellers The Family Upstairs and Then She Was Gone, as well as Watching You and I Found You. Her novels have sold more than 4.5 million copies across the English-speaking world, and her work has also been translated into twenty-five languages. Connect with her on Twitter @LisaJewellUK, on Instagram @LisaJewellUK, and on Facebook @LisaJewellOfficial.

Read an Excerpt

Chapter 1


Libby picks up the letter off the doormat. She turns it in her hands. It looks very formal; the envelope is cream in color, made of high-grade paper, and feels as though it might even be lined with tissue. The postal frank says: “Smithkin Rudd & Royle Solicitors, Chelsea Manor Street, SW3.”

She takes the letter into the kitchen and sits it on the table while she fills the kettle and puts a tea bag in a mug. Libby is pretty sure she knows what’s in the envelope. She turned twenty-five last month. She’s been subconsciously waiting for this envelope. But now that it’s here she’s not sure she can face opening it.

She picks up her phone and calls her mother.

“Mum,” she says. “It’s here. The letter from the trustees.”

She hears a silence at the other end of the line. She pictures her mum in her own kitchen, a thousand miles away in Dénia: pristine white units, lime-green color-coordinated kitchen accessories, sliding glass doors onto a small terrace with a distant view to the Mediterranean, her phone held to her ear in the crystal-studded case that she refers to as her bling.

“Oh,” she says. “Right. Gosh. Have you opened it?”

“No. Not yet. I’m just having a cup of tea first.”

“Right,” she says again. Then she says, “Shall I stay on the line? While you do it?”

“Yes,” says Libby. “Please.”

She feels a little breathless, as she sometimes does when she’s just about to stand up and give a sales presentation at work, like she’s had a strong coffee. She takes the tea bag out of the mug and sits down. Her fingers caress the corner of the envelope and she inhales.

“OK,” she says to her mother, “I’m doing it. I’m doing it right now.”

Her mum knows what’s in here. Or at least she has an idea, though she was never told formally what was in the trust. It might, as she has always said, be a teapot and a ten-pound note.

Libby clears her throat and slides her finger under the flap. She pulls out a sheet of thick cream paper and scans it quickly:

To Miss Libby Louise Jones

As trustee of the Henry and Martina Lamb Trust created on 12 July 1977, I propose to make the distribution from it to you described in the attached schedule...

She puts down the covering letter and pulls out the accompanying paperwork.

“Well?” says her mum, breathlessly.

“Still reading,” she replies.

She skims and her eye is caught by the name of a property. Sixteen Cheyne Walk, SW3. She assumes it is the property her birth parents were living in when they died. She knows it was in Chelsea. She knows it was big. She assumed it was long gone. Boarded up. Sold. Her breath catches hard at the back of her throat when she realizes what she’s just read.

“Er,” she says.

“What?”

“It looks like... No, that can’t be right.”

“What!”

“The house. They’ve left me the house.”

“The Chelsea house?”

“Yes,” she says.

“The whole house?”

“I think so.” There’s a covering letter, something about nobody else named on the trust coming forward in due time. She can’t digest it at all.

“My God. I mean, that must be worth...”

Libby breathes in sharply and raises her gaze to the ceiling. “This must be wrong,” she says. “This must be a mistake.”

“Go and see the solicitors,” says her mother. “Call them. Make an appointment. Make sure it’s not a mistake.”

“But what if it’s not a mistake? What if it’s true?”

“Well then, my angel,” says her mother—and Libby can hear her smile from all these miles away—“you’ll be a very rich woman indeed.”

Libby ends the call and stares around her kitchen. Five minutes ago, this kitchen was the only kitchen she could afford, this flat the only one she could buy, here in this quiet street of terraced cottages in the backwaters of St. Albans. She remembers the flats and houses she saw during her online searches, the little intakes of breath as her eye caught upon the perfect place—a suntrap terrace, an eat-in kitchen, a five-minute walk to the station, a bulge of ancient leaded windows, the suggestion of cathedral bells from across a green—and then she would see the price and feel herself a fool for ever thinking it might be for her.

