In a secluded woodland castle an old General prepares to receive a rare visitor, a man who was once his closest friend but who he has not seen in forty-one years. Over the ensuing hours host and guest will fight a duel of words and silences, accusations and evasions. They will exhume the memory of their friendship and that of the General’s beautiful, long-dead wife. And they will return to the time the three of them last sat together following a hunt in the nearby forest--a hunt in which no game was taken but during which something was lost forever. Embers is a classic of modern European literature, a work whose poignant evocation of the past also seems like a prophetic glimpse into the moral abyss of the present
About the Author
A NOTE ABOUT THE TRANSLATOR
Carol Brown Janeway's translations include Binjamin Wilkomirski's Fragments, Marie de Hennezel's Intimate Death, Bernhard Schlink's The Reader, Jan Philipp Reemtsma's In the Cellar, Hans-Ulrich Treichel's Lost, Zvi Kolitz's Yosl Rakover Talks to God, and Benjamin Lebert's Crazy.
Read an Excerpt
In the morning, the old general spent a considerable time in the wine cellars with his winegrower inspecting two casks of wine that had begun to ferment. He had gone there at first light, and it was past eleven o'clock before he had finished drawing off the wine and returned home. Between the columns of the veranda, which exuded a musty smell from its damp flagstones, his gamekeeper was standing waiting for him, holding a letter.
"What do you want?"the General demanded brusquely, pushing back his broad-brimmed straw hat to reveal a flushed face. For years now, he had neither opened nor read a single letter. The mail went to the estate manager's office, to be sorted and dealt with by one of the stewards.
"It was brought by a messenger,"said the gamekeeper, standing stiffly at attention.
The General recognized the handwriting. Taking the letter and putting it in his pocket, he stepped into the cool of the entrance hall and, without uttering a word, handed the gamekeeper both his stick and his hat. He removed a pair of spectacles from his cigar case, went over to the window where light insinuated itself through the slats of the blinds, and began to read.
"Wait,"he said over his shoulder to the gamekeeper, who was about to leave the room to dispose of cane and hat.
He crumpled the letter into his pocket. "Tell Kalman to harness up at six o'clock. The Landau, because there's rain in the air. And he is to wear full-dress livery. You too,"he said with unexpected force, as if suddenly angered. "Everything must shine. The carriage and harness are to be cleaned immediately. Then put on your livery, and seat yourself next to Kalman on the coachbox. Understood?"
"Yes, Excellence,"said the gamekeeper, looking his master directly in the eye. "At six o'clock.""At half past six you will leave,"said the General, and then appeared to be making some calculation, for his lips moved silently. "You will go to the White Eagle. All you are to say is that I have sent you, and the carriage for the Captain is waiting. Repeat."
The gamekeeper repeated the words. Then the General raised his hand, as if he had just thought of something else, and he looked up at the ceiling but didn't say anything and went upstairs to the second floor. The gamekeeper, still frozen to attention, watched him, unblinking, and waited until the thickset, broad-shouldered figure disappeared around the turn of the stone balustrade.
The General went into his room, washed his hands, and stepped over to his high, narrow standing desk; arranged on its surface of unstained green felt were pens, ink, and a perfectly aligned stack of those notebooks covered in black-and-white-checked oilcloth commonly used by schoolchildren for their home- work. In the middle of the desk stood a green-shaded lamp, which the General switched on, as the room was dark. On the other side of the closed blinds, in the scorched, withered garden, summer ignited a last blaze like an arsonist setting the fields on fire in senseless fury before making his escape. The General took out the letter, carefully smoothed the paper, set his glasses on his nose and placed the sheet under the bright light to read the straight short lines of angular handwriting, his arms folded behind his back.
There was a calendar hanging on the wall. Its fist-sized numbers showed August 14. The General looked up at the ceiling and counted: August 14. July 2. He was calculating how much time had elapsed between that long-ago day and today. "Forty-one years,"he said finally, half aloud. Recently he had been talking to himself even when he was alone in the room. "Forty years,"he then said, confused, and blushed like a school- boy who's stumbled in the middle of a lesson, tilted his head back and closed his watering eyes. His neck reddened and bulged over the maize-yellow collar of his jacket. "July 2, 1899, was the day of the hunt,"he murmured, then fell silent. Propping his elbows on the desk like a student at his studies, he went back to staring anxiously at the letter with its brief handwritten message. "Forty-one,"he said again, hoarsely. "And forty-three days. Yes, exactly."
He seemed calmer now, and began to walk up and down. The room had a vaulted ceiling, supported by a central column. It had once been two rooms, a bedroom, and a dressing room.
Many years ago--he thought only in decades, anything more exact upset him, as if he might be reminded of things he would rather forget--he had had the wall between the two rooms torn down. Only the column holding up the central vault remained. The castle had been built two hundred years earlier by an army supplier who sold oats to the Austrian cavalry and in course of time was promoted to the nobility. The General had been born here in this room.
In those days the room farthest back, the dark one that looked onto the garden and estate offices, had been his mother's bedroom, while the lighter, airier room had been the dressing room.
For decades now, since he had moved into this wing of the building, and torn down the dividing wall, this large, shadowy chamber had replaced the two rooms. Seventeen paces from the door to the bed. Eighteen paces from the wall on the garden side to the balcony. Both distances counted off exactly.
He lived here as an invalid lives within the space he has learned to inhabit. As if the room had been tailored to his body. Years passed without him setting foot in the other wing of the castle, in which salon after salon opened one into the next, first green, then blue, then red, all hung with gold chandeliers.
The windows in the south wing gave onto the park with its chestnut trees that stood in a semicircle in front of protruding balustrades held up by fat stone angels, and bowed down over the balconies in spring in all their dark-green magnificence, lit with pink flowering candles. When he went out, it was to the cellars or into the forest or--every morning, rain or shine, even in winter--to the trout pond. And when he came back, he went through the entrance hall and up to his bedroom, and it was here that he ate all his meals.
"So he's come back,"he said aloud, standing in the middle of the room. "Forty-one years and forty-three days later."
These words seemed suddenly to exhaust him, as if he had only just understood the enormousness of forty-one years and forty-three days. He swayed, then sat down in the leather armchair with its worn back. On the little table within reach of his hand was a little silver bell, which he rang.
"Tell Nini to come up here,"he said to the servant. And then, politely, "If she'd be so kind."
Reading Group Guide
“As masterly and lovely a novel as one could ask for. . . . Embers is perfect.” —The Washington Post Book World
Originally written in 1942 by the well-regarded Hungarian novelist Sándor Márai, Embers was translated into English in 2001 and became an international bestseller. The following introduction, discussion questions, suggested reading list, and author biography are intended to enhance your group’s reading of this exciting new literary discovery in which the classic formula of a love triangle is manipulated into an original and exquisite tale of honor, friendship, betrayal, and declining aristocracy.