When they find Mary, the self-proclaimed queen of lost souls, Nick feels like he’s found a home, but Allie isn’t satisfied spending eternity between worlds. Against all warnings, Allie begins learning the “Criminal Art” of haunting, and ventures into dangerous territory, where a monster called the McGill threatens all the souls of Everlost.
In this imaginative novel, Neal Shusterman explores questions of life, death, and what just might lie in between.
|Publisher:||Simon & Schuster Books For Young Readers|
|Series:||Skinjacker Trilogy Series , #1|
|Product dimensions:||5.40(w) x 8.20(h) x 1.00(d)|
|Lexile:||860L (what's this?)|
|Age Range:||12 - 17 Years|
About the Author
Read an Excerpt
On the Way to the Light...
On a hairpin turn, above the dead forest, on no day in particular, a white Toyota crashed into a black Mercedes, for a moment blending into a blur of gray.
In the front passenger seat of the Toyota sat Alexandra, Allie to her friends. She was arguing with her father about how loud the radio should be playing. She had just taken off her seat belt to adjust her blouse.
In the center backseat of the Mercedes, dressed for his cousin's wedding, sat Nick, trying to eat a chocolate bar that had been sitting in his pocket for most of the day. His brother and sister, who sandwiched him on either side, kept intentionally jostling his elbows, which caused the molten chocolate to smear all over his face. As it was a car meant for four, and there were five passengers, there was no seat belt for Nick.
Also on the road was a small piece of sharp steel, dropped by a scrap metal truck that had been loaded to the brim. About a dozen cars had avoided it, but the Mercedes wasn't so lucky. It ran over the metal, the front left tire blew, and Nick's father lost control of the car.
As the Mercedes careened over the double yellow line, into oncoming traffic, both Allie and Nick looked up and saw the other's car moving closer very quickly. Their lives didn't quite flash before them; there was no time. It all happened so fast that neither of them thought or felt much of anything. The impact launched them forward, they both felt the punch of inflating air bags but at such a high speed, and with no seat belts, the air bags did little to slow their momentum. They felt the windshields against their foreheads, then in an instant, they had each passed through.
The crash of splintering glass became the sound of a rushing wind, and the world went very dark.
Allie didn't know what to make of all this quite yet. As the windshield fell behind her, she felt herself moving through a tunnel, picking up speed, accelerating as the wind grew stronger. There was a point of light at the end of the tunnel, getting larger and brighter as she got closer, and there came a feeling in her heart of calm amazement she could not describe.
But on the way to the light, she hit something that sent her flying off course. She grabbed at it, it grunted, and for an instant she was aware that it was someone else she had bumped someone about her size, and who smelled distinctly of chocolate.
Both Allie and Nick went spinning wildly, crashing out of the blacker-than-black walls of the tunnel, and as they flew off course, the light before them disappeared. They hit the ground hard, and the exhaustion of their flight overcame them.
Their sleep was dreamless, as it would be for a long, long time.
Copyright © 2006 by Neal Shusterman
Arrival in Everlost
The boy had not been up to the road since forever. What was the point? The cars just came and went, came and went, never stopping, never even slowing. He didn't care who passed by his forest on their way to other places. They didn't care about him, so why should he?
When he heard the accident he was playing a favorite game; leaping from branch to branch, tree to tree as high from the ground as he could get. The sudden crunch of steel was so unexpected, it made him misjudge the next branch, and lose his grip. In an instant he was falling. He bounced off one limb, then another and then another, like a pinball hitting pegs. It didn't hurt, all this banging and crashing. In fact he laughed, until he had passed through all the branches, and all that remained was a long drop to the ground.
He hit the earth hard it was a fall that would have certainly ended his life, had circumstances been different, but instead the fall was nothing more than a quicker way to reach the forest floor.
He picked himself up and got his bearings, already hearing the echoes of commotion up on the road. Cars were screeching to a halt, people were yelling. He hurried off in the direction of the sounds, climbing the steep granite slope that led up to the road. This wasn't the first accident on this treacherous strip of highway; there were many a few every year. Long ago a car had even left the road, flown like a bird, and landed smack on the forest floor. Nobody came with it, though. Oh, sure there had been people in the car when it had crashed, but they got where they were going even before the boy came to inspect the wreck.
This new wreck was bad. Very bad. Very messy. Ambulances. Fire trucks. Tow trucks. It was dark by the time all the trucks were gone. Soon there was nothing but broken glass and bits of metal where the accident had been. He frowned. The people got where they were going.