She compromised on everything in the end to find a place that was close to her job and not too far from the train station. There was no gut instinct as she stepped across the threshold; her heart said nothing to her as the estate agent showed her around. But she made it a home to be proud of, painstakingly creaming off the best that T.J.Maxx had to offer, and now her badly converted, slightly awkward one-bedroom flat makes her feel happy. She bought it; she adorned it. It belongs to her.

But now it appears she is the owner of a house on the finest street in Chelsea and suddenly her flat looks like a ridiculous joke. Everything that was important to her five minutes ago feels like a joke—the £1,500-a-year raise she was just awarded at work, the hen weekend in Barcelona next month that took her six months to save for, the MAC eye shadow she “allowed” herself to buy last weekend as a treat for getting the pay raise, the soft frisson of abandoning her tightly managed monthly budget for just one glossy, sweet-smelling moment in House of Fraser, the weightlessness of the tiny MAC bag swinging from her hand, the shiver of placing the little black capsule in her makeup bag, of knowing that she owned it, that she might in fact wear it in Barcelona, where she might also wear the dress her mother bought her for Christmas, the one from French Connection with the lace panels she’d wanted for ages. Five minutes ago her joys in life were small, anticipated, longed-for, hard-earned and saved-up-for, inconsequential little splurges that meant nothing in the scheme of things but gave the flat surface of her life enough sparkles to make it worth getting out of bed every morning to go and do a job which she liked but didn’t love.

Now she owns a house in Chelsea and the proportions of her existence have been blown apart.

She slides the letter back into its expensive envelope and finishes her tea.

Reading Group Guide

This reading group guide for The Family Upstairs includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.
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Introduction

Be careful who you let in.

Soon after her twenty-fifth birthday, Libby Jones returns home from work to find the letter she’s been waiting for her entire life. She rips it open with one driving thought: I am finally going to know who I am. She learns not only the identity of her parents, but also that she is the sole inheritor of their abandoned mansion on the banks of the Thames in London’s fashionable Chelsea neighborhood. The home, even in its dilapidated state, is worth millions. Everything in her life is about to change. What she doesn’t know is that others have been waiting for this day as well—and although they’ve been in hiding, they are now heading her way.

Twenty-five years ago, police were called to 16 Cheyne Walk with reports of a baby crying. When they arrived, they found a healthy ten-month-old safe and sound in the bedroom. In the kitchen, three dead bodies, all dressed in black, were seemingly posed next to a hastily scrawled note. The four other children reported to live at Cheyne Walk were gone.

In The Family Upstairs, the New York Times bestselling author of Then She Was Gone and master of “bone-chilling suspense” (People) delivers another powerful and propulsive story of two families living in a house with the darkest of secrets.

Topics & Questions for Discussion

1. The Family Upstairs is told from three perspectives: Henry, Lucy, and Libby’s. Was there one character in particular whose point of view you especially enjoyed? What is the effect of having Henry’s sections told in first person narration and Lucy and Libby’s told in third person narration? Why do you think Lisa Jewell structured her novel this way?

2. Henry, rightfully, hates David. Yet, Henry and David share many similar tendencies and qualities. Compare and contrast the two men.

3. There are many intriguing characters who do not directly narrate the novel. Is there a character whose point of view you’d have liked to had included? What do you think Martina, for example, thought about David and Birdie’s choices?

4. What is the effect of characters calling Libby “the baby” throughout the novel? How does this inform your opinion of Libby and her role in the story?

5. Which of adult Henry, Lucy, and Clemency’s behaviors can you directly trace back to their harrowing experiences as children? How do you see the influence of their abuse in their grown up lives?

6. The relationship between Henry and Phin is pivotal to the plot, but we aren’t told as much about the friendship between Lucy and Clemency. What details do we glean about their relationship from Henry and Lucy’s memories and Clemency’s account toward the end of the novel?

7. What types of power are wielded in this novel? Who has power, who loses it, and who wants it? Is there a character without any agency?

