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Experiencing Leonard Bernstein: A Listener's Companion

Experiencing Leonard Bernstein: A Listener's Companion

by Kenneth LaFave


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Leonard Bernstein is a household name. Most know him for his classic musical reworking of Shakespeare's Romeo and Juliet as Broadway's West Side Story. But Bernstein accomplished so much more as a composer, and his body of work is both broad and varied. He composed ballets (Fancy Free, Facsimile, Dybbuk), operas (Trouble in Tahiti, Candide, A Quiet Place), musicals (On the Town, Wonderful Town), film scores (On the Waterfront), symphonies, choral works, chamber music pieces, art songs, and piano works.

In Experiencing Leonard Bernstein: A Listener's Companion, Kenneth LaFave guides readers past Bernstein's famously tortured personal problems and into the clarity and balance of his Serenade after Plato's Symposium for Violin and Orchestra, the intense drama of his music for On the Waterfront, the existential cosmography of his three symphonies, and his vibrant works for the musical stage. Perhaps the most famous American classical musician born in the twentieth century, Bernstein divided his time between composing, conducting, writing, and teaching, a busy schedule-especially his conducting of major orchestras-that set his work as composer at a disadvantage. Often generated in short spurts, his work carries an urgency-and even an element of improvisational genius-that he flavored with his eclectic embrace of jazz, folk song, Jewish cantorial music, and innovations in contemporary classical theory. The result is a body of work that is beguilingly melodic, incomparably rhythmic, and irrepressibly individual.

Experiencing Leonard Bernstein: A Listener's Companion is the ideal work for any reader seeking to learn how to listen across the spectrum of Bernstein's musical output.

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Product Details

ISBN-13: 9781442235434
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 10/31/2014
Series: Listener's Companion Series
Pages: 220
Product dimensions: 6.20(w) x 9.00(h) x 0.90(d)

About the Author

Kenneth LaFave, former music critic for the Arizona Republic and the Kansas City Star, composes, teaches, and writes about music. The Phoenix Symphony, the Chicago String Quartet, and the Kansas City Chorale have commissioned scores from him, and his essays and reviews have appeared in, Opera News, and Dance magazine. LaFave was a pit musician for the workshop production of Leonard Bernstein’s last (unfinished) musical, The Race to Urga.

Table of Contents

Series Editor Foreword
Chapter 1: Father, Son, and Music
Chapter 2: Celebrity
Chapter 3: Age of Anxiety
Chapter 4: Trouble In Tahiti and Wonderful Town
Chapter 5: On The Waterfront and Serenade After Plato's Symposium
Chapter 6: Candide
Chapter 7: West Side Story
Chapter 8: Kaddish and Chichester Psalms
Chapter 9: Mass and the Norton Lectures
Chapter 10: Last Works And Legacy
Selected Reading
Selected Listening
About the Author

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