Resigned, and a little bit mad, the boy climbed back down to his forest.
Who cared anyway? So what if no one else came? This was his place. He would go back to his games, and he'd play them tomorrow and the next day and the next, until the road itself was gone.
It was as he reached the bottom of the cliff that he saw them: two kids who had been thrown from the crashing cars, over the edge of the cliff. Now they lay at the base of the cliff, in the dirt of the forest. At first he thought the ambulances might not have known they were here but no; ambulances always know these things. As he got closer, he could see that neither their clothes, nor their faces bore any sign of the accident. No rips, no scratches. This was a very good sign! The two seemed to be about fourteen years old a few years older than he was and they lay a few feet apart from one another, both curled up like babies. One was a girl with pretty blond hair, the other a boy who kind of looked Chinese, except for his nose, and his light reddish-brown hair. Their chests rose and fell with a memory of breathing. The boy smiled as he watched them, and made his own chest rise and fall in the same way.
As the wind passed through the trees of the forest, not rustling them in the least, he waited patiently for his playmates to awake.
Allie knew she was not in her bed even before she opened her eyes. Had she fallen onto the floor in the middle of the night again? She was such a thrasher when she slept. Half the time she woke up with the sheets tugged off the mattress and wrapped around her like a python.
Her eyes opened to clear sunlight streaming through the trees, which was not unusual except for the fact that there was no window for the light to shine through. There was no bedroom either; only the trees.
She closed her eyes again, and tried to reboot. Human brains, she knew, could be like computers, especially in the time that hung between sleep and wakefulness. Sometimes you said strange things, did even stranger things, and once in a while you couldn't figure out exactly how you got where you got.
She wasn't bothered by this. Not yet. She simply concentrated, searching her memory for a rational explanation. Had they gone camping? Was that it? In a moment the memory of falling asleep beneath the stars with her family would come exploding back into her mind. She was sure of it.
Something about that word made her uneasy.
She opened her eyes again, sitting up this time. There were no sleeping bags, no campsite, and Allie felt strange, like someone had filled her head with helium.
There was someone else a few feet away, sleeping on the ground, knees to chest. A boy with a bit of an Asian look about him. He seemed both familiar and unfamiliar at the same time, as if they had once met, but only in passing.
Then an icy wave of memory flowed over her.
Flying through a tunnel. He was there. He had bumped her, the clumsy oaf!
"Hello!" said a voice behind her, making her jump. She turned sharply and saw another, younger boy sitting cross-legged on the ground. Behind him was a granite cliff that extended high out of sight.
This boy's hair was unkempt, and his clothes were weird sort of too heavy, too tight, and buttoned way too high. He also had more freckles than she had ever seen on a human being.
"It's about time you woke up," he said.
"Who are you?" Allie asked.
Instead of answering, he pointed to the other kid, who was starting to stir. "Your friend is waking up, too."
"He's not my friend."
The other kid sat up, blinking in the light. He had brown stuff on his face. Dried blood? thought Allie. No. Chocolate. She could smell it.
"This is freaky," the chocolate boy said. "Where am I?"
Allie stood up and took a good look around. This wasn't just a grove of trees, it was an entire forest.
"I was in the car, with my dad," Allie said aloud, forcing the scrap of memory to her lips, hoping that would help to drag the rest of it all the way back. "We were on a mountain road, above a forest...." Only this wasn't the forest they had driven past. That forest was full of tall dead tree trunks, with stubby, rotting limbs. "A dead forest," Dad had said from the driver's seat, pointing it out. "It happens like that sometimes. A fungus, or some other kind of blight it can kill acres at a time."
Then Allie remembered the squealing of tires, and a crunch, and then nothing.
She began to get just a little bit worried.
"Okay, what's going on here," she demanded of the freckled kid, because she knew Chocolate Boy was as clueless as she was.
"This is a great place!" Freckle-face said. "It's my place. Now it's your place, too!"
"I've got a place," said Allie. "I don't need this one."
Then Chocolate Boy pointed at her. "I know you! You bumped into me!"
"No you bumped into me."
The freckled kid came between them. "C'mon, stop talking about that." He started bouncing excitedly on the balls of his feet. "We got stuff to do!"
Allie crossed her arms. "I'm not doing anything until I know what's going on " and then it all came crashing back to her with the fury of
" A head-on collision!"
"Yes!" said Chocolate Boy. "I thought I dreamed it!"