8. Do you think Henry’s lies and violent acts were born out of his need to survive an unimaginable situation, or do you think there is, as Clemency states, “a streak of pure evil” (page 280) in him?

9. Lucy and Clemency experienced unspeakable abuse as children, but, miraculously, they managed to break the cycle and become good mothers to their children. What are their relationships like with their children? What makes them good moms?

10. After Clemency tells Henry that her father tried to con his own family once, Henry decides he must act against David. As he remembers his conversation with Clemency, he thinks, “It was a fork in the road, really. Looking back on it there were so many other ways to have got through the trauma of it all, but with all the people I loved most in the world facing away from me I chose the worst possible option” (page 274). While Henry claims he would have resorted to less violent ways of escaping the Lamb house, do you really believe him? Or do you think part of him wanted revenge?

11. Libby finds many disconcerting traces of the house’s previous inhabitants when she tours it. Which artifacts did you find the eeriest? Which intrigued you and made you want to find out what had happened inside the house?

12. In your opinion, who is the most tragic figure in this novel? Do they experience healing or redemption?

Enhance Your Book Club

1. When Libby tells Dido that she and Miller are investigating her past and the home she inherited, Dido insists on helping, saying she may be useful because, “I’ve read every Agatha Christie novel ever published. Twice” (page 99). Choose one of Agatha Christie’s mysteries set at a family home with a dark secret, such as Crooked House or Peril at End House, and discuss how Lisa Jewell and Agatha Christie use family homes to similar or different effects.

2. With its atmospheric setting, dark mystery, and twists and turns, The Family Upstairs seems like the perfect book to adapt to a movie. Who would you cast as its stars? Discuss as a group how a director might adapt a book with so many narrators and perspectives.

3. Many of the characters in this novel survived abusive relationships of various types. As a group, consider volunteering at a local women and children’s shelter to support those in your community who are recovering from their own traumas.

Customer Reviews

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Family Upstairs: A Novel 4.2 out of 5 based on 0 ratings. 122 reviews.
diane92345 9 months ago
“Socialite and husband dead in suicide pact. Teenage children missing; baby found alive.” The Family Upstairs is the story of that baby’s journey to discover her roots and what really happened that night. The baby, Libby, is now twenty-five years old and set to inherit the Chelsea mansion where the event occurred. Lucy is a homeless English woman with two children in France. Henry is a rich, but odd, man who is one of the missing teenagers twenty-five years later. “It all happened so slowly, yet so extraordinarily quickly, the change to our parents, to our home, to our lives after they arrived.” All three tell their tales of what happened both before and after the event. The Family Upstairs is a compelling thriller that builds an impressive atmosphere of dread. Everyone but the people involved know something horrible is going to happen. It is truly a can’t-put-it-down book. The characters are so human and realistic that you are forced to read one more chapter until the story is done regardless of what time your alarm will ring. I love the author’s books for their originality in a crowded genre. But most of all, I love that she thanked the “two double vodkas and tonics that saw me through the last three chapters of this book late on a Friday night...Cheers!” in the Acknowledgements. Can you imagine what Hemingway or Poe would write if they thanked their alcoholic muses? Cheers, indeed. The Family Upstairs should appeal to most thriller and women’s fiction fans especially if they like their tales dark. It would not be a good choice for those readers triggered by child abuse. Otherwise, pick up this spellbinding family thriller. 4 stars! Thanks to Atria Books and NetGalley for a copy in exchange for my honest review.
thisismyeverybody 3 days ago
Hooked by the end of Chapter One... I've created a new category based upon a book like this, which is “faux historical fiction!” Because the storyline is based upon this “real event” that's happened… and you become so invested in the story that you actually do believe this event did happen. That you're actually reading an historical book, which this is not at all. I love it when you become so invested in a story you suspend belief and the “magic of storytelling” happens. Also the character of the house is a primary character in this book. And I love when that element is in a book! Finally, the first chapter of a thriller can actually be quite a tough nut to crack for an author. And Lisa Jewell just does it masterfully. She just hooks you right from the start! She gives you just enough details that you know right where you're at when you're jumping into the story. And you never feel like you're playing catch up after that. Thank you Lisa! Great thriller… The Family Upstairs by Lisa Jewell
Anonymous 4 months ago
I read for B&N book club in January. The first half did not hold my interest. I really had no enthusiasm in finding out what happened to all three characters. Skipping back and forward in time was confusing. The story line didn't come together until part III. Would I recommend it to a friend ? No.
Anonymous 5 months ago
This book was not at all what I was expecting and unfortunately I was left very disappointed.
Anonymous 6 months ago
Interesting plot twists and just enough Character information to keep you guessing. I love Jewell's writing style and her ability to make you want to read just one more chapter to find the answers!
Anonymous 6 months ago
A
Anonymous 6 months ago
Wow, so riveting, dark, twisted, and some brightnes with Libby and her friends in London, I loved learning about how they speak and live.
Anonymous 6 months ago
Well written, interesting story line, but too many characters to keep straight and identify.
Anonymous 6 months ago
Great
HomeSweetHouser 7 months ago
3.5 stars I have come to be a fan of Lisa Jewell after reading her books Watching You and Then She Was Gone. She is a wonderful storyteller and can write a great thriller. I was thrilled (no pun intended) to read her newest book The Family Upstairs but I've got to say that although I liked the story, I was a tad underwhelmed overall. The story was told from three different perspectives, and from the beginning seemed very disjointed. The three plot lines didn't really merge until late into the book, and I found myself wondering where the story was headed for several hours. It all did end up coming together in the end, but by the time it did, I can't say that I was entirely surprised or caught off guard by any of the "plot twists." I did think that the story itself was rather unique and not your typical domestic drama about some tragic nuclear family with issues. The complexity of the "family" in this case made for a different type of narrative that I quite enjoyed. Overall, this wasn't my favorite novel by Lisa Jewell but I'll continue to read her work going forward because she is a wonderful storyteller. -I received an advanced copy of this book in exchange for an honest review. Thank you to NetGalley, Lisa Jewell, and Atria Books for the opportunity to review.-
GratefulGrandma 2 days ago