"It must have knocked us out!" Allie felt all over her body. No broken bones, no bruises not even a scratch. How could that be? "We might have a concussion."
"I don't feel concussed."
"Concussions are unpredictable, Chocolate Boy!"
"My name's Nick."
"Fine. I'm Allie." Nick tried to wipe the chocolate from his face, but without soap and water it was a lost cause. They both turned to the freckled kid. "You got a name?" Allie asked.
"Yeah," he said, looking down. "But I don't have to tell you."
Allie ignored him, since he was starting to become a nuisance, and turned to Nick. "We must have been thrown clear of the accident, and over the cliff. The branches broke our fall. We have to get back up to the road!"
"What would you want to go up there for?" the freckled kid asked.
"They'll be worried about us," Nick said. "My parents are probably searching for me right now."
And then suddenly Allie realized something. Something she wished she hadn't.
"Maybe they won't," she said. "If the accident was bad enough..."
She couldn't say it aloud, so instead, Nick did.
"We could be the only survivors?"
Allie closed her eyes, trying to chase the very idea away. The accident had been bad, there was no question about it, but if they came through it without a scratch, then her father must have as well, right? The way they made cars nowadays, with crumple zones, and air bags everywhere. They were safer than ever.
Nick began to pace, losing himself in morbid thoughts of doom. "This is bad. This is really, really bad."
"I'm sure they're all okay," Allie said, and repeated it, as if that would make it so. "I'm sure they are."
And the freckled boy laughed at them. "The only survivors!" he said. "That's a good one!" This was no laughing matter. It made both Nick and Allie furious.
"Who are you?" Allie demanded. "Why are you here?"
"Did you see the accident?" Nick added.
"No," he said, choosing to answer Nick's question only. "But I heard it. I went up to look."
"What did you see?"
The kid shrugged. "Lots of stuff."
"Were the other people in the cars all right?"
The kid turned and kicked a stone, angrily. "Why does it matter? Either they got better, or they got where they were going, and anyway there's nothing you can do about it, so just forget about it, okay?"
Nick threw his hands up. "This is nuts! Why are we even talking to this kid? We have to get up there and find out what happened!"
"Can you just calm down for a second?"
"I am calm!" Nick screamed.
Allie knew there was something...off...about the whole situation. Whatever it was, it all seemed centered on this oddly dressed, freckle-faced boy.
"Can you take us to your home? We can call the police from there."
"I don't got a telly-phone."
"Oh, that's just great!" said Nick.
Allie turned on him. "Will you just shut up you're not helping." Allie took a good long look at the freckled boy again. His clothes. The way he held himself. She thought about the things he had said not so much what he said, but the way he had said it. This is my place...now it's your place, too. If her suspicions were correct, this situation was even weirder than she had thought.
"Where do you live?" Allie asked him.
"Here," was all he said.
"How long have you been 'here'?"
The Freckle-boy's ears went red. "I don't remember."
By now Nick had come over, his frustration defused by what he was hearing.
"And your name?" Allie asked.
He couldn't even look her in the eye. He looked down, shaking his head. "I haven't needed one for a long time. So I lost it."
"Whoa..." said Nick.
"Yeah," said Allie. "Major whoa."
"It's okay," said the boy. "I got used to it. You will, too. You'll see. It's not so bad."
There were so many emotions for Allie to grapple with now from fear to anger to misery but for this boy, Allie could only feel pity. What must it have been like to be lost alone in the woods for years, afraid to leave?
"Do you remember how old you were when you got here?" she asked.
"Eleven," he told them.
"Hmm," said Nick. "You still look eleven to me."
"I am," said the boy.
Allie decided to call him Lief, since they had found him in the forest, and he blushed at the name as if she had kissed him. Then Lief led them up the steep stone slope to the road, climbing with a recklessness that not even the most skilled rock climbers would dare show. Allie refused to admit how terrified she was by the climb, but Nick complained enough for both of them.
"I can't even climb a jungle gym without getting hurt!" he complained. "What's the point of surviving an accident, if you're going to fall off a mountain and die?"
They reached the road, but found very little evidence of the accident. Just a few tiny bits of glass and metal. Was that a good sign or bad? Neither Allie nor Nick was sure.
"Things are different up here," Lief said. "Different from the forest, I mean. You better come back down with me."
Allie ignored him and stepped onto the shoulder of the road. It felt funny beneath her feet. Kind of soft and spongy. She had seen road signs before that said soft shoulder, so she figured that's what it meant.