This was one of my most anticipated reads based on other books I had read by this author. Unfortunately, it did not measure up to the others. It was not a bad book, just not what I had been expecting. I will admit I was a bit confused for a good portion of this story. I enjoy dual timelines, but I think the number of characters, the different names and relationships all had me trying to figure out who was who and how they all fit together. About 2/3 of the way into the story, I finally felt comfortable with this book and was able to sit back and enjoy the ride. When Libby turns 25, she finds out that her parents, who had been killed 24 years earlier, had left their estate to her. The estate basically consists of a huge house in a very ritzy area of Chelsea. We also meet Lucy, a single, homeless mother of two who has an alert on her phone that "the baby is 25". You know they must be connected, but how. When Libby heads to Chelsea, she hooks up with an investigative reporter, who helps her figure out what to do and gives her whatever information he has about her family. What she finds out is that a brother and sister went missing the same night her parents were killed. Are they still alive? Where are they, if they are? She meets up with a strange man who informs her that he knows her family and lived with them at one point. He shares more information about them. I felt sorry for the children in this story. They had to endure some crazy stuff, which nowadays would be considered abusive. I do not want to tell you anymore about this story as you need to read it for yourself to find out about The Family Upstairs. I will tell you that you need to be patient, you need to wade through some weird stuff and then you will come to a surprising, twisted ending to this story. The writing itself was as good as I have come to expect from Lisa Jewell, the plot was just not her best. The publisher generously provide me with a copy of this book upon request. The rating, ideas and opinions shared are my own.
Bonnie Kraus 4 days ago
i dont understand why this was written, did the author have something to say or was financial gain the purpose. i found it extremely depressing. No hero. No one I could admire. No wrong righted. Was the purpose to show us how extremely messed up we can get? If you want something positive from your reading, this is not it.
bamcooks 7 days ago
*3.5 stars rounded up. An intriguing, complicated plot that was made confusing occasionally by three points of view and two timelines. Character one: Libby inherits a decrepit old mansion in Chelsea on her 25th birthday. It seems she was once the baby left behind in a sensational case of cult suicide. What secrets does the old house hold? Character two: Lucy and her two young children are homeless in Nice when her phone reminds her that 'Baby is 25.' How can she get back to London with no money and no passport? Character three: In the mansion in Chelsea in the late 80s, the child Henry slowly relates what is happening with 'the family upstairs.' Henry, it seems, is an unreliable narrator. Highly atmospheric and gothic with a cast of eccentric, deliciously-wicked characters: this is a study of how easily people can be manipulated and ultimately destroyed by charismatic, sociopathic personalities. To me, the only likable characters are Libby and her journalist friend Miller. One wonders how the rest carried on without years of therapy. With that question in mind, perhaps the ending of the book is a bit too glib to be believable, too nicey-nicey. There's just a subtle hint of more trouble to come... This is my first taste of Lisa Jewell's writing and I quite enjoyed it; I'd definitely like to read her other novels. I received an arc of this thriller from the publisher via NetGalley in exchange for an honest review. I apologize for reading and reviewing post-publication date but it slipped through the cracks in my tbr shelf.
Shonta Smith 12 days ago
Love this book. Had me on the edge of my seat from page 1 to the end. Literally the last line...
Jessica_Wendorf 19 days ago
After I read Lisa Jewell’s ‘Then She was Gone’ all I wanted was another book from her. When I saw this book was coming out, I immediately went to Netgalley to see if I could get my hands on a copy and I did! If you’ve listened to the podcast (@booksdontreviewthemselves) that I do with my friend Kim, you would know I am an avid thriller reader. Apparently I like having anxiety 24/7. This book is not one that I would consider “thrilling” per se, but definitely more of a suspenseful read. I found the premise for this book to be very intriguing. I don’t have the experience nor have I read a lot of books that essentially focus on cult living. I thought the writing was excellent and the book flowed very nicely. Libby Jones takes you on a journey to find out who she really is and how she came to be. In that journey, you meet other characters along the way that help her piece together a life she never really knew existed. You learn about a cult that left people dead, but it never really left me feeling horrified. At some point, the characters that were killed off were, dare I say, deserving. Lisa Jewell did an amazing job developing the characters to the point there were a few that I didn’t mind seeing go. She also did really well her underline themes involving the power and control that money, sex, and drugs really play on a person. Sounds interesting? Meet Libby at 16 Cheyne Walk and see for yourself. I did find myself wanting to know what would happen next and I definitely enjoyed the book, but it didn’t leave me with that book hangover that ‘Then She was Gone’ did. Will I be reading more Lisa Jewell? ABSOLUTELY!
clairev 21 days ago
wonderfully written, kept me guessing.
WordsLikeStars 3 months ago