"Better not stand in one place too long," Lief said. "Bad things happen when you do."
Cars and trucks flew by, one every five or six seconds. Nick was the first one to put up his hands and start waving to flag down help, and Allie joined him a second later.
Not a single car stopped. They didn't even slow down. A wake of wind followed each passing car. It tickled Allie's skin, and her insides as well. Lief waited just by the edge of the cliff, pacing back and forth. "You're not gonna like it up here! You'll see!"
They tried to get the attention of passing drivers, but nobody stopped for hitchhikers nowadays. Standing at the edge of the road simply wasn't enough. When there was a lull in the traffic, Allie stepped over the line separating the shoulder from the road.
"Don't!" warned Nick.
"I know what I'm doing."
Lief said nothing.
Allie ventured out into the middle of the northbound lane. Anyone heading north would have to swerve around her. They couldn't possibly miss seeing her now.
Nick was looking more and more nervous. "Allie..."
"Don't worry. If they don't stop, I'll have plenty of time to jump out of the way." After all, she was in gymnastics, and pretty good at it, too. Jumping was not a problem.
A harmonica hum that could only be a bus engine began to grow louder, and in a few seconds a northbound Greyhound ripped around the bend. She tried to lock eyes with the driver, but he was looking straight ahead. In a second he'll see me, she thought. Just one second more. But if he saw her, he was ignoring her.
"Allie!" shouted Nick.
"Okay, okay." With plenty of time to spare, Allie tried to hop out of the way...only she couldn't hop. She lost her balance, but didn't fall. Her feet wouldn't let her. She looked down, and at first it looked like she had no feet. It was a moment before she realized that she had sunk six inches into the asphalt, clear past her ankles, like the road was made of mud.
Now she was scared. She pulled one foot out, then the other, but when she looked up, she knew it was too late; the bus was bearing down on her, and she was about to become roadkill. She screamed as the grill of the bus hit
Then she was moving past the driver, through seats and legs and luggage, and finally through a loud grinding engine in the back, and then she was in the open air again. The bus was gone, and her feet were still sinking into the roadway. A trail of leaves and dust swept past her, dragged in the bus's wake.
Did I...Did I just pass through a bus?
"Surprise," said Lief with a funny little smile. "You should see the look on your face!"
Copyright © 2006 by Neal Shusterman
What People are Saying About This
"Marvelously inventive...and magically beautiful." Orson Scott Card, author of Ender's Game
“A rip-roaring adventure complete with monster, blimps, and high-diving horses.”—School Library Journal
“Shusterman elegantly reveals the complexities of his parallel world…a funny irreverent, and memorable adventure.”—The Bulletin of the Center for Children’s Books
“A unique exploration of life after death.”—Booklist
Reading Group Guide
THE SKINJACKER TRILOGY
by Neal Shusterman
When teens Allie and Nick are killed in a car crash, it isn’t the end of their story, but the beginning: they wake up in Everlost, a world poised between life and death, superimposed on the living world and populated only by the souls of children. The bickering Allie and Nick, traveling with their new friend Lief, head toward their homes. Along the way they spend time with Mary Hightower, who has made it her mission to save and comfort all the lost children of this inter-world, whom she has named “Afterlights”. They also hear stories of a monster called the McGill, a fearsome creature searching for souls to devour. But as Nick falls in love with Mary, and Allie comes to know the McGill, they begin to wonder which one is the real monster.
Nick has made it his mission to help children escape from Everlost to the light at the end of the tunnel. But Mary Hightower finds purpose in gathering these Afterlights to her, and wants to control all of Everlost. Even though she still loves Nick, she sees his actions as the ultimate betrayal. Meanwhile, Allie heads for home with Mikey, the boy she loves—formerly the monstrous McGill, now returned to human form. Allie, who has learned to “skinjack” (possess and take over a living human body), meets a team of skinjackers led by the charming Milos. When Milos and his team go to work for Mary, creating terror in the living world, Allie and Mikey team up with Nick to take one last stand against Mary—at Graceland.
After her seeming defeat, Mary returns to Everlost, using her skinjackers to sow chaos and terror across the western United States, replenishing her stock of Afterlights. Mary has a plan to bring the souls of millions of children to her in one stroke: with the help of Milos and his skinjackers, she is going to destroy the living world. When Allie, Nick, and Mikey discover Mary’s terrible goal, they vow to stop her. They enlist the help of a new friend, Jix, a “furjacker” (who possesses great cats, like leopards), and a “scar wraith” named Clarence, an adult in the living world who can see into Everlost, and whose touch will annihilate any Afterlight. Together they travel to meet Mary and her army of children for the ultimate showdown at Trinity, test site of the first atomic bomb.
• Allie and Nick gradually discover they were killed in the car crash, and gradually accept their existence in Everlost. How do you think you would react to this news? What is the first thing you would do?
• In the novel, we learn that the spirits in Everlost, detached from the living world, begin to forget things. Even if forgetting in Everlost brings comfort and remembering brings pain, which memories would you most want to hold on to? Which would you want to forget?
• Lief has been happy in his private forest for a hundred years. Mary Hightower tries to get her Afterlights do the same things over and over again, living out their perfect day. If you had to spend your eternity in Everlost doing one thing, what would that thing be?
• While Mary hopes each Afterlight will find their niche, Allie sees this as being stuck in a rut. We in the living world are not immune to our own repetitive tasks. What are your ruts?
• Paranorming (causing living world objects to move), ecto-ripping (bringing living world objects into Everlost), and skinjacking (possessing and controlling a live body) are also known as “the Criminal Arts.” Which of these three Everlost skills would you like to have? Why?
• Buildings and objects, from the old Penn Station to Lief’s rabbit’s foot, cross over to Everlost when they are made with love or become beloved, and then are lost quickly. What loved things, gone from your world—objects you’ve lost, buildings demolished, etc.—do you think deserve to wind up in Everlost?
• Strength in Everlost has nothing to do with muscle mass. It has to do with the strength of one’s will. How is this similar to the living world?
• When Allie pretends to teach the McGill how to skinjack, one step she tells him to perform is a selfless act. But the McGill points out anything he does won’t technically be selfless because he will be doing it to get something. Is it actually possible to perform a completely selfless act? Give examples.
• Allie at first is revolted by the McGill but ultimately falls in love with him; instead of killing her, he saves her life. How does Neal Shusterman make this character arc feel natural and inevitable?
• When Nick learns the purpose of the coins, to get the kids where they’re going, he distributes them to all the Afterlights. What do you think of Nick’s choice? Would you have made the same one?
• Throughout the novels, we see how different characters perceive things differently. For instance, Nick believes helping the children move on to the light is his purpose, while Mary thinks this makes him as monstrous as the McGill. Each believe they are right. How does Shusterman make us identify with each character, as each believe they are the good one, doing the right thing?
• “Memory in Everlost was a far greater force than gravity,” the author writes. Two examples are the space shuttle Challenger being suspended in midair, and Nick slowly turning into chocolate. What are some other examples from the book? How powerful is memory in our world?
• Allie begins to compare her skinjacking ability to being a vampire. The taste, the hunger, the need are almost overwhelming. How would you feel under these circumstances? Would you feed the addiction, or fight it?
• Milos tries to explain to Allie how skinjacking is her purpose, that the living take their lives for granted, and only the skinjackers really appreciate “every breath, every breeze, every beat of the heart.” What do you think of his argument? Why does Allie find it so compelling?
• Mary, with only good and positive thoughts, sends skinjackers into the world to murder children in order to turn them into Afterlights. How is it possible to believe that you’re the force of good as you do unspeakable evil?
• In Everlost, Wurlitzer, the old-fashioned jukebox, is given unlimited power by the Neon Nightmares. Jix fears “how much power a thing could have when it was given permission to have it.” Can you think of some examples of actual objects of power in our living world?
• For the first half of Everfound, Mary Hightower is not involved in the story directly, yet her presence looms over the novel. How does Shusterman achieve this?
• Jix believes that everything has a purpose, while Clarence thinks “it all goes belly-up in the end.” Who do you think is right? Why?
• From the first time Allie skinjacks, she feels bad about changing the course of people’s lives, scaring them, using them. By the time she takes Milos’s life, she wonders if she’s as much of a monster as Mary is. What do you think? How is killing Milos different from what Mary is doing?
Activites & Research
• Lief has saved three objects from his life that have crossed over—a shoe that had been his father’s, a rabbit’s foot, and a photo of himself. Make a list of objects you’d like to have with you in Everlost, and explain why.
• Mary Hightower’s books include Tips for Taps, The Gravity of Gravity, Everything You Ever Wanted to Know About Vortexes but Were Afraid to Ask, and You’re Dead—So Now What? Make up the title of your own book about Everlost, and write some appropriate tips for Greensouls.