I AM PHIN. While I was reading this book, someone on Instagram mentioned to me that more so than your typical Thriller, this book read like a family drama. I agree completely. You are not going to get your usual roller-coaster moments; you are not going to get edge-of-your-seat thrills; but you are going to get a fascinating story about a twisted compound of people living together who are, at the core of things, toxic for one another. The story is told from three perspectives: the lead Libby, the sister of the narrator, Lucy, and the narrator and mysterious third perspective that we later find out to be Henry. Through Henry we learn what happened years ago at the house where he and Lucy grew up. We learn how police came across a murder scene that read like a cult, why it happened, and what the beginnings of it all were. Through Lucy we read the story of a woman who has had rather ill luck in life, who struggles to keep her family together, and who fights to return to her childhood home to meet the baby that was abandoned when the murders occurred. And Libby is that abandoned baby, someone who has grown up thinking she knows what happened but has no real idea of the details that brought her into existence. The Family Upstairs begins at a slow but thorough pace and spreads out the mystery for you, slowly knitting the pieces together. I've read another one of Lisa Jewell's books in the past, Watching You, and she did a much better job here of engaging the reader. Even when no action is taking place, you are so enthralled and eager to know what comes next that you can't help but continue reading. There are some expected twists and turns, some horrible revelations, most of them delivered or executed by Henry. And they are delivered beautifully. The reader is purposefully misled on more than one occasion, and the payoff—finding out the truth—makes you have that AHA! moment we love so much when it comes to books like these. Henry himself is a conundrum of a character. Libby puts it so well at the end of the story, when she states that she doesn't quite know how to feel about him. He presents a specific picture to everyone of such a charismatic person, who maybe tries a little too hard to be liked, but you forgive that because he's trying and so you want to try as well. But inside he's twisted and weird, creepy even. He delivers the end of the novel in such a chilling way, making us only imagine how he's going to bring his comeuppance to the character that throughout this story drives his ultimate obsession: Phin. Phin is his drive while everything is falling apart at home when he's a teenage boy, Phin takes up every waking thought once they escape the house after the deaths, and Phin is his ultimate goal. And after everything is said and done, at the bottom of it, The Family Upstairs subtly tells the story of the psychopathic character of Henry Lamb, and that's the beauty of this novel: you don't realize how fooled you've been until the last page, and by then it's too late.
GeeMarie08 3 months ago
A gripping tale of a family whose lives become twisted and forever altered by the choices of the parents. Once you think you have the story figured out you are thrown another twist. Hard to put this one down.
Philomath_in_Phila 4 months ago
‏I was provided with a complimentary copy of this book so I could give an honest review. Although I marked several of Lisa Jewell's works "want to read", I never got around to picking up one of her books. I was excited to be given the opportunity to review her latest, "The Family Upstairs". As of 12/3/19, it has a 4.05 out of 5 with almost 14,000 ratings. Maybe it was due to my wanting to read her books for years or the high rating but to say I was disappointed would be an understatement. It is billed as a mystery/thriller. I may have enjoyed it if I had just considered it as a work of fiction, without the mystery/thriller label. I did not connect with the characters or with the story. I think this is mostly because I kept waiting for the mystery/thriller to begin. The book itself was a quick read. Some reviewers had difficulty keeping track of the characters and the timeline. I did not and thought was easy to keep track. I know most of this review is not exactly positive but I still plan to read another book by Lisa Jewell. I hope it was just this book I did not connect with and not the author. This 200-word review was published on Philomathinphila.com on 1/12/20.
Anonymous 4 months ago
"Socialite and husband dead in suicide pact. Teenage children missing; baby found alive." Libby is now 25 years old and has aquired her family's abandoned house, a family she doesn't know. She goes about trying to find out more about her family and what really happened to her parents. The story felt long but in a good way. It was never slow. I just kept wanting to turn the pages. The suspense made me really like that it was written in multiple POV. I don't always like that style. This book definitely lived up to the expectations I had based on all of the hype.
Anonymous 4 months ago
"Socialite and husband dead in suicide pact. Teenage children missing; baby found alive." Libby is now 25 years old and has aquired her family's abandoned house, a family she doesn't know. She goes about trying to find out more about her family and what really happened to her parents. The story felt long but in a good way. It was never slow. I just kept wanting to turn the pages. The suspense made me really like that it was written in multiple POV. I don't always like that style. This book definitely lived up to the expectations I had based on all of the hype.
JillJemmett 4 months ago
This was such a creepy story. There were three different alternating narratives. Two were in third person, and followed Libby and Lucy. The third narrative was in first person, told by Henry. It took a while for these narratives to come together, but each story was thrilling in itself. There were so many creepy parts to the story. I couldn’t figure out how everyone was related for a long time, but I really wanted to find out. I couldn’t put the book down. I highly recommend this book if you like fast paced thrillers! Thank you Simon and Schuster Canada for providing a copy of this book in exchange for an honest review.
Amanda Cardenas 4 months ago
kept you guessing through the very end
Anonymous 4 months ago
Carroll Allen 4 months ago
great story