• The twin towers of the World Trade Center crossed over to Everlost on September 11, 2001. They are Mary Hightower’s headquarters and the source of her name. Research any aspect of the towers—the origin, construction, use, or destruction—and present your findings in a report.
• In Everlost, you wear forever the clothes you died in. Cut out photos from a magazine that show what you would most like to spend your eternity in. Explain why. Discuss the disadvantages of your particular outfit.
• Allie the Outcast writes her own book and calls it Everything Mary Says Is Wrong. But her title isn’t entirely correct—only some things Mary says are lies. Put two columns on a piece of paper, labeled “Truth” and “Lie.” Go through the writings of Mary and place quotes in the appropriate column.
• The McGill became a monster by imagining himself as the ugliest, most terrifying creature in the world—with an eye that dangled from its socket, a tongue that forked into three octopus tentacles, etc. Draw a picture of the monster that you would become if you had to.
• Allie, quick on her feet, tells the McGill that she will teach him how to skinjack. She claims it takes twelve steps, but only gets through seven before he finds out that she’s lying. Write down your own five final steps that Allie might have used to trick him.
• Mary and Nick travel to meet the McGill in the Hindenburg, a giant airship that crashed and burned in Lakehurst, NJ, in 1937. There is a famous news report of the destruction of the Hindenburg. Listen to the recording, then imagine how such an event would be handled today—via TV coverage, live tweets, on-the-spot interviews, etc. Then, with a group, do a live report for your class on the disaster.
• “The rational world demands rational explanations,” the novel explains by way of justifying how ecto-rippers get away with pulling objects out of the real world. Research some paranormal events (the Loch Ness Monster, hauntings, UFO reports) and find the “rational” explanations offered by experts. Do you think these official responses hold up?
• Zinnia Kitner is a young girl who was so determined to fight in the Civil War that she cut her hair and dressed as a boy. In real life, before women had equal rights, many girls have done the same—to fight in a war, to play music as a career, or simply to get a job. Often the truth came out only after they died. Research and write a report on a real-life woman who pretended to be a man in order to fight, perform, or work.
• It turns out the reason that Allie can skinjack is that she isn’t really dead—her body is still alive, but in a coma. There is a political and ethical debate taking place in the country regarding the question of when life ends, what medical science can and should do, living wills, etc. Choose one aspect of the issue and stage a debate on the right to die.
• Graceland, the former home of Elvis Presley, is now a landmark and tourist attraction. In Everlost, the structure is a vortex known as The Intolerable Nexus of Extremes. Learn more about Graceland and Elvis Presley, and explain why the name of this vortex makes sense.
• When the story ends, Zinnia (the Civil War girl) has been returned to the living world, and we never see her again. Write a short story describing what you think happens to her in the present day.
• The first character we meet in this novel is Jix, a child from the Yucatan Peninsula in Mexico whose ancestors were Mayan. Learn what you can about the Mayan civilization and draw a map of their empire. Include Chichen Itza and the great pyramid of Kukulcan.
• The Alamo was the site of a battle between Texas and Mexico in 1836. Folk heroes James Bowie and Davy Crockett both died there, defending the Alamo. Research the causes of the battle, and the results of the Mexican victory there.
• Wurlitzer, an old jukebox in the basement of the Alamo, an Object of Power as defined by Mary Hightower, is worshipped by the Neon Nightmares. Wurlitzer plays songs to answer questions posed by its devoted followers. Make up your own list of questions, along with a playlist of songs that answer them.
• The more Allie tries to help the living world by skinjacking, the more problems she causes. (For instance, when she frees Seth Fellon, the innocent kid accused of arson, she has to occupy the bodies of prison guards and the warden—all of whom may go to prison for allowing Fellon to escape.) Allie has run afoul of the Law of Unintended Consequences, a theory of the social sciences. Research and find real-world examples of unintended consequences.
• Alamogordo, Trinity, Ground Zero—the climax of the novel takes place in the New Mexico desert where the first atomic bomb was tested, and where Mary develops her plan to use such a weapon to destroy the world. Choose a topic involving nuclear bombs and present a report. You can choose the development of the first atomic bomb, the debate over their use in Hiroshima and Nagasaki at the end of World War II, the Cold War between the United States and the Soviet Union, or the current status of nuclear weapons around the world.
This reading group guